MenuInventory of the Center for Documentary Studies Double Take Exhibition Collection, 1906-1996
Abstract
The Center for Documentary Studies was established at Duke University in Durham, N.C. for the study of the documentary process.
Collection contains black and white and color photographs that were on display at the Center for Documentary Studies. The photographs are from series that were published in DOUBLETAKE or by DoubleTake books between 1995-1997.
Descriptive Summary
- Repository
- David M. Rubenstein Rare Book & Manuscript Library, Duke University
- Creator
- Duke University. Center for Documentary Studies.
- Title
- Center for Documentary Studies Double Take Exhibition Collection, 1906-1996
- Language of Material
- English
- Extent
- 5.0 Linear Feet, 51 Items
- Location
- For current information on the location of these materials, please consult the Library's online catalog.
Collection Overview
The Center for Documentary Studies Double Take Exhibition Collection contains black and white and color photographs that were on display at the Center for Documentary Studies. The photographs are from series that were published in DOUBLETAKE or by DoubleTake books between 1995-1997. Many were taken by photographers in the southern United States, but there are also images from Massachusetts, Illinois, and from countries such as Vietnam and Ireland.
Administrative Information
Collections are on the move for the renovation of the David M. Rubenstein Rare Book & Manuscript Library. Contact Rubenstein Library staff before visiting. Read More »
Access Restrictions
Collection is open for research.
However, patrons must sign the Acknowledgment of Legal Responsibility and Privacy Rights form before using this collection.
Also, all or portions of this collection may be housed off-site in Duke University's Library Service Center. Consequently, there may be a 24-hour delay in obtaining these materials.
Please contact Research Services staff before visiting the David M. Rubenstein Rare Book & Manuscript Library to use this collection.
Use Restrictions
The copyright interests in this collection have not been transferred to Duke University. For more information, consult the copyright section of the Regulations and Procedures of the David M. Rubenstein Rare Book & Manuscript Library.
Contents of the Collection
Browse List of Series
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Expand AllAccession 2007 (2007-0157)
The Center for Documentary Studies Double Take Exhibition Collection contains black and white and color photographs that were on display at the Center for Documentary Studies. The photographs are from series that were published in DOUBLETAKE or by DoubleTake books between 1995-1997. Many were taken by photographers in the Southern U.S., but there are also images from Massachusetts, Illinois, and from countries such as Vietnam and Ireland.
Photographer: Detroit Publishing Company.
From A Whole World: dimensionss from the Detroit Publishing Collection, DoubleTake, Summer 1995.
[child in baseball uniform ERIE]
Photographer: Detroit Publishing Company.
From A Whole World: Pictures from the Detroit Publishing Collection, DoubleTake, Summer 1995.
First suspension bridge in America.
Photographer: Detroit Publishing Company.
From A Whole World: Pictures from the Detroit Publishing Collection, DoubleTake, Summer 1995.
First suspension bridge in America.
Photographer: Detroit Publishing Company.
From A Whole World: Pictures from the Detroit Publishing Collection, DoubleTake, Summer 1995.
Photographer: Nixon, Nicholas.
From the series Room 306, DoubleTake, Spring 1996.
Back of print: Joel Geiger, Perkins School for the Blind 1992. 11/50
Photographer: Richards, Patricia D.
From the series Scenes from Early Morn Drive: Teen Years, published in A New Life: Stories and Photographs from the Suburban South, Lyndhurst Series on the South, DoubleTake Books in association with W.W. Norton & Company, 1997.
Photographer: Vachon, John.
From DoubleTake, Winter 1997
Back of print: Joel Geiger, Perkins School for the Blind 1992. 11/50
Reproduced from the collections of the Library of Congress.
Photographer: Grimes, Tom.
From DoubleTake, Fall 1996.
Photographer: Humble, John.
From DoubleTake, Winter 1997.
Photographer: Bamberger, Bill.
From From Closing: The Life and Death of an American Factory,, Lyndhurst Series on the South, DoubleTake Books in association with W.W. Norton & Company, 1998.
Photographer: Bamberger, Bill.
From From Closing: The Life and Death of an American Factory,, Lyndhurst Series on the South, DoubleTake Books in association with W.W. Norton & Company, 1998.
Photographer: Cahill, Christina.
From DoubleTake, Summer 1997.
Photographer: Cahill, Christina.
From DoubleTake, Summer 1997.
Photographer: Duffy, Pamela.
From the series Nanny, DoubleTake, Spring 1997
Photographer: McMahon, Connette Pearl.
From the series Family and Friends, a student project from the course American Communities: A Documentary Approach, 1994, published in A New Life: Stories and Photographs from the Suburban South, Lyndhurst Series on the South, DoubleTake Books in association with W. W. Norton & Company, 1997.
Photographer: Paul, Gregory.
From the series New Hope, DoubleTake, Summer 1997
Supported by the 1993 John Hope Franklin Award.
Photographer: Paul, Gregory.
From the series New Hope, DoubleTake, Summer 1997
Supported by the 1993 John Hope Franklin Award.
Photographer: Sanders, Kim.
From a student project in the course American Communities: A Documentary Approach, 1979, published in DoubleTake, Winter 1997.
Photographer: Steinmetz, Mark.
From the series At the Edge of the City, in A New Life: Stories and Photographs from the Suburban South, Lyndhurst Series on the South, DoubleTake Books in association with W.W. Norton & Company, 1997.
Photographer: Steinmetz, Mark.
From the series Little League, DoubleTake, Spring 1997.
Photographer: Steinmetz, Mark.
From the series Little League, DoubleTake, Spring 1997.
Photographer: Towell, Larry.
From DoubleTake, Summer 1995.
'97 - on back of print.
Photographer: Vachon, John.
From DoubleTake, Winter 1997.
Photographer: Ahlgren, Steven.
From the series Corporate Documents, DoubleTake, Summer, 1997.
Photographer: Beck, Fran Bitett.
From the series Relationships, in A New Life: Stories and Photographs from the Suburban South, Lyndhurst Series on the South, DoubleTake Books in association with W.W. Norton & Company, 1997.
Photographer: Berridge, Mary.
From the series Portraits: Women Living with HIV, DoubleTake, Summer 1997.
Photographer: D’Amato, Paul.
From the series Barrio Workers, DoubleTake, Summer 1997.
Photographer: Levin, Meryl.
From Beyond the Emergency Room, DoubleTake, Sprint 1997.
Photographer: Mermelstein, Jeff.
From DoubleTake, Winter 1997.
Photographer: Temple, Charlotte.
From DoubleTake, Winter 1997.
Photographer: Berndt, Jerry.
From the series Barroom, DoubleTake, Fall 1996.
Photographer: Berndt, Jerry.
From the series Barroom, DoubleTake, Fall 1996.
Photographer: Borowiec, Andrew.
From the series Along the Ohio, DoubleTake, Summer 1997.
Photographer: Breitenbach, Eric.
From the series Photographs from Florida, 1989-94, in A New Life: Stories and Photographs from the Suburban South, Lyndhurst Series on the South, DoubleTake Books in association with W. W. Norton & Company, 1997.
Front of print - Sanford; back of print - Sandford.
Photographer: Breitenbach, Eric.
From the series Photographs from Florida, 1989-94, in A New Life: Stories and Photographs from the Suburban South, Lyndhurst Series on the South, DoubleTake Books in association with W. W. Norton & Company, 1997.
Photographer: DeCesare, Donna.
From DoubleTake, Summer 1995.
Photographer: Friedlander, Lee.
From the series The Dreyfus Fund Portraits, DoubleTake, Summer 1995.
Photographer: Kennard, John.
From the series Walden Ponders, DoubleTake, Spring 1997.
Photographer: Kennard, John.
From the series Walden Ponders, DoubleTake, Spring 1997.
Photographer: Moses, John.
From DoubleTake, Winter 1997, and The Youngest Parents, DoubleTake Books in association with W.W. Norton & Company, 1997.
Photographer: Roma, Thomas.
From the series Come Sunday, DoubleTake, Winter 1996.
Photographer: Sartor, Margaret.
From the series Stealing Home, DoubleTake, Fall 1996.
On back of print: FxT1, signed by photographer and dated '98.
Photographer: Tice, George.
From the series Fields of Peace, DoubleTake, Spring 1997.
Print: 5/29/90, print is adhered to a thick paper.
Photographer: Whetstone, Jeff.
From DoubleTake, Fall 1996.
Photographer: Springer, Melissa.
From DoubleTake, Summer 1996.
Photographer: DuBois, Doug.
From the series Mining Avella, DoubleTake, Winter 1997.
On back of print: 97.
Photographer: Greiner, William K.
From DoubleTake, Spring 1996, and the series Homefront, in A New Life: Stories and Photographs from the Suburban South, Lyndhurst Series on the South, DoubleTake Books in association with W.W. Norton & Company, 1997.
Photographer: Greiner, William K.
From DoubleTake, Spring 1996, and the series Homefront, in A New Life: Stories and Photographs from the Suburban South, Lyndhurst Series on the South, DoubleTake Books in association with W.W. Norton & Company, 1997.
Photographer: Bartos, Adam.
From the series Hither Hills, DoubleTake, Spring 1997.
Photographer: Epstein, Mitch.
From DoubleTake, Fall 1995, and Vietnam: A Book of Changes, DoubleTake Books in association with W.W. Norton & Company, 1997.
7/14/97 on back of print.
Subject Headings
Preferred Citation
[Identification of item], Center for Documentary Studies Double Take Exhibition Collection, David M. Rubenstein Rare Book & Manuscript Library
Provenance
The Center for Documentary Studies Double Take Exhibition Collection was received by the David M. Rubenstein Rare Book & Manuscript Library as a gift in 2007.
Processing Information
Processed by Marlyse MacDonald; September 2007
Encoded by John Mayrose, October 2007
This collection is minimally processed: materials may not have been ordered and described beyond their original condition.
Descriptive sources and standards used to create this inventory: DACS, EAD, NCEAD guidelines, and our local Style Guide.
This finding aid is NCEAD compliant.