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<ead><eadheader audience="internal" countryencoding="iso3166-1" dateencoding="iso8601" langencoding="iso639-2" repositoryencoding="iso15511">

<eadid countrycode="us" mainagencycode="ndd" publicid="-//David M. Rubenstein Rare Book &amp; Manuscript Library//TEXT (US::ndd::Jesse Andrews photographs, 1976-2007)//EN" url="http://library.duke.edu/rubenstein/findingaids/andrewsj/">andrewsj</eadid>
<filedesc>
	<titlestmt>
		<titleproper>Preliminary Inventory of the Jesse Andrews photographs,
		<date normal="1976/2007">1974-2008</date>
	</titleproper>
		<author>Processed by: Elizabeth Arnold, John Mayrose; machine-readable finding aid created by: John Mayrose, Meghan Lyon</author>
</titlestmt>

	<publicationstmt>

		<publisher><lb/>David M. Rubenstein Rare Book &amp; Manuscript Library <lb/> Duke University <lb/> Durham, N.C., USA </publisher>
		<p><date normal="2012" encodinganalog="date">2012</date> Duke University. All Rights Reserved.</p>
	</publicationstmt>

	<notestmt>
	<note><p>Aleph Number: <num type="aleph">003309383</num></p></note></notestmt>
</filedesc>

<profiledesc>
	<creation>Machine-readable finding aid derived from XML authoring program.<lb/>
		<date>Date of source: May 2007</date><lb/>Processed by Elizabeth Arnold, John Mayrose, May 2007; Finding Aid encoded by John Mayrose, David M. Rubenstein Rare Book &amp; Manuscript Library, Duke University, <date>May 2007</date>. Updated by Meghan Lyon, March 2009 and January 2012.


	</creation>
	<langusage>Description is in
		<language langcode="eng">English</language>
	</langusage>

	<descrules>Finding aid was prepared using
		  <title>DACS</title> and our local
		  <title>Style Guide</title></descrules>

</profiledesc>
<!-- Location of <revisiondesc> if needed -->
</eadheader>
<frontmatter>
<titlepage>
<titleproper>Preliminary Inventory of the Jesse Andrews Photographs, <date type="span">1974-2010</date>
</titleproper>
<publisher>David M. Rubenstein Rare Book &amp; Manuscript Library <lb/>Duke
		  University <lb/> Durham, North Carolina 27708-0185 USA </publisher>

<p><date normal="2009">2012</date> Duke University. All Rights Reserved.</p>
</titlepage>
</frontmatter>

<archdesc level="collection" relatedencoding="MARC">
<did>
<head>Descriptive Summary</head>
<repository label="Repository">
<corpname>David M. Rubenstein Rare Book &amp; Manuscript Library, Duke
			 University</corpname></repository>
<origination label="Creator"><persname encodinganalog="100">Andrews, Jesse</persname></origination>

<unittitle label="Title" encodinganalog="245">Jesse Andrews Photographs, <unitdate normal="1976/2010" type="inclusive">1974-2010</unitdate>
</unittitle>

<langmaterial label="Language of Material" encodinganalog="546">Material in<language langcode="eng"> English</language>
</langmaterial>

<physdesc label="Extent">

<extent unit="linear feet" encodinganalog="300">6 Linear Feet</extent><lb/>
<extent unit="items">118 Items</extent>
</physdesc>

<physloc label="Location">For current information on the location of these materials, please consult the Library's online catalog.</physloc>
<abstract label="Abstract" encodinganalog="545">Photojournalist and regional documentary photographer working in the Virginia and North Carolina area.</abstract>


<abstract encodinganalog="520">Collection consists of black-and-white prints from several of Andrews' projects, including "13 Month Crop," an exhibit hosted by Duke University's Perkins Library; Bill Davis and the Davis family; portraits from North Carolina, Virginia, and New York City; photographs of Halifax and Pittsylvania counties; and a series of photographs from Andrews' Train Project, featuring images taken from train windows.</abstract>

</did>

<descgrp type="admininfo">
<head>Administrative Information</head>

<altformavail type="digitalcollection">
<head>Online Items</head>
<p>Images from this collection have been digitized and are available in: <extref href="http://library.duke.edu/digitalcollections/jesseandrews/">Jesse Andrews Photographs - Duke Digital Collections</extref>.</p>
</altformavail>


<accessrestrict encodinganalog="506">
<head>Access Restrictions</head><p>Collection is open for research, but is restricted to educational, non-commercial use. Photographer retains all copyrights and must be contacted for any other use.</p>
<p>Collection may contain materials to which the Acknowledgment of Legal Responsibilities and Privacy Rights form applies. Patrons must sign this form before using this collection.</p>
<p>Also, all or portions of this collection may be housed off-site in Duke University's Library Service Center. Consequently, there may be a 24-hour delay in obtaining these materials.</p><p>Please contact Research Services staff before visiting the David M. Rubenstein Rare Book &amp; Manuscript Library to use this collection.</p>
</accessrestrict>

<userestrict encodinganalog="540">
<head>Copyright Notice</head>
<p>The copyright interests in this collection have not been transferred to Duke University. For more information, consult the copyright section of the Regulations and Procedures of the David M. Rubenstein Rare Book &amp; Manuscript Library.</p>
</userestrict>

<prefercite>
		  <head>Preferred Citation</head>
		  <p>[Identification of item], Jesse Andrews Photographs, David M. Rubenstein Rare Book &amp; Manuscript Library, Duke University.</p>
		</prefercite>
<acqinfo encodinganalog="541">
<head>Provenance</head>
<p>The Jesse Andrews photographs were received by the David M. Rubenstein Rare Book &amp; Manuscript Library as a purchase in 2003, 2006, 2007, 2008, and 2011.
</p>
</acqinfo>


<processinfo>
<head>Processing Information</head>
<p>Processed by Elizabeth Arnold, 2003; John Mayrose, May 2007; Meghan Lyon, February 2009 and January 2012</p>
<p>Encoded by John Mayrose, May 2007; Meghan Lyon, March 2009 and January 2012</p>
<p>Box numbers updated by Noah Huffman after digitization, September 2012</p>
<p>This collection is minimally processed: materials may not have been ordered and described beyond their original condition.</p>
<p>Descriptive sources and standards used to create this inventory: <title render="italic">DACS,</title> EAD, NCEAD guidelines, and our local <title render="italic">Style Guide.</title></p>
<p>This finding aid is NCEAD compliant.</p>
</processinfo>
</descgrp>

<bioghist>
<head>Biographical Note</head>

<p>Jesse Andrews is a photojournalist and regional documentary photographer working in the Virginia and North Carolina area.</p>

</bioghist>

<scopecontent>
<head>Collection Overview</head>

<p>Collection consists of black and white 11x14 prints, dating from 1974-2010. Most photographs document agricultural life in Virginia and North Carolina, including tobacco crop production, portraits of farmers and their families, portraits of other local people, and miscellaneous images. Please see below for a more detailed description.</p>


</scopecontent>

<controlaccess>
<head>Subject Headings</head>
<p>These are searchable subject entries for this collection. Performing a search on these subjects in the Duke University Libraries online catalog will bring up other related research materials.</p>
<list type="simple"><item><persname source="lcsh" encodinganalog="600">Andrews, Jesse.</persname></item>
<item><subject source="lcsh" encodinganalog="650">Documentary photography.</subject></item>
<item><subject source="lcsh" encodinganalog="650">Documentary photography--United States--Exhibitions.</subject></item>
<item><subject source="lcsh" encodinganalog="650">Documentary photography--Virginia--Pittsylvania County.</subject></item>
<item><subject source="lcsh" encodinganalog="650">Tobacco farmers--Virginia--Pittsylvania County.</subject></item>
<item><subject source="lcsh" encodinganalog="650">Tobacco farmers--Virginia--Pittsylvania County--Pictorial works.</subject></item>
<item><subject source="lcsh" encodinganalog="650">Tobacco industry--Virginia--Pittsylvania County.</subject></item>
<item><subject source="lcsh" encodinganalog="650">Pittsylvania County (Va.)</subject></item>
<item><subject source="lcsh" encodinganalog="650">Pictorial works.</subject></item>
<item><geogname source="lcsh" encodinganalog="651">Virginia--Pictorial works.</geogname></item>

<item><genreform source="aat" encodinganalog="655">Photographs.</genreform></item>
<item><corpname>Archive of Documentary Arts (Duke University)</corpname></item>
</list>
</controlaccess>
<!-- OPTIONAL: Separated material -->

<!-- OPTIONAL: Related material -->

<dsc type="combined">

<head>Contents of Collection</head>
<!-- Enter Container List Here -->

<c01 level="series">
<did>
<unittitle id="s1">Accession (2003-0229)</unittitle>
<physdesc><extent>(2 Boxes)</extent></physdesc>
</did>
<scopecontent>
<p>Accession consists of 37 black-and-white, 11x14 prints that comprised the exhibit <title render="italic">13 Month Crop,</title> hosted by Duke University's Perkins Library, August 7-December 14, 2002. Photographs document the production of a tobacco crop on the Moore family farm in <geogname>Pittsylvania County, Va.</geogname> Andrews spent a year photographing the people and their work during one tobacco season (April 2000-April 2001).</p>

</scopecontent>

<c02 level="subseries">
<did>
<unittitle>Photographs from the <title render="doublequote">13 Month Crop</title></unittitle>
</did>

<c03 level="item"><did><container type="box">1</container><unittitle>1. Charles Moore and Terry Moore preparing land for planting, <unitdate type="inclusive" normal="2000">early spring 2000</unitdate></unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>2. Lillian Moore at the Moore homeplace, 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>3. Terry and his daughter Christine during a break from seeding greenhouse trays, early spring 2001</unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>4. Christine helping with the seeding of the greenhouse trays, early spring 2001</unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>5. Roy Younger placing seeded trays in the greenhouse bed, early spring 2001</unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>6. Terry with a tray of seedlings ready for planting, spring 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>7. Loading the planter on the first day of planting, spring 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>8. First day of planting, spring 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>9. Planting, spring 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>10. Eduardo Pineda Arzata, who has worked at the Moore farm for twelve years, at the curing barns, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>11. Leonel Perez Guiterrez, who has worked at the Moore farm for four years, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>12. Maximo Perez Guiterrez, who has worked at the Moore farm for nine years, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>13. Eduardo Pineda Arzata cultivating by hand, spring 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>14. Cam Moore, Terry's son, cultivating young tobacco, late spring 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>15. Terry in the final step of cultivation known as <emph render="doublequote">laying by,</emph> late spring 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>16. Christine Moore aboard Moira and Renee, her mother, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>17. The Moore family gathered at the homeplace after Sunday dinner, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">1</container><unittitle>18. Terry and workers, from left to right, Leonel, Eduardo and Miximo spraying to control tobacco stalk shoots called suckers, summer 2000</unittitle></did></c03>


<c03 level="item"><did><container type="box">2</container><unittitle>19. Eduardo <emph render="doublequote">topping</emph> the flowered plants, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>20. Irrigating, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>21. Terry inspecting for suckers, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>22. <emph render="doublequote">Pulling</emph> or harvesting the top leaves near the season's end, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>23. Charles Moore and workers with the final trailer of tobacco of the season, late summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>24. Early morning, Terry sweeping out an empty barn, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>25. Betty Starlin, Terry, and Eduardo Pineda taking a break from barning, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>26. Pro-tobacco poster at Holland's Warehouse, late summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>27. Terry with cousins Caleb and George Moore at their farm, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>28. Leonel Perez baling cured tobacco early morning, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>29. Betty and Eduardo barning newly pulled leaves, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>30. Terry and Leonel sheeting cured leaves from the barns, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>31. Sheeting tobacco at Caleb and George's farm, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>32. Eduardo, Leonel, and Maximo pushing an 850 pound bale of tobacco onto the loader in preparation for market, summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>33. Terry and Charles at Holland's Warehouse on the first day of the market, <geogname>Danville, Va.,</geogname> summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>34. Terry with Dan and Danny Robertson, Owners of Holland's Warehouse, Danville, Va., summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>35. A tobacco auction in progress, Hollan's Warehouse, Danville, Va., late summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>36. Terry receiving his check for tobacco sales, Holland's Warehouse, Danville, Va., late summer 2000</unittitle></did></c03>
<c03 level="item"><did><container type="box">2</container><unittitle>37. Terry sows wheat as a cover crop, fall 2000</unittitle></did></c03>

</c02>
</c01>




<c01 level="series">
<did>
<unittitle id="s2">Accession (2007-0029)</unittitle>
<physdesc><extent>(1 Box)</extent></physdesc>
</did>
<scopecontent>
<p>Addition (dated 1976-2007) contains 17 black-and-white 11x14 prints. The majority of the photographs are of Bill Davis and the Davis family. Also included are some other portraits from North Carolina, Virginia, and New York City.</p>

</scopecontent>
<c02 level="subseries">
<did>
<unittitle>Photographs</unittitle>
</did>

<c03 level="item">
<did><container type="box">3</container>
<unittitle>1. William Arastus Davis (Bill), 1988</unittitle>
</did>
</c03>

<c03 level="item">
<did><container type="box">3</container>
<unittitle>2. Bill Davis braiding a belt from deer hide, 1988</unittitle>
</did>
<scopecontent>
<p>Bill learned to braid leather when he was a child. His father did not want him to learn that craft so he would take the strands of leather under the covers of his bed at night and practice braiding simply by feel. He could do any sort of braid from the most simple to making what he called a <emph render="doublequote">rosette</emph>, a round knot woven from 16 strands of leather, seemingly with no beginning or end.</p>
</scopecontent>
</c03>

<c03 level="item">
<did><container type="box">3</container>
<unittitle>3. Bill Davis playing a chromatic harmonica, 1988</unittitle>
</did>
<scopecontent>
<p>The chair he is sitting in was made by his grandfather, Simeon Benton Davis.</p>
</scopecontent>
</c03>
<c03 level="item">
<did><container type="box">3</container>
<unittitle>4. Bill Davis with his younger sister, Nancy Paige Davis, 1990</unittitle>
</did>
<scopecontent>
<p>Bill was much older than Nancy. When she turned 18, she wanted to attend the nursing school at the University of Virginia, but their father refused to pay for her to go. Bill eventually saved enough money to send her and she graduated in 1941. She never returned to the farm except to visit and lived in Richmond until her death in 2005. This image was made during her last visit to see Bill.&#160; She always referred to him as her <emph render="doublequote">angel</emph> and thus she was making a halo for him.</p>
</scopecontent>
</c03>
<c03 level="item">
<did><container type="box">3</container>
<unittitle>5. Orbrey Nathaniel Davis (Nat), 1979</unittitle>
</did>
<scopecontent>
<p>Nat had been telling me about one of his first girlfriends. He was sad because he thought no one would ever care for him again.</p>
</scopecontent>
</c03>
<c03 level="item">
<did><container type="box">3</container>
<unittitle>6. Bill and Nat Davis playing music on their front porch, 1978</unittitle>
</did>
<scopecontent>
<p>They knew hundreds of old time tunes as well as hymns and ballads.</p>
</scopecontent>
</c03>

<c03 level="item">
<did><container type="box">3</container>
<unittitle>7. Bill Davis grave, November 2006</unittitle>
</did>
</c03>
<c03 level="item">
<did><container type="box">3</container>
<unittitle>8. The Davis family cemetery,2006</unittitle>
</did>
</c03>
<c03 level="item">
<did><container type="box">3</container>
<unittitle>9. All that is left of what Nat Davis referred to as the <emph render="doublequote">big woods</emph></unittitle>
</did>
<scopecontent>
<p>This is where Hat and Bill hunted and trapped their entire lives. Bill used to say that the mound in the background was an Indian burial place.</p>
</scopecontent>
</c03>
<c03 level="item">
<did><container type="box">3</container>
<unittitle>10. Site of the Davis family spring, November 2006</unittitle>
</did>
<scopecontent>
<p>This spring was where they got their water for nearly 100 years. It is now a mosquito breeding ground.</p>
</scopecontent>
</c03>
<c03 level="item">
<did><container type="box">3</container>
<unittitle>11. Site of the Davis family homeplace, November 2006</unittitle>
</did>
</c03>
<c03 level="item">
<did><container type="box">3</container>
<unittitle>12. Helen Marshall at Forest Home, Blanch, N.C., 1997</unittitle>
</did>
</c03>
<c03 level="item">
<did><container type="box">3</container>
<unittitle>13. William Haskell Egan, Charlottesville, Va., 1976</unittitle>
</did>
</c03>
<c03 level="item">
<did><container type="box">3</container>
<unittitle>14. Crystal Graber, Ontario Cal., 1992</unittitle>
</did>
</c03>
<c03 level="item">
<did><container type="box">3</container>
<unittitle>15. 45th St. at Broadway, New York, December 2004</unittitle>
</did>
</c03>
<c03 level="item">
<did><container type="box">3</container>
<unittitle>16. Pond ice, 2007</unittitle>
</did>
</c03>
<c03 level="item">
<did><container type="box">3</container>
<unittitle>17. Plant shadow, 2004</unittitle>
</did>
</c03>
</c02>
</c01>





<c01 level="series"><did>
<unittitle id="s3">Accession (2007-0069)</unittitle>
<physdesc><extent>(1 Box)</extent></physdesc>
</did>
<scopecontent>
<p>Addition contains 35 black-and-white, 11x14 prints. The photographs are primarily portraits taken around the Halifax, Virginia area.</p>
</scopecontent>

<c02 level="file"><did><container type="box">4</container>
<unittitle>Photographs in Halifax, Va. and Vicinity</unittitle>
<physdesc><extent>(35 11x14 prints)</extent></physdesc></did>
</c02>


</c01>

<c01 level="series"><did>
<unittitle id="s4">Accession (2008-0040) </unittitle>
<physdesc><extent>(1 Box)</extent></physdesc>
</did>
<scopecontent>
<p>Addition (2008-0040), dated 1976-2007, contains 5 black and white 11x14 gelatin silver prints of a variety of subjects. The descriptions below were provided by the photographer, Jesse Andrews.</p>
</scopecontent>

<c02 level="item"><did><container type="box">5</container><unittitle>1. Edwin Wemple, Charlottesville, Va., 1976.</unittitle></did>
<scopecontent>
<p>Photographer: <emph render="doublequote">Ed Wemple grew up in Charlottesville and graduated from the University of Virginia. He wandered the country during the depression of the 1930s. He worked as a longshoreman in New York, in lumber camps in Oregon and eventually went to Mexico, where he became a heroin addict. He cured himself by walking from El Paso to the Oklahoma border. He returned to New York, where he lived until 1964, taking in the bohemian and jazz cultures and working at odd jobs. He returned to Charlottesville in 1964 and lived there until his death in 1987. I lived in the same house with him for a year. He had not had a bath in nine years and spent his time reading and sleeping. He went by taxi once a week to the Alderman Library to replenish his book supply. A wonderful man who had endless stories to tell about his life. I regret that I did not record any of our conversations.</emph></p>
</scopecontent>
</c02>

<c02 level="item"><did><container type="box">5</container><unittitle>2. Kudzu House, 2003.</unittitle></did></c02>

<c02 level="item"><did><container type="box">5</container><unittitle>3. New Homes for Sale, 2007.</unittitle></did></c02>

<c02 level="item"><did><container type="box">5</container><unittitle>4. Plant Shadow, 2003.</unittitle></did></c02>

<c02 level="item"><did><container type="box">5</container><unittitle>5. Adam's Needle (Yucca Plant), 2003.</unittitle></did></c02>
</c01>

<c01 level="series"><did>
<unittitle id="s5">Accession (2008-0276)</unittitle>
<physdesc><extent>(1 Box)</extent></physdesc>
</did>
<scopecontent>
<p>Addition (2008-0276), dated 1974-2008, contains 6 gelatin silver 11x14 prints, primarily portraits from Halifax and Pittsylvania counties. The descriptions below were provided by the photographer, Jesse Andrews.</p>
</scopecontent>

<c02 level="item"><did><container type="box">6</container><unittitle>1. Reid Carter, Chatham, Va., 1976.</unittitle></did>
<scopecontent>
<p>Photographer: <emph render="doublequote">Reid Carter was a mechanic who worked primarily on pulpwood trucks. He lived with his mother in a cabin without running water or electricity. When she died in 1982, at age 100, Reid lost his mind and was committed to a state mental institution in Staunton. He died a few months later.</emph></p>
</scopecontent>
</c02>

<c02 level="item"><did><container type="box">6</container><unittitle>2. North End, Boston, Mass., 1974.</unittitle></did>
<scopecontent>
<p>Photographer: <emph render="doublequote">This woman operated a tiny bakery with the help of her son in the Italian section of Boston. They made marzipan, cannolis, and other pastries, as well as several kinds of bread, all wonderful.</emph></p>
</scopecontent>

</c02>

<c02 level="item"><did><container type="box">6</container><unittitle>3. Tattoo Red's, Danville, Va., 1994.</unittitle></did>
<scopecontent>
<p>Photographer: <emph render="doublequote">Red's was a gathering place for local outlaw bikers, the Scorpions. Red died in 2007.</emph></p>
</scopecontent>

</c02>

<c02 level="item"><did><container type="box">6</container><unittitle>4. Lily Savage, Halifax, Va., 2007.</unittitle></did></c02>

<c02 level="item"><did><container type="box">6</container><unittitle>5. Halifax County, Va., 2008.</unittitle></did></c02>

<c02 level="item"><did><container type="box">6</container><unittitle>6. Bill Davis fleshing out a deer hide, Chatham, Va., 1982.</unittitle></did>
<scopecontent>
<p>Photographer: <emph render="doublequote">Bill would tan fresh deer hides to use in his leather work. He made a device which would split a hide into evenly sized strips for braiding. He made belts, sashes, hat bands, watch fobs, key holders, and guitar straps. He also did harness repairs and remade worn out shoes. But the first step in this process was to pick all the flesh off the hide. If left, the bits of flesh would attract insects to eat the hide and leave uncured spots on the finished hide.</emph></p>
</scopecontent>


</c02>


</c01>

<c01 level="series"><did>
<unittitle id="s6">Accession(2011-1012)</unittitle>
<physdesc><extent>(1 box)</extent></physdesc>
</did>
<scopecontent>
<p>The 18 black and white photographs are the first part of a 30-print series called "Train Project." All photographs were shot November 19, 2010 on traditional black and white film during a train trip from New York City to Lynchburg, Virginia. Scenes include overpasses, traffic, graffiti, residential neighborhoods, urban landscapes, and fellow train passengers.</p>
</scopecontent>
<c02><did><container type="box">7</container><unittitle>Train Project prints (no captions provided)</unittitle><physdesc><extent>(18 prints)</extent></physdesc></did></c02>

</c01>

</dsc>

</archdesc>
</ead>
