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Artemisia Gentileschi letter to Cassiano Dal Pozzo, 1630 August 31.

Baskin Collection Additions - Tue, 05/05/2015 - 00:00

Author: Gentileschi, Artemisia, 1593-1652 or 1653.

Currently held at: DUKE

Mad Men Monday – Season 8, Episode 12 “Lost Horizon”

Hartman Center News - Mon, 05/04/2015 - 17:22

The move to McCann is underway and a number of the SC&P staff are finding the transition challenging in their own unique ways.

Don is welcomed with enthusiasm by Jim Hobart, who expects Don to “bring things up a notch around here.” Later Don attends his first meeting in which Conley Research presents its findings on the market for a new Miller “diet beer.” Don seems out of his element in a room full of creative directors all taking notes. He watches a plane fly by high up in the air and walks out.

Joan was welcomed by two women copywriters who have interest in her accounts. They invite her to join them for drinks sometime.  Later she has conference calls with her clients and her ill-prepared colleague Dennis, who interrupts Joan and thinks he has better ways of handling her clients.  When she complains to Ferg about working with Dennis he promises to make it better, which means that she will work directly with him instead. His lecherous intentions quickly become clear.

Peggy’s move is thwarted by the fact that McCann has mistaken her for a secretary and did not reserve an office for her.  She refuses to move her belongings over until she gets an office and so spends a few surreal days in an empty SC&P working on Dow.

Don planned to drive Sally back to school, but found out belatedly from Betty that she got a ride from a friend instead. As he drives back to the city he impulsively takes a detour towards Pennsylvania and keeps driving all the way to Racine, Wisconsin. While his colleagues wonder where he is over the next few days, he tries to find out where Diana is from her ex-husband by posing as someone who has a prize for Diana. Her ex gets irate and sees through Don’s charade. He tells Don that Diana is a tornado who destroys everything.

Peggy and Roger drink too much vermouth and talk at SC&P before they make their official moves over to McCann.  Peggy is later seen walking confidently into the office with her belongings and Bert Cooper’s artwork that Roger gave her.

Joan meets with Jim Hobart and says she’d rather not work with Ferg on her accounts. Jim belittles her and her status at SC&P.  She says she’s willing to take the money she is owed and walk away, but he retorts that he will only give her fifty cents on the dollar. She threatens to contact the Equal Employment Opportunity Commission and the ACLU regarding the sexism at McCann. Later she finds Roger waiting for her and he tells her to take the offer and that he can’t help her. She dejectedly agrees to the deal and walks out with her Rolodex and a photo of her son.

Don keeps on driving and picks up a hitchhiker headed to St. Paul.

Last night’s show featured references to Ladies Home Journal, Tampax, Miller, and Westinghouse, among other things.  Enjoy our selection of highlighted ads that reflect the brands and themes that Mad Men characters interacted with last night.

A gallery of our selected images may also be found on Flickr.

Post contributed by Jacqueline Reid Wachholz, Director of the John W. Hartman Center for Sales, Advertising, and Marketing History.

The post Mad Men Monday – Season 8, Episode 12 “Lost Horizon” appeared first on The Devil's Tale.

Mad Men Monday – Season 8, Episode 12 “Lost Horizon”

Devil's Tale Posts - Mon, 05/04/2015 - 17:22

The move to McCann is underway and a number of the SC&P staff are finding the transition challenging in their own unique ways.

Don is welcomed with enthusiasm by Jim Hobart, who expects Don to “bring things up a notch around here.” Later Don attends his first meeting in which Conley Research presents its findings on the market for a new Miller “diet beer.” Don seems out of his element in a room full of creative directors all taking notes. He watches a plane fly by high up in the air and walks out.

Joan was welcomed by two women copywriters who have interest in her accounts. They invite her to join them for drinks sometime.  Later she has conference calls with her clients and her ill-prepared colleague Dennis, who interrupts Joan and thinks he has better ways of handling her clients.  When she complains to Ferg about working with Dennis he promises to make it better, which means that she will work directly with him instead. His lecherous intentions quickly become clear.

Peggy’s move is thwarted by the fact that McCann has mistaken her for a secretary and did not reserve an office for her.  She refuses to move her belongings over until she gets an office and so spends a few surreal days in an empty SC&P working on Dow.

Don planned to drive Sally back to school, but found out belatedly from Betty that she got a ride from a friend instead. As he drives back to the city he impulsively takes a detour towards Pennsylvania and keeps driving all the way to Racine, Wisconsin. While his colleagues wonder where he is over the next few days, he tries to find out where Diana is from her ex-husband by posing as someone who has a prize for Diana. Her ex gets irate and sees through Don’s charade. He tells Don that Diana is a tornado who destroys everything.

Peggy and Roger drink too much vermouth and talk at SC&P before they make their official moves over to McCann.  Peggy is later seen walking confidently into the office with her belongings and Bert Cooper’s artwork that Roger gave her.

Joan meets with Jim Hobart and says she’d rather not work with Ferg on her accounts. Jim belittles her and her status at SC&P.  She says she’s willing to take the money she is owed and walk away, but he retorts that he will only give her fifty cents on the dollar. She threatens to contact the Equal Employment Opportunity Commission and the ACLU regarding the sexism at McCann. Later she finds Roger waiting for her and he tells her to take the offer and that he can’t help her. She dejectedly agrees to the deal and walks out with her Rolodex and a photo of her son.

Don keeps on driving and picks up a hitchhiker headed to St. Paul.

Last night’s show featured references to Ladies Home Journal, Tampax, Miller, and Westinghouse, among other things.  Enjoy our selection of highlighted ads that reflect the brands and themes that Mad Men characters interacted with last night.

A gallery of our selected images may also be found on Flickr.

Post contributed by Jacqueline Reid Wachholz, Director of the John W. Hartman Center for Sales, Advertising, and Marketing History.

The post Mad Men Monday – Season 8, Episode 12 “Lost Horizon” appeared first on The Devil's Tale.

Meet Our Staff: Liz Adams, Collections Move Coordinator

Tech Services Feed - Mon, 05/04/2015 - 12:52

The Meet Our Staff series features Q&A interviews with Rubenstein staff members about their work and lives.

Directly following the completion of her master’s studies in information science, Liz Adams joined The Rubenstein in 2013 as the Stacks Manager. Since January, she has served as the Collection Move Coordinator. She holds two degrees from the University of Michigan, a BA in English and an MSI.

We know you’re officially the move coordinator–what’s your unofficial title at the Rubenstein?

I’m a bit of a “gal Friday” in my attempts to alternately harangue or kindly beseech people to move forward on projects because collections can’t move without everyone’s involvement. No one would listen to me if I just said “move this!”

Tell us about your academic background and interests.

In undergrad, I worked in a public library. I couldn’t figure out what to do with my English degree and I knew I didn’t want to teach, but I liked books. I especially liked how tight-knit everyone in the library was and how we worked together to help people find what they needed. I went straight to grad school from undergrad, during which time I worked at a special collections library. Broadly speaking, my professional interests surround the idea of access and creating better, more useful access points for researchers and staff members alike. I think this can be accomplished through physical means—making things as physically accessible as possible– which is how my current job fits into that goal.

How do you describe what you do to people you meet at a party? To fellow librarians and library staff?

The people I meet at a party are generally familiar with the big construction project that’s happening on West campus and the Rubenstein. I tell them it’s my job to move our materials from temporary swing space to a permanent location and to figure out all that encompasses: good, bad, and ugly.

For people who might not immediately understand why there’s a whole position dedicated to this task, I’d highlight just how much material we have in our collection. Much like when you’re moving from one house to another, you find more things requiring your attention at every turn (and realize how much stuff you own!).  You have to decide what stays, what should move, and how you’re going to arrange things in a new space. No one likes moving and everyone else at The Rubenstein is so busy, there needs to be someone separate to help plot things out.

What does an average day look like for you?

It’s a lot of Excel! One of the big headings under the umbrella of the move is the reclassification of all of our materials. We’re going from a system of 125 legacy call numbers (some more intuitive than others!) to Library of Congress. Part of what I’m doing now is sorting through a list of our 280,000 print materials that have been reclassified. I figure out which of those things should move on-site after being housed off-site during the renovation and before we had all this space. I ask questions like, which materials are high-interest? Which materials are high-use?

What excites you about the move?

When I was the stacks manager, I saw the confusion experienced by our student workers when retrieving materials.  At times, it really required a fine-toothed comb to find items. When the move is completed, everything will be in the same classification scheme and organized by size. Students and staff will hopefully be able to find materials more easily.

It’s also nice to think of moving into a brand new space that no one else has lived in. You get to really make your mark. In fact, you get to make the first mark, which as a competitive person, I love. I like to imagine that I’ll be the first person to walk in – my moon landing. Although I doubt it will be me!

What might people find surprising about your job?

I think my job is a lot of what people might expect. It’s a lot of organizing things, talking to people, and making sure things are done in a timely fashion.

Do you have a favorite piece or collection at The Rubenstein? Why?

I really like the Anna Schwartz collection. She was an economist who worked with Milton Friedman. It’s really interesting to see the personal and professional interplay of a female economist in the mid-twentieth century. She talks about comments made by a coworker and how she “took them to task” – you go Anna Schwartz!

Where can you be found when you’re not working? 

I enjoy a good picture show at the Carolina theatre. I can be found eating my way through the Triangle. You might see me huffing and puffing while running, and I sometimes pretend to be a yogi.

What book is on your nightstand/in your carryall right now?

In my bag I have New Introduction to Bibliography by Philip Gaskell.

On my nightstand, of a totally different flavor, is The Precious One by Marisa de los Santos.

 

Interview conducted and edited by Katrina Martin, Library Assistant in Technical Services. 

The post Meet Our Staff: Liz Adams, Collections Move Coordinator appeared first on The Devil's Tale.

Meet Our Staff: Liz Adams, Collections Move Coordinator

Devil's Tale Posts - Mon, 05/04/2015 - 12:52

The Meet Our Staff series features Q&A interviews with Rubenstein staff members about their work and lives.

Directly following the completion of her master’s studies in information science, Liz Adams joined The Rubenstein in 2013 as the Stacks Manager. Since January, she has served as the Collection Move Coordinator. She holds two degrees from the University of Michigan, a BA in English and an MSI.

We know you’re officially the move coordinator–what’s your unofficial title at the Rubenstein?

I’m a bit of a “gal Friday” in my attempts to alternately harangue or kindly beseech people to move forward on projects because collections can’t move without everyone’s involvement. No one would listen to me if I just said “move this!”

Tell us about your academic background and interests.

In undergrad, I worked in a public library. I couldn’t figure out what to do with my English degree and I knew I didn’t want to teach, but I liked books. I especially liked how tight-knit everyone in the library was and how we worked together to help people find what they needed. I went straight to grad school from undergrad, during which time I worked at a special collections library. Broadly speaking, my professional interests surround the idea of access and creating better, more useful access points for researchers and staff members alike. I think this can be accomplished through physical means—making things as physically accessible as possible– which is how my current job fits into that goal.

How do you describe what you do to people you meet at a party? To fellow librarians and library staff?

The people I meet at a party are generally familiar with the big construction project that’s happening on West campus and the Rubenstein. I tell them it’s my job to move our materials from temporary swing space to a permanent location and to figure out all that encompasses: good, bad, and ugly.

For people who might not immediately understand why there’s a whole position dedicated to this task, I’d highlight just how much material we have in our collection. Much like when you’re moving from one house to another, you find more things requiring your attention at every turn (and realize how much stuff you own!).  You have to decide what stays, what should move, and how you’re going to arrange things in a new space. No one likes moving and everyone else at The Rubenstein is so busy, there needs to be someone separate to help plot things out.

What does an average day look like for you?

It’s a lot of Excel! One of the big headings under the umbrella of the move is the reclassification of all of our materials. We’re going from a system of 125 legacy call numbers (some more intuitive than others!) to Library of Congress. Part of what I’m doing now is sorting through a list of our 280,000 print materials that have been reclassified. I figure out which of those things should move on-site after being housed off-site during the renovation and before we had all this space. I ask questions like, which materials are high-interest? Which materials are high-use?

What excites you about the move?

When I was the stacks manager, I saw the confusion experienced by our student workers when retrieving materials.  At times, it really required a fine-toothed comb to find items. When the move is completed, everything will be in the same classification scheme and organized by size. Students and staff will hopefully be able to find materials more easily.

It’s also nice to think of moving into a brand new space that no one else has lived in. You get to really make your mark. In fact, you get to make the first mark, which as a competitive person, I love. I like to imagine that I’ll be the first person to walk in – my moon landing. Although I doubt it will be me!

What might people find surprising about your job?

I think my job is a lot of what people might expect. It’s a lot of organizing things, talking to people, and making sure things are done in a timely fashion.

Do you have a favorite piece or collection at The Rubenstein? Why?

I really like the Anna Schwartz collection. She was an economist who worked with Milton Friedman. It’s really interesting to see the personal and professional interplay of a female economist in the mid-twentieth century. She talks about comments made by a coworker and how she “took them to task” – you go Anna Schwartz!

Where can you be found when you’re not working? 

I enjoy a good picture show at the Carolina theatre. I can be found eating my way through the Triangle. You might see me huffing and puffing while running, and I sometimes pretend to be a yogi.

What book is on your nightstand/in your carryall right now?

In my bag I have New Introduction to Bibliography by Philip Gaskell.

On my nightstand, of a totally different flavor, is The Precious One by Marisa de los Santos.

 

Interview conducted and edited by Katrina Martin, Library Assistant in Technical Services. 

The post Meet Our Staff: Liz Adams, Collections Move Coordinator appeared first on The Devil's Tale.

Edith Wharton "La Duchessa in Preghiera" corrected manuscript, after 1900.

Baskin Collection Additions - Mon, 05/04/2015 - 00:00

Author: Wharton, Edith, 1862-1937.

Currently held at: DUKE

Charlotte Brontë letter to Ellen Nussey, 1840 November 12.

Baskin Collection Additions - Mon, 05/04/2015 - 00:00

Author: Brontë, Charlotte, 1816-1855, correspondent.

Currently held at: DUKE

ABC’s of John Hope Franklin – (J) Jefferson Lectures

Devil's Tale Posts - Fri, 05/01/2015 - 15:00

Established in 1972, the Jefferson Lecture in the Humanities is the highest honor that the United States federal government confers on an individual for distinguished intellectual achievement in the humanities.

In 1976, The National Endowment for the Humanities invited John Hope Franklin to be the fifth Jefferson Lecturer in the Humanities. Franklin gave three lectures as part of the series; the first lecture was given in Washington, D.C., the second in Chicago, and the final lecture was in San Francisco.

Incidentally, Franklin received the invitation to give his lectures during the same year as the bicentennial of the Declaration of Independence. Franklin’s three lectures focused not only on Thomas Jefferson, but also on the topic of “Racial Equality in America.” The first lecture was titled “The Dream Deferred” and focused on the period from the revolution to 1820. The second lecture was titled “The Old Order Changeth Not” and explored the 19th century. The third lecture was titled “Equality Indivisible” and discussed events and issues of the 20th century.

(l to r) Mayor Walter Washington, Ronald S. Berman, Aurelia and John Hope Franklin, and Mrs. Washington at the Washington DC reception of the Jefferson Lectures

In a scathing critique of Thomas Jefferson, Franklin highlighted the differences between perceptions and reality in some commonly held beliefs about race by using government texts and extensive data from the Census, property documents, as well as other sources.

Franklin’s lectures for the Jefferson lecture series were compiled and published in the book Racial Equality in America. The book was published by the University of Missouri Press in 1976.

This series is a part of Duke University’s John Hope Franklin@100: Scholar, Activist, Citizen year-long celebration of the life and legacy of Dr. John Hope Franklin

Submitted by Gloria Ayee, Franklin Research Center Intern

The post ABC’s of John Hope Franklin – (J) Jefferson Lectures appeared first on The Devil's Tale.

ABC’s of John Hope Franklin – (J) Jefferson Lectures

Franklin Research Center News - Fri, 05/01/2015 - 15:00

Established in 1972, the Jefferson Lecture in the Humanities is the highest honor that the United States federal government confers on an individual for distinguished intellectual achievement in the humanities.

In 1976, The National Endowment for the Humanities invited John Hope Franklin to be the fifth Jefferson Lecturer in the Humanities. Franklin gave three lectures as part of the series; the first lecture was given in Washington, D.C., the second in Chicago, and the final lecture was in San Francisco.

Incidentally, Franklin received the invitation to give his lectures during the same year as the bicentennial of the Declaration of Independence. Franklin’s three lectures focused not only on Thomas Jefferson, but also on the topic of “Racial Equality in America.” The first lecture was titled “The Dream Deferred” and focused on the period from the revolution to 1820. The second lecture was titled “The Old Order Changeth Not” and explored the 19th century. The third lecture was titled “Equality Indivisible” and discussed events and issues of the 20th century.

(l to r) Mayor Walter Washington, Ronald S. Berman, Aurelia and John Hope Franklin, and Mrs. Washington at the Washington DC reception of the Jefferson Lectures

In a scathing critique of Thomas Jefferson, Franklin highlighted the differences between perceptions and reality in some commonly held beliefs about race by using government texts and extensive data from the Census, property documents, as well as other sources.

Franklin’s lectures for the Jefferson lecture series were compiled and published in the book Racial Equality in America. The book was published by the University of Missouri Press in 1976.

This series is a part of Duke University’s John Hope Franklin@100: Scholar, Activist, Citizen year-long celebration of the life and legacy of Dr. John Hope Franklin

Submitted by Gloria Ayee, Franklin Research Center Intern

The post ABC’s of John Hope Franklin – (J) Jefferson Lectures appeared first on The Devil's Tale.

Human Rights Archive Collection Sheds Light on 1983 Assassination of Peruvian Journalists

Human Rights Archive Blog Posts - Thu, 04/30/2015 - 15:46

I am Carmen Valdivieso Hulbert, a New York-based journalist-filmmaker born in Peru. I am currently co-directing and producing Uchuraccay, an investigative, human rights documentary for my company, Quinoa Films Inc.

The documentary attempts to find answers related to the assassinations of eight journalists and their guide in 1983 in Uchuraccay, a hamlet in the Andes of Peru. The murders occurred amidst warfare between the Maoist group, Shining Path, and Peruvian military forces. As part of my investigation of the case, I found valuable material among the Coletta Youngers Papers at the Human Rights Archive in the David M. Rubenstein Rare Book & Manuscript Library.

Map of Peru showing location of Uchuraccay.

In the process of this ten-year investigation, I have found a large amount of information which at first did not stand out due to the complexity of the case. In February 2015, I found a copy of the original report on the assassinations filed by the government-appointed investigative commission in March of 1983. The group was led by Peruvian writer Mario Vargas Llosa. According to the commission’s findings, the villagers of Uchuraccay were the sole culprits of the murders. Furthermore, the report fails to cite any military presence in the area when the murders took place.

This report was based on testimony given to the commission by the military chief of Ayacucho, the capital city of Huamanga Province, where Uchuraccay is located. He stated that the last military flight to the area took place on Sunday, January 23, 1983. His testimony conflicts with information I found in an article published on January 27th of the same year in the leading newspaper, El Comercio. The article, based on information received from the same military headquarters, indicates that a group of military and police officials arrived in the area from Lima on January 26th. Around noon, the group visited Uchuraccay, among other areas. This was the very day that the journalists arrived in Uchuraccay and were allegedly murdered around 4 p.m.

The discrepancy only hit me after I found and read the investigative report this past February. Had I not found this particular document in the Coletta Youngers Papers, it would have taken me longer to connect the dots.

A friend I met on my last trip to Lima in January of 2014 had mentioned that Javier Azcue, the journalist who wrote the story in El Comercio, had told him about the importance of that visit, and that no journalist had taken note of it. I was not sure what he was referring to until I re-read the official report at the Rubenstein.

On January 30, 1983, the date of the exhumation of the eight journalists’ bodies, villagers in Uchuraccay told a journalist who spoke Quechua, one of the main Peruvian indigenous languages, that the soldiers had told them to kill any stranger who arrived in the community on foot, and that they should remove their eyes and cut out their tongues while they were still alive. Apparently that did not happen, as indicated by the newspapers clippings I found among the Coletta Youngers Papers. While at the Rubenstein, I found some enlarged newspapers clippings of La Republica that showed close-up photos taken the day the bodies were exhumed. The photographs show the faces of five of the eight murdered journalists. As gruesome as these images are, they show two of the journalists with eyes half-closed and intact, and three with their eyes closed but without signs of having been removed, as some of the villagers had previously stated.

Photocopy of article from La Republica. From the Coletta Youngers Papers.

Previously I had only heard the recordings of the villagers’ testimonies in their native Quechua, along with a transcript translated into Spanish. I was therefore able to recognize one of the villager’s photo and name in the newspaper clipping.

Post contributed by Carmen Valdivieso Hulbert, Rubenstein Library researcher, journalist, and filmmaker.

The post Human Rights Archive Collection Sheds Light on 1983 Assassination of Peruvian Journalists appeared first on The Devil's Tale.

Human Rights Archive Collection Sheds Light on 1983 Assassination of Peruvian Journalists

Devil's Tale Posts - Thu, 04/30/2015 - 15:46

I am Carmen Valdivieso Hulbert, a New York-based journalist-filmmaker born in Peru. I am currently co-directing and producing Uchuraccay, an investigative, human rights documentary for my company, Quinoa Films Inc.

The documentary attempts to find answers related to the assassinations of eight journalists and their guide in 1983 in Uchuraccay, a hamlet in the Andes of Peru. The murders occurred amidst warfare between the Maoist group, Shining Path, and Peruvian military forces. As part of my investigation of the case, I found valuable material among the Coletta Youngers Papers at the Human Rights Archive in the David M. Rubenstein Rare Book & Manuscript Library.

Map of Peru showing location of Uchuraccay.

In the process of this ten-year investigation, I have found a large amount of information which at first did not stand out due to the complexity of the case. In February 2015, I found a copy of the original report on the assassinations filed by the government-appointed investigative commission in March of 1983. The group was led by Peruvian writer Mario Vargas Llosa. According to the commission’s findings, the villagers of Uchuraccay were the sole culprits of the murders. Furthermore, the report fails to cite any military presence in the area when the murders took place.

This report was based on testimony given to the commission by the military chief of Ayacucho, the capital city of Huamanga Province, where Uchuraccay is located. He stated that the last military flight to the area took place on Sunday, January 23, 1983. His testimony conflicts with information I found in an article published on January 27th of the same year in the leading newspaper, El Comercio. The article, based on information received from the same military headquarters, indicates that a group of military and police officials arrived in the area from Lima on January 26th. Around noon, the group visited Uchuraccay, among other areas. This was the very day that the journalists arrived in Uchuraccay and were allegedly murdered around 4 p.m.

The discrepancy only hit me after I found and read the investigative report this past February. Had I not found this particular document in the Coletta Youngers Papers, it would have taken me longer to connect the dots.

A friend I met on my last trip to Lima in January of 2014 had mentioned that Javier Azcue, the journalist who wrote the story in El Comercio, had told him about the importance of that visit, and that no journalist had taken note of it. I was not sure what he was referring to until I re-read the official report at the Rubenstein.

On January 30, 1983, the date of the exhumation of the eight journalists’ bodies, villagers in Uchuraccay told a journalist who spoke Quechua, one of the main Peruvian indigenous languages, that the soldiers had told them to kill any stranger who arrived in the community on foot, and that they should remove their eyes and cut out their tongues while they were still alive. Apparently that did not happen, as indicated by the newspapers clippings I found among the Coletta Youngers Papers. While at the Rubenstein, I found some enlarged newspapers clippings of La Republica that showed close-up photos taken the day the bodies were exhumed. The photographs show the faces of five of the eight murdered journalists. As gruesome as these images are, they show two of the journalists with eyes half-closed and intact, and three with their eyes closed but without signs of having been removed, as some of the villagers had previously stated.

Photocopy of article from La Republica. From the Coletta Youngers Papers.

Previously I had only heard the recordings of the villagers’ testimonies in their native Quechua, along with a transcript translated into Spanish. I was therefore able to recognize one of the villager’s photo and name in the newspaper clipping.

Post contributed by Carmen Valdivieso Hulbert, Rubenstein Library researcher, journalist, and filmmaker.

The post Human Rights Archive Collection Sheds Light on 1983 Assassination of Peruvian Journalists appeared first on The Devil's Tale.

Allen Building Takeover Oral History Collection, 1984.

UArchives New Collections - Wed, 04/29/2015 - 04:00

Author: Yannella, Don.

Currently held at: DUKE

Susan B. Anthony letters, postcard, and printed piece, 1870-1900.

Baskin Collection Additions - Wed, 04/29/2015 - 00:00

Author: Anthony, Susan B. (Susan Brownell), 1820-1906, correspondent.

Currently held at: DUKE

Mad Men Monday – Season 7, Episode 11 “Time & Life”

Hartman Center News - Mon, 04/27/2015 - 15:59

The characters at SC&P faced their worst fear last night as McCann Erickson planned to absorb and dissolve the agency. With 30 days to vacate their offices and 30 days for Don to find a new place to live, it truly is setting up to be the end of an era.

The episode opens on dinner as Ken enjoys toying with Pete and criticizing the work done by SC&P.

Roger receives a letter canceling the lease on the SC&P offices. After yelling at some of the secretaries, he calls McCann and discovers that it was not a mistake.  McCann is planning to absorb the agency and move everyone into their own building. Roger, Don, Pete, Ted and Joan discuss the news with dread.

Stan and Peggy observe and audition children for a client.  Stan comments that Peggy hates kids after she struggles working with them. Pete pulls her aside and tells her the bad news about the agency.

Lou calls Don and gleefully tells him that he is quitting and moving to Tokyo to work with Tatsunoko Productions on developing his comic into a cartoon.

The partners meet and come up with a strategy to move the agency to California where they could work on the clients that are a conflict for McCann. They rush off to see if they can get those clients to stick with them at “Sterling Cooper West.” Roger and Pete meet with Ken to get Dow to stay with them but he refuses and leaves.

Peggy meets with a headhunter who tells her that her best bet is to stay and work at McCann.

Pete and Trudy meet with the headmaster at Greenwich Country Day school, which rejected Tammy’s application. Pete says that it a family tradition for a Campbell to be at that school. The headmaster bears a grudge dating back to 1692 when his ancestors and Pete’s began a historic clan feud.  He insults Trudi and Pete punches him before leaving. Later Trudi bemoans the fact that it is hard being a divorced woman because men try to take advantage of her.

Stan and Peggy have to babysit a girl who was left by her mother who had to pick up her son. The girl manages to staple her finger causing an argument between Peggy and the mother who returns. Later Peggy reveals to Stan that she gave a child up for adoption and says it is not fair that women have to make hard choices when men don’t.

The SC&P partners make their pitch to keep their conflicting clients and move to California, but Jim Hobart explains that they all will have great jobs at McCann working on top tier clients like Buick and Coca Cola. Only Ted seems happy to hear that he will get what he always wanted, to work on a pharmaceutical account. They all leave and commiserate over beer. The next day the partners announce the big news to the office and try to make it sound positive, but the staff quickly start taking over them and walk away.

Last night’s show featured references to toys, Dow, Buick, and first aid, among other things.  Enjoy our selection of highlighted ads that reflect the brands and themes that Mad Men characters interacted with last night.

A gallery of our selected images may also be found on Flickr.

 

The post Mad Men Monday – Season 7, Episode 11 “Time & Life” appeared first on The Devil's Tale.

Mad Men Monday – Season 7, Episode 11 “Time & Life”

Devil's Tale Posts - Mon, 04/27/2015 - 15:59

The characters at SC&P faced their worst fear last night as McCann Erickson planned to absorb and dissolve the agency. With 30 days to vacate their offices and 30 days for Don to find a new place to live, it truly is setting up to be the end of an era.

The episode opens on dinner as Ken enjoys toying with Pete and criticizing the work done by SC&P.

Roger receives a letter canceling the lease on the SC&P offices. After yelling at some of the secretaries, he calls McCann and discovers that it was not a mistake.  McCann is planning to absorb the agency and move everyone into their own building. Roger, Don, Pete, Ted and Joan discuss the news with dread.

Stan and Peggy observe and audition children for a client.  Stan comments that Peggy hates kids after she struggles working with them. Pete pulls her aside and tells her the bad news about the agency.

Lou calls Don and gleefully tells him that he is quitting and moving to Tokyo to work with Tatsunoko Productions on developing his comic into a cartoon.

The partners meet and come up with a strategy to move the agency to California where they could work on the clients that are a conflict for McCann. They rush off to see if they can get those clients to stick with them at “Sterling Cooper West.” Roger and Pete meet with Ken to get Dow to stay with them but he refuses and leaves.

Peggy meets with a headhunter who tells her that her best bet is to stay and work at McCann.

Pete and Trudy meet with the headmaster at Greenwich Country Day school, which rejected Tammy’s application. Pete says that it a family tradition for a Campbell to be at that school. The headmaster bears a grudge dating back to 1692 when his ancestors and Pete’s began a historic clan feud.  He insults Trudi and Pete punches him before leaving. Later Trudi bemoans the fact that it is hard being a divorced woman because men try to take advantage of her.

Stan and Peggy have to babysit a girl who was left by her mother who had to pick up her son. The girl manages to staple her finger causing an argument between Peggy and the mother who returns. Later Peggy reveals to Stan that she gave a child up for adoption and says it is not fair that women have to make hard choices when men don’t.

The SC&P partners make their pitch to keep their conflicting clients and move to California, but Jim Hobart explains that they all will have great jobs at McCann working on top tier clients like Buick and Coca Cola. Only Ted seems happy to hear that he will get what he always wanted, to work on a pharmaceutical account. They all leave and commiserate over beer. The next day the partners announce the big news to the office and try to make it sound positive, but the staff quickly start taking over them and walk away.

Last night’s show featured references to toys, Dow, Buick, and first aid, among other things.  Enjoy our selection of highlighted ads that reflect the brands and themes that Mad Men characters interacted with last night.

A gallery of our selected images may also be found on Flickr.

 

The post Mad Men Monday – Season 7, Episode 11 “Time & Life” appeared first on The Devil's Tale.

NEH grant will fund Voices of Change Project at the Rubenstein Library

Tech Services Feed - Mon, 04/27/2015 - 13:28

The David M. Rubenstein Rare Book & Manuscript Library at Duke University has received a grant of $200,000 from the National Endowment for the Humanities to support Voices of Change: Preserving and Presenting Radio Haiti.  This two-year project, set to begin in July 2015, will preserve and make widely available the written- and spoken-word archives of Radio Haiti Inter, the country’s oracle of democracy from the late 1960s until its closure in 2003. The announcement of the award coincides with the fifteen year anniversary of the assassination of the station’s owner and Haiti’s most prominent journalist, Jean Dominique, and amidst continuing news coverage about the ongoing trial of his accused murderers.

Jean Dominique and Michèle Montas at Radio Haiti Inter, 1995

 

The Human Rights Archive at the Rubenstein Library received the archives of Radio Haiti in late 2013 as a gift from Michèle Montas, the station’s co-anchor and widow of Dominique.  “To me, Duke University was the most welcoming environment for these unique archives, with knowledgeable teams of scholars and archivists able to preserve the past and help to use that recent past as a tool to re- imagine the future,” commented Montas about her decision to place the archives at Duke.

As evidenced in the more than 3,000 recordings and 70 linear feet of paper records comprising the collection, Radio Haiti distinguished itself from other media outlets in Haiti by covering not only events in Port-au-Prince but news from the rural areas of Haiti, including a grassroots democratic movement that eventually overthrew the Duvalier dictatorship in 1986. It was the first independent radio station in Haiti, and the first to broadcast in the language of the people, Haitian Creole, instead of the French spoken only by Haiti’s elite.

The collection is one of the most important and comprehensive resources available for studying and understanding the recent history of Haiti. Primary materials related to Haiti are relatively rare, and the archives of Radio Haiti are particularly distinct both for the depth and breadth of their coverage. According to Laurent Dubois, project advisor and Marcello Lotti Professor of Romance Studies and History at Duke, “The Radio Haiti Archives represent a tremendous resource for scholars, educators, and the general public interested in culture and politics in Haiti from the late 1970s to the present. Under the leadership of Jean Dominique and Michèle Montas, the station served as a critical voice for reportage, debate, editorials, and news for several decades.” Access to these important primary materials will allow scholars to write the history of the country in nuanced and participatory ways.

As part of preparing the grant proposal, Library staff completed a pilot project cleaning and digitizing a selection of tapes from the Radio Haiti Archives.

 

Grant funding will support a full-time project archivist fluent in both Haitian Creole and French to oversee the arrangement, description, digitization and preservation of these materials. To support multilingual and international research, audio recordings will be described in French, Haitian Creole, and English, and will be made freely available online via Duke’s Digital Collections, the Digital Public Library of America, and the Digital Library of the Caribbean.

In order to promote easy access to these materials in Haiti, the Library will partner with the Forum for Scholars and Publics at Duke and FOKAL (La Fondation Connaissance et Liberté/Fondasyon Konesans Ak Libète), a community organization in Haiti, to place digital copies of the recordings in libraries throughout Haiti. The team will also explore creating podcasts from the recordings to allow for easier access in regions with intermittent internet connectivity.

The Radio Haiti collection is a singular resource supporting a nuanced and comprehensive understanding of the last 50 years’ of Haiti’s history. By preserving and making accessible these archives, Duke University Libraries seeks to advance the dialogue not only about Haiti’s past but also about its future.

Those interested in learning more about the archives of Radio Haiti are encouraged to visit the pilot site developed collaboratively between the Forum for Scholars and Publics and the Library at http://radiohaitilives.com/.   This site includes access in Creole and English to all the recordings reformatted as part of the planning phase of the grant.

Post contributed by Kat Stefko, Head of Technical Services. 

The post NEH grant will fund Voices of Change Project at the Rubenstein Library appeared first on The Devil's Tale.

NEH grant will fund Voices of Change Project at the Rubenstein Library

Human Rights Archive Blog Posts - Mon, 04/27/2015 - 13:28

The David M. Rubenstein Rare Book & Manuscript Library at Duke University has received a grant of $200,000 from the National Endowment for the Humanities to support Voices of Change: Preserving and Presenting Radio Haiti.  This two-year project, set to begin in July 2015, will preserve and make widely available the written- and spoken-word archives of Radio Haiti Inter, the country’s oracle of democracy from the late 1960s until its closure in 2003. The announcement of the award coincides with the fifteen year anniversary of the assassination of the station’s owner and Haiti’s most prominent journalist, Jean Dominique, and amidst continuing news coverage about the ongoing trial of his accused murderers.

Jean Dominique and Michèle Montas at Radio Haiti Inter, 1995

 

The Human Rights Archive at the Rubenstein Library received the archives of Radio Haiti in late 2013 as a gift from Michèle Montas, the station’s co-anchor and widow of Dominique.  “To me, Duke University was the most welcoming environment for these unique archives, with knowledgeable teams of scholars and archivists able to preserve the past and help to use that recent past as a tool to re- imagine the future,” commented Montas about her decision to place the archives at Duke.

As evidenced in the more than 3,000 recordings and 70 linear feet of paper records comprising the collection, Radio Haiti distinguished itself from other media outlets in Haiti by covering not only events in Port-au-Prince but news from the rural areas of Haiti, including a grassroots democratic movement that eventually overthrew the Duvalier dictatorship in 1986. It was the first independent radio station in Haiti, and the first to broadcast in the language of the people, Haitian Creole, instead of the French spoken only by Haiti’s elite.

The collection is one of the most important and comprehensive resources available for studying and understanding the recent history of Haiti. Primary materials related to Haiti are relatively rare, and the archives of Radio Haiti are particularly distinct both for the depth and breadth of their coverage. According to Laurent Dubois, project advisor and Marcello Lotti Professor of Romance Studies and History at Duke, “The Radio Haiti Archives represent a tremendous resource for scholars, educators, and the general public interested in culture and politics in Haiti from the late 1970s to the present. Under the leadership of Jean Dominique and Michèle Montas, the station served as a critical voice for reportage, debate, editorials, and news for several decades.” Access to these important primary materials will allow scholars to write the history of the country in nuanced and participatory ways.

As part of preparing the grant proposal, Library staff completed a pilot project cleaning and digitizing a selection of tapes from the Radio Haiti Archives.

 

Grant funding will support a full-time project archivist fluent in both Haitian Creole and French to oversee the arrangement, description, digitization and preservation of these materials. To support multilingual and international research, audio recordings will be described in French, Haitian Creole, and English, and will be made freely available online via Duke’s Digital Collections, the Digital Public Library of America, and the Digital Library of the Caribbean.

In order to promote easy access to these materials in Haiti, the Library will partner with the Forum for Scholars and Publics at Duke and FOKAL (La Fondation Connaissance et Liberté/Fondasyon Konesans Ak Libète), a community organization in Haiti, to place digital copies of the recordings in libraries throughout Haiti. The team will also explore creating podcasts from the recordings to allow for easier access in regions with intermittent internet connectivity.

The Radio Haiti collection is a singular resource supporting a nuanced and comprehensive understanding of the last 50 years’ of Haiti’s history. By preserving and making accessible these archives, Duke University Libraries seeks to advance the dialogue not only about Haiti’s past but also about its future.

Those interested in learning more about the archives of Radio Haiti are encouraged to visit the pilot site developed collaboratively between the Forum for Scholars and Publics and the Library at http://radiohaitilives.com/.   This site includes access in Creole and English to all the recordings reformatted as part of the planning phase of the grant.

Post contributed by Kat Stefko, Head of Technical Services. 

The post NEH grant will fund Voices of Change Project at the Rubenstein Library appeared first on The Devil's Tale.

NEH grant will fund Voices of Change Project at the Rubenstein Library

Devil's Tale Posts - Mon, 04/27/2015 - 13:28

The David M. Rubenstein Rare Book & Manuscript Library at Duke University has received a grant of $200,000 from the National Endowment for the Humanities to support Voices of Change: Preserving and Presenting Radio Haiti.  This two-year project, set to begin in July 2015, will preserve and make widely available the written- and spoken-word archives of Radio Haiti Inter, the country’s oracle of democracy from the late 1960s until its closure in 2003. The announcement of the award coincides with the fifteen year anniversary of the assassination of the station’s owner and Haiti’s most prominent journalist, Jean Dominique, and amidst continuing news coverage about the ongoing trial of his accused murderers.

Jean Dominique and Michèle Montas at Radio Haiti Inter, 1995

 

The Human Rights Archive at the Rubenstein Library received the archives of Radio Haiti in late 2013 as a gift from Michèle Montas, the station’s co-anchor and widow of Dominique.  “To me, Duke University was the most welcoming environment for these unique archives, with knowledgeable teams of scholars and archivists able to preserve the past and help to use that recent past as a tool to re- imagine the future,” commented Montas about her decision to place the archives at Duke.

As evidenced in the more than 3,000 recordings and 70 linear feet of paper records comprising the collection, Radio Haiti distinguished itself from other media outlets in Haiti by covering not only events in Port-au-Prince but news from the rural areas of Haiti, including a grassroots democratic movement that eventually overthrew the Duvalier dictatorship in 1986. It was the first independent radio station in Haiti, and the first to broadcast in the language of the people, Haitian Creole, instead of the French spoken only by Haiti’s elite.

The collection is one of the most important and comprehensive resources available for studying and understanding the recent history of Haiti. Primary materials related to Haiti are relatively rare, and the archives of Radio Haiti are particularly distinct both for the depth and breadth of their coverage. According to Laurent Dubois, project advisor and Marcello Lotti Professor of Romance Studies and History at Duke, “The Radio Haiti Archives represent a tremendous resource for scholars, educators, and the general public interested in culture and politics in Haiti from the late 1970s to the present. Under the leadership of Jean Dominique and Michèle Montas, the station served as a critical voice for reportage, debate, editorials, and news for several decades.” Access to these important primary materials will allow scholars to write the history of the country in nuanced and participatory ways.

As part of preparing the grant proposal, Library staff completed a pilot project cleaning and digitizing a selection of tapes from the Radio Haiti Archives.

 

Grant funding will support a full-time project archivist fluent in both Haitian Creole and French to oversee the arrangement, description, digitization and preservation of these materials. To support multilingual and international research, audio recordings will be described in French, Haitian Creole, and English, and will be made freely available online via Duke’s Digital Collections, the Digital Public Library of America, and the Digital Library of the Caribbean.

In order to promote easy access to these materials in Haiti, the Library will partner with the Forum for Scholars and Publics at Duke and FOKAL (La Fondation Connaissance et Liberté/Fondasyon Konesans Ak Libète), a community organization in Haiti, to place digital copies of the recordings in libraries throughout Haiti. The team will also explore creating podcasts from the recordings to allow for easier access in regions with intermittent internet connectivity.

The Radio Haiti collection is a singular resource supporting a nuanced and comprehensive understanding of the last 50 years’ of Haiti’s history. By preserving and making accessible these archives, Duke University Libraries seeks to advance the dialogue not only about Haiti’s past but also about its future.

Those interested in learning more about the archives of Radio Haiti are encouraged to visit the pilot site developed collaboratively between the Forum for Scholars and Publics and the Library at http://radiohaitilives.com/.   This site includes access in Creole and English to all the recordings reformatted as part of the planning phase of the grant.

Post contributed by Kat Stefko, Head of Technical Services. 

The post NEH grant will fund Voices of Change Project at the Rubenstein Library appeared first on The Devil's Tale.

Shrimp Gumbo Filé (1916) – Rubenstein Library Test Kitchen

Devil's Tale Posts - Fri, 04/24/2015 - 18:15

Last week, I saw a student production of A Streetcar Named Desire. The play, famously set in New Orleans, immediately ignited memories of my time in NOLA. One moment, I was sitting under the green and white striped awning of Café Du Monde where I eagerly waited for the arrival of a small mountain beignets. Then, I was savoring every morsel of a roast beef po’boy from Parkway Bakery, blissfully unaware that rivulets of au jus were trailing down my wrists. After that, I drifted off even further and was reliving my first slurpy spoonful of duck gumbo. That dish made my heart sing!

Gumbo is one of the oldest and most iconic dishes served in New Orleans. In its most basic form, gumbo is a soupy stew cooked slowly over a low flame. It is served in a bowl with a heaping spoonful of Louisiana long grain rice. The simplicity of that description is misleading, though. Recipes for gumbo are so diverse that it is nearly impossible to define the dish in formulaic terms. Peering into a simmering pot of gumbo, for example, you might see any combination of the following meats and seafood: crabs, shrimp, oysters, ham, chicken, duck, rabbit, and sausage. You might also spot roughly or finely chopped onions, celery, and bell peppers—the so called “holy trinity” of Louisiana cooking. Often, you’ll catch a glimpse of the swirling, willowy tendrils of okra slime. Or, you might see a bay leaf bobbing along the surface of the stew as it slowly releases its tangy, herbal flavor into the stock. Gumbo, then, is anything but formulaic and reflects the amazing complexity of New Orleans’ Creole food culture.

Gumbo is also a dish that invites experimentation. In fact, I might characterize it as a “playful” one. Inspired by the vivacious spirit of this dish, I chose to modify some aspects of the gumbo I found in the The Picayune’s Creole Cook Book (1916). I’ve included both the original recipe and my derivation of it below.

The recipe:

Shrimp Gumbo Filé
Gombo Filé aux Chevrettes

50 Fine Lake Shrimp
2 Quarts of Oyster Liquor
1 Quart of Hot Water
1 Large White Onion. 1 Bay Leaf.
3 Sprigs of Parsley. 1 Sprig of Thyme.
1 Tablespoonful of Lard or Butter.
1 Tablespoonful of Flour.
Dash of Cayenne.
Salt and Black Pepper to Taste.

Shell the shrimp, season highly and scald in boiling water. Put the lard into a kettle, and, when hot, add the flour, making a brown roux. When quite brown, without a semblance of burning, add the chopped onion and the parsley. Fry these, and when brown, add the chopped bay leaf; pour in the hot oyster liquor and the hot water, or use the carefully strained liquor in which the shrimp have been boiled. When it comes to a good boil and about five minutes before serving, add the shrimp to the gumbo and take off the stove. Then add to the boiling hot liquid about two tablespoonfuls of the “Filé,” thickening just as desired. Season again with salt and pepper to taste. Serve immediately with boiled rice.

(Ashley’s) Shrimp Gumbo Filé

¼ cup of vegetable oil
¼ cup of flour
1 large white onion, chopped
2 quarts of unsalted chicken stock
1 pint of oyster liquor
1 ½ pounds of unpeeled lake shrimp
1 pound chopped chicken thighs
1 smoked ham shank
1 bay leaf
salt and pepper to taste

In New Orleans, there is a common phrase that marks the beginning of many gumbo recipes: first you make a roux. A roux is a combination of flour and fat (oil, lard, or butter) that is slowly toasted over a low flame, creating a rich, nutty flavor. For many people who are new to Creole cuisine, making it can be an intimidating process. After all, it takes at least 30 to 45 minutes to prepare a roux from scratch (no wonder people buy it in jars). The time investment is well worth it, though. The longer you toast your roux, the more complex and delicious the flavor of your gumbo!

I started off with a large soup pot (one with a thick bottom). Over medium heat, I combined equal parts oil and flour, stirring constantly (preferably with a wooden spoon). At first, the roux will be fairly thin and light yellow in color.

As the flour starts to toast, the roux will thicken slightly and air bubbles will begin to form on its surface. It will also appear slightly “gummy”—almost like mashed potatoes (if your roux is still thin, you can add another tablespoon or two of flour to thicken it). The key is to keep stirring.

After about twenty minutes, the roux will begin to smell like popcorn or toasted nuts. At this point, it will gradually begin to darken to a caramel color. Keep stirring! Over the next ten to fifteen minutes, the roux will become even darker. I always say that an ideal roux is almost the color of a Hershey’s chocolate bar (and that transformation can take over an hour). If you do not make it that far in the process, that’s OK. The most important thing is to cook the roux long enough to eliminate the “raw” taste of the flour.

Once you’ve reached your ideal coloring, add the chopped onion to the roux. You will hear a sizzling sound. Adding the onion stops the toasting process and will prevent your roux from burning. Allow the onions to cook for 10 minutes over medium heat, stirring occasionally. You want them to sweat and begin to brown.

Add the chicken stock, oyster liquor, shrimp, chicken, ham shank, and bay leaf. Bring the gumbo to a boil and then reduce the heat so that you have a steady simmer going for two hours. Stir every 15 to 20 minutes. You want the stock to reduce by a third.

A few notes: I prefer using unpeeled or partially-peeled shrimp because the exoskeleton gives the stock a really wonderful, shrimpy flavor. I also use smoked ham shank over hocks because the former has more meat, which I later pull off the bone and incorporate back into the gumbo before serving. In addition, I like to use the dark meat of chicken because it has a richer flavor that works well with the nuttiness of the roux. Last, but not least, if you cannot find oyster liquor, you can substitute it with unsalted chicken broth.

After the gumbo has reduced, take it off the heat. Add salt and pepper to taste. (The stock will already be fairly salty because of the smoked ham shank, so you may not need additional salt).

I like to serve my gumbo over ½ cup of long grain rice. I allow my guests to add a dusting of filé powder to their own bowls before digging into their supper. I also encourage them to get up close and personal with their gumbo. I often find myself calling out instructions and encouragement: “Pick up that shrimp right from the bowl! Don’t be shy! You’re supposed to eat gumbo with your hands as well as your spoon.” At least, that was how I was taught to eat my gumbo when I lived in New Orleans. Laissez les bons temps rouler!

 

Post contributed by Ashley Young, History PhD student and next year’s Graduate Student Intern for our Research Services Department.

The post Shrimp Gumbo Filé (1916) – Rubenstein Library Test Kitchen appeared first on The Devil's Tale.

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