Recently we contracted with object conservator Susanne Grieve Rawson to work on some objects from the History of Medicine Collection. These are being prepared for exhibit in the renovated Rubenstein Library.
Rather than sending her the objects as you normally do when you contract conservation services, Susanne came to the Verne and Tanya Roberts Conservation Lab to do the work.
Susanne started the first day evaluating the condition of the objects with Rachel Ingold, History of Medicine Collection curator, and Meg Brown, Exhibits Coordinator. Her examination included looking at a few of the objects under UV light.
She also met with Rachel and Andrew Armacost, Head of Collection Development in the Rubenstein Library, to discuss the condition of the items and potential treatment options.
Susanne brought an amazing kit of tools with her. We geeked out a little, asking her questions about the special tools and supplies she had. It was a fun and educational to have an outside contractor working in the lab. We learned a lot from each other. I hope we have this opportunity again.
We got an amazing History of Medicine Collection artifact in the lab today for boxing . It is an anatomical birthing model dated to the 1890’s. The body and placenta are made of a soft suede material with red and blue yarn for the umbilical cord. The stitching that attaches each section to the main body is very finely done.
I don’t know the complete history of this item. But judging by the attention to detail on the hands, feet, and ears, along with the elegant stitching, you can tell this was a lovingly-crafted model.
Every now and then something really, really great comes to the lab for a custom enclosure. We have been working on high priority items in anticipation of the Rubenstein Library move to its renovated space this fall.
On Rachel’s bench is one of the ivory manikins from the History of Medicine Collection. This one is lounging on a beautifully carved-out wooden bed. I love that the manikin is wearing shoes. Very modest indeed.
This post is only slightly off topic, but it is preservation related of a kind. Our University Archivist and myself went over to Duke Hospital to take part in a compression-only CPR class today. This session focused on what to do if an adult or teenager collapses due to cardiac arrest.Resusci Annie has been replaced by a half-manikin androgynous bot. It has a dial in the back that must adjust the resistance, it says “adult” and “child.” Was I the only one that flipped it over to look at the back?
We learned the proper way to apply compressions following the “three C’s.”
- Check to see if the person is conscious
- Call 911; and if there is an AED in your building, ask someone to get that, or get it yourself
- Compressions at at least 100 beats per minute
If you need help keeping the 100 beats-per-minute rhythm, the American Heart Association has put together a Spotify list of music with the perfect beat to do CPR compressions. We also learned how to use an Automated External Defibrillator or AED, which led me to wonder if the library has one. I’ve sent an email to our building security manager to find out.
There is a very brief video by the American Heart Association that demonstrates the compression-only CPR technique. You do not need to be certified to do this method of CPR, and it does not involve checking for a heart beat, sweeping the mouth, or providing breaths.My new sticker for my office window.
At the beginning of the class we were asked to share this information with eight people, and ask them to share as well. Consider yourself part of my eight people. Now go and share!
Today was board-shear maintenance day. We changed the blade, replaced some worn screws, and trued the cut. It takes two people to change the blade. One person under the shear (usually me) and one person to tighten the screws. We have the maintenance down to about half an hour. A while ago we showed you the view from above, ever wonder what the view from below looks like?Rachel laughing at Beth on the floor.
That is not a very flattering angle. It’s a very good thing Rachel has a great sense of humor.