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Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke University
Updated: 1 hour 10 min ago

Hugh Mangum Exhibit at Durham History Hub

Mon, 07/14/2014 - 21:01

Portrait photos by Hugh Mangum. From the Hugh Mangum Photographs, #N208.

The portraits of Durham photographer Hugh Mangum are the subject of a new exhibit, opening July 27th at the Museum of Durham History’s History Hub. “Hugh Mangum on Main Street: Portraits from the Early 20th Century” shows Mangum’s largely unknown portraits of Southern society after Reconstruction.

Mangum was born in Durham in 1877 and began establishing studios and working as an itinerant photographer in the early 1890s. During his career, Mangum attracted and cultivated a clientele that drew heavily from both black and white communities, a rarity for his time. Mangum’s photographs are now part of the Rubenstein Library’s Archive of Documentary Arts.

“Although the late-19th-century American South in which he worked was marked by disenfranchisement, segregation and inequality — between black and white, men and women, rich and poor — Mangum portrayed all of his sitters with candor, humor, and spirit. Each client appears as valuable as the next, no story less significant,” said curator Sarah Stacke. “His portraits reveal personalities as immediate as if the photos were taken yesterday.”

Stacke, a photographer and a 2014-2015 Lewis Hine Fellow at Duke’s Center for Documentary Studies, and Margaret Sartor, who teaches at CDS, are working together on a book about Mangum’s life and work. This new exhibit expands on “Keep All You Wish,” an exhibit of Mangum’s work that Stacke curated for CDS in 2012.

“Hugh Mangum on Main Street: Portraits from the Early 20th Century” opens at the History Hub, 500 W. Main St., on Tuesday, July 22 and runs through August. The exhibition will be in the Our Bull City area.

The public is invited to a launch party for the exhibition on Wednesday, July 23, from 5:30pm to 7pm, and a program on Mangum and his work at 3pm on Sunday, August 10.There is no charge for the exhibit, program, or party. The Hub is open Tuesday-Saturday, 10am to 5pm.

@rubensteinlib Joins Twitter!

Fri, 04/18/2014 - 13:01

Our first tweet!

Dearest readers, do you ever feel that there’s not enough Rubenstein Library in your social media day? True, we’re on Facebook, and we have this wonderful blog, and many of our collecting centers also have extensive social media presences (check out the list in the right-hand column) . . . but what if you could follow our every rare-book-and-manuscript action on Twitter?

Well, do we have good news for you! We’ve joined the twitterverse! Come follow us @rubensteinlib, let us know about your research projects and your latest special collections discoveries, and get a behind-the-scenes look at how we spend our working days (and sometimes our non-working days).

See you in 140 characters or less!

Photographers Vincent Cianni & Mariette Pathy Allen, April 23-25th

Tue, 04/15/2014 - 16:03

The Archive of Documentary Arts has partnered with Daylight Books, the Sallie Bingham Center for Women’s History and Culture, the Center for Documentary Studies, and SPECTRE Arts to bring documentary photographers Vincent Cianni and Mariette Pathy Allen to Durham for a series of events April 23-25.

  • Wednesday, April 23 at 12:00pm: A Conversation with Vincent Cianni and Mariette Pathy Allen, Center for Documentary Studies, 1317 W. Pettigrew Street, Durham, N.C. Lunch will be provided.
  • Thursday, April 24 at 6:00pm: Artist Talk and Presentation, SPECTRE Arts green space, 1004 Morning Glory Ave., Durham, N.C.
  • Friday, April 25 at 6:00pm: Book Signing and Opening Exhibit, Daylight Project Space, 121 West Margaret Lane, Hillsborough, NC

The series will culminate in a book signing and exhibition of work by the artists to celebrate the release of the artists’ monographs TransCuba and Gays in the Military. The book signing and exhibit will take place at the Daylight Project Space on April 25 from 6 to 9pm. Refreshments will be served and the artists will be on hand to sign books and answer questions. More information at www.daylightbooks.org

About the Artists:

Through compelling photographs and interviews made over three years on road trips across the US, Vincent Cianni (born 1952) has created an important historical record of the struggles of gay and lesbian veterans and service members in the US military. As the Human Rights Commission attests, the US military has a long history of civil rights abuses against homosexuals, with harassment and discrimination frequently resulting in lost careers. In many cases, these men and women—highly skilled, well educated, patriotic, courageous and productive—had attained high rank, received numerous medals and held top-level jobs essential to the military. With essays by Alison Nordstrom, Don Bramer and Alan Steinman shedding light on the cultural, personal and political consequences of the ban on homosexuality, this volume tells the stories of men and women who served in silence and oftentimes were penalized and prohibited from receiving the benefits accorded them for serving in the military.

For more than 30 years, New York based photographer and painter Mariette Pathy Allen has been documenting transgender culture worldwide; in 2004 she won the Lambda Literary Award for her monograph The Gender Frontier. In her new publication, TransCuba, Allen focuses on the transgender community of Cuba, especially its growing visibility and acceptance in a country whose government is transitioning into a more relaxed model of communism under Raúl Castro’s presidency. This publication therefore records a cultural watershed within Cuba. In addition to color photographs and interviews by Allen, the book also includes a contribution from Raúl Castro’s daughter, Mariela Castro, who is the director of the Cuban National Center for Sex Education in Havana. In 2005, Castro proposed a project, which became law three years later, to allow transgender individuals to receive sex reassignment surgery and change their legal gender.

Post contributed by Kirston Johnson, Curator of the Archive of Documentary Arts.