School for barbarians : education under the Nazis

Baskin Collection Additions - Mon, 06/05/2017 - 00:00

Author: Mann, Erika, 1905-1969, author.
Published: [London] : Lindsay Drummond Ltd., 6-7 Buckingham Street W.C.2, 1939.

Currently held at: DUKE

The confessional unmasked : showing the depravity of the priesthood, and immorality of the confessional, being the questions put to females in confession etc., etc.

Baskin Collection Additions - Mon, 06/05/2017 - 00:00

Published: London : Thomas Johnston, 55, Fleet Street, and 1, Denmark Road, Islington, 1851.

Currently held at: DUKE

The literary career of Nathaniel Tucker, 1750-1807.

UArchives New Collections - Mon, 06/05/2017 - 00:00

Author: Leary, Lewis, 1906-1990.
Published: Durham, Duke University Press, 1951.

Currently held at: DUKE

Notes from Durham’s Musical Past: Polonaises and Mazurkas on Main Street

Baskin Test - Fri, 06/02/2017 - 19:24

Post contributed by Paula Jeannet Mangiafico, Visual Materials Processing Archivist

There are many music-related collections in the Rubenstein Library, but the Gilmore Ward Bryant papers are special to the history of Durham, North Carolina.  This small collection of diaries, photographs, school records, and sheet music documents a time when turn-of-the-century citizens held cultural aspirations that included unleashing the terpsichorean muse on Durham—hoping perhaps that arpeggios and arias would temper the roughness of the tobacco town (population 18,241 in 1910).

Enter Gilmore Ward Bryant, born in 1859 and raised in Bethel, Vermont.

Gilmore W. Bryant, circa 1870, from the Gilmore Ward Bryant papers

After a successful musical career in New England and Virginia, he was reportedly lured to the Southern upstart town of Durham by the Duke family, who financed the design and construction for what was to become the Southern Conservatory of Music.  Finished in 1898, the grand Italianate-style building stood on the corner of Main and Duke Street, across from the Liggett Myers Building, on land that today belongs to the Brightleaf Square parking lot.

Here is a view of the Conservatory.  This is what you would have seen if you stood at Toreros Mexican restaurant and looked across the street:

Conservatory Calendar, 1920-1921, Gilmore Ward Bryant papers

Its auditorium, practice rooms, and parlors were classically grand in scale—the reverberations must have been amazing, to say the least:

Conservatory Calendar, 1920-1921, Gilmore Ward Bryant papers Gilmore Ward Bryant, circa 1920, Conservatory Calendar, 1920-1921

“G.W.” Bryant served as Director of the Conservatory, and along with his partner and wife, Mattie Emily Bullard Bryant, the head of the Voice Department (his daughter-in-law also taught piano), kept the undoubtedly expensive venture thriving for many decades.  The school was a huge success, hosting large concerts, alumni dinners, and recitals several times a year.

Bryant was also a composer, penning scores as early as 1895 and continuing into the 1930s.  He wrote and published many pieces, including a “Tiny Waltz” and another piece entitled “Topsy Turvy.”

Sheet Music Series, Gilmore Bryant papers Sheet Music Series, Gilmore Ward Bryant papers

Eventually, perhaps due to a familiar pattern of rising downtown rents, the Bryants laid the cornerstone for a new Conservatory on South Alston Avenue, then open countryside, in summer 1923, and the old Conservatory was demolished in 1924.  Bryant’s wife writes in her 1923 diary on December 31: “Went up & thru the old Conservatory— was terrible—nearly dropped to pieces.”

Today Durham hosts several music schools, but the era of grand edifices and classical conservatory training has yet to return.  In the meantime, we applaud the Bryants’ vision for and dedication to their adopted Southern hometown.  Luckily, some of the Conservatory’s records and the Bryant family’s personal papers and photographs have been preserved for researchers at the Durham County Library and the David M. Rubenstein Rare Book & Manuscripts Library.  You can see the inventory for the Rubenstein collection here:

http://library.duke.edu/rubenstein/findingaids/bryantgilmore/

(Thanks to the Open Durham and Durham County Library websites for background information.)

 

The post Notes from Durham’s Musical Past: Polonaises and Mazurkas on Main Street appeared first on The Devil's Tale.

Notes from Durham’s Musical Past: Polonaises and Mazurkas on Main Street

Devil's Tale Posts - Fri, 06/02/2017 - 19:24

Post contributed by Paula Jeannet Mangiafico, Visual Materials Processing Archivist

There are many music-related collections in the Rubenstein Library, but the Gilmore Ward Bryant papers are special to the history of Durham, North Carolina.  This small collection of diaries, photographs, school records, and sheet music documents a time when turn-of-the-century citizens held cultural aspirations that included unleashing the terpsichorean muse on Durham—hoping perhaps that arpeggios and arias would temper the roughness of the tobacco town (population 18,241 in 1910).

Enter Gilmore Ward Bryant, born in 1859 and raised in Bethel, Vermont.

Gilmore W. Bryant, circa 1870, from the Gilmore Ward Bryant papers

After a successful musical career in New England and Virginia, he was reportedly lured to the Southern upstart town of Durham by the Duke family, who financed the design and construction for what was to become the Southern Conservatory of Music.  Finished in 1898, the grand Italianate-style building stood on the corner of Main and Duke Street, across from the Liggett Myers Building, on land that today belongs to the Brightleaf Square parking lot.

Here is a view of the Conservatory.  This is what you would have seen if you stood at Toreros Mexican restaurant and looked across the street:

Conservatory Calendar, 1920-1921, Gilmore Ward Bryant papers

Its auditorium, practice rooms, and parlors were classically grand in scale—the reverberations must have been amazing, to say the least:

Conservatory Calendar, 1920-1921, Gilmore Ward Bryant papers Gilmore Ward Bryant, circa 1920, Conservatory Calendar, 1920-1921

“G.W.” Bryant served as Director of the Conservatory, and along with his partner and wife, Mattie Emily Bullard Bryant, the head of the Voice Department (his daughter-in-law also taught piano), kept the undoubtedly expensive venture thriving for many decades.  The school was a huge success, hosting large concerts, alumni dinners, and recitals several times a year.

Bryant was also a composer, penning scores as early as 1895 and continuing into the 1930s.  He wrote and published many pieces, including a “Tiny Waltz” and another piece entitled “Topsy Turvy.”

Sheet Music Series, Gilmore Bryant papers Sheet Music Series, Gilmore Ward Bryant papers

Eventually, perhaps due to a familiar pattern of rising downtown rents, the Bryants laid the cornerstone for a new Conservatory on South Alston Avenue, then open countryside, in summer 1923, and the old Conservatory was demolished in 1924.  Bryant’s wife writes in her 1923 diary on December 31: “Went up & thru the old Conservatory— was terrible—nearly dropped to pieces.”

Today Durham hosts several music schools, but the era of grand edifices and classical conservatory training has yet to return.  In the meantime, we applaud the Bryants’ vision for and dedication to their adopted Southern hometown.  Luckily, some of the Conservatory’s records and the Bryant family’s personal papers and photographs have been preserved for researchers at the Durham County Library and the David M. Rubenstein Rare Book & Manuscripts Library.  You can see the inventory for the Rubenstein collection here:

http://library.duke.edu/rubenstein/findingaids/bryantgilmore/

(Thanks to the Open Durham and Durham County Library websites for background information.)

 

The post Notes from Durham’s Musical Past: Polonaises and Mazurkas on Main Street appeared first on The Devil's Tale.

A catalogue of books bound by S.T. Prideaux between MDCCCXC and MDCCCC with twenty-six illustrations.

Baskin Collection Additions - Fri, 06/02/2017 - 00:00

Author: Prideaux, S. T. (Sarah Treverbian), author.
Published: London : This catalogue was printed by S.T. Prideaux and K. Adams, 1900.

Currently held at: DUKE

An island garden

Baskin Collection Additions - Fri, 06/02/2017 - 00:00

Author: Thaxter, Celia, 1835-1894, author.
Published: Boston and New York : Houghton, Mifflin & Co., the Riverside Press, Cambridge, MDCCCXCV [1895]

Currently held at: DUKE

A bibliography of bookbinding

Baskin Collection Additions - Fri, 06/02/2017 - 00:00

Author: Prideaux, S. T. (Sarah Treverbian), author.
Published: London : James Bain, I, Haymarket, 1892.

Currently held at: DUKE

Appeal of one half the human race, women, against the pretensions of the other half, men : to retain them in political, and hence in civil and domestic, slavery; in reply to a paragraph of Mr. Mill's celebrated "Article on government"

Baskin Collection Additions - Fri, 06/02/2017 - 00:00

Author: Thompson, William, 1775-1833, author.
Published: London : Printed for Longman, Hurst, Rees, Orme, Brown and Green, Pater-noster Row; and Wheatley and Adlad, 108 Strand: and sold at the London Co-operative Society's office, 18, Pickett-Street, Temple-Bar, 1825.

Currently held at: DUKE

A bold stroke for a wife : a comedy

Baskin Collection Additions - Fri, 06/02/2017 - 00:00

Author: Centlivre, Susanna, 1667?-1723, author.
Published: London : Printed for S. Crowder and Co. in pater-noster Row, and G. Kearsly, in Ludgate-street, MDCCLXIII [1763]

Currently held at: DUKE

Women professional workers : a study made for the Women's Educational and Industrial Union

Baskin Collection Additions - Thu, 06/01/2017 - 00:00

Author: Adams, Elizabeth Kemper, 1872- author.
Published: Chautauqua, New York : The Chautauqua Press, 1921.

Currently held at: DUKE

The work-a-day girl : a study of some present-day conditions

Baskin Collection Additions - Thu, 06/01/2017 - 00:00

Author: Laughlin, Clara E. (Clara Elizabeth), 1873-1941, author.
Published: New York : Fleming H. Revell Company, [1913]

Currently held at: DUKE

The prose works of Mrs. Ellis

Baskin Collection Additions - Thu, 06/01/2017 - 00:00

Author: Ellis, Sarah Stickney, 1799-1872, author.
Published: New York : Henry G. Langley, S Astor House, 1845.

Currently held at: DUKE

Musée des dames et des demoiselles.

Baskin Collection Additions - Thu, 06/01/2017 - 00:00

Published: Paris : Chez Marcilly ainé, libraire, rue Saint-Jacques, no. 10, [approximately 1825]

Currently held at: DUKE