Bingham Center News
While I processed a collection of correspondence between two lovers, a handful of letters stuck out. Martha Simpson, then Martha Eleanor Booker, a young African American woman working on her teaching degree at Elizabeth City Teachers College, had a penchant for writing in code. Paul Simpson, her love interest, did not share the same inclination, but did indulge her in his responses. As I read through the letters, the code used in three of them piqued my curiosity. My search revealed that the code used seems to be a form of carnival Pig Latin, also known as Czarny, Z-Latin, or Carny (Hautzinger 30).
Martha first sneaks in her secret code at the closing of a letter from January 10, 1951, with a little taunt, “Ha, ha, I bet you can’t read it.” Paul’s response to this letter, dated January 13, 1951, briefly acknowledges that he, indeed, could read her secret language with the opening line “Dizear Cizheré,” before continuing his letter unencumbered by the extra z’s.
But Martha doesn’t give up. She continues the code in a response from January 17, 1951, written half in this “z-language,” eventually switching back to conventional English.
Martha’s next letter clearly was not on pink paper (did you catch that one?), but she did keep on with her code. The secret language was formed by inserting iz after the first consonant, and if there was no consonant present, beginning the word with biz. In linguistic circles, this is known as iz-infixation and has been linked to rap and hip-hop music. Examples include Frankie Smith’s 1981 hits Double Dutch Bus and Slang Thang (or Slizang Thizang), both of which boast the iz-infix in their lyrics. More recent examples include work by Snoop Dogg and Kanye West (Viau 1). But these letters come decades before the iz-infix made it big in music, and the question remains: Where did this secret language come from?
We think the answer is this: carnival slang. Published accounts of Carny go back to 1926 (Russell and Murray 401), well before Martha was writing to Paul. It was a language immersed in the subculture of the carnival, intended to distinguish between outsiders and the true Carnies, given the questionable legality of the carnival. Sarah Hautzinger describes it as a dialect that “rearranges English to make it unintelligible to the unenlightened ear” (32). In Czarny, “a Z-sound is inserted after the first consonant, and if the word begins with a vowel, before the vowel sound, in the first syllable only” (32). This certainly seems a lot like the iz-infixes found in the letters between Martha and Paul. Rumor has it that this carny talk found its way into popular culture years later.
Whether or not their secret language was descended from Z-Latin, the coded (and uncoded) correspondence between Martha and Paul D. Simpson provides an interesting read. Recently acquired by the Rubenstein, these roughly 300 letters detail the love, life, and struggles of a young African American couple on their way to becoming teachers.
For more information on the Martha and Paul D. Simpson Papers, check out the collection guide.
For further reading on Carny Latin and the iz-infix, see:
Post contributed by Janice Hansen, a Ph.D. student in Germanic Languages & Literature and Technical Services intern at The Rubenstein.
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The Sallie Bingham Center for Women’s History and Culture, the John Hope Franklin Research Center for African and African American History and Culture, the John W. Hartman Center for Sales, Advertising & Marketing History, and the History of Medicine Collections will award up to $1,000 per recipient to fund travel and other expenses related to visiting the Rubenstein Library. The Rubenstein also offers the Eleanore and Harold Jantz Fellowship, a $1500 award for researchers whose work would benefit from use of the Jantz Collections.
The grants are open to undergraduate and graduate students, faculty, independent scholars, artists, and activists who live more than 100 miles from Durham, NC and whose research projects would benefit from access to collections held by one of the centers.
More details—and the grant application—may be found on our grants website. Recipients will be announced in April 2015.
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This is the last post in our pre-Thanksgiving Rubenstein Library Test Kitchen series. We hope you’ve enjoyed exploring our collections through food and found some find some historical inspiration for your own Thanksgiving. If you’re local join us on December 3rd from 3-4:30 in Perkins 217 for our tasting event and a chance to sample these recipes!
When I set off on my hunt for a recipe for my turn in the Rubenstein Library Test Kitchen, I knew only that I wanted a fun challenge. For a search that began with nothing in particular to guide it, I found a very lovely little book that seemed perfectly suited for me in my task. One thing I love about working in the Rubenstein Library is that I’m never sure what I’ll come across in a day’s work but I’m always delighted or intrigued by what I find, and this book was no exception! It is an artists’ book called Light and Flaky: Portrait of the Artist’s Mother: a Cookbook (1982) and was made by Lise Melhorn-Boe. The work combines Melhorn-Boe’s mother’s memories of experiences and adventures in cooking along with recipes from these stories and photographs of her mother throughout her life. And the handmade paper that covers the book is made from tea towels, aprons, tablecloths and dish cloths. The book was collected by the Sallie Bingham Center for Women’s History and Culture here at the Rubenstein.
In the spirit of the book’s many memories about cooking for a large family, I chose two recipes to make for the lovely family that lives next door to me. The recipes I chose also give a good sense of the work as a whole, since these recipes are accompanied by touching and silly remembrances and photographs. I made a Corn, Rice, and Beef Casserole and a Blueberry Pie for my friend, her parents, and her two boys (4 and 8 years old respectively).
I began my cooking adventure as soon as I returned home from the Rubenstein one evening: I first made the pie crust. The recipe calls for an all-Crisco crust, and I just happened to have a very very old tin of it in my cupboard. Perfect! Also slightly disturbing, since I couldn’t figure out where it came from. I didn’t tell my guests that, though! I let the crust chill for a while as I assembled the casserole.
It’s an extremely simple recipe. I cooked up a cup of rice, opened a can of corn, browned a pound of ground beef, and threw everything together in a dish to bake for 20 minutes at 350. I thought I’d jazz up this plain casserole just a bit for my special guests, and added onions and a dash of ground cloves (a flavor sensation that I picked up from my own mom) to the meat, and threw a bunch of cheddar on top towards the end of its baking. When the dish was cooked, I also chopped up some parsley and chives from my porch for a tasty garnish. This was an easy and fast recipe to fix for a bunch of folks at a moment’s notice, and there could be endless improvisation depending on what you had on hand.
Back to the pie: When the time came during my preparations to roll out my crust, I had a lot of trouble keeping it together. My guess is that I hadn’t given it enough time to chill. But I was determined to have everything done in time, so I pressed shards of it into my pie dish anyway, in a slapdash and frantic fashion, and poured in 3 cups of blueberries that I’d frozen from the summer (tossed with flour, sugar, butter, lemon juice, cinnamon, and nutmeg, as the recipe suggests). Although the recipe noted that this crust would be enough for two, I didn’t find that to be the case, so I also whipped up a crumble topping with flour, brown sugar, butter, and spices.
Things came together just in time after all. The casserole was warming and hearty, and a good reminder that cooking for friends doesn’t have to be complicated or fancy. I noticed that one of my young taste-testers ate it up in a flash and quickly disappeared under the table to begin tying guests’ shoelaces together. I took this as an excellent review.
The pie wasn’t done until after the boys’ bedtime, which means that I had a lot leftover and have been enjoying it with ice cream for breakfast ever since. Despite small disasters in its making, and although it won’t supplant my tried and true butter-only pastry crust recipe, it was pretty delicious. It was also fitting that it would give me trouble since, in one of the stories in this book, Lise’s mother Pauline recalls summers when she would bake wild blueberry pies with her aunt; on one such occasion, her aunt mistakenly uses salt instead of sugar. Even in their attempts to hide the evidence of their error from an angry mother, they are beset with trials: “We tried burning [it] in a little old iron stove – we just had enormous clumps of large crystals, which we dragged out to the garden, and covered with earth and tears.” Luckily, no tears were shed in the making of my pie misshapen though it was.
I looked at this book alongside another by Melhorn-Boe called Recipes (2001), also part of the Sallie Bingham Center’s collection. It is housed in an old recipe card tin, and contains memories and reflections of several women about family and food, typed on recipe cards and divided by topic — including “Atmosphere” (stern, relaxed, in silence, in front of the television), “The Cook” (stories about mothers and fathers and how they shared kitchen work, or didn’t), “Force-feeding” (thoughts about weight, body image, and abhorrent foods forced upon the writers – like lima beans!), and “Manners” (mouths closed, guests served first, elbows off the table).
Both works are funny and sweet (and sometimes bittersweet), and contain much food for thought about women’s roles in the kitchen and in the domestic labour of family life generally, and how these have changed over time.
Post contributed by Dominique Dery, Research Services Intern
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Want to make history this Thanksgiving? Every Friday between now and Thanksgiving, we’ll be sharing a recipe from our collections that one of our staff members has found, prepared, and tasted. We’re excited to bring these recipes out of their archival boxes and into our kitchens (metaphorically, of course!), and we hope you’ll find some historical inspiration for your own Thanksgiving.
For my shift in the Rubenstein Library Test Kitchen, I wanted to try something truly old-school. (When the idea for this series of blog posts was first proposed, one of the names we considered calling it was “Antiquarian Culinarian,” with the idea of recreating the flavors of times gone by.) Browsing the library catalog for cookbooks of yore, I came across a title that looked promising: The Young Ladies’ Guide in the Art of Cookery, Being a Collection of useful Receipts, Published for the Convenience of the Ladies committed to Her Care, by Elizabeth Marshall (T. Saint: Newcastle, England: 1777).
The 200-page volume is part of the collections of the Sallie Bingham Center for Women’s History and Culture, and it’s one of many titles the Bingham Center holds that offer a fascinating window into the domestic and social life of women in the eighteenth century.
Marshall (1738-?) ran a cooking school in Newcastle-upon-Tyne from 1770 to 1790. Such schools were not uncommon at the time and catered to women who aspired to work as housekeepers or cooks for the wealthier class. As Marshall explains in her preface, the book came about after frequent solicitations from her former pupils to put her most sought-after recipes in writing:
It is at your urgent and frequently repeated request that the following Receipts have at length come abroad. – You were sensible of the necessity of having an assistance of this sort to your memory; and the difficulty as well as expense of procuring the Receipts in manuscript, suggested the present form as the most proper and convenient for answering your intentions. – I hope this will be considered as a sufficient apology for the design. For its execution I have less to say. – The subject does not admit of elegance of expression, though I acknowledge the language might have been more correct. It was my wish to have rendered it so, but the various other duties in which I am engaged, would not allow me leisure sufficient for the purpose. – Such as the work is, I hope it will be received with candour, and consulted with advantage.
The eighteenth century wasn’t exactly the heyday of British cuisine, and many of the dishes in Marshall’s book hopefully won’t be making a comeback anytime soon. There are entries on how to make Herring Pudding, Calf’s Foot Jelly, Stewed Turbot’s Head, Eel Pye, and something called “White Soop.”
Inspired by the changing of the seasons, I opted for something a little more autumnal (and less zoological): Rice Apples! The recipe not only looked relatively easy and tasty, but it also presented a rare opportunity to use my apple-corer, a handy but sadly neglected implement in my kitchen that only gets a chance to shine once every couple of years.
Here’s the recipe, which I’ve transcribed below in case it’s difficult to read the old-fashioned ligatures:
- Boil a quarter of a pound of rice in three pints of water for a quarter of an hour
- Strain off the water, and put to the rice, one pint of milk, one pint of cream, a stick of cinnamon, and lemon skin
- Let them boil, and sweeten to your taste
- Beat four eggs, leaving out two whites, put them to the rice, and let it stand on a slow fire a little
- Keep it stirring till cool
- Pare and cut the core out of your apples, put them in a dish well buttered, and strewed over with grated bread and sugar
- Fill them with the above mixture, and cover them over with it
- Strew it over with bread crumbs and sugar, and bake it a fine brown
- Melt butter with sack and sugar, and cover them before they go to table
One thing you immediately notice about eighteenth-century recipes is their lack of helpful specifics. How many apples should you use, and what kind? Should the lemon skin be peeled or grated? (I went with grated.) Exactly how many minutes is “a little”?
Modern cookbooks don’t leave much room for interpretation. They give exact measurements, precise times and temperatures, and sometimes even brand-name ingredients, so that your dish looks and tastes as close as possible like the one in the book.
Not so with Mistress Marshall. Her instructions are more like general guidelines. A little this, a little that. But I actually appreciated that about her style. Cooking is more fun when it’s improvisational and you have to use your own judgment. In keeping with m’lady’s free-spiritedness, I even made a few modifications along the way, whenever I thought they might improve the final result. I’ll describe those here.
The recipe calls for three pints of water to cook the rice. That’s six cups of water, which is way more than you need for less than a cup of rice, and it would take forever to boil. I reduced the water to two cups, which was enough for the rice to absorb without having to strain any off.
I chose small snack-size Golden Delicious apples, the kind you can buy in a bag, instead of the jumbo-sized genetically modified ones you often see in the grocery store. The smaller ones seemed more historically authentic, closer to the size of apples you would probably find two hundred years ago. After coring and peeling the apples, I put them in a bowl of water with a little lemon juice to keep them from browning.
After adding the eggs to the milky rice mixture, you’re supposed to let it stand over low heat for “a little” and stir. I did this for about 15 minutes, until it started to thicken. Then I took it off the burner and stirred periodically for another 15 minutes or so, until it had the consistency of lumpy cottage cheese.
Instead of store-bought breadcrumbs, I bought a baguette and used a food processor to make fresh ones. And before popping the whole thing in the oven, I sprinkled a little ground cinnamon on top for good measure, because cinnamon and apples were made for each other. I think this was a good addition. I used a 350-degree oven and baked the dish for one hour.
The final step of the recipe calls for pouring over the apples a mixture of butter, sugar, and “sack.” I had to look up what sack was. Turns out it was a kind of sweet, fortified white wine from Spain, the forerunner of sherry. I’m not a big sherry fan, but I picked up a cheap golden variety in the wine aisle at the grocery store.
The verdict: Quite delectable, by Jove! The apples were tender and sweet, and the milky-rice-breadcrumb mixture was like an envelope of bread pudding. The sherry added a subtle boozy kick that seemed especially English. I would have no qualms serving this to company, however high or low their station.
Guest post by Aaron Welborn, Director of Communications, Duke University Libraries. Special thanks to Gwen Hawkes (T’16), Library Communications Student Assistant, for her help in researching this recipe and its historical context.
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An Evening with Alix Kates Shulman: Fiction or Memoir—How to Choose
Date:Tuesday, September 9, 2014
Time: 7:00-8:30 p.m.
Location: Durham County Library, 300 N. Roxboro St., Durham, NC
Join author and activist Alix Kates Shulman who has explored the challenges of youth and midlife in her novels, and in her memoirs has probed the later stages in the ongoing drama of her generation of women. Shulman is the award-winning author of 3 memoirs including To Love What Is: A Marriage Transformed and 5 novels including the ground breaking Memoirs of an Ex-Prom Queen. Also the author of many personal essays and stories, Shulman will discuss her process of deciding whether to tell her story as fiction or as memoir, and will examine some of the quandaries, fears, and competing motives that come into play whenever she confronts this crucial choice. This program is co-sponsored with the Durham County Library.
Digitizing the Women’s Liberation Movement: A Conversation with Movement Leader Alix Kates Shulman
Date:Wednesday, September 10, 2014
Time: 9:30-11:00 a.m.
Location: Perkins Library, Room 217
Contact: Kelly Wooten, email@example.com
RSVP on Facebook (optional)
This program will give insight both to the women’s liberation movement and to the life cycle of a digital project, and celebrate the launch of the Women’s Liberation Movement Print Culture digital collection. “Documents from the Women’s Liberation Movement: An On-line Archival Collection,” was created in 1997 to support a Duke course on the Social History of American Women, and became one of Duke Libraries’ most popular digital collections. Alix Kates Shulman will reflect on her experiences as a feminist activist and writer during the 1960s and 70s, including the 1968 Miss America pageant protest, the iconic event that launched the myth of bra burning and the women’s movement in the popular consciousness. Molly Bragg, Digital Collections Program Manager, will share a behind-the-scenes perspective on how digital projects are proposed and how they are made to magically appear online, and Kelly Wooten, librarian with the Sallie Bingham Center, will share the process of stewarding permissions for this project and other challenges. Bagels and coffee will be served, remarks will begin at 9:45. Co-sponsored with the Professional Affairs Committee (PAC) of the Librarians Assembly.
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