Specialized Subject Terms
The terms below were developed to describe the music and illustrations of this digital collection and have not been based on standard sources. A few of them are drawn from the Library of Congress Subject Headings, but most are unique to this collection guide. The description of the dances are, for the most part, based on the New Harvard Dictionary of Music, edited by Don Michael Randel (Belknap Press, 1986).
Instrumental music, sacred songs, opera, songs with German, French, or Italian words, and spirituals. There is a general problem of definition for this music because of our understanding of "classical" versus "popular" music today. In the nineteenth century, when many of these pieces were published, there really was little distinction between the two. There may have been a notion that some music was "uplifting" and some was degenerate, but the idea of "good" or "classical" is a fairly recent value judgment.
Dance and Dance music
Dance music to be performed in the home was very popular. Much of it was easily played on the piano, which was, by mid-nineteenth century, a symbol of the rising economic status of the middle class. Some of the pieces include dance instructions. To locate those items, search for dance instructions.
1) A dance in duple time (2/4) characterized by high stepping and leaning back of the upper body. It became very popular on the stage and as a social dance in the 1890's to early 1900's.
2) During the same period the cakewalk became popular as a syncopated march strongly influenced by ragtime.
Bibliography: Brooke Baldwin, "The Cakewalk: A Study in Stereotype and Reality," Journal of Social History 15 (1981): 205-218.
A social dance popular in the 18th and 19th centuries related to contredanse and quadrille. They were often performed at the end of a ball. The actual music and danse steps varied. The music used might be waltzes, polkas, mazurkas, and galops.
American social dance introduced in 1913. The dance steps themselves were highly varied and borrowed from other dances. Popular variants included the quickstep (originally a fast military march) and slow blues.
A fast line dance in duple time (2/4) often used as the last dance in the Quadrille. The name is derived by the galloping motion used to move up and down the line.
A Baroque dance in duple time, generally has a moderate tempo, and uses simple rhythms.
Originally a Polish folk dance, this is usually a lively dance (3/4 time) with strong rhythms. Mazurkas were usually danced by 4, 8 or 12 couples. In the mid 19th century it became a very popular drawing-room dance, along with the polka.
A highly stylized dance in a moderate tempo, triple meter. It was very popular in France from the mid-seventeenth century to the late eighteenth century. By the mid-nineteenth century it was considered to be "old fashioned" and was not frequently danced. It remains part of the classical piano literature to the present time.
A lively couple dance in 3/4 time combining the strong rhythms of the mazurka with the meter of the polka.
The polka, originating in Bohemia in the early 19th century, was an extremely popular fast dance characterized by strong rhythms (duple time 2/4).
A processional dance of Polish origin but developed primarily outside of Poland.
A dance for four or more couples, often in 2/4 or 6/8 time There were multiple sections titled: Le pantalon, L'ete, La poule, La pastourelle and Finale.
A slow round dance in triple time (3/4), sometimes called the German polka.
A dramatic dance that originated in Buenos Aires, Argentina, in the late 19th century. It is characterized by exaggerated movements by the dancers and abrupt rhythmic and dynamic contrasts in the music.
An rapid folk dance in 6/8 time from southern Italy with shifts between major and minor keys.
The waltz remains one of the most popular ballroom dances for couples today. It originated in southern Germany and Austria but has evolved from slower, rustic German dances to the elegant, sophisticated and graceful version made popular in the late nineteenth century.
Education and fraternal organizations
Illustrations of schools, academies, symbols of organizations
This term is meant to include various types of minstrel shows and other public entertainment. It is primarily music from minstrel shows, vaudeville, barbershop quartets, etc. It includes various types of public performances other than opera. Opera excerpts are usually listed under "Classical music."
Fashion and costume
Illustrations of clothing and dress either as fashion or costume.
Food and Eating
Pictures of food as well as dining scenes
Historical and Patriotic Music
God save the Southern land
Wedding of the Blue and the Gray
Music commemorating historical events (e.g., presidential elections), wars and patriotism.
Human activities of ordinary people
Images of people (not caricatures) engaged in activities of daily life.
Music for piano, flute, guitar, and other instruments (without words).
Legacies of Racism and Discrimination
Music in this category includes the various "dialect songs," musical caricatures, and songs derogatory to an ethnic or gender group. The notion of musical caricature often involes characteristic rhythms - e.g., tom-tom drum beats for "Indian" items. They were extremely popular and it is important to remember that we now view these pieces from quite a different perspective. Because of the nature of these works, some people may find these examples offensive.
This term is used only for "dialect" and "plantation" songs. For illustrations see Stereotypes--Afro-Americans
Other groups include:
American Indians, Arabs, Asian, Couples, Dutch, English, Eskimo, French, Germans, Gypsies, Handicapped, Hawaiians, Hispanic, Irish, Italians, Jews, Men, Scots, Swedes, and Women
This term is used to describe caricatures of ethnic groups.
This term is used only for illustrations
Marches and Military Music
Instrumental marches and all types of military marches (including quicksteps, two-steps, one-steps)
This phrase provides access to a wide variety of individuals and groups and may be further subdivided by Afro-Americans, Children, Groups, Men, or Women.
Music of political parties, campaign songs, & elections
Used to describe illustrations of religious persons, religious statues, and songs about religion. For Sacred music see Classical music
Society and Culture
The following terms are used only for illustrations that are not caricatures.
--Supernatural & Imaginary Beings
Much of the collection consists of sentimental songs or a variation onthe theme of longing for family, home, and state or country. There are many examples of each type that are collected under this heading. Examples are:
Home songs: Old folks at home
Songs about sweethearts: Drifting
Songs about mothers: Mother would comfort me
Songs about soldiers away at the front: Say a prayer for the boys out there
Sometimes the same song was popular on both sides of the conflict:
The Vacant chair (Confederate version)
The Vacant chair (Yankee version)
Names of states figuring prominently on the title page, in the title or words are listed here. Many states are represented. North and South Carolina are entered under Carolinas. Additionally there is a general category for Southern States (i.e., Dixie songs)
--Carolinas (i.e., North and South)
Vices, Gambling, etc.
This includes smoking, drinking & drunkenness, card playing, gambling, etc.
Publishing & Printing Terms
For additional information about the printing and publishing of music see the Bibliography
Lithography adapted to use multicolored inks.
The production of music notes, letters or illustrations by means of incised lines on a metal plate. In this example the impression lines from the actual printing process are clearly visible on images 2-4. The title page of this example was not engraved.
The process of printing from a flat surface (e.g., stone or metal plate) on which the image to be printed is ink-receptive and the blank area is ink-repellant.
A solid metal duplicate of a relief printing surface that is made by pressing a molding material (e.g., wet paper pulp) against it to make a matrix. Molten metal is then poured into the matrix to make a casting which may then be faced with a harder metal to increase durability.