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Transcriptions and Notes II
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Transcriptions and Notes II

146

of our own self that we are all in search of."

1947

"Art, with religion and the sciences, has always supported and liberated man on his path. Art resolves through Form the many paradoxes of life, and sometimes permits us to glimpse behind the dark curtain which hides those spaces unknown and where one day we shall be unified." p 94 1950

19th Century Art Robert Rosenblum - 1984

p 53 Goya... "his insistence on the facts. It is a situation paralleled in the photographs of Diane Arbus, where the factual presentation of a grotesque humanity can be interpreted as derisive, compassionate or voyeuristic.

p 54. Again, the sense of reportional fact is so acute that the modern observer may think ahead to photography to find a comparable insistence on the unedited truth. But again, as with the finest

147

photographers, Goya has somehow chosen exactly what to record, so that we sense, beneath the surface of documentary fact, the contours of his own personality and vision. 5-31-84

The Man-Eater of Malgudi by R.K. Naryan - 1961

It's best to listen to the advice of one's wife - because sooner or later that's what everyone does. Even the worst bully - I know my own uncle, such a bully for forty years; but at sixty, he became a complete slave to his wife. If people are not slaves before sixty, they become slaves after sixty."

p 195-6

6-8-84

Cubists cast out "color, emotion, sensation - everything that had been introduced into painting by the Impressionists, to search again for an architectonic basis in the composition." Picasso quoted by Francois Gilot

"Money will open every female's legs."

Frank Harris

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Transcriptions and Notes II
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