Devil's Tale Posts
Established in 1972, the Jefferson Lecture in the Humanities is the highest honor that the United States federal government confers on an individual for distinguished intellectual achievement in the humanities.
In 1976, The National Endowment for the Humanities invited John Hope Franklin to be the fifth Jefferson Lecturer in the Humanities. Franklin gave three lectures as part of the series; the first lecture was given in Washington, D.C., the second in Chicago, and the final lecture was in San Francisco.
Incidentally, Franklin received the invitation to give his lectures during the same year as the bicentennial of the Declaration of Independence. Franklin’s three lectures focused not only on Thomas Jefferson, but also on the topic of “Racial Equality in America.” The first lecture was titled “The Dream Deferred” and focused on the period from the revolution to 1820. The second lecture was titled “The Old Order Changeth Not” and explored the 19th century. The third lecture was titled “Equality Indivisible” and discussed events and issues of the 20th century.(l to r) Mayor Walter Washington, Ronald S. Berman, Aurelia and John Hope Franklin, and Mrs. Washington at the Washington DC reception of the Jefferson Lectures
In a scathing critique of Thomas Jefferson, Franklin highlighted the differences between perceptions and reality in some commonly held beliefs about race by using government texts and extensive data from the Census, property documents, as well as other sources.
Franklin’s lectures for the Jefferson lecture series were compiled and published in the book Racial Equality in America. The book was published by the University of Missouri Press in 1976.
This series is a part of Duke University’s John Hope Franklin@100: Scholar, Activist, Citizen year-long celebration of the life and legacy of Dr. John Hope Franklin
Submitted by Gloria Ayee, Franklin Research Center Intern
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I am Carmen Valdivieso Hulbert, a New York-based journalist-filmmaker born in Peru. I am currently co-directing and producing Uchuraccay, an investigative, human rights documentary for my company, Quinoa Films Inc.
The documentary attempts to find answers related to the assassinations of eight journalists and their guide in 1983 in Uchuraccay, a hamlet in the Andes of Peru. The murders occurred amidst warfare between the Maoist group, Shining Path, and Peruvian military forces. As part of my investigation of the case, I found valuable material among the Coletta Youngers Papers at the Human Rights Archive in the David M. Rubenstein Rare Book & Manuscript Library.Map of Peru showing location of Uchuraccay.
In the process of this ten-year investigation, I have found a large amount of information which at first did not stand out due to the complexity of the case. In February 2015, I found a copy of the original report on the assassinations filed by the government-appointed investigative commission in March of 1983. The group was led by Peruvian writer Mario Vargas Llosa. According to the commission’s findings, the villagers of Uchuraccay were the sole culprits of the murders. Furthermore, the report fails to cite any military presence in the area when the murders took place.
This report was based on testimony given to the commission by the military chief of Ayacucho, the capital city of Huamanga Province, where Uchuraccay is located. He stated that the last military flight to the area took place on Sunday, January 23, 1983. His testimony conflicts with information I found in an article published on January 27th of the same year in the leading newspaper, El Comercio. The article, based on information received from the same military headquarters, indicates that a group of military and police officials arrived in the area from Lima on January 26th. Around noon, the group visited Uchuraccay, among other areas. This was the very day that the journalists arrived in Uchuraccay and were allegedly murdered around 4 p.m.
The discrepancy only hit me after I found and read the investigative report this past February. Had I not found this particular document in the Coletta Youngers Papers, it would have taken me longer to connect the dots.
A friend I met on my last trip to Lima in January of 2014 had mentioned that Javier Azcue, the journalist who wrote the story in El Comercio, had told him about the importance of that visit, and that no journalist had taken note of it. I was not sure what he was referring to until I re-read the official report at the Rubenstein.
On January 30, 1983, the date of the exhumation of the eight journalists’ bodies, villagers in Uchuraccay told a journalist who spoke Quechua, one of the main Peruvian indigenous languages, that the soldiers had told them to kill any stranger who arrived in the community on foot, and that they should remove their eyes and cut out their tongues while they were still alive. Apparently that did not happen, as indicated by the newspapers clippings I found among the Coletta Youngers Papers. While at the Rubenstein, I found some enlarged newspapers clippings of La Republica that showed close-up photos taken the day the bodies were exhumed. The photographs show the faces of five of the eight murdered journalists. As gruesome as these images are, they show two of the journalists with eyes half-closed and intact, and three with their eyes closed but without signs of having been removed, as some of the villagers had previously stated.Photocopy of article from La Republica. From the Coletta Youngers Papers.
Previously I had only heard the recordings of the villagers’ testimonies in their native Quechua, along with a transcript translated into Spanish. I was therefore able to recognize one of the villager’s photo and name in the newspaper clipping.
Post contributed by Carmen Valdivieso Hulbert, Rubenstein Library researcher, journalist, and filmmaker.
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The characters at SC&P faced their worst fear last night as McCann Erickson planned to absorb and dissolve the agency. With 30 days to vacate their offices and 30 days for Don to find a new place to live, it truly is setting up to be the end of an era.
The episode opens on dinner as Ken enjoys toying with Pete and criticizing the work done by SC&P.
Roger receives a letter canceling the lease on the SC&P offices. After yelling at some of the secretaries, he calls McCann and discovers that it was not a mistake. McCann is planning to absorb the agency and move everyone into their own building. Roger, Don, Pete, Ted and Joan discuss the news with dread.
Stan and Peggy observe and audition children for a client. Stan comments that Peggy hates kids after she struggles working with them. Pete pulls her aside and tells her the bad news about the agency.
Lou calls Don and gleefully tells him that he is quitting and moving to Tokyo to work with Tatsunoko Productions on developing his comic into a cartoon.
The partners meet and come up with a strategy to move the agency to California where they could work on the clients that are a conflict for McCann. They rush off to see if they can get those clients to stick with them at “Sterling Cooper West.” Roger and Pete meet with Ken to get Dow to stay with them but he refuses and leaves.
Peggy meets with a headhunter who tells her that her best bet is to stay and work at McCann.
Pete and Trudy meet with the headmaster at Greenwich Country Day school, which rejected Tammy’s application. Pete says that it a family tradition for a Campbell to be at that school. The headmaster bears a grudge dating back to 1692 when his ancestors and Pete’s began a historic clan feud. He insults Trudi and Pete punches him before leaving. Later Trudi bemoans the fact that it is hard being a divorced woman because men try to take advantage of her.
Stan and Peggy have to babysit a girl who was left by her mother who had to pick up her son. The girl manages to staple her finger causing an argument between Peggy and the mother who returns. Later Peggy reveals to Stan that she gave a child up for adoption and says it is not fair that women have to make hard choices when men don’t.
The SC&P partners make their pitch to keep their conflicting clients and move to California, but Jim Hobart explains that they all will have great jobs at McCann working on top tier clients like Buick and Coca Cola. Only Ted seems happy to hear that he will get what he always wanted, to work on a pharmaceutical account. They all leave and commiserate over beer. The next day the partners announce the big news to the office and try to make it sound positive, but the staff quickly start taking over them and walk away.
Last night’s show featured references to toys, Dow, Buick, and first aid, among other things. Enjoy our selection of highlighted ads that reflect the brands and themes that Mad Men characters interacted with last night.
A gallery of our selected images may also be found on Flickr.
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The David M. Rubenstein Rare Book & Manuscript Library at Duke University has received a grant of $200,000 from the National Endowment for the Humanities to support Voices of Change: Preserving and Presenting Radio Haiti. This two-year project, set to begin in July 2015, will preserve and make widely available the written- and spoken-word archives of Radio Haiti Inter, the country’s oracle of democracy from the late 1960s until its closure in 2003. The announcement of the award coincides with the fifteen year anniversary of the assassination of the station’s owner and Haiti’s most prominent journalist, Jean Dominique, and amidst continuing news coverage about the ongoing trial of his accused murderers.Jean Dominique and Michèle Montas at Radio Haiti Inter, 1995
The Human Rights Archive at the Rubenstein Library received the archives of Radio Haiti in late 2013 as a gift from Michèle Montas, the station’s co-anchor and widow of Dominique. “To me, Duke University was the most welcoming environment for these unique archives, with knowledgeable teams of scholars and archivists able to preserve the past and help to use that recent past as a tool to re- imagine the future,” commented Montas about her decision to place the archives at Duke.
As evidenced in the more than 3,000 recordings and 70 linear feet of paper records comprising the collection, Radio Haiti distinguished itself from other media outlets in Haiti by covering not only events in Port-au-Prince but news from the rural areas of Haiti, including a grassroots democratic movement that eventually overthrew the Duvalier dictatorship in 1986. It was the first independent radio station in Haiti, and the first to broadcast in the language of the people, Haitian Creole, instead of the French spoken only by Haiti’s elite.
The collection is one of the most important and comprehensive resources available for studying and understanding the recent history of Haiti. Primary materials related to Haiti are relatively rare, and the archives of Radio Haiti are particularly distinct both for the depth and breadth of their coverage. According to Laurent Dubois, project advisor and Marcello Lotti Professor of Romance Studies and History at Duke, “The Radio Haiti Archives represent a tremendous resource for scholars, educators, and the general public interested in culture and politics in Haiti from the late 1970s to the present. Under the leadership of Jean Dominique and Michèle Montas, the station served as a critical voice for reportage, debate, editorials, and news for several decades.” Access to these important primary materials will allow scholars to write the history of the country in nuanced and participatory ways.As part of preparing the grant proposal, Library staff completed a pilot project cleaning and digitizing a selection of tapes from the Radio Haiti Archives.
Grant funding will support a full-time project archivist fluent in both Haitian Creole and French to oversee the arrangement, description, digitization and preservation of these materials. To support multilingual and international research, audio recordings will be described in French, Haitian Creole, and English, and will be made freely available online via Duke’s Digital Collections, the Digital Public Library of America, and the Digital Library of the Caribbean.
In order to promote easy access to these materials in Haiti, the Library will partner with the Forum for Scholars and Publics at Duke and FOKAL (La Fondation Connaissance et Liberté/Fondasyon Konesans Ak Libète), a community organization in Haiti, to place digital copies of the recordings in libraries throughout Haiti. The team will also explore creating podcasts from the recordings to allow for easier access in regions with intermittent internet connectivity.
The Radio Haiti collection is a singular resource supporting a nuanced and comprehensive understanding of the last 50 years’ of Haiti’s history. By preserving and making accessible these archives, Duke University Libraries seeks to advance the dialogue not only about Haiti’s past but also about its future.
Those interested in learning more about the archives of Radio Haiti are encouraged to visit the pilot site developed collaboratively between the Forum for Scholars and Publics and the Library at http://radiohaitilives.com/. This site includes access in Creole and English to all the recordings reformatted as part of the planning phase of the grant.
Post contributed by Kat Stefko, Head of Technical Services.
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Last week, I saw a student production of A Streetcar Named Desire. The play, famously set in New Orleans, immediately ignited memories of my time in NOLA. One moment, I was sitting under the green and white striped awning of Café Du Monde where I eagerly waited for the arrival of a small mountain beignets. Then, I was savoring every morsel of a roast beef po’boy from Parkway Bakery, blissfully unaware that rivulets of au jus were trailing down my wrists. After that, I drifted off even further and was reliving my first slurpy spoonful of duck gumbo. That dish made my heart sing!
Gumbo is one of the oldest and most iconic dishes served in New Orleans. In its most basic form, gumbo is a soupy stew cooked slowly over a low flame. It is served in a bowl with a heaping spoonful of Louisiana long grain rice. The simplicity of that description is misleading, though. Recipes for gumbo are so diverse that it is nearly impossible to define the dish in formulaic terms. Peering into a simmering pot of gumbo, for example, you might see any combination of the following meats and seafood: crabs, shrimp, oysters, ham, chicken, duck, rabbit, and sausage. You might also spot roughly or finely chopped onions, celery, and bell peppers—the so called “holy trinity” of Louisiana cooking. Often, you’ll catch a glimpse of the swirling, willowy tendrils of okra slime. Or, you might see a bay leaf bobbing along the surface of the stew as it slowly releases its tangy, herbal flavor into the stock. Gumbo, then, is anything but formulaic and reflects the amazing complexity of New Orleans’ Creole food culture.
Gumbo is also a dish that invites experimentation. In fact, I might characterize it as a “playful” one. Inspired by the vivacious spirit of this dish, I chose to modify some aspects of the gumbo I found in the The Picayune’s Creole Cook Book (1916). I’ve included both the original recipe and my derivation of it below.
Shrimp Gumbo Filé
Gombo Filé aux Chevrettes
50 Fine Lake Shrimp
2 Quarts of Oyster Liquor
1 Quart of Hot Water
1 Large White Onion. 1 Bay Leaf.
3 Sprigs of Parsley. 1 Sprig of Thyme.
1 Tablespoonful of Lard or Butter.
1 Tablespoonful of Flour.
Dash of Cayenne.
Salt and Black Pepper to Taste.
Shell the shrimp, season highly and scald in boiling water. Put the lard into a kettle, and, when hot, add the flour, making a brown roux. When quite brown, without a semblance of burning, add the chopped onion and the parsley. Fry these, and when brown, add the chopped bay leaf; pour in the hot oyster liquor and the hot water, or use the carefully strained liquor in which the shrimp have been boiled. When it comes to a good boil and about five minutes before serving, add the shrimp to the gumbo and take off the stove. Then add to the boiling hot liquid about two tablespoonfuls of the “Filé,” thickening just as desired. Season again with salt and pepper to taste. Serve immediately with boiled rice.
(Ashley’s) Shrimp Gumbo Filé
¼ cup of vegetable oil
¼ cup of flour
1 large white onion, chopped
2 quarts of unsalted chicken stock
1 pint of oyster liquor
1 ½ pounds of unpeeled lake shrimp
1 pound chopped chicken thighs
1 smoked ham shank
1 bay leaf
salt and pepper to taste
In New Orleans, there is a common phrase that marks the beginning of many gumbo recipes: first you make a roux. A roux is a combination of flour and fat (oil, lard, or butter) that is slowly toasted over a low flame, creating a rich, nutty flavor. For many people who are new to Creole cuisine, making it can be an intimidating process. After all, it takes at least 30 to 45 minutes to prepare a roux from scratch (no wonder people buy it in jars). The time investment is well worth it, though. The longer you toast your roux, the more complex and delicious the flavor of your gumbo!
I started off with a large soup pot (one with a thick bottom). Over medium heat, I combined equal parts oil and flour, stirring constantly (preferably with a wooden spoon). At first, the roux will be fairly thin and light yellow in color.
As the flour starts to toast, the roux will thicken slightly and air bubbles will begin to form on its surface. It will also appear slightly “gummy”—almost like mashed potatoes (if your roux is still thin, you can add another tablespoon or two of flour to thicken it). The key is to keep stirring.
After about twenty minutes, the roux will begin to smell like popcorn or toasted nuts. At this point, it will gradually begin to darken to a caramel color. Keep stirring! Over the next ten to fifteen minutes, the roux will become even darker. I always say that an ideal roux is almost the color of a Hershey’s chocolate bar (and that transformation can take over an hour). If you do not make it that far in the process, that’s OK. The most important thing is to cook the roux long enough to eliminate the “raw” taste of the flour.
Once you’ve reached your ideal coloring, add the chopped onion to the roux. You will hear a sizzling sound. Adding the onion stops the toasting process and will prevent your roux from burning. Allow the onions to cook for 10 minutes over medium heat, stirring occasionally. You want them to sweat and begin to brown.
Add the chicken stock, oyster liquor, shrimp, chicken, ham shank, and bay leaf. Bring the gumbo to a boil and then reduce the heat so that you have a steady simmer going for two hours. Stir every 15 to 20 minutes. You want the stock to reduce by a third.
A few notes: I prefer using unpeeled or partially-peeled shrimp because the exoskeleton gives the stock a really wonderful, shrimpy flavor. I also use smoked ham shank over hocks because the former has more meat, which I later pull off the bone and incorporate back into the gumbo before serving. In addition, I like to use the dark meat of chicken because it has a richer flavor that works well with the nuttiness of the roux. Last, but not least, if you cannot find oyster liquor, you can substitute it with unsalted chicken broth.
After the gumbo has reduced, take it off the heat. Add salt and pepper to taste. (The stock will already be fairly salty because of the smoked ham shank, so you may not need additional salt).
I like to serve my gumbo over ½ cup of long grain rice. I allow my guests to add a dusting of filé powder to their own bowls before digging into their supper. I also encourage them to get up close and personal with their gumbo. I often find myself calling out instructions and encouragement: “Pick up that shrimp right from the bowl! Don’t be shy! You’re supposed to eat gumbo with your hands as well as your spoon.” At least, that was how I was taught to eat my gumbo when I lived in New Orleans. Laissez les bons temps rouler!
Post contributed by Ashley Young, History PhD student and next year’s Graduate Student Intern for our Research Services Department.
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The David M. Rubenstein Rare Book & Manuscript Library at Duke University has acquired one of the largest and most significant private collections on women’s history, documenting the work and intellectual contributions of women from the Renaissance to the modern era.Isotta Nogarola, humanist, 1418-1466, from Jacopo Philippo Bergomensis’ De Claris Mulieribus, 1497
Carefully assembled over 45 years by noted bibliophile, activist and collector Lisa Unger Baskin, the collection includes more than 8,600 rare books and thousands of manuscripts, journals, ephemera and artifacts, including author Virginia Woolf’s writing desk.. Among the works are many well-known monuments of women’s history and literature, as well as lesser-known works produced by female scholars, printers, publishers, scientists, artists and political activists. Taken together, they comprise a mosaic of the ways women have been productive, creative, and socially engaged over more than 500 years. The collection will become a part of the Sallie Bingham Center for Women’s History and Culture within the Rubenstein Library.Cabinet card sold by Sojourner Truth to support her work, 1864
Photographer is unknown
The materials range in date from a 1240 manuscript documenting a respite home for women in Italy to a large collection of letters and manuscripts by the 20th-century anarchist Emma Goldman. The majority of materials were created between the mid-15th and mid-20th centuries. Other highlights include correspondence by legendary American and English suffragists and abolitionists Susan B. Anthony, Elizabeth Cady Stanton, Emmeline Pankhurst and Lucretia Mott; Harriet Beecher Stowe’s publicity blurb for Sojourner Truth’s Narrative, written in Stowe’s own hand; exquisite decorated bindings by the celebrated turn-of-the-century British binders Sarah Prideaux, Katharine Adams, and Sybil Pye; and Woolf’s writing desk, which the author designed herself.
Baskin and her late husband, the artist Leonard Baskin, were both avid book collectors. Leonard also founded The Gehenna Press, one of the preeminent American private presses of the 20th century. Lisa Unger Baskin began collecting materials on women’s history in the 1960s after attending Cornell University. She is a member of the Grolier Club, the oldest American society for bibliophiles.
“I am delighted that my collection will be available to students, scholars and the community at Duke University, a great teaching and research institution,” Baskin said. “Because of Duke’s powerful commitment to the central role of libraries and digitization in teaching, it is clear to me that my collection will be an integral part of the university in the coming years and long into the future. I trust that this new and exciting life for my books and manuscripts will help to transform and enlarge the notion of what history is about, deeply reflecting my own interests.”
Materials from the collection will be available to researchers once they have been cataloged. Some items will be on display in the renovated Rubenstein Library when it reopens to the public at the end of August 2015.
For more information about the Lisa Unger Baskin Collection visit http://library.duke.edu/rubenstein/bingham/lisa-unger-baskin.
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Last night’s episode saw Don Draper struggling to see the future for both the ad agency and himself. The show opens with his realtor nagging him to get out of bed and replace the stained carpeting so she can sell his apartment.
Joan travels to the Los Angeles office to hire new staff with Lou Avery. She meets a retired gentleman named Richard who wanders into the office. They quickly hit it off and romance blooms. Shortly after she returns home he calls from New York and they go out again. Despite being very attracted to Joan, Richard later says he is disappointed to find out she has a young son, as he is more interested in a life of leisure and adventure. She leaves angrily.
Peggy, Ed and Mathis struggle to come up with creative work for Tinkerbell Cookies. Mathis bickers with Ed during the client pitch and ends up swearing in front of the clients. Later he tries a Don Draper line to rectify the situation and save face, which falls flat and gets him fired.
Sally is busy getting ready for a 12 state teen summer bus trip. Glen Bishop stops by to tell her that he is enlisting in the army, which upsets Sally. Later Sally tries to make amends, but can’t reach Glen by phone. Betty is surprised to see Glen after so long and they reconnect after Sally leaves for her trip when he tells her that he enlisted because he flunked out of college. She attempts to reassure him and he tries to kiss her. She thwarts his advance, but clearly shows some care and affection for him.
Peggy insists that Don conduct her performance review and he takes the opportunity to ask her about her plans for the future. She says she wants to be the first woman creative director at the agency and to “create something of lasting value.”
Richard comes to the agency with flowers to apologize for his behavior and says he wants to be a part of Joan’s life. She accepts his apology.
Don takes Sally and a few of her friends out for Chinese food before their bus trip leaves. One of her friends is flirtatious with Don, which irritates Sally. At the bus station Sally tells him that her goal in life is to get away from him and Betty and be a different person.
The episode ends with Don walking into his empty apartment to find that his realtor is in the middle of completing a contract on his apartment with a young couple. She ushers him out the door and says to him that now they just need to find him a place. He goes out to the hall and seems somewhat overwhelmed at what the future might bring.
Last night’s show featured references to grapefruit, Sanka, travelers checks and carpeting, among other things. Enjoy our selection of highlighted ads that reflect the brands and themes that Mad Men characters interacted with last night.
A gallery of our selected images may also be found on Flickr.
The post Mad Men Monday – Season 7, Episode 10 “The Forecast” appeared first on The Devil's Tale.
I – Illinois (Chicago)
John Hope Franklin and his wife Aurelia lived in the state of Illinois, specifically in Chicago, for several years. In 1964, Franklin joined the faculty at the University of Chicago, where he served as Chair of the History Department from 1967-1970, and was the John Matthews Manly Distinguished Service Professor from 1969-1982, he became Professor Emeritus in 1982.Appointment letter for John Hope Franklin to be hired by the department of history at the University of Chicago, 1963
During his tenure at the University of Chicago, Franklin published Color and Race (1969), and Illustrated History of Black Americans (1970), Racial Equality in America and Southern Odyssey: Travelers in the Antebellum North (1976). Franklin also served as advisor to over twenty PhD graduates from the department of history, including noted scholars Genna Rae McNeil, Paul Finkelman, Juliet E.K. Walker, Loren Schweninger, and Alfred Moss.John Hope Franklin and former student, Alfred A. Moss, work together on the 7th edition of From Slavery to Freedom: A History of African Americans
Franklin was also entrenched in the community, working on boards and committees of the Chicago Symphony Orchestra, Chicago Public Library, Chicago Urban League and NAACP, and DuSable Museum.John Hope Franklin on the campus of the University of Chicago, 1968
In 1984, four years after John Hope Franklin moved back to Durham, NC, Franklin received the Illinois Humanities Council Public Humanities Award. This annual award is presented to an organization or an individual who has made significant contributions to the civic and cultural life of the State of Illinois through the humanities.
This series is a part of Duke University’s John Hope Franklin@100: Scholar, Activist, Citizen year-long celebration of the life and legacy of Dr. John Hope Franklin
Submitted by Gloria Ayee, Franklin Research Center Intern
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The Rubenstein Library’s research centers annually award travel grants to undergraduate and graduate students, faculty, and independent scholars through a competitive application process. Congratulations—we look forward to sharing our collections with you!
History of Medicine Research Grants
Lindsey Beal, MFA, for photographic research on late nineteenth and early twentieth century obstetric and gynecological instruments.Forceps from the History of Medicine instrument collection
Elaine LaFay, PhD candidate in History and Sociology of Science, University of Pennsylvania, for dissertation work on “Weathered Bodies, Sickly Lands: Climate, Health, and Place in the Antebellum Gulf South.”
Jaipreet Virdi-Dhesi, PhD, for work on “Deafness is Misery: Advertised Cures for Hearing Loss in Early 20th Century America.”
John Hope Franklin Center for African and African-American History and Culture Research Grants
Wangui Muigai, Princeton University, “An Awful Gladness: Infant Mortality and Race from Slavery to the Great Migration”
Jessica Parr, University of New Hampshire at Manchester, “’Saved from My Pagan Land:’ the Role of Religion in Self-Making in the Black Atlantic, 1660-1820.”
Whitney Stewart, Rice University, “Domestic Activism: The Politics of the Black Home in Nineteenth-Century America”
Brandon Winford, University of Tennessee, Knoxville, “Building New South Prosperity: John Hervey Wheeler, Black Banking, and the Economic Struggle for Civil Rights”N.C. Mutual Home Office and Mechanics and Farmers Bank
John W. Hartman Center for Sales, Advertising & Marketing History Research Grants
Dana Alsen, Department of History, University of Alabama, “Changing Patterns of Food Consumption in North Carolina, 1945-1989”
Dr. Makeda Best, Dept. of Visual Studies, California College of the Arts, “Sensing Memory: Kodak Cameras, Class, the Haptic, and the Labor of Memory in Late Nineteenth Century America”
Cari Casteel, History of Technology, Auburn University, “The Odor of Things: Deodorant, Gender, and Olfaction in the United States, 1888-2010”Advertisement for Jergens Dryad Deodorant
Dr. Victoria Greive, Dept. of History, Utah State University, “Childhood and the Ideology of Domestic Security: Advertising During the Cold War”
Kira Lussier, Institute for the History and Philosophy of Science and Technology, University of Toronto, “Managing Your Self: Personality Testing in Corporate America, 1960-present”
Dr. Einav Rabinovitch-Fox, Visiting Scholar, Institute of Research on Women, Gender, and Sexuality, Columbia University, “Ad Women in a (Mad)Men World: Negotiating Gender in the Advertising Business 1910-1930”
Dr. Rebecca Sheehan, United States Studies Center, University of Sydney, “The Rise of the Superwoman: How Sex Remade Gender in America’s Long 1970s”
Dr. Mark Tadajewski, Professor of Marketing, Durham University, “Jean Kilbourne: Recalling the Contributions of a Feminist Critic of Advertising”
Seth Tannenbaum, Department of History, Temple University, “Take Me Out…To the Concession Stand: Baseball, Food, and Citizenship in the Twentieth Century”
Sallie Bingham Center for Women’s History and Culture, Mary Lily Research Grants
Meaghan Beadle, Ph.D. candidate, history, University of Virginia, “This is What a Feminist Looks Like! Photography and Feminism, 1968-1980.”
Hanne Blank, Ph.D. candidate, history, Emory University, “Southern Women, Feminist Health: Activist Health Service and Communities of Radical Conscience in the Southeastern U.S., 1968-1990.”Feminist Women’s Health Center
Samantha Bryant, Ph.D. candidate, history, University of Nebraska at Lincoln, “‘Black Monster Stalks the City’: The Thomas Wansley Case and the Racialized Cultural Landscape of the American Prison Industrial Complex, 1960 – 1975.”
Jaime Cantrell, Visiting Assistant Professor of English, The Sarah Isom Center for Women’s and Gender Studies, University of Mississippi, “Southern Sapphisms: Race, Sexuality, and Sociality in Literary Productions, 1968-1994.”
Ariel Dougherty, Independent scholar, for book research on film teaching programs for young women, women of color, and queer women.
Anne Gray Fischer, Ph.D. candidate, history, Brown University, for dissertation research on the politics of prostitution in the US from 1960s – 1980s.
Anna Iones, Ph.D. candidate, English language and literature, University of Virginia, “Shocking Violence, Contested Consent: The Feminist Avant-garde from Kathy Acker to Riot Grrrl.”
Catherine Jacquet, Assistant Professor, history, Louisiana State University, Responding to Rape: Contesting the Meanings of Sexual Violence in the United States, 1950-1980.
Whitney Stewart, Ph.D. candidate, history, Rice University, “Domestic Activism: The Politics of the Black Home in Nineteenth-Century America.”
Mary Whitlock, Ph.D. candidate, sociology, University of South Florida, “Examining Forty Years Of The Social Organization Of Feminisms: Ethnography Of Two Women’s Bookstores In the US South.”
Leah Wilson, Master’s student, English, Iowa State University, “Fleeing the Double Bind: Subverting the ‘White Trash’ Label through Female Solidarity and Erotic Power in Dorothy Allison’s Cavedweller.”
The post Congratulations to Our 2015-2016 Research Grant Recipients appeared first on The Devil's Tale.
Please join us and the Science Fiction and Fantasy Writers of America (SFWA) for a new regional reading series, SFWA Southeast Reading Series on Friday, April 24. This event is free and open to the public.
The SFWA Southeast Reading Series will present a panel on science fiction and technology with authors Mark Van Name, Mur Lafferty, Richard Dansky, Jay Posey, Justin Achilli, and (via Skype) Tiffany Trent. The panel will be moderated by Hillsborough author and editor M. David Blake.
The panel will be followed by a question and answer session, and a chance to mingle with the authors.
More information on Facebook.
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Last night’s episode began and ended with scenes focusing on things that Don has lost in his life. At the Francis house, Don makes a milkshake for his sons. Betty and Henry come home and Don wistfully watches his family chatting together then leaves alone.
Megan calls to ask Don for $500 for the movers. She wants them to “just sign the papers and be done with this” and is tired of asking for an allowance.
Don tracks down Diana at a steakhouse. He wants to have dinner with her “even if it’s five minutes at a time.” Later she comes to his apartment in the middle of the night. They talk about their divorces and her past.
Peggy hires reknown photographer Pima Ryan for the Cinzano shoot. Stan scoffs at first, but then wants Pima to look at his work. Pima seduces him, and later makes a pass at Peggy. They both realize that Pima took advantage of them.
Megan’s mother, Marie, criticizes Megan for letting Don off so easy. Megan’s sister implies that Megan is a failure because of her divorce. Marie is left to supervise the movers at Don’s apartment and fills the whole moving truck with Don’s furniture. Marie calls Roger asking for cash to pay the mover. He arrives at Don’s apartment with the money and Marie rekindles their previous affair.
Harry and Megan meet for lunch to discuss her acting career. He flatters Megan, but then makes a pass at her. She leaves in disgust. She goes back to Don’s apartment, shocked to discover it empty except for Roger and Marie. Megan scolds them both and leaves.
Don and Megan meet in the attorney’s office. Megan accuses him of ruining her life. Don writes her a check for a million dollars. “I want you to have the life you deserve,” he says. She takes the check and gives Don her wedding ring.
Don arrives at Diana’s tiny apartment. He is ready for a new start and gives her a book about New York City. Diana insists that she can’t see him anymore because she forgot about the daughter she abandoned while with Don and she never wants to do that. Don goes home to find his apartment completely empty.
Last night’s episode featured references to blenders, Life Cereal, Cinzano vermouth, photography, Champagne, and Tab, among other things. Enjoy our selection of highlighted ads that reflect the brands and themes that Mad Men characters interacted with last night.
A gallery of our selected images may also be found on Flickr.
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