<!DOCTYPE ead PUBLIC "+//ISBN 1-931666-00-8//DTD ead.dtd (Encoded Archival Description (EAD) Version 2002)//EN" "./dtds/ead.dtd">
<ead><eadheader audience="internal" countryencoding="iso3166-1" dateencoding="iso8601" langencoding="iso639-2" repositoryencoding="iso15511">

<eadid countrycode="us" mainagencycode="ndd" publicid="-//David M. Rubenstein Rare Book &amp; Manuscript Library//TEXT (US::ndd::Thomas Cripps Collection of Films on African American Themes, 1925-2000)//EN" url="http://library.duke.edu/rubenstein/findingaids/crippsthomas/">crippsthomas</eadid>
<filedesc>
	<titlestmt>
		<titleproper>Inventory of the Thomas Cripps Film Collection,
		<date normal="1898/1976">1898-1976</date> and undated
	</titleproper>
		<author>Processed by: Karen Glynn, Katy Terrell; machine-readable finding aid created by: Paula Jeannet Mangiafico, Katy Terrell</author>
</titlestmt>

	<publicationstmt>

		<publisher><lb/>David M. Rubenstein Rare Book &amp; Manuscript Library <lb/> Duke University <lb/> Durham, N.C., USA </publisher>
		<p><date normal="2009" encodinganalog="date"> 2009</date> Duke University. All Rights Reserved.</p>
	</publicationstmt>

	<notestmt>
	<note><p>Aleph Number: <num type="aleph">003979547</num></p></note></notestmt>
</filedesc>

<profiledesc>
	<creation>Machine-readable finding aid derived from XML authoring program.<lb/>
		<date>Date of source: March 2009</date><lb/>Processed by Karen Glynn, Katy Terrell, February 2009; finding aid encoded by Paula Jeannet Mangiafico, Katy Terrell, David M. Rubenstein Rare Book &amp; Manuscript Library, Duke University, <date>February 2009</date>


	</creation>
	<langusage>Description is in <language langcode="eng">English</language>
	</langusage>

	<descrules>Finding aid was prepared using
		  <title>DACS</title> and local
		  <title>Style Guide</title></descrules>

</profiledesc>

</eadheader>

<frontmatter>

<titlepage>
<titleproper>Inventory of the Thomas Cripps Film Collection, <date type="span">1898-1976</date> and undated
</titleproper>
<publisher>David M. Rubenstein Rare Book &amp; Manuscript Library <lb/>  <lb/>Duke
		  University <lb/> Durham, North Carolina 27708-0185 USA </publisher>

<p><date normal="2009"> 2009</date> Duke University. All Rights Reserved.</p>
</titlepage>
</frontmatter>

<archdesc level="collection" relatedencoding="MARC">
<did>
<head>Descriptive Summary</head>
<repository label="Repository">
<corpname>David M. Rubenstein Rare Book &amp; Manuscript Library, Duke
			 University</corpname></repository>
<origination label="Creator"><persname encodinganalog="100">Cripps, Thomas</persname></origination>
<unittitle label="Title" encodinganalog="245">Thomas Cripps Film Collection, <unitdate normal="1898/1976" type="inclusive">1898-1976</unitdate> and undated
</unittitle>

<langmaterial label="Language of Material" encodinganalog="546">Material in <language langcode="eng">English</language>
</langmaterial>

<physdesc label="Extent">

<extent unit="linear feet" encodinganalog="300">5.5 Linear Feet</extent><lb/>
<extent unit="items">About 975 Items</extent>
</physdesc>

<physloc label="Location">For current information on the location of these materials, please consult the Library's online catalog.</physloc>

<abstract label="Abstract" encodinganalog="545">Retired professor of history at Morgan State University, scholar of the history of African Americans in the motion picture industry, prolific author of books and articles on the subject, and script writer.</abstract>


<abstract encodinganalog="520">The Thomas Cripps Film Collection dates from approximately 1898 to 1976, and is arranged into two divisions: films, and official studio publicity photographic stills of African American actors and productions. The thirty-seven reels of film, which have been transferred to VHS viewing copies, are mainly film shorts, clips from feature films, newsreels, "Soundies," and television commercials, and were collected by Thomas Cripps for their portrayals of African Americans, performance by African Americans, or production by African Americans from the turn of the century into the late 1960s and 1970s. He also collected materials reflecting other racial and ethnic stereotypes. The photographic prints, of which there are several hundred, consist of publicity stills and other images taken from U.S. and British feature films with African American actors from the silent film era through the 1970s. One significant group contains stills from the movies of pioneer African American director Oscar Micheaux (1884-1951).</abstract>
</did>


<descgrp type="admininfo">
<head>Administrative Information</head>

<accessrestrict encodinganalog="506">
<head>Access Restrictions</head><p>Collection is open for research.</p>
<p>However, collection may contain materials to which the Acknowledgment of Legal Responsibilities and Privacy Rights form applies. Patrons must sign this form before using this collection.</p>
<p>In addition, original audiovisual materials are closed to patron use. Use copies are available in the collection.</p>
<p>All or portions of this collection may be housed off-site in Duke University's Library Service Center. Consequently, there may be a 24-hour delay in obtaining these materials.</p>
<p>Please contact Research Services staff before visiting the David M. Rubenstein Rare Book &amp; Manuscript Library to use this collection.</p>
</accessrestrict>

<userestrict encodinganalog="540">
<head>Copyright Notice</head>
<p>The copyright interests in this collection have not been transferred to Duke University. For more information, consult the copyright section of the Regulations and Procedures of the David M. Rubenstein Rare Book &amp; Manuscript Library.</p>
</userestrict>

<prefercite>
		  <head>Preferred Citation</head>
		  <p>[Identification of item], Thomas Cripps Film Collection, David M. Rubenstein Rare Book &amp; Manuscript Library</p>
		</prefercite>
<acqinfo encodinganalog="541">
<head>Provenance</head>
<p>The Thomas Cripps Film Collection was received by the David M. Rubenstein Rare Book &amp; Manuscript Library as a gift in 2003.
</p>
</acqinfo>


<processinfo>
<head>Processing Information</head>
<p>Processed by Karen Glynn, Katy Terrell, February 2009</p>
<p>Encoded by Paula Jeannet Mangiafico, Katy Terrell, February 2009</p>
<p>Updated by Neale Stokes, April 2010</p>
<p>Accession 2003-0098 is described in this finding aid.</p>
<p>Descriptive sources and standards used to create this inventory: <title render="italic">DACS,</title> EAD, NCEAD guidelines, and local <title render="italic">Style Guide.</title></p>
<p>This finding aid is NCEAD compliant.</p>
</processinfo>
</descgrp>

<!--end of finding aid header-->

<bioghist>
<head>Biographical Note</head>

<p>Thomas Cripps is a retired professor of Morgan State University, an historian specializing in the portrayal of African Americans in film, and a published author. Cripps has written five books, including <title render="italic">Slow Fade to Black: The Negro in American Film</title>, 1900-1942 (Oxford, 1997), as well as many articles and television scripts. In addition, he has contributed to the production of several television series such as <title render="doublequote">American Cinema,</title> <title render="doublequote">Hollywoodism: Jews, Movies and the American Dream,</title> and <title render="doublequote">Richard Wright: Black Boy.</title> Cripps was awarded gold medals in international film festivals for his 1976 script, <title render="italic">Black Shadows on a Silver Screen.</title> In this collection of films and still photographs, Thomas Cripps documents African Americans and their cultural respresentations in the 20th century, and the developing cinematic industry in the U.S. and abroad.</p>
</bioghist>

<scopecontent>
<head>Collection Overview</head>

<p>The Thomas Cripps Film Collection dates from approximately 1898 to 1976, and is arranged into two divisions: films, and photographic stills from films.</p>
<p>The thirty-seven films, which have been transferred to VHS viewing copies, are film shorts, clips from feature films, newsreels, "Soundies," and television commercials, and were collected by Thomas Cripps for their portrayals of African Americans, performance by African Americans, or production by African Americans from the turn of the century into the late 1960s 1970s. He also collected materials reflecting other racial and ethnic stereotypes. The films can be used to study a variety of themes and subjects: African American artists; political and social events; educational institutions for African Americans; the Depression; television culture and advertising; and racial or ethnic stereotypes (chiefly African American, but also Jewish, Irish, and Asian). Many of the early films feature cityscapes of New York, Baltimore, and San Francisco, and other urban scenes, some from as early as 1898 and 1900. Some portray African Americans in several wars, including the Spanish-American War, World War II, and the Korean War. Other films document civil rights era events. Recorded political events include a Harry Truman speech concerning the Civil Rights Commission report, and a Lyndon Johnson speech on civil rights. Among the many notable actors and performers in the films are Duke Ellington, Jesse Owen, Louis Armstrong, Lincoln Perry ("Stepin Fetchit"), and Bert Williams. The entry for "Paisan - the Black Story" refers to Rossellini's film on the relations between Italians and American GIs during World War II, "Paisan," in which one episode centers on an African American GI and a Neapolitan street urchin.</p>
<p>Entries for original film reels include the approximate length of the film and other information when possible; titles are retained as found on Cripps' original labels or notes. Viewing copies for these films are available on VHS. Note: Viewing copy titles provide a more accurate account of content and running time.</p>
<p>The photographic prints, of which there are several hundred, consist of publicity stills and other images taken from U.S. and British feature films featuring African American actors from the silent film era through the 1970s. Many entries, which have been retained from the original envelope labels, carry titles from individual films, but other prints were arranged by Cripps into topical categories such as "Black Athletes," "Jungle Pix," "Silent Films," and "Exotic Primitives." One significant group contains images from the movies of pioneer African American director Oscar Micheaux (1884-1951). Arranged as received, in alphabetical order by film title or topical heading.</p>
<p>Acquired as part of the Duke University Archive of Documentary Arts.</p>
</scopecontent>


<controlaccess>
<head>Subject Headings</head>
<p>These are searchable subject entries for this collection. Performing a search on these subjects in the Duke University Libraries online catalog will bring up other related research materials.</p>
<list type="simple">
<item><persname source="lcsh" encodinganalog="600">Cripps, Thomas.</persname></item>
<item><subject source="lcsh" encodinganalog="650">African American artists.</subject></item>
<item><subject source="lcsh" encodinganalog="650">African American soldiers.</subject></item>
<item><subject source="lcsh" encodinganalog="650">African Americans--Civil rights.</subject></item>
<item><subject source="lcsh" encodinganalog="650">African Americans in advertising.</subject></item>
<item><subject source="lcsh" encodinganalog="650">African Americans in mass media.</subject></item>
<item><subject source="lcsh" encodinganalog="650">African Americans in motion pictures.</subject></item>
<item><subject source="lcsh" encodinganalog="650">African Americans in the motion picture industry.</subject></item>
<item><subject source="lcsh" encodinganalog="650">African Americans--Pictorial works.</subject></item>
<item><geogname source="lcsh" encodinganalog="651">Baltimore (Md.)--Pictorial works.</geogname></item>
<item><subject source="lcsh" encodinganalog="650">Civil rights movements--United States.</subject></item>
<item><subject source="lcsh" encodinganalog="650">Documentary films--United States.</subject></item>
<item><persname source="lcsh" encodinganalog="600">Micheaux, Oscar, 1884-1951.</persname></item>
<item><subject source="lcsh" encodinganalog="650">Minorities in motion pictures.</subject></item>
<item><subject source="lcsh" encodinganalog="650">Motion picture journalism--United States.</subject></item>
<item><subject source="lcsh" encodinganalog="650">Motion pictures--United States--History.</subject></item>
<item><subject source="lcsh" encodinganalog="650">Newsreels--United States.</subject></item>
<item><geogname source="lcsh" encodinganalog="651">New York (N.Y.)--Pictorial works.</geogname></item>
<item><geogname source="lcsh" encodinganalog="651">United States--Social conditions -- 20th century.</geogname></item>
<item><subject source="lcsh" encodinganalog="650">Race in motion pictures.</subject></item>
<item><subject source="lcsh" encodinganalog="650">Race relations--United States--20th century.</subject></item>
<item><geogname source="lcsh" encodinganalog="651">San Francisco Bay Area (Calif.)--Pictorial works.</geogname></item>
<item><subject source="lcsh" encodinganalog="650">Silent films--United States.</subject></item>
<item><genreform source="aat" encodinganalog="655">Motion pictures.</genreform></item>
<item><genreform source="aat" encodinganalog="655">Silent films.</genreform></item>
<item><genreform source="aat" encodinganalog="655">Black and white photographs.</genreform></item>
<item><genreform source="aat" encodinganalog="655">VHS (TM).</genreform></item>
</list>
</controlaccess>

<!-- OPTIONAL: Related material -->

<dsc type="combined">

<head>Contents of Collection</head>
<!-- Enter Container List Here -->

<c01 level="series">
<did>
<unittitle id="s1">Films Series, <unitdate type="inclusive" normal="1898/1968">circa 1898-1968</unitdate></unittitle>
<physdesc><extent>(40 reels or rolls)</extent></physdesc>
</did>
<scopecontent>
<p>Original films donated by collector Thomas Cripps. Films are primarily primarily black and white, silent, and 16mm. In some cases, rolls of film were found in one canister. Arranged as received.</p>
</scopecontent>

<accessrestrict>
<p>[Original recordings are closed to use. Viewing copies are available for all films.]</p>
</accessrestrict>


<c02 level="item"><did><container type="box">1</container>
<unittitle>Reel 1, 16 mm positive print</unittitle><physdesc><extent>(100')</extent></physdesc></did>
<scopecontent>
<p>North Star on Morgan State University News; Man walking down street</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 1</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">1</container>
<unittitle>Reel 2, 16 mm positive print</unittitle><physdesc><extent>(75')</extent></physdesc></did>
<scopecontent>
<p>March on Washington crowds, 1963</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 1</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">1</container>
<unittitle>Reel 3, 16 mm positive print</unittitle><physdesc><extent>(50')</extent></physdesc></did>
<scopecontent>
<p>Black cavalry marching home from Spanish-American War</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 1</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">1</container>
<unittitle>Reel 4, 16 mm positive print</unittitle><physdesc><extent>(25')</extent></physdesc></did>
<scopecontent>
<p>Madison Square, NYC, 1898</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 1</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">1</container>
<unittitle>Reel 5, 16 mm negative</unittitle><physdesc><extent>(150')</extent></physdesc></did>
<scopecontent>
<p>Truman on Civil Rights Commission report and <title render="doublequote">News in Brief</title> (negative)</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy  1</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">1</container>
<unittitle>Reel 6, 16 mm positive print</unittitle><physdesc><extent>(150')</extent></physdesc></did>
<scopecontent>
<p>Los Angeles Riots, 1968; Selma March</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 1</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">1</container>
<unittitle>Reel 7, 16 mm positive print</unittitle><physdesc><extent>(600')</extent></physdesc></did>
<scopecontent>
<p>Footage of various historically black colleges (Morgan Footage)</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 1</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">1</container>
<unittitle>Reel 8, 16 mm positive print</unittitle><physdesc><extent>(450')</extent></physdesc></did>
<scopecontent>
<p>Baltimore fire of l904; vote against Daylight Savings; volunteer information for WWII</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 1</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">1</container>
<unittitle>Reel 9, 16 mm positive print</unittitle><physdesc><extent>(100')</extent></physdesc></did>
<scopecontent>
<p>World War II footage with African American soldiers; Newsreel footage &#173;"Mrs. Roosevelt helps dedicate Negro Boys Club"; "Robot Cotton Picker"</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 2</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">1</container>
<unittitle>Reel 10, 16 mm positive print</unittitle><physdesc><extent>(300')</extent></physdesc></did>
<scopecontent>
<p>Street scenes &#173;1900s; black soldiers disembarking, Spanish-American War; Eisenhower/Kennedy/LBJ plead for race equality</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 2</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">1</container>
<unittitle>Reel 11, 16 mm positive print</unittitle><physdesc><extent>(350')</extent></physdesc></did>
<scopecontent>
<p>Duke Ellington and his Symphony in Black</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 2</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">2</container>
<unittitle>Reel 12, 16 mm positive print</unittitle><physdesc><extent>(500')</extent></physdesc></did>
<scopecontent>
<p><title render="doublequote">Uncle Tom's Cabin</title> (Edison)</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 2</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">2</container>
<unittitle>Reel 13, 16 mm positive print</unittitle><physdesc><extent>(600')</extent></physdesc></did>
<scopecontent>
<p><title render="doublequote">St. Louis Blues</title></p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 3</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">2</container>
<unittitle>Reel 14, 16 mm positive print</unittitle><physdesc><extent>(550')</extent></physdesc></did>
<scopecontent>
<p>Jesse Owens Footage; Signal Corps; Unidentified speaker with several takes; Living conditions &#173; Great Depression, l930s</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 3</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">2</container>
<unittitle>Reel 15, 16 mm positive print</unittitle><physdesc><extent>(150')</extent></physdesc></did>
<scopecontent>
<p>Students at Booker T. Washington Institute; WWII: Tuskegee Airmen</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 3</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">2</container>
<unittitle>Reel 16, 16 mm positive print</unittitle><physdesc><extent>(600')</extent></physdesc></did>
<scopecontent>
<p>Various Scenes from New York City: Military Procession; Arrival of Immigrants, Ellis Island; Panorama from the Times Building, NYC: Sorting Refuse at an incinerating plant, NYC; Union Iron Works; Harlem Street Scenes; Elevated Railroad, NYC; Bargain day, 14th St.; Dick Croker leaving Tammany Hall; Cardinal Gibbons.</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 4</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">2</container>
<unittitle>Reel 17, 16 mm positive print</unittitle><physdesc><extent>(800')</extent></physdesc></did>
<scopecontent>
<p>Ethnic Films:<title render="doublequote">The Black Hand</title> (Biograph); <title render="doublequote">Romance of a Jewess (Or A Jewish Tragedy)</title> (Biograph); <title render="doublequote">The Heathen Chinese and the Sunday School Teacher</title> (Biograph); <title render="doublequote">Cohen's Fire Sale</title>; <title render="doublequote">Alfonse and Gaston Helping an Irishman</title></p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 4</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">2</container>
<unittitle>Reel 18, 16 mm positive print</unittitle><physdesc><extent>(800')</extent></physdesc></did>
<scopecontent>
<p><title render="doublequote">His Trust and His Trust Fulfilled</title></p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 5</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">2</container>
<unittitle>Reel 19, 16 mm positive print</unittitle><physdesc><extent>(900')</extent></physdesc></did>
<scopecontent>
<p>"Soundies": Ellington, Fats Waller, Wingy Manone, Jimmy Rushing, Count Basie, Satchmo</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copies 5, 6</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">2</container>
<unittitle>Reel 20, 16 mm positive print</unittitle><physdesc><extent>(1200')</extent></physdesc></did>
<scopecontent>
<p>Sunday on the River</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 6</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 21, 16 mm positive print</unittitle><physdesc><extent>(700')</extent></physdesc></did>
<scopecontent>
<p><title render="doublequote">Mr. Blabbermouth</title></p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 7</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 22, 16 mm positive print</unittitle><physdesc><extent>(50')</extent></physdesc></did>
<scopecontent>
<p>Misc. Seventies TV commercials</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 7</p>
</altformavail>
</c02>

<c02 level="item"><did><container label="Oversized Reel">23</container>
<unittitle>Reel 23, 16 mm positive print</unittitle><physdesc><extent>(1300')</extent></physdesc></did>
<scopecontent>
<p>Misc. Seventies TV commercials</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copies 7, 8</p>
</altformavail>
</c02>

<c02 level="item"><did><container label="Oversized Reel">24</container>
<unittitle>Reel 24, 16 mm positive print</unittitle><physdesc><extent>(1400')</extent></physdesc></did>
<scopecontent>
<p>The Negro Soldier</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copies 8, 9</p>
</altformavail>
</c02>

<c02 level="item"><did><container label="Oversized Reel">25</container>
<unittitle>Reel 25, 16 mm positive print</unittitle><physdesc><extent>(1700')</extent></physdesc></did>
<scopecontent>
<p>Black Shadows on a Silver Screen</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copies 9, 10</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 26, 8mm</unittitle><physdesc><extent>(length unknown)</extent></physdesc></did>
<scopecontent>
<p>A Natural Born Gambler</p>
</scopecontent>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 27, 16 mm positive print</unittitle><physdesc><extent>(350')</extent></physdesc></did>
<scopecontent>
<p><title render="doublequote">Spying the Spy</title> (l9l9) - silent</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 10</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 28, 16 mm positive print</unittitle><physdesc><extent>(50')</extent></physdesc></did>
<scopecontent>
<p>Thurgood Marshall joining the Supreme Court (newsreel); Selma - Montgomery March (Universal Newsreel); LBJ speech</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 10</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 29, 16 mm positive print</unittitle><physdesc><extent>(200')</extent></physdesc></did>
<scopecontent>
<p>Sidney Poiter accepts Oscar; Negro Youth Administration footage, l930s</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 10</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 30, 16 mm positive print</unittitle><physdesc><extent>(150')</extent></physdesc></did>
<scopecontent>
<p>LBJ greets troops; <title render="doublequote">News in Brief</title> &#173; Social Security; Black troops, Korean War</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copies 10, 11</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 31, 16 mm positive print</unittitle><physdesc><extent>(300')</extent></physdesc></did>
<scopecontent>
<p>City Scenes: New York City scenes, circa l900; Star theater; NY skyscrapers from North River; 1st Avenue - Seattle, Washington; San Francisco from balloon; Battery Park, NY; Cotton spinning</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 11</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 32, 16 mm positive print</unittitle><physdesc><extent>(400')</extent></physdesc></did>
<scopecontent>
<p>Paisan - The Black Story</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 11</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 33, 16 mm positive print</unittitle><physdesc><extent>(200')</extent></physdesc></did>
<scopecontent>
<p><title render="doublequote">Watermelon Contest, Gator and the Picka-ninnie, A Bucket of Cream Ale,</title> silent</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 11</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 34, 16 mm positive print</unittitle><physdesc><extent>(350')</extent></physdesc></did>
<scopecontent>
<p><title render="doublequote">Open the Door, Richard,</title> with Lincoln Perry ("Stepin Fetchit")</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 11</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 35, 16 mm positive print</unittitle><physdesc><extent>(250')</extent></physdesc></did>
<scopecontent>
<p>Panorama, Union Square, San Francisco; Cardinal Gibbons; Cake Walk; Cavalry Troops; NY Street Scene; Gesture Fight on Hester Street (Part 1)</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copies 11,12</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 36, 16 mm positive print</unittitle><physdesc><extent>(150')</extent></physdesc></did>
<scopecontent>
<p>Panorama, Union Square, San Francisco; Cardinal Gibbons; Cake Walk; Cavalry Troops; NY Street Scene; Gesture Fight on Hester Street (Part 2)</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copies 11,12</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 37, 16 mm positive print</unittitle><physdesc><extent>(300')</extent></physdesc></did>
<scopecontent>
<p><title render="doublequote">The Fights of Nations,</title> silent</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 12</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 38, 16 mm positive print</unittitle><physdesc><extent>(350')</extent></physdesc></did>
<scopecontent>
<p><title render="doublequote">Rhapsody in Black and Blue with Louis Armstrong</title> (Satchmo), 		directed by Aubrey Scotto</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 12</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 39, 16 mm positive print</unittitle><physdesc><extent>(500')</extent></physdesc></did>
<scopecontent>
<p><title render="doublequote">Buck Dance, Broken Doll,</title> silent</p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 12</p>
</altformavail>
</c02>

<c02 level="item"><did><container type="box">3</container>
<unittitle>Reel 40, 16 mm positive print</unittitle><physdesc><extent>(300')</extent></physdesc></did>
<scopecontent>
<p>(unfinished) <title render="doublequote">Spying the Spy,</title></p>
</scopecontent>
<altformavail>
<p>Use Copies: VHS use copy available. See viewing copy 12</p>
</altformavail>
</c02>

</c01>


<c01 level="series"><did><unittitle id="s2">Still Photographs Series, <unitdate type="inclusive" normal="1902/1976">1902-1976</unitdate></unittitle><physdesc><extent>(3 boxes)</extent></physdesc>
</did><scopecontent>
<p>Consists of hundreds of black and white publicity stills and other images collected by Thomas Cripps over many years, taken from films featuring African American actors or African American producers and directors from the silent film era through the 1970s. Almost all derive from American-made films, but there is also a large group of stills originating from British films. One significant group contains images from pioneer African American director Oscar Micheaux's movies. Titles refer either to individual films, or to broad subjects. To improve housing, contents of original envelopes have been refoldered, but Cripps' content lists which provide fuller descriptive access to individual images have been photocopied and placed in each folder with its corresponding group of stills. A few folders include other film publicity or correspondence. Arranged as received, in alphabetical order by film title or topical heading. Original folder titles were retained. Dates added by archivist are in brackets.</p>
</scopecontent>

<c02><did><container type="box">1</container><unittitle>Bojangles As Butler, 1935-1936</unittitle></did></c02>

<c02><did><unittitle>Jim Comes to Jo'burg, 1949</unittitle></did></c02>

<c02><did><unittitle>Island in the Sun, 1957</unittitle></did></c02>

<c02><did><unittitle>Jungle Pix, 1930</unittitle></did></c02>

<c02><did><unittitle>Joanna, 1968</unittitle><physdesc><extent> (2 folders)</extent></physdesc></did></c02>

<c02><did><unittitle>The Joe Louis Story, 1953</unittitle></did></c02>

<c02><did><unittitle>Jungle Drums of America (12-episode serial), 1953</unittitle></did></c02>

<c02><did><unittitle>Key Largo, 1947</unittitle></did></c02>

<c02><did><unittitle>Lilies of the Field, 1963</unittitle></did></c02>

<c02><did><unittitle>Lydia Bailey, 1952</unittitle></did></c02>

<c02><did><unittitle>Mark of the Hawk, 1957</unittitle></did></c02>

<c02><did><unittitle>Message Movies, 1949-1952</unittitle></did>
<c03><did><unittitle>Bright Victory (or Lights Out), 1951</unittitle></did></c03>
<c03><did><unittitle>Stars In My Crown, 1950</unittitle></did></c03>
<c03><did><unittitle>Home of the Brave, 1949</unittitle></did></c03>
<c03><did><unittitle>The Intruder [1962]</unittitle></did></c03>
<c03><did><unittitle>Lost Boundaries, 1949</unittitle></did></c03>
<c03><did><unittitle>Detective Story, 1951</unittitle></did></c03>
<c03><did><unittitle>Intruder [1962]</unittitle></did></c03>
<c03><did><unittitle>Five, 1951</unittitle></did></c03>
</c02>

<c02><did><unittitle>Moan and Groan [1929]</unittitle></did></c02>

<c02><did><unittitle>Maps, Cartouches, 1971-1976 and undated</unittitle></did></c02>

<c02><did><unittitle>Moonrise, circa 1948</unittitle></did></c02>

<c02><did><unittitle>Muse, Misc., 1933 and undated</unittitle></did></c02>

<c02><did><unittitle>Network, 1976</unittitle></did></c02>

<c02><did><unittitle>Nothing But A Man, 1960</unittitle></did></c02>

<c02><did><unittitle>Odds Against Tomorrow, 1959</unittitle></did></c02>

<c02><did><unittitle>Our Daily Bread, 1933</unittitle></did></c02>

<c02><did><unittitle>Oxford, Volumes 1a-1c, 1 (foreign), undated</unittitle><physdesc><extent>(9 folders)</extent></physdesc></did></c02>

<c02><did><unittitle>Panther Girl of the Kongo, 1955</unittitle></did></c02>

<c02><did><unittitle>The Pawnbroker, 1965</unittitle></did></c02>

<c02><did><unittitle>A Raisin in the Sun, 1960</unittitle></did></c02>

<c02><did><unittitle>Race Pix (Reinkens Films), undated</unittitle></did><scopecontent>
<p>Includes two negative slides and letter to Thomas Cripps from Sharon Reinkens. </p>
</scopecontent>
</c02>

<c02><did><unittitle>St. Louis Blues, 1957</unittitle></did></c02>

<c02><did><unittitle>The Set Up, 1949</unittitle></did></c02>

<c02><did><unittitle>Shaft, 1971-1972</unittitle></did></c02>

<c02><did><unittitle>Simba, undated</unittitle></did></c02>

<c02><did><unittitle>Song of the South, 1944</unittitle></did></c02>

<c02><did><unittitle>Sounder, 1972</unittitle></did></c02>

<c02><did><unittitle>Stormy Weather, 1943</unittitle></did></c02>

<c02><did><unittitle>Topsy and Eva, 1928</unittitle></did></c02>

<c02><did><unittitle>Trader Horn, 1929</unittitle></did></c02>

<c02><did><unittitle>To Live In Peace [1947; TV version, 1951]</unittitle></did></c02>

<c02><did><unittitle>Take a Giant Step, 1959</unittitle></did></c02>


<c02><did><container type="box">2</container><unittitle>Uncle Tom's Cabin, 1903</unittitle></did></c02>

<c02><did><unittitle>Watermelon Man, 1970</unittitle></did></c02>

<c02><did><unittitle>The Well, 1951</unittitle></did></c02>

<c02><did><unittitle>The World, The Flesh, and The Devil, 1958</unittitle><physdesc><extent>(2 folders)</extent></physdesc></did></c02>

<c02><did><unittitle>Young Man with a Horn, 1950</unittitle></did></c02>

<c02><did><unittitle>The Young One (Great Britain title: Island of Shame), 1960</unittitle></did></c02>

<c02><did><unittitle>Eddie "Rochester" Anderson, 1940-1945</unittitle></did></c02>

<c02><did><unittitle>Black Athletes, 1940s-1960s and undated</unittitle></did>
<c03><did><unittitle>Jack Johnson, undated</unittitle></did></c03>
<c03><did><unittitle>The Joe Louis Story [1953]</unittitle></did></c03>
<c03><did><unittitle>Easy Living, 1949</unittitle></did></c03>
<c03><did><unittitle>The Adventures of Huckleberry Finn, 1960</unittitle></did></c03>
<c03><did><unittitle>This is the Army, 1943</unittitle></did></c03>
<c03><did><unittitle>Kenny Washington, undated</unittitle></did></c03>
<c03><did><unittitle>None But The Brave, 1965</unittitle></did></c03>
<c03><did><unittitle>The Fiercest Heart, 1961</unittitle></did></c03>
<c03><did><unittitle>Satchel Paige on Rutledge Set</unittitle></did></c03>
</c02>

<c02><did><unittitle>Black Performers As Selves, 1930-1965</unittitle></did></c02>
<c02><did><unittitle>Blackface Cycle, Post-Sound, 1930</unittitle></did></c02>
<c02><did><unittitle>Blackface Roles and Routines, 1920s-1950s and undated</unittitle></did></c02>

<c02><did><unittitle>Blaxploitation Pix, 1960s-1970s</unittitle><physdesc><extent>(2 folders)</extent></physdesc></did></c02>

<c02><did><unittitle>Pre and Blaxploitation Misc., undated</unittitle></did><processinfo>
<p>[Oversize film "While Thousands Cheer" poster with Kenny Washington removed to Ovsz. Box 136.]</p>
</processinfo></c02>

<c02><did><unittitle>Blaxploitation Misc. TV, undated</unittitle></did></c02>

<c02><did><unittitle>Jim Brown, 1960s-1970s, undated</unittitle></did></c02>

<c02><did><unittitle>British Overseas Productions, 1930s-1960s and undated</unittitle><physdesc><extent>(2 folders)</extent></physdesc></did>
<c03><did><unittitle>Orfeo Negro, 1959</unittitle></did></c03>
<c03><did><unittitle>Tamango, 1959</unittitle></did></c03>
<c03><did><unittitle>Flame in the Streets, 1961</unittitle></did></c03>
<c03><did><unittitle>Pennywhistles Blues [1952]</unittitle></did></c03>
<c03><did><unittitle>Cairo, 1960s</unittitle></did></c03>
<c03><did><unittitle>Sapphire, 1959</unittitle></did></c03>
<c03><did><unittitle>Sea Wyf [Sea Wife, 1957?]</unittitle></did></c03>
<c03><did><unittitle>Dingaka, 1965</unittitle></did></c03>
<c03><did><unittitle>Stanley Baker, undated</unittitle></did></c03>
<c03><did><unittitle>Woman of Straw [1964]</unittitle></did></c03>
<c03><did><unittitle>Men of Two Worlds [1946]</unittitle></did></c03>
<c03><did><unittitle>Calvert and Adams, undated</unittitle></did></c03>
<c03><did><unittitle>Guns at Batasi [1964]</unittitle></did></c03>
<c03><did><unittitle>Young and Willing [1943?]</unittitle></did></c03>
<c03><did><unittitle>Voice of the Hurricane [1964?]</unittitle></did></c03>
<c03><did><unittitle>Sanders, 1935</unittitle></did></c03>
<c03><did><unittitle>Simba, 1955</unittitle></did></c03>
<c03><did><unittitle>Zulu [1964]</unittitle></did></c03>
<c03><did><unittitle>The Outcast of the Islands [1952]</unittitle></did></c03>
<c03><did><unittitle>Rhodes of Africa, 1938</unittitle></did></c03>
<c03><did><unittitle>Jew Suss, 1935</unittitle></did></c03>
<c03><did><unittitle>Tiger Bay, 1934</unittitle></did></c03>
<c03><did><unittitle>Proud Valley, 1940</unittitle></did></c03>
<c03><did><unittitle>Timbucktoo, 1937</unittitle></did></c03>
<c03><did><unittitle>Men of Two Worlds, 1946</unittitle></did></c03>
<c03><did><unittitle>Guns at Batasi [1964]</unittitle></did></c03>
</c02>

<c02><did><unittitle>Integrationism, mid-1960s</unittitle></did></c02>

<c02><did><unittitle>Kung Fu Movies, 1973</unittitle></did></c02>

<c02><did><unittitle>Mantan Moreland, 1940s</unittitle></did></c02>

<c02><did><unittitle>Oscar Micheaux Films, 1920s-1930s</unittitle><physdesc><extent>(2 folders)</extent></physdesc></did>
<scopecontent><p>Includes promotional brochure and negative images of brochure.</p></scopecontent>
<c03><did><unittitle>Wages of Sin [1929]</unittitle></did></c03>
<c03><did><unittitle>Temptation, 1928</unittitle></did></c03>
<c03><did><unittitle>Chorus Line, Temptation, 1928</unittitle></did></c03>
<c03><did><unittitle>Underworld [1937]</unittitle></did></c03>
<c03><did><unittitle>When Men Betray, 1925</unittitle></did></c03>
<c03><did><unittitle>Black King, 1931-1932</unittitle></did></c03>
<c03><did><unittitle>Unknown Title with Charlie Moore and Ethel Moses, 1929</unittitle></did></c03>
<c03><did><unittitle>Easy Street, 1931</unittitle></did></c03>
<c03><did><unittitle>Daughter of the Congo, 1927 </unittitle></did></c03>
<c03><did><unittitle>Unknown Title with Pearl McCormick and Rex Ingram, 1920s</unittitle></did></c03>
<c03><did><unittitle>Millionaire, 1928</unittitle></did></c03>
<c03><did><unittitle>The Notorious Elinor Lee [1940]</unittitle></did></c03>
<c03><did><unittitle>Harlem After Midnight [1934]</unittitle></did></c03>
</c02>

<c02><did><unittitle>1940s Conventional Themes and Roles</unittitle><physdesc><extent>(2 folders)</extent></physdesc></did>
<c03><did><unittitle>Vanishing Virginian [1942]</unittitle></did></c03>
<c03><did><unittitle>Four Jacks and a Jill, 1941</unittitle></did></c03>
<c03><did><unittitle>Belle Starr, 1940</unittitle></did></c03>
<c03><did><unittitle>Ziegfeld Follies, 1944-1946</unittitle></did></c03>
<c03><did><unittitle>Margie, 1947</unittitle></did></c03>
<c03><did><unittitle>Duel in the Sun, 1946</unittitle></did></c03>
<c03><did><unittitle>Texas, 1940</unittitle></did></c03>
<c03><did><unittitle>Johnny Come Lately, 1947</unittitle></did></c03>
<c03><did><unittitle>Panama Hattie, 1942</unittitle></did></c03>
<c03><did><unittitle>Free For All, 1949</unittitle></did></c03>
<c03><did><unittitle>Dakota, 1946</unittitle></did></c03>
<c03><did><unittitle>My Brother Talks to Horses, 1947</unittitle></did></c03>
<c03><did><unittitle>The Music Goes Round [1936?]</unittitle></did></c03>
<c03><did><unittitle>Three Stooges, 1940s</unittitle></did></c03>
<c03><did><unittitle>Heaven Can Wait, 1943</unittitle></did></c03>
<c03><did><unittitle>Major and the Minor, 1942</unittitle></did></c03>
<c03><did><unittitle>They Won't Belive Me, 1947</unittitle></did></c03>
<c03><did><unittitle>Duffy's Tavern, 1945</unittitle></did></c03>
<c03><did><unittitle>Monsieur Beaucaire, 1946</unittitle></did></c03>
<c03><did><unittitle>Gas House Kids, circa 1950</unittitle></did></c03>
<c03><did><unittitle>Born to Kill, 1946</unittitle></did></c03>
<c03><did><unittitle>High Barbaree, 1947</unittitle></did></c03>
<c03><did><unittitle>Senator Was Indiscreet, 1947</unittitle></did></c03>
<c03><did><unittitle>Cairo, 1940s</unittitle></did></c03>
<c03><did><unittitle>Secret of Dr. Kildare [1939]</unittitle></did></c03>
<c03><did><unittitle>Ghost Breakers, 1940</unittitle></did></c03>
<c03><did><unittitle>Gorgeous Hussy [1936]</unittitle></did></c03>
</c02>

<c02><did><unittitle>1945-1949 Pre-Message Movie Intimations</unittitle></did></c02>

<c02><did><unittitle>Of Orientals, 1917-1961 and undated</unittitle><physdesc><extent>(2 folders)</extent></physdesc></did></c02>


<c02><did><unittitle>Vietnam Newsshots [1960s-1970s?]</unittitle></did></c02>

<c02><did><unittitle>1960s Pre-Blaxploitation Pix</unittitle><physdesc><extent>(2 folders)</extent></physdesc></did></c02>

<c02><did><unittitle>Poitier, Sidney, 1954-1971</unittitle></did></c02>

<c02><did><unittitle>Production Crew Shots, 1929-1973 and undated</unittitle><physdesc><extent>(2 folders)</extent></physdesc></did></c02>

<c02><did><unittitle>Sammy Davis Jr., 1950s-1960s</unittitle></did></c02>

<c02><did><unittitle>1930s Deviant Pix</unittitle></did></c02>

<c02><did><unittitle>European Ethnic and Immigrant Groups, 1920s-1960s</unittitle></did>

<c03><did><unittitle>Moulin Rouge, undated</unittitle></did></c03>
<c03><did><unittitle>Abes's Irish Rose, 1946</unittitle></did></c03>
<c03><did><unittitle>Jazz Singer, undated</unittitle></did></c03>
<c03><did><unittitle>The Golem, 1921</unittitle></did></c03>
<c03><did><unittitle>America, America [1963]</unittitle></did></c03>
<c03><did><unittitle>The Last Hurrah [1958]</unittitle></did></c03>
<c03><did><unittitle>Humoresque, 1947</unittitle></did></c03>
<c03><did><unittitle>Sherlock Holmes and Nazis?, 1941</unittitle></did></c03>
<c03><did><unittitle>Man They Could Not Hang [1939]</unittitle></did></c03>
<c03><did><unittitle>Ride The Pink Horse, 1947</unittitle></did></c03>
<c03><did><unittitle>Ride Vaquero, 1953</unittitle></did></c03>
<c03><did><unittitle>Sweet Rosie O'Grady [1926 or 1943?]</unittitle></did></c03>
<c03><did><unittitle>Straedy Company (or Cobble Stones), 1932</unittitle></did></c03>
<c03><did><unittitle>Potash and Perlmutter, 1923</unittitle></did></c03>
</c02>

<c02><did><container type="box">3</container><unittitle>Exotic Primitives, 1929-1968</unittitle><physdesc><extent>(2 folders)</extent></physdesc></did></c02>

<c02><did><unittitle>Indians, 1930s-1950s</unittitle></did></c02>

<c02><did><unittitle>Silent Pix, 1911-1925 and undated</unittitle></did><scopecontent>
<p>Appears to be one still per film. Many but not all are captioned on the back.</p>
</scopecontent>

<c03><did><unittitle>A Colored Girl's Love, 1915</unittitle></did></c03>
<c03><did><unittitle>Daughter of Mine, Goldwyn [1919]</unittitle></did></c03>
<c03><did><unittitle>Peter Pan [1924?]</unittitle></did></c03>
<c03><did><unittitle>Smith Baby's Birthday [also known as Baby's Birthday, 1929] </unittitle></did></c03>
<c03><did><unittitle>Lady Rose's Daughter, 1920</unittitle></did></c03>
<c03><did><unittitle>Little Old NY, 1923</unittitle></did></c03>
<c03><did><unittitle>Black Wife (?), 192-</unittitle></did></c03>
<c03><did><unittitle>Smith's Rodeo, undated</unittitle></did></c03>
<c03><did><unittitle>Senor Jim [1936]</unittitle></did></c03>
<c03><did><unittitle>What's Your Husband Doing? [1920]</unittitle></did></c03>
<c03><did><unittitle>Kentucky Colonel [1920]</unittitle></did></c03>
<c03><did><unittitle>Kentucky Derby [1922?]</unittitle></did></c03>
<c03><did><unittitle>The Blind Goddess [1948]</unittitle></did></c03>
<c03><did><unittitle>Day of Faith [1923]</unittitle></did></c03>
<c03><did><unittitle>Al's Troubles [1926]</unittitle></did></c03>
<c03><did><unittitle>His Trust, 1911</unittitle></did></c03>
<c03><did><unittitle>The Perfect Clown [1925]</unittitle></did></c03>
<c03><did><unittitle>Seven Chances, 1925</unittitle></did></c03>
<c03><did><unittitle>Fable of the Galumptious Girl [1915]</unittitle></did></c03>
<c03><did><unittitle>Swim Princess [1928]</unittitle></did></c03>
</c02>

<c02><did><unittitle>Token Integrationism, 1950s</unittitle><physdesc><extent>(2 folders)</extent></physdesc></did></c02>
<c02><did><unittitle>Trainers and Racetracks, 1945 and undated</unittitle></did></c02>
<c02><did><unittitle>Van Peebles, undated</unittitle></did></c02>

<c02><did><unittitle>Publicity One-Shots, undated</unittitle><physdesc><extent>(13 folders)</extent></physdesc></did>
<c03><did><unittitle>Movies A-M</unittitle><physdesc><extent>(4 folders)</extent></physdesc></did></c03>
<c03><did><unittitle>Movies N-Z</unittitle><physdesc><extent>(2 folders)</extent></physdesc></did></c03>
<c03><did><unittitle>Performing</unittitle><physdesc><extent>(5 folders)</extent></physdesc></did></c03>
<c03><did><unittitle>Unknown</unittitle><physdesc><extent>(2 folders)</extent></physdesc></did></c03>
</c02>

<c02><did><unittitle>Unidentified Films, undated</unittitle><physdesc><extent>(4 folders)</extent></physdesc></did></c02>

<c02 level="subseries">
<did>
<unittitle>Oversize Material </unittitle>
</did>
<c03><did><container type="box">Oversize 20</container><unittitle>While Thousands Cheer, 1940 [removed from the Blaxploitation miscellaneous folder]</unittitle></did></c03>

</c02>


</c01>

</dsc>
</archdesc>
</ead>
