Inventory of the Pearl Primus Collection,
1920-1994
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Descriptive Summary
Repository
American Dance Festival Archives
Creator
Primus, Pearl
Title
Pearl Primus Collection, 1920-1994
Language of Material
Material in English
Extent
20.4 Linear Feet
20650 Items
Abstract
Pearl Primus (1919-1994) was an African-American dancer, choreographer, anthropologist, and teacher.
Collection includes materials created or collected by Primus and by others dating from circa 1920 to 1994, including correspondence, writings, legal documents, research and teaching materials, clippings, programs, printed materials, photographs, sound recordings, films, videos, and artifacts.
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Administrative Information
Access Restrictions
Patrons must sign the Acknowledgement of Legal Responsibility and Privacy Rights form before using this collection.
Collection is open for research.
In off-site storage; 24 hours advance notice is required for use.
Access to film, videotapes, or audiotapes in this collection requires the use of reference copies. To arrange for the creation of reference copies, if none exist, please contact American Dance Festival Archives.
Copyright Notice
Copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law.
Preferred Citation
[Identification of item], Pearl Primus Collection, American Dance Festival Archives.
Provenance
The Pearl Primus Collection was received by the American Dance Festival Archives as
gifts in 2000.
Processing Information
Processed by American Dance Festival Archives Staff, October 2004
Encoded by Dean Jeffrey, November 2007
Accessions were merged into one collection, described in this finding aid.
Descriptive sources and standards used to create this inventory: DACS, EAD, NCEAD guidelines.
This finding aid is NCEAD compliant.
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Biographical Note
Pearl Primus (1919-1994) was an African-American dancer, choreographer, anthropologist, and teacher. She was born in Trinidad in 1919 and raised in New York City, where she attended Hunter High School from 1933 to 1937. Primus received her BA in biology from Hunter College in 1940, where she had been preparing for a career in medicine. Her career goals changed, however, when she began dancing with the New Dance Group, an integrated, politically progressive dance collective. Primus made her professional dance debut in New York City in 1943. She began performing at the Café Society, an integrated nightclub, and in 1944 she gave her first solo recital, performing to poetry and the music of folksinger Josh White. Later that year she traveled the American South, where she worked as a cotton-picker in order to learn more about the plight of African-Americans in the region, an experience that later inspired several dances.
In 1946 Primus took graduate classes in education at Columbia University and performed professionally with her own company and with the New York revival of Showboat and the Chicago Civic Opera production of The Emperor Jones. In 1949, Primus traveled to Africa on a grant from the Julius Rosenwald Foundation. She lived with tribes in Nigeria and the Belgian Congo, among others, observing and recording African dances, ceremonies, and other cultural activities and aspects of society.
In August 1950 Primus married Yael Woll and formally enrolled at Columbia University. She toured internationally with her company and as a solo artist, performing in England for King George IV and Queen Mary in 1951, at the inauguration of Liberian President William V. S. Tubman in 1952, and with her company in Israel and France in 1952.
In early 1953 Primus separated from Woll. The following summer, Primus continued her studies of dance in Trinidad and met dancer and choreographer Percival Borde. They married in 1954, and Primus gave birth to their son, Onwin, in January 1955. Primus and Borde continued to perform and teach together until Borde's death in 1979.
Primus received her MA in educational sociology from New York University and was awarded a grant from the Rebecca Harkness Foundation to study in Africa in 1959. Upon her return to the U.S. in 1963, Primus founded the Primus-Borde School of Dance, where she developed methods of cross-cultural education through dance. Primus tested these methods in New York City elementary schools from 1965 through 1968 and published her findings for the U.S. Department of Education in 1968. Her phonograph record, Pearl Primus' Africa, was recorded to assist teachers in elementary and high schools.
In 1969, while pursuing a doctorate in anthropology at NYU, Primus was appointed professor at Hunter College. In asserting that dance was an international language, Primus became the first NYU student to use dance to fulfill the language requirement. After completing her dissertation on the use of sculpture to acculturate children in the Mano tribe of Liberia, Primus received her PhD in anthropology in 1978. She began the Pearl Primus Dance Language Institute to promote her blending of African-American, Caribbean, and African influences with modern dance and ballet techniques. Percival Borde died on August 31, 1979 in New York.
Primus was appointed director of the Cora P. Maloney College at State University of New York-Buffalo in 1982, where she taught for two years. From 1984 to 1990, Primus served as a professor of ethnic studies and artist-in-residence at the Five College Consortium in Massachusetts. In the following years, Primus was in residency at Howard University, taught at NYU, and worked towards the founding of the Pearl Primus Dance Arts Foundation.
Primus received many awards, including a Star of Africa decoration from the Liberian government and the Scroll of Honor from the National Council of Negro Women. In 1991, President George H. W. Bush awarded Primus the National Medal of Arts for "outstanding contributions to the excellence, growth, support and availability of the arts in the United States." Primus' other awards include the Distinguished Service Award from the Association of American Anthropologists in 1985, an honorary doctorate from Spelman College in 1988, the American Dance Festival's first Balasaraswati/Joy Ann Dewey Beinecke Chair for Distinguished Teaching in 1991 and, posthumously, the American Dance Festival/Scripps Award for Lifetime Achievement in Choreography. Primus died in New Rochelle, NY, in 1994.
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Collection Overview
Collection includes materials created or collected by Primus and by others dating from circa 1920 to 1994, including correspondence, writings, legal documents, research and teaching materials, clippings, programs, printed materials, photographs, sound recordings, films, videos, and artifacts.
Collection Arrangement
The Pearl Primus Collection is organized into eight series: Correspondence, Subject Files, Dissertation Materials, Printed Materials, Photographs, Moving Images, Sound Recordings, and Artifacts.
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Subject Headings
These are searchable subject entries for this collection. Performing a search on these subjects in the Duke University Libraries online catalog will bring up other related research materials.
- Primus, Pearl
- African American dance
- Choreographers--United States
- Dance--United States
- Ethnology--Africa
- Modern dance--United States
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Detailed Description of Collection
Correspondence, 1937-1994 and undated
Box 1
Pearl Primus, 1937-1938, 1947-1994 and undated
.75 linear feet
Includes letters to Primus from family, friends, fans, and academic colleagues, and letters from Primus to company members, government officials, educators, and funding organizations, among others. Writings, project proposals, invitations, and printed materials are also present. There is extensive correspondence from 1949 documenting her experience in Africa, especially in Liberia. Other significant correspondence includes letters written in 1953 to Primus from her future husband, Percival Borde. Correspondence from the 1980s reflects Primus' professional activities as a faculty member at SUNY-Albany, SUNY-Buffalo, and the Five College Dance Department.
Box 1
Onwin Primus-Borde, 1987
1 folder, 1 item
Box 1
Percival Borde, 1956, 1962-1964
1 folder
Subject Files, 1934-1994 and undated
4 linear feet
Contains materials created or collected by Primus (and occasionally Borde) including correspondence, printed materials, notes, writings, and other materials. Prevalent are materials from Primus' second trip to Africa, including receipts, expense lists, notes, writings, poetry, project proposals, and memorabilia. Borde's activities in Africa during this time are documented by similar materials, as well as diaries, travel documents, and permits. Materials related to Primus' academic career, from high school student to college professor, are in the Notebooks and Notes subject folders. Course materials primarily date to Primus' tenure on the faculty of the Five College Dance Department and at SUNY-Buffalo's Cora P. Maloney College. Primus' daily life is characterized by personal notes, schedules, itineraries, and six diaries, which contain Primus' daily "to do" lists as well as shopping and correspondence lists and some financial information. Occasionally they contain brief musings or phrases of poetry she composed.
Box 1
Africa, 1949, 1960 and undated
Box OS1
Africa, Liberia: Invitations and Programs, Presidential Events, 1949, 1952
Box 1
Africa, Liberia: Liberian Cultural Affairs Committee, 1960
Africa, Nigeria: International Club Brochure, 1949
Box OS1
Africa, Printed Materials: The Liberian Age (11 issues), 1948-1949
Africa, Printed Materials: New York Times supplement on Liberia, July 25, 1965
Africa, Printed Materials: New York Times Magazine, March 14, 1965
Africa, Printed Materials: Sierra Leone Trade Industry & Travel, 1959
Africa, Printed Materials: Weekend Telegraph (U.K.), 1964
Box 1
Alma John Workshops, 1984
American Dance Festival (Black Tradition in American Modern Dance project), 1988
Box OS3
Artwork by Primus, circa 1955
Artwork of Primus (illegible signature), undated
Box 1
Awards and Certificates, circa 1935, 1970-1988
Box OS2
Awards and Certificates, 1985
Box 1
Barbados Dance Theatre and Five College Dance Department Exchange, 1985-1988
Barbados Workshops, 1986-1988
Biographical Information and Resumes, 1968-1990 and undated
Borde, Onwin: Awards and Certificates, 1980
Borde, Percival: Dorothea Towles, 1962
Box OS1
Borde, Percival: Nigeria, Trinidad and Tobago Cultural Society, 1962
Box 1
Borde, Percival: Writings, circa 1962
Box OS1
Borde, Percival: Writings, Diaries, 1962
Box 1
Children's Theatre Company, 1984
Contact Information (address lists and business cards), undated
Box OS1
Contact Information (address lists), undated
Contracts and Correspondence, Lordly and Dame, 1986-1989
Box 1
Course Materials, circa 1963-1987
Course Materials: Student Papers, 1988, 1992
Course Materials: Syllabi, 1984-1994
Box OS1
Course Materials: Syllabus, 1985
Box 1
Course Materials: Test and Lecture Notes, 1987, 1991 and undated
The Dance Project (WNET), 1987-1990
Everybody's Creative Arts Center (CitiCentre Dance Theatre), 1984-1986
Box 5
Restricted: Greeting card by Primus, 1934
Box 1
Reference Copy: Greeting card by Primus, 1934
Howard University Residency, 1992
Hunter College Employment, 1969-1973
Italy, Oct.-Dec. 1956
Kwanzaa Speech Notes, 1986
Box OS1
Kwanzaa Student Project, 1983
Box 1
Ledger, 1963
Legal Affairs: Contracts, 1951-1989
Legal Documents: Eviction Proceedings, 1963, 1984
Legal Documents: Immigration, 1937, 1957-1958
Box OS1
Legal Documents: Marriage Certificate and Divorce Decrees, 1961
Box 2
Legal Documents: Onwin Borde, 1955, 1978
Legal Documents: Permits and Licenses, 1951, 1960-1961
Memorabilia, 1940-1976 and undated
Memorabilia: Postcards, undated
Miscellaneous, 1948-1986 and undated
National Council for Culture and Art, 1980
National Endowment for the Arts, 1985-1994
New York University, Fifth International Festival, 1964
Notebook, circa 1951
Notebooks: Africa, circa 1958-1963
Notebook, circa 1965
Notebook, 1977-1981
Notebook, circa 1987-1988
Notebook, circa 1992
Notes: Africa, circa 1949-1960
Notes: Africa, Bushongo and Watusi, undated
Notes: African-American History and Heritage, undated
Notes: African-American Women, undated
Notes: African Art, undated
Box OS1
Notes: Anthropology, undated
Box 2
Notes: Caribbean, undated
Box OS1
Notes: Choreography, Dance, circa 1950-1959
Box 2
Notes: Choreography, Dance, undated
Notes: Cora P. Maloney College, undated
Notes: Dance Presentation for Children Study, undated
Notes: First African Performing Arts Center (Konoma Kende), undated
Box OS1
Notes: First African Performing Arts Center (Konoma Kende), undated
Notes: Personal, undated
Box 2
Notes: Personal and Professional (2 folders), circa 1950-1980
Box OS1
Pearl Primus-Percival Borde School of Dance, 1968
Poetry, Music, Lyrics by Primus
Project Proposals: African-Caribbean-American Dance-Arts Center, circa 1955
Box 2
Project Proposals: African-Caribbean-American Dance-Arts Center, 1957-1958
Project Proposals: First African Dance Theatre, circa 1958
Project Proposals: Pearl Primus Dance Language Institute, undated
Project Proposals by Primus, 1955-1989 and undated
Project Proposals by Others, 1987 and undated
Publishing Correspondence, 1950-1951
Rebekah Harkness Foundation Tour of Africa: Financial, 1961-1962
Rebekah Harkness Foundation Tour of Africa: Primus, 1961-1962
Rebekah Harkness Foundation Tour of Africa: Borde, 1961-1962
Box OS1
Rebekah Harkness Foundation Tour of Africa: Proposal and Description, 1962 and undated
Box 2
Receipts, 1952-1957 and undated
Receipts: Nigeria, Dec. 1948-Apr. 1949
Receipts: Belgian Congo, May-Aug. 1949
Schedules and Itineraries, 1949-circa 1992 and undated
School Essays, 1935-circa 1940 and undated
School Notes: Biology, undated
School Notes: Biology, Botany, 1938 and undated
School Notes: Dance, undated
School Notes: English Literature, undated
School Notes: Physical Education, 1938 and undated
School Notes: Primitive Art, 1953
School Notes: Psychology, undated
School Notes: Roman History, undated
SISA (Sisterhood in Support of Sisters in South Africa), 1986-1987
Spelman College Inauguration and Symposium, 1988
Spiritual Baptists, Granville Williams, 1984-1988
Symposium: The Struggle for Liberation in Southern Africa, 1983
Travel Documents (including passports and permits), 1948-1963
White, Josh, 1983-1984 and undated
Writings, undated
Box OS1
Writings: Africa, 1962
Box 2
Writings: Africa, undated
Writings:
"African Dance"
, 1963
Writings:
"An Evaluation Report on Cultural Enrichment Through the Dance"
, 1967
Writings: Dance, undated
Box 5
Restricted: Writings: Diary, circa 1943-1949
Box 2
Reference Copy: Writings: Diary, circa 1943-1949
Box 3
Writings: Diary, 1944
Writings: Diary, 1949
Box 5
Restricted: Writings: Diary, circa 1956
Box 3
Reference Copy: Writings: Diary, circa 1956
Writings: Diary, 1957
Writings: Diary, circa 1960
Writings: Poetry, Lyrics, and Music, undated
Box 5
Restricted: Writings:
"Tree Worship"
, 1934
Box 3
Reference Copy: Writings:
"Tree Worship"
, 1934
Box 5
Restricted: Writings: Diary by M. Hull, 1979
Box 3
Writings: By Others, 1960-1991 and undated
Writings: By Others about Primus, 1979, 1982 and undated
Writings: Poetry, Lyrics, and Music by Others, 1928, 1965, and undated
Writings: Woll, Yael, English Composition notebook, 1938
Dissertation Materials, 1959-1977 and undated
.5 linear foot, 21 folders
Proposal drafts are followed by drafts of chapters or sections, followed by folders devoted to illustrations, bibliographies, research materials, and correspondence. Drafts of chapters and sections are presented in the same order as the table of contents of the most complete draft of the dissertation. The identification of some materials as part of Primus' dissertation proposal is sometimes uncertain; likewise, some materials filed as a draft of a chapter of the dissertation may possibly be a draft of proposal chapters or sections.
Contains various drafts of Primus' doctoral dissertation at New York University entitled "A Study of Sculpture-Dance as a Factor in the Enculturation of the Mano People of Liberia, West Africa, Between 1948 and 1963." The final version of the dissertation is not included. Also included are photocopies of research materials and illustrations used in the dissertation. Primus began her research in Liberia during the tour sponsored by Rosenwald Foundation in 1949, continued it during a brief visit to Liberia in 1952, and continued it again from 1959 to 1963. Primus' dissertation proposal, begun in 1959, was approved in 1975. Her doctorate was awarded in 1978 upon completion of the dissertation.
Box 3
Proposal Drafts, 1959, 1975 and undated
Drafts, Chapters 1 and 2
Drafts, Chapters 1-4, 1975
Drafts, Foreword, Preface, Dedication
"Through the Eyes of the Investigator"
"The Republic of Liberia, West Africa"
"Africa"
"Methodology"
(Chapter 3)
"Ethnography"
(Chapter 4)
"Dance"
(Chapter 4 of final dissertation)
"The Enculturation Process Among the Mano People"
(Chapter 5)
"When Sculpture-Danced Danced"
(Chapter 6)
"Implications of the Study"
(Chapter 7)
"Related Studies"
Drafts, sections unidentified
Illustrations
Bibliography
Rosenwald Fellowship Correspondence, 1948-1960
Dissertation-Related Correspondence, 1975-1977 and undated
Research Materials
Handwritten Notes and Drafts
Printed Materials, circa 1935-1995
4.3 linear feet
Arranged chronolgically in two subseries: printed materials pertaining to Primus or her family members, and printed materials collected by Primus that do not specifically mention her or her family.
Primus and Family, circa 1940-1994
Contains programs, clippings, promotional materials, reviews, publications, announcements, flyers, press releases, and other items that specifically mention Primus or her immediate family, including Percival Borde and Onwin Primus-Borde, as well as performances of students Primus advised, groups she directed, dances she choreographed, and shows she lent costumes. Also included are articles and publications that Primus authored.
Box OS1
Program Drafts, circa 1940-1959
Box 3
1941-1960 (20 folders)
Box OS2
1944-1985 (3 folders)
Box 4
1961-1994 (32 folders)
Collected by Primus, circa 1935-1994
Contains printed materials that Primus collected but that do not specifically mention her or her family, including popular periodicals, newspaper clippings, programs, and brochures.
Box 4
circa 1935-1994 (16 folders)
Box OS2
Rat newspaper, 1968
Box OS3
"Master Class"
poster, 1974 or 1985
Photographs, circa 1920-1992 and undated
Prints, circa 1920-1992 and undated
Prints are arranged into four subseries: Portraits, Publicity, Performance, and Snapshots. Folder titles identify either the subject of the photo or the title of the dance depicted, followed by the date. When known, the photographer's name appears in parentheses.
Portraits, circa 1920-1992
Portraits of Primus, circa 1920-1992
15 folders
Box 6
Primus, circa 1920
Primus, circa 1930-1949 (2 folders)
Primus, circa 1940-1949
Primus (Cris Alexander), circa 1940-1945 (3 folders)
Box OS2
Primus (Cris Alexander), circa 1940-1945
Box 6
Primus (Gerda Peterich), circa 1940-1949
Primus (Carl Van Vechten), circa 1940-1949
Primus (photograph of painting by Robert G. Thomkins), 1950
Primus (photograph of bust by Ben Karp), circa 1950-1959
Primus, Percival, and Onwin Borde passport photos, circa 1961
Primus, Afro-American Studies Department, University of Massachusetts-Amherst, 1992
Portraits of Others, circa 1940-1969
2 folders
Box 6
Others, signed or identified, circa 1940-1959
Others, unidentified, circa 1940-1969
Publicity, circa 1940-1969
Primus in Performance, circa 1940-1959
25 folders
Arranged alphabetically by title of dance
Contains publicity shots of Primus (sometimes with her company or family), depicting scenes from dance performances, taken by professional photographers for promotional purposes.
Box 6
African Ceremonial (Gerda Peterich), circa 1944 (2 folders)
Afro-Haitian Play Dance (Gerda Peterich), circa 1940-1949
Box OS2
Hard Times Blues, 1940
Box 6
Dance of the Watusi, 1951
Folk Dance, PM Daily Picture Magazine (Morris Gordon), 1944
Folk Dance (Gerda Peterich), circa 1944
Folk Dance (Jay Florian Mitchell), circa 1950-1959
Folk Dance (Gerda Peterich), 1950-1959
Negro Speaks of Rivers, circa 1940-1949 (3 folders)
Box OS2
Negro Speaks of Rivers, circa 1940-1949
Box 6
Negro Speaks of Rivers (Gerda Peterich), circa 1940-1949 (2 folders)
Spirituals, circa 1940-1949
Box 7
Unidentified Dances, circa 1940-1959 (9 folders)
Unidentified Dances (Barbara Morgan), circa 1950-1959
Unidentified Dances, with Joe Nash (Gerda Peterich), circa 1947
Primus Company, circa 1940-1959
11 folders
Contains publicity shots of Primus company members in performance and in rehearsal.
Box 7
Primus Company, circa 1940-1949 (2 folders)
Primus Company (Barry), circa 1940-1949
Box OS2
Primus Company (Barry), circa 1940-1949
Box 7
Primus Company (Scurlock Studio), circa 1940-1949
Primus Company, Caribbean Conga (Gjon Mili), circa 1940-1949
Primus Company, Caribbean Conga (Jay Florian Mitchell), circa 1940-1949
Box OS2
Primus Company, Caribbean Conga (Jay Florian Mitchell), circa 1940-1949
Box 7
Primus Company, Four Male Dancers (Marvin Smith), circa 1940-1949
Primus Company, Rehearsal (Gazelle Szabo), circa 1940-1949
Primus Company with Joe Nash and Jacqueline Hairston (Marvin Smith), circa 1940-1949
Primus Company, donkey costume (Jay Florian Mitchell), circa 1950-1955
Primus Company, circa 1950-1959
Public Appearances by Primus, circa 1940-1969
40 folders
Contains publicity shots taken at public appearances and events.
Box 7
Radio appearance, circa 1940-1949
Radio appearance, NBC (Dennis Stock), circa 1940-1949
Radio appearance, WHN (Irving Kaufman), circa 1940-1949
Saks Fifth Avenue Store Window (Worsinger), circa 1940-1949
Appearances, circa 1940-1989
War Effort, with CIO member/veterans, circa 1942-1944
Cafe Society, circa 1943
Emperor Jones, 1947
Packing for Africa (Rosenwald Grant) (Rosalie Gwathmey), 1949
Signing Autographs (Beckman), 1947
Belgian Congo, 1949
Primus with Family (Rosalie Gwathmey), 1949
Women Dancers in Nigeria, 1949
Jacob's Pillow, 1950
Primus with Percival Borde, circa 1950-1959
Primus with Francis Day, Jack Hylton reading program of Primus' royal performance, Oct. 29, 1951
Appearance in U.K., (Keystone Press Agency), Oct. 1951
Appearance In U.K (Daily Express), circa 1951
Israeli tour (Hans Kaufmann), Jan. 1952
Trieste, Italy, Oct.-Nov. 1956
Primus with Percival Borde and Curtis J. Perkins (R. Walker), circa 1956
Appearance with Onwin Borde, circa 1960
Appearance, circa 1960-1969
Appearance at Detroit Institute of the Arts, circa 1960-1969
Primus with Percival Borde and Nun, circa 1960-1969
Box OS2
Primus teaching children, circa 1960-1969
Box 8
Primus with Nigerian Cultural Leaders, circa 1961
Percival Borde presenting award, circa 1962
Percival Borde with Miss Trinidad and Tobago Independence, Sept. 1962
Press clipping:
"Everyman's African Roots"
, Dance Magazine, Oct. 1964
"Dancing Masks of Africa"
Exhibit Opening, Sept. 1974
Spelman College Repertory Workshop, Swing Low (Reeves Studios), 1976
Primus (Sigrid Estrada), circa 1982
Contact Magazine shoot (Stephen Long), 1984
Lecture Demonstration at Amherst (Frank Ward), circa 1986
American Dance Festival Master Class (Jay Anderson), 1988
Primus with Kim Bears, circa 1988
Lecture Demonstration (Andre Richardson), circa 1980-1989
National Medal of Arts (Vivian Ronay), 1991
Photographs of Others, circa 1940-1969
2 folders
Box 8
Photographs of others, identified, circa 1940-1969
Photographs of others, unidentified, circa 1940-1969
Performance, circa 1940-1969
45 folders
Includes photographs of Primus, her family, and her company taken by a professional photographer at live performances.
Box 8
Performances, circa 1940-1979
Prayer of Thanksgiving, Belgian Congo (A. Da Cruz), 1949
Belgian Congo (A. Da Cruz), circa May-Aug. 1949
Dance of Lightning, Belgian Congo (A. Da Cruz), circa May-Aug. 1949
Jacob's Pillow, 1950
Cleveland Performance (Bill Wingfield), circa 1950-1959
International Festival, circa 1950-1959
English Tour, 1951
Primus Company, circa 1951
Italian tour (Foto Florio), 1956
Italian tour (E. Constantine), 1956
Italian tour (L. de Rota), circa Oct.-Nov. 1956
Primus with Percival Borde, NYU-TV (Irwin Gooen), 1957
Percival Borde, circa 1960-1969
Primus Company, circa 1960-1969
NYU (William Simmons), 1962
Appearance (Bro. David McAdams), June 25, 1964
Alphonse Cimber, Primus Company drummer (E. Pen Stevens), Oct. 11, 1969
Percival Borde, Primus Company, Lincoln Center Out-Of-Doors Festival (Dan Brinzac), Aug. 20, 1979
Percival Borde, circa 1970-1979
Percival Borde, Impinyuza, circa 1970-1979
Primus with Onwin Borde, circa 1970-1979
Performance, circa 1980-1989 (3 folders)
Unidentified Performers, circa 1980-1989
Excerpts from an African Journey, Five College Faculty Dance Concert, 1984
Mary François Brooks and Co., 1986
Primus Company, undated
Primus Company (Costas), undated
Primus Company, Initiation, undated
Primus Company, Bushasche, undated
Snapshots, circa 1930-1992
40 folders
Includes photographs taken by non-professional, unidentified photographers. The images document Primus' family and friends, as well as some performances and appearances.
Box 9
Emily and Edward Primus (parents), circa 1930-1939
Others, circa 1930-1959
Hunter College, Friends, circa 1937
Primus, circa 1937-1950
Primus with Family and Friends, circa 1937-1960
Albums, including Father and Hunter College friend, 1938-1939
Primus' Brothers and Sisters-in-Law, circa 1940-1949
Others, signed, 1949
Others, unidentified, 1949, 1959-1963
Primus in Africa, circa 1949
Watusi (Rwanda), circa 1949
Primus at Café Society Downtown, 1950
Yael Woll, circa 1950-1953
Album, circa 1952
Trinidad, circa 1953
Trinidad albums, circa 1953 (5 folders)
Onwin Borde (with Primus and Percival Borde), 1955
Africa, circa 1959-1963 (2 folders)
Liberia, circa 1959-1963
Onwin Borde, 1961
Liberia, 1961
Classes, circa 1965
Percival Borde, Lagos, Nigeria, 1971
Onwin Borde drumming, circa 1980-1989
Lecture Demonstration, Emory University, Atlanta, circa 1980-1989
Panel Discussion, circa 1980-1989
Primus with Marilyn Middleton, circa 1980-1989
Primus at White Plains High School, circa 1980-1989
Shango de Ima, circa 1980-1989
Unidentified, circa 1980-1994
Primus at Murray and Peggy Schwartz's home, 1983
Students, Dance Workshop, Apr. 6, 1984
Box 10
Primus with Maya Angelou and Onwin Borde, 1987
Primus and Shepard Roderick, Barbados, circa 1987
Primus at Murray and Peggy Schwartz's home, 1989
Tokunaga Dance Kompany, Boston, circa 1992
Contact Sheets, circa 1940-1984
8 folders
Arranged chronologically within three subseries: Publicity, Performance, and Snapshots.
None of the contact sheets in this series has its accompanying negatives. There are, however, a few contact sheets with their accompanying negatives in the Negatives series.
Publicity, circa 1940-1959
Box 10
Primus and Company (or students), circa 1940-1949
Primus Company Rehearsal, circa 1950-1959
Performance, circa 1940-1984
Box 10
Primus, circa 1940-1949
Primus at Jacob's Pillow, 1950
Onwin Borde, circa 1965
Primus with unidentified company, 1984
Snapshots, circa 1950-1959
Box 10
Primus, circa 1950-1959
Primus, Percival Borde, Onwin Borde, circa 1958
Negatives, circa 1930-1988 and undated
14 folders
Arranged chronologically within the series of Portraits, Publicity, Performance, and Snapshots. Primus' negatives from her trips to Africa are arranged in a separate, following series.
Contains some of the negatives of prints found in the Photographic Prints subseries. There are also numerous negatives of snapshots of family members with Onwin Borde, primarily during his infant and toddler years, 1955-1957. Other negatives include performances of Primus and other well-known modern dancers such as Jose Limon and Helen Tamiris at Jacob's Pillow Dance Festival in 1950.
Portraits, circa 1945
Box 10
Primus, circa 1945
Publicity, circa 1945-1988
Box 10
Spirituals, circa 1945
Primus, circa 1945-1988
Performance, 1949-1950
Box 10
Dance of Lightning and Prayer of Thanksgiving, 1949
Limon, Ide, Helen, Cimber, Lindquist, Rivera, Jacob's Pillow, 1950
Dance of Lightning and The Negro Speaks of Rivers, 1950
Primus, Jacob's Pillow, 1950
Snapshots, circa 1930-1965 and undated
Box 10
Unidentified, circa 1930-1949
Primus and family, 1955-1957
Children, including Onwin Borde, circa 1955-1959
Percival Borde and Onwin Borde, circa 1960
Onwin Borde, circa 1960
Onwin Borde, circa 1965
Primus and Percival Borde, undated
Primus' Ethnographic Studies from Africa, 1949, 1960-1963
This subseries consists of negatives and transpareancies taken by Primus in Africa in 1949 and 1960-1963. They document the people, landscapes, vegetation, habitats, crafts, instruments, dance, dress, and rituals of the African tribes she visited.
Negatives Identified by Primus, 1949, 1960-1963
16 folders
The negatives in this subseries were contained in an index card box and identified by Primus according to city or subject, although they were not arranged in their current alphabetical order.
Box 10
Aba (Nigeria)
Benin (Nigeria)
Boma (Belgian Congo)
Bonny (Nigeria)
Duala (Cameroon)
Ife (Nigeria)
Box 11
Jos (Nigeria)
Kalabar (Nigeria)
Kano (Nigeria)
Lagos (Nigeria)
Missions
Oron (Nigeria)
Ship
Usumbura (Burundi)
Warri (Nigeria)
Zaria (Nigeria)
Negatives not Identified by Primus, 1949
13 folders
The negatives in this subseries were tentatively identified or categorized by ADF Archives staff and arranged alphabetically by tribe or subject.
The majority of these negatives likely date to Primus' 1949 Rosenwald Foundation grant tour.
Box 11
Ashanti [?] (Ghana)
Bakuba (Belgian Congo) (4 folders)
Flora and Fauna
Ife [?] (Nigeria)
Kampo [?] (Senegal)
Mano (Liberia) (3 folders)
Material Culture (2 folders)
Primus
Watusi (Rwanda) (4 folders)
Unidentified Children
Unidentified People (4 folders)
Transparencies not Identified by Primus, 1949, 1960-1963
2 folders
The transparencies in this subseries were tentatively identified or categorized by ADF Archives staff and arranged alphabetically by tribe or subject.
Box 11
Accra (Ghana), circa 1962
Bakuba (Belgian Congo)
Moving Images, circa 1949-1992
22 items
Viewing of these materials requires the use of reference copies. When a reference copy exists, it is noted in the finding aid. Originals are restricted.
Arranged by format and then by item number, as assigned by the staff of Free to Dance.
Includes 15 reels of 8mm film, primarily containing images of Africa shot by Primus in either 1949 or 1960 to 1963. This series also contains amateur VHS footage of Alvin Ailey American Dance Theatre rehearsing Primus' Impinyuza and of a speech Primus presented at Howard University in 1992. Also present is an interview with Primus conducted for the Standifer Oral History Archive in 1989, as well as a 1981 feature on Primus by Schenectady PBS affiliate WMHT. Titles are transcribed from the original label on each item.
8 mm Film, circa 1949-1969
Films marked with an asterisk* are also represented on Reference Copy DVD #4781 (Box 16), Preservation Copy Betacam SP #4781 (Box 13), and Preservation Copy DigiBeta #4781 (Box 13). Originals and preservation copies are restricted.
Box 12
051-01-5
"50' B/W Bullfight"
*
051-03-5
"dancing outside, in front of two doors-very light"
051-04-5
"Great Wall, Donkeys, Looks like more African dancing, 1960s"
*
051-05-5
"Native Guitar, Street in Lagos"
051-06-5
"Pearl at Jacob's Pillow"
051-07-5
"Bullfight, color"
*
051-08-5
"50' B/W, good exposure. Probably not Africa-people coming out of buildings"
051-09-5
"50' color Bullfight"
*
051-10-5
"looks like female African standing, then dancing in road. Full roll"
051-11-5
"dancing, color. Soloist in white skirt"
*
051-14-5
"sheep or cow under a tree"
*
051-15-5
"color-very light"
*
051-16-5
"the road, shot from inside a car, color"
*
051-17-5
"date: 1958 house/hut/tent color"
*
051-18-5
"person standing in front of stairs"
*
VHS Videocassettes, circa 1989-1992 and undated
Videocassettes marked with an asterisk* are represented on individual reference copy DVDs (Box 16) and individual preservation copy Betacam SP videocassettes (Box 13). Originals and preservation copies are restricted.
Box 13
051-12-4
"Pearl Primus in Africa"
*
051-13-4
"Sathi Ailey Impinyuza-Sun. 10/21 TRT: 23:22 5/21/92"
*
051-14-4
"Luncheon at Howard University 1992"
*
051-15-4
"Impinyuza Rehearsal 8/7/90"
051-16-4
"Dr. Pearl Primus Interviewed by James Standifer, Feb. 16, 1989"
U-Matic Videocassettes, 1981
These two tapes are represented on a single reference copy DVD (Box 16) and two individual preservation copy Betacam SP videocassettes (Box 13). Originals and preservation copies are restricted.
Box 13
"Pearl Primus, Mon. 4/20/81"
, WMHT-NY (2 videocassettes)
Sound Recordings, 1950-1989 and undated
68 items
Listening to these materials requires the use of reference copies. Sound recordings marked with an asterisk* are also represented on individual reference copy audio CDs (Box 16). Originals are restricted.
Arranged by format and by identifying numbers assigned by ADF staff.
Contains 1/4-inch reel-to-reel audiotapes and audiocassettes belonging to Primus, including interviews with Primus in 1950 and 1956 and a lecture-demonstration on
"Dance and Life Crisis"
. This series also contains a copy of Pearl Primus' Africa, a set of three phonograph records of African stories, proverbs, and songs that Primus narrated, as well as copies of four other native music LPs. Also included are recordings of chants, drumming, and singing likely used to accompany rehearsals, or perhaps made to preserve native songs and rhythms for future study, although these are largely unidentified. Home recordings and duplicates of popular music, including Josh White, Miles Davis, Langston Hughes, and Billie Holiday, are also included.
Titles are copied from the original labels on the boxes of the sound reels and audiocassettes. Additional notes appear in brackets, including spelled-out abbreviations and uncertain readings of illegible titles.
1/4-Inch Reel-to-Reel Audiotapes, 1950-1988 and undated
Box 14
PPCAud1
"Fanti + Group/Fanga"
*
PPCAud2
"Shango Songs"
*
PPCAud3
"Priorities"
*
PPCAud4
"Hard Times Blues 6/88"
PPCAud5
"Fanga"
*
PPCAud6
"P. Primus Lecture Coldstream"
*
PPCAud7
"George Carvell, Hoffman Elementary School, Hoffman and Church St., Elmira, NY 14905"
PPCAud8 Unidentified
PPCAud9 Unidentified
PPCAud10 Unidentified
PPCAud11
"Aug-Sept 1955, Music and Talk-Pearl, Percy, Hada[mar?] Nul[tor?], 1st part Carr[icecon] [Sonny, Arnette]-Sept. 22/55, Belle pique, Cacoa oh Cacoa, Rock Daniel, Rattle"
*
PPCAud11
"Aug-Sept 1955, Music and Talk-Pearl, Percy, Hada[mar?] Nul[tor?], 1st part Carr[icecon] [Sonny, Arnette]-Sept. 22/55, Belle pique, Cacoa oh Cacoa, Rock Daniel, Rattle"
*
PPCAud12
"Newark 7/9/57"
*
PPCAud13
"Round Table Discussion, African Theater Arts, P.P. and P.B. [Pearl Primus and Percival Borde], [Ezra Koli?], P. Reynolds, W. Edwards, L. Jones, 11/2/73"
*
PPCAud14
"St. Marks 1/hour 5 weeks 9/23 to 10/26, Bondi + Company, Primus Guest Artist"
*
PPCAud15
"Records of [James and ?] with K. [Heldek?] Shango"
*
PPCAud16 Unidentified*
PPCAud17
"Nights in Latin America-Rumba"
PPCAud18 Unidentified*
PPCAud19
"Jack Lathrop 1951, Pearl Primus, Conn. Coll., Aug. 1950"
*
PPCAud20
"Radio Interview P. Primus, Callinda Drumming, Sam and [Tiny?], Pearl Primus, 17 W. 24th Studio, Sun. April 8, 1956"
*
PPCAud21
"Recording of Drums and Singing By K. Ablack"
*
PPCAud22 Unlabeled*
Letter from Koko to Primus identifies reel as recordings by Koko given to Primus. Original letter is in Correspondence, undated
PPCAud23
"May 56 Speed Slow, Blue Sands-Buddy Collet [Collette], June 12 56, 'Dance off Buddy Fantaloon Dance Off' Onwin Primus, 'Big Foot Mary' Drumming by Onwin, Onwin on drums 1 yr later July 1 '57 age 2 1/2"
*
PPCAud24 Unidentified*
Audiocassettes, 1973-1989 and undated
Box 14
PPCAud25 Sides 1 and 2:
"321X Class 3/13/73"
*
PPCAud26 Sides 1 and 2:
"Lecture"
*
PPCAud27 Side 1:
"For transcript, Dance Studies"
; Side 2:
"African Dance Studies for transcription 7/9/75, Fanga"
*
PPCAud28 Side 1:
"Explaining Talking Drum by Timi of [Cede] 8/5/73"
; Side 2: Blank*
PPCAud29 Side 1:
"The Gay Flamingoes, Secrets of the Pan, 4 Selections"
; Side 2: Unidentified*
PPCAud30 Sides 1 and 2:
"Spring 74 Lect[ure] at Sus Valley School"
*
PPCAud31 Side 1:
"Praise Song 8/17/73 Osun"
; Side 2: Blank*
PPCAud32 Side 1:
"Notes on Artifacts, BOCES Stamford NY"
; Side 2: Blank*
PPCAud33 Sides 1 and 2:
"Others "
[Side 2 only on reference CD]*
PPCAud34 Sides 1 and 2:
"Summer Institute in Ethnic Studies Through the Arts"
*
PPCAud35 Sides 1 and 2:
"Festac 77 "
[2nd World Black and African Festival of Art and Culture, Jan. 1977]*
PPCAud36 Side 1:
"Arabo's Younger Brother 8/10/75"
; Side 2:
"Lagos 1st Bata Narrative"
*
PPCAud37 Side 1:
"1-216 WA 107 Caribbean-137"
PPCAud38 Side 1:
"Discipline Bai T. Moon 8/12, Cultural Center 'in the Bush' 8/13"
; Side 2:
"Cultural Center 8/13 Lect[ure] Demo[nstration]"
PPCAud39 Sides 1 and 2:
"Hi Life and JuJu Music"
PPCAud40 Side 1:
"8/9 5[?]-1st Part, Egon Gun-2nd part"
; Side 2:
"Egon Gun Lagos, Low Battery-8/9/75"
PPCAud41 Side 1:
"Italian-B and B Fall 1973 project"
; Side 2: Blank
PPCAud42 Side 1:
"Wisconsin #1-Superior"
; Side 2:
"Superior Wisc 1971"
PPCAud43 Side 1:
"Why Mosquitoes Buzz"
PPCAud44 Side 1:
"Lect[ure] 292, 1st pt of Report, W.A., 71"
; Side 2:
"Report 1971 (cont)"
PPCAud45 Side 1:
"African Rhythms"
; Side 2:
"Lecture Caribbean Music-4/18/79 M101 Blank"
PPCAud46 Side 1:
"Paraverbal Meeting 11/3/89"
PPCAud47 Side 1:
"292B Black Theatre"
; Side 2:
"292B Africa Theatre"
PPCAud48 Side 1:
"Drama/Dance Nigeria Dundun Set"
; Side 2:
"Yoruba Class 8/1/73"
PPCAud49 Side 1:
"5/8/74 [A Allvelty?]"
; Side 2:
"French Class"
PPCAud50 Side 1:
"Borroff"
PPCAud51 Unidentified
PPCAud52 Unidentified
PPCAud53 Side 1:
"Lect at Chicago [?] Forks-10/16/75"
; Side 2:
"Cheuougo Forks Lect 10/21/75"
PPCAud54 Side 1:
"Seminar on Report 11/22"
PPCAud55 Side 1:
"African Article Report 11/17"
; Side 2:
"Asleiti Conference 11/17"
PPCAud56 Side 1:
"PSU Lect Oregon 6/21"
; Side 2:
"Lect-P.S.U."
PPCAud57 Sides 1 and 2:
"Radical Liberal Arts May 1988"
PPCAud58 Side 1:
"AA/Thea 137 and 207 c/w 5/8/74"
PPCAud59 Side 1:
"Tue Dije 8/9/73"
; Side 2:
"Tue Dije 8/9/73"
PPCAud60 Sides 1 and 2:
"Ron Christopher st"
PPCAud61 Side 1:
"Nigerian Music Examples Spirit Movement (background music for slides and skit)"
PPCAud62 Sides 1 and 2:
"Langston Hughes/Miles Davis/Billie Holiday"
PPCAud63 Sides 1 and 2:
"Billie Holiday"
Long-Playing Records
Box 15
PPCAud64 Pearl Primus' Africa*
PPCAud65 The Talking Drums*
PPCAud66 Drums of Haiti*
PPCAud67 Negro Folk Music of Africa and America*
PPCAud68 African Dances and Games*
Artifacts, 1974-1991 and undated
2.92 linear feet
Costumes (Box 18) are restricted.
Contains seven plaques, awarded for achievement in modern dance, anthropology, and teaching, and the 1991 Medal of Arts, awarded by President George H. W. Bush. This series also contains three female and one male ballet slippers, assumed to have belonged to Primus and her husband, Percival, and three dance costumes presumably worn by Primus. Notable is the one identifiable costume, worn by Primus during performances of The Negro Speaks of Rivers and Strange Fruit in the mid-1940s.
Box 17
Appreciation presented by African Heritage Class and African-American Heritage Dance Club, 1974
Outstanding Pioneer Award presented by Audelco, 1977
Ernest Melby Award presented by NYU Alumni Association, 1986
Honorary Citizen of Atlanta, 1989
Distinguished Achievement Award presented by Association of Black Anthropologists, 1991
National Medal of Arts, 1991
Olaudah Equiano Award of Excellence, University of Utah, 1994
Ballet shoes (three women's and one men's)
Brown woven circle
P. Borde name Tag
Rosary
Woodblock stamp of image from African Ceremonial
Wooden comb
Box 18
Restricted: Black striped skirt with pink trim, from Negro Speaks of Rivers and Strange Fruit
Restricted: Blue and purple velvet dress with leaves
Restricted: Purple dress