<!DOCTYPE ead PUBLIC "+//ISBN 1-931666-00-8//DTD ead.dtd (Encoded Archival Description (EAD) Version 2002)//EN" "./dtds/ead.dtd">
<ead><eadheader audience="internal" countryencoding="iso3166-1" dateencoding="iso8601" langencoding="iso639-2" repositoryencoding="iso15511">

<eadid countrycode="us" mainagencycode="ndd" publicid="-//David M. Rubenstein Rare Book &amp; Manuscript Library//TEXT (US::ndd::R. B. Holmes photographs, 1910-1919 and undated)//EN" url="http://library.duke.edu/rubenstein/findingaids/holmesphotos/">holmesphotos</eadid>
<filedesc>
	<titlestmt>
		<titleproper>Inventory of the R. B. Holmes photographs, <date normal="1910/1919">1910-1919</date> and undated
		</titleproper>
		<author>Processed by: Paula Jeannet Mangiafico; machine-readable finding aid created by: Paula Jeannet Mangiafico</author>
	</titlestmt>

	<publicationstmt>
	<publisher><lb/>David M. Rubenstein Rare Book &amp; Manuscript Library <lb/> Duke University <lb/> Durham, N.C., USA </publisher>
		<p><date normal="2009" encodinganalog="date">(C) 2009</date> Duke University. All Rights Reserved.</p>
	</publicationstmt>

	<notestmt>
	<note><p>Aleph Number: <num type="aleph">004161561</num></p></note></notestmt>
</filedesc>

<profiledesc>
	<creation>Machine-readable finding aid derived from XML authoring program.<lb/>
		<date>Date of source: December 2009</date><lb/>Processed by Paula Jeannet Mangiafico, December 2009; finding aid encoded by Paula Jeannet Mangiafico, David M. Rubenstein Rare Book &amp; Manuscript Library, Duke University, <date>December 2009</date>
<lb/>
		<date>Date of source: October 2011</date><lb/>Additions processed by Alice Poffinberger, October 2011; finding aid updated by Alice Poffinberger, David M. Rubenstein Rare Book &amp; Manuscript Library, Duke University, <date>October 2011</date>

	</creation>
	<langusage>Description is in <language langcode="eng">English</language>
	</langusage>

	<descrules>Finding aid was prepared using
		  <title>DACS</title> and local
		  <title>Style Guide</title></descrules>

</profiledesc>
<!-- Location of <revisiondesc> if needed -->
</eadheader>
<frontmatter>
<titlepage>
<titleproper>Inventory of the R. B. Holmes photographs, <date type="span">1910-1919</date> and undated
</titleproper>
<publisher>David M. Rubenstein Rare Book &amp; Manuscript Library <lb/> Duke University <lb/> Durham, North Carolina 27708-0185 USA </publisher>
<p><date normal="2009">(C) 2009</date> Duke University. All Rights Reserved.</p>
</titlepage>
</frontmatter>

<archdesc level="collection" relatedencoding="MARC">
<did>
<head>Descriptive Summary</head>
<repository label="Repository">
<corpname>David M. Rubenstein Rare Book &amp; Manuscript Library, Duke
			 University</corpname></repository>
<origination label="Creator"><persname encodinganalog="100">Holmes, Randolph Bezant, 1888-1973.</persname></origination>
<unittitle label="Title" encodinganalog="245">R. B. Holmes photographs, <unitdate normal="1910/1919" type="inclusive">1910-1919</unitdate> and undated
</unittitle>

<langmaterial label="Language of Material" encodinganalog="546">Material in <language langcode="eng">English</language>
</langmaterial>

<physdesc label="Extent">

<extent unit="linear feet" encodinganalog="300">3.5 Linear Feet</extent><lb/>
<extent unit="items">92 Items</extent>
</physdesc>

<physloc label="Location">For current information on the location of
		  these materials, please consult the Library's online catalog.</physloc>


<abstract label="Abstract" encodinganalog="545">Commercial photographer active in Pakistan, India, and Afghanistan during first half of the 20th century.</abstract>


<abstract encodinganalog="520">Collection of ninety-two 11.5 x 9.5" black-and-white photographic prints of Afghanistan, India, and Pakistan. The images were taken by British photographer R. B. (Randolph Bezzant) Holmes and possibly others from his studio who traveled with him. Holmes was the owner of the R. B. Holmes &amp; Co. photography studio in Peshawar, Pakistan. The majority of these detailed images were taken during the end of the Anglo-Afghan war in 1919 and depict large British military camps and vast landscapes, sometimes with camel caravans or military convoys. Some scenes show the remains of villages, military features such as towers, and religious structures. There are also portraits of individuals along with scenic views. Several of the images have been hand-tinted, probably by Holmes himself. Acquired as part of the Archive of Documentary Arts.</abstract>

</did>

<descgrp type="admininfo">
<head>Administrative Information</head>

<accessrestrict encodinganalog="506">
<head>Access Restrictions</head><p>Collection is open for research.</p>
<p>However, collection may contain materials to which the Acknowledgment of Legal Responsibilities and Privacy Rights form applies. Patrons must sign this form before using this collection.</p>
<p>Also, all or portions of this collection may be housed off-site in Duke University's Library Service Center. Consequently, there may be a 24-hour delay in obtaining these materials.</p><p>Please contact Research Services staff before visiting the David M. Rubenstein Rare Book &amp; Manuscript Library to use this collection.</p>
</accessrestrict>

<userestrict encodinganalog="540">
<head>Copyright Notice</head>
<p>The copyright interests in this collection have not been transferred to Duke University. For more information, consult the copyright section of the Regulations and Procedures of the David M. Rubenstein Rare Book &amp; Manuscript Library.</p>
</userestrict>

<prefercite>
		  <head>Preferred Citation</head>
		  <p>[Identification of item], R. B. Holmes photographs, 1910-1919 and undated, David M. Rubenstein Rare Book &amp; Manuscript Library, Duke University</p>
		</prefercite>
<acqinfo encodinganalog="541">
<head>Provenance</head>
<p>The R. B. Holmes Afghan War Photographs were received by the David M. Rubenstein Rare Book &amp; Manuscript Library as a purchase in 2009, 2010, and 2011.</p>
</acqinfo>


<processinfo>
<head>Processing Information</head>
<p>Processed by Paula Jeannet Mangiafico, December 2009</p>
<p>Encoded by Paula Jeannet Mangiafico, December 2009</p>
<p>Updated for additions by Alice Poffinberger, December 2010 and October 2011</p>
<p>Accessions 2009-0117, 2010-0181, 2010-0194, 2011-0121, 2011-0122 and 2011-0212 are described in this finding aid.</p>
<p>Descriptive sources and standards used to create this inventory: <title render="italic">DACS,</title> EAD, NCEAD guidelines, and local <title render="italic">Style Guide.</title></p>
<p>This finding aid is NCEAD compliant.</p>
</processinfo>
</descgrp>

<!--end of finding aid header-->

<bioghist>
<head>Biographical Note</head>

<p>Randolph Bezzant Holmes was born in 1888. He was a commercial photographer who took over the business established by his father, William D. Homes, around 1899 in Peshawar, Pakistan. Holmes was an official photographer of the Afghan Wars on the North West Frontier in Afghanistan. He also spent time in Kashmir and in other Asian locales. Later in life he also painted watercolor landscapes from the same areas. In 1929 he published a memoir of his time in Afghanistan, <title render="italic">Story of the North West Frontier Province</title>, Peshawar, containing gelatin print plates of his landscapes. Holmes died in 1973.</p>

<!-- Use Chronlist Tags clip here for Chronology -->

</bioghist>
<scopecontent>
<head>Collection Overview</head>
<p>Collection of ninety-two 11.5 x 9.5" black-and-white photographic prints of Afghanistan, India, and Pakistan. The images were taken by British photographer R. B. (Randolph Bezzant) Holmes and possibly others from his studio who traveled with him. Holmes was the owner of the R. B. Holmes &amp; Co. photography studio in Peshawar, Pakistan. The majority of these detailed images were taken during the end of the Anglo-Afghan war in 1919 and depict large British military camps and vast landscapes, sometimes with camel caravans or military convoys. Some scenes show the remains of villages, military features such as towers, and religious structures. There are portraits of individuals, including camel drivers, a sniper, a female spinner, a young woman dressed in traditional wear, and various groups. The landscape views include the Khyber Pass, Tanai Gorge, Kabul River, Khargali Ridge, Dal Lake, Nanga Parbat, and the Sikkim Himalaya. Military camp views, many in panoramic scale with fine detail, include Landi Khana, Dakka Plain, and Landi Kotal.</p>
<p>The majority of the prints contain an identification number originally marked on the negative, and the prints are arranged in numerical order accordingly. A list of the prints created from the studio's original list of commercially available prints, with captions and numbers when available, is in each of the boxes in the collection. There are a few images that do not appear on this list but have numbers assigned to them, and some are entirely unnumbered. Items not on the original list have been placed in the collection according to their subject matter. There are duplicate copies of several images. Also, some of the images have been hand-tinted, probably by Holmes himself. Acquired as part of the Archive of Documentary Arts.</p>
</scopecontent>

<controlaccess>
<head>Subject Headings</head>
<p>These are searchable subject entries for this collection. Performing a search on these subjects in the Duke University Libraries online catalog will bring up other related research materials.</p>
<list type="simple"><item><persname source="lcsh" encodinganalog="600">Holmes, Randolph Bezant, 1888-1973.</persname></item>
<item><corpname source="lcsh" encodinganalog="610">Great Britain. Army -- History -- 20th century.</corpname></item>
<item><corpname source="lcsh" encodinganalog="610">R. B. Holmes &amp; Co. (Peshawar) </corpname></item>
<item><subject source="lcsh" encodinganalog="650">Afghan Wars.</subject></item>
<item><subject source="lcsh" encodinganalog="650">Afghan Wars--Pictorial works.</subject></item>
<item><geogname source="lcsh" encodinganalog="651">Afghanistan--Pictorial works.</geogname></item>
<item><geogname source="lcsh" encodinganalog="651">Pakistan--Pictorial works.</geogname></item>
<item><geogname source="lcsh" encodinganalog="651">India--Pictorial works.</geogname></item>
<item><geogname source="lcsh" encodinganalog="651">Afghanistan--Social conditions--20th century.</geogname></item>
<item><geogname source="lcsh" encodinganalog="651">Pakistan--Social conditions--20th century.</geogname></item>
<item><geogname source="lcsh" encodinganalog="651">India--Social conditions--20th century.</geogname></item>
<item><genreform source="lcsh" encodinganalog="655">Black-and-white photographs. </genreform></item>
</list>
</controlaccess>

<!-- OPTIONAL: Separated material -->


<relatedmaterial>
<head>Related Material</head>
<archref>
<unittitle label="Collection">R. B. Holmes Collection (papers and photographs)</unittitle>
<repository label="Repository">Macmillan Brown Library, University of Canterbury, New Zealand</repository>
</archref>

</relatedmaterial>



<dsc type="combined">

<head>Contents of Collection</head>

<!-- Enter Container List Here -->

<c01 level="series">
<did>
<unittitle id="s1">R. B. Holmes photographs, <unitdate type="inclusive" normal="1910/1919">1910-1919</unitdate> and undated</unittitle>
<physdesc><extent>(3 boxes)</extent></physdesc>
</did>
<scopecontent>
<p>Print numbers were assigned by the photographer; an original list of complete prints, with numbers, offered by the studio for commercial purposes is included in the box. There is also an annotated copy of this list that reflects the library's holdings.</p>
</scopecontent>

<c02><did><container type="box">1</container>

<unitid label="Print">1</unitid><unittitle>Jamrud Fort and entrance to the Khyber Pass. (2 copies, one housed with Print 9)</unittitle></did></c02>
<c02><did><unitid label="Print">2</unitid><unittitle>Entering the Khyber Pass. Camel Convoy.</unittitle></did></c02>
<c02><did><unitid label="Print">3</unitid><unittitle>Ali Musjid Camp.</unittitle></did></c02>
<c02><did><unitid label="Print">4</unitid><unittitle>Exit of the Khyber into the Peshawar Plains. (2 copies, one housed with Print 35) </unittitle></did></c02>
<c02><did><unitid label="Print">5</unitid><unittitle>Looking North through the Gorge at Ali Musjid.</unittitle></did></c02>
<c02><did><unitid label="Print">6</unitid><unittitle>Looking South through the Gorge at Ali Musjid. (Two copies, one housed with Print 15)</unittitle></did></c02>
<c02><did><unitid label="Print">7</unitid><unittitle>Camp at Landi Kotal (left half of panorama).</unittitle></did></c02>
<c02><did><unitid label="Print">7a</unitid><unittitle>Camp at Landi Kotal (right half of panorama).</unittitle></did></c02>
<c02><did><unitid label="Print">9</unitid><unittitle>Looking towards the water works on the road to Landi Khanna.</unittitle></did></c02>
<c02><did><unitid label="Print">11</unitid><unittitle>On the road to Landi Khana looking towards Kbargali ridge.</unittitle></did></c02>
<c02><did><unitid label="Print">15</unitid><unittitle>Looking through the Tytler Gorge towards Landi Khanna.</unittitle></did></c02>
<c02><did><unitid label="Print">16</unitid><unittitle>Looking through the Tanai Gorge towards Landi Khanna.</unittitle></did></c02>
<c02><did><unitid label="Print">18</unitid><unittitle>Khargali Ridge and Bagh (left half of panorama).</unittitle></did></c02>
<c02><did><unitid label="Print">20</unitid><unittitle>From Kafirkote over looking the Khargali Ridge. The battle-ground of the 11th May 1919, Bagh Springs and village in the distance and remains of old Budhist Stupa on extreme left.</unittitle></did></c02>
<c02><did><unitid label="Print">21</unitid><unittitle>From Kafirkote towards Dakka. Kabul river in the distance and remains of old Grecian Fort wall on near hill.</unittitle></did></c02>
<c02><did><unitid label="Print">22</unitid><unittitle>Entering the Dakka Plain.</unittitle></did></c02>
<c02><did><unitid label="Print">25</unitid><unittitle>Untitled. Dakka camp, Kabul River?</unittitle></did></c02>
<c02><did><unitid label="Print">25a</unitid><unittitle>Untitled. Dakka camp, Kabul River?</unittitle></did></c02>
<c02><did><unitid label="Print">26</unitid><unittitle>Dakka camp, Kabul River.</unittitle></did></c02>
<c02><did><unitid label="Print">27</unitid><unittitle>Dakka camp showing Fort Robart and Kabul river.</unittitle></did></c02>
<c02><did><unitid label="Print">31</unitid><unittitle>Looking across the Kabul river, showing ferry.</unittitle></did></c02>
<c02><did><unitid label="Print">32</unitid><unittitle>After bombardment view of Loe Dakka and the main road showing deserted villages towards Landi Khana.</unittitle></did></c02>
<c02><did><unitid label="Print">35</unitid><unittitle>A view of villages in the Khyber.</unittitle></did></c02>
<c02><did><unitid label="Print">37</unitid><unittitle>Looking towards Jallalabad. Taken from a picquet during an engagement.</unittitle></did></c02>
<c02><did><unitid label="Print">51</unitid><unittitle>Tribal towers and villages.</unittitle></did></c02>
<c02><did><unitid label="Print">58</unitid><unittitle>A general view of Ali Musjid from the fort.</unittitle></did></c02>
<c02><did><unitid label="Print">70</unitid><unittitle>Landi Khana and tribal villages. (2 copies)</unittitle></did></c02>
<c02><did><unitid label="Print">73</unitid><unittitle>Khyber Pass near Landi Khana.</unittitle></did></c02>
<c02><did><unitid label="Print">P.5</unitid><unittitle>The end of the caravan crosses into Afghanistan from the Khyber.</unittitle></did></c02>
<c02><did><unitid label="Print">84</unitid><unittitle>In the Hingis Tangi. (2 copies)</unittitle></did></c02>
<c02><did><unitid label="Print">85</unitid><unittitle>Looking across the Tank Zam towards Jandola.</unittitle></did></c02>
<c02><did><unitid label="Print">88</unitid><unittitle>Entering the Ahnai Tangi.</unittitle></did></c02>
<c02><did><unitid label="Print">89</unitid><unittitle>Looking through the Ahnai Tangi (near).</unittitle></did></c02>
<c02><did><unitid label="Print">92</unitid><unittitle>View from Piaza Raghza towards Pir Gul. (2 copies)</unittitle></did></c02>
<c02><did><unitid label="Print">98</unitid><unittitle>Jirga with Kaniguram in back ground.</unittitle></did></c02>

<c02><did><unitid label="Print">114</unitid><unittitle>Waziri caravan types.</unittitle></did></c02>

<c02><did><container type="box">2</container>

<unitid label="Print">117</unitid><unittitle>The Waziri. (hand tinted)</unittitle></did></c02>
<c02><did><unitid label="Print">122</unitid><unittitle>The Old Pathan.</unittitle></did></c02>
<c02><did><unitid label="Print">124</unitid><unittitle>A Pathan Woman.</unittitle></did></c02>
<c02><did><unitid label="Print">126</unitid><unittitle>Two Afghans.</unittitle></did></c02>
<c02><did><unitid label="Print">127</unitid><unittitle>Two Afghans with their camels.</unittitle></did></c02>
<c02><did><unitid label="Print">131</unitid><unittitle>The Sniper.</unittitle></did></c02>
<c02><did><unitid label="Print">131a</unitid><unittitle>Afridi Man.</unittitle></did></c02>
<c02><did><unitid label="Print">132</unitid><unittitle>Pathan woman spinning.</unittitle></did></c02>
<c02><did><unitid label="Print">161</unitid><unittitle>On the Dal Lake, Srinigar. (hand tinted)</unittitle></did></c02>
<c02><did><unitid label="Print">170</unitid><unittitle>Looking from Zojila to Baltal, 1,500 feet below.</unittitle></did></c02>
<c02><did><unitid label="Print">174</unitid><unittitle>Camping ground at Panjitarni, one march before Amarnath.</unittitle></did></c02>
<c02><did><unitid label="Print">180</unitid><unittitle>By Tannin River and Mountain heights in mist.</unittitle></did></c02>

<c02><did><unitid label="Print">209</unitid><unittitle>Pastoral scene at Aro, Liddar Valley. (hand tinted)</unittitle></did></c02>
<c02><did><unitid label="Print">1062</unitid><unittitle>View near Rampore. (hand tinted)</unittitle></did></c02>
<c02><did><unitid label="Print">1084</unitid><unittitle> Pahlgam.</unittitle></did></c02>
<c02><did><unitid label="Print">1084a</unitid><unittitle>Gamp Forest, Phalgam.</unittitle></did></c02>
<c02><did><unitid label="Print">1089</unitid><unittitle>The Liddars. (hand tinted)</unittitle></did></c02>
<c02><did><unitid label="Print">1106</unitid><unittitle>Club and Nedou's Hotel, Gulmarg.</unittitle></did></c02>
<c02><did><unitid label="Print">unnumbered</unitid><unittitle>Ploughing, the Kashmir homestead. (hand tinted)</unittitle></did></c02>
<c02><did><unitid label="Print">unnumbered</unitid><unittitle>Sind Valley, Kashmir. (hand tinted)</unittitle></did></c02>
<c02><did><unitid label="Print">unnumbered</unitid><unittitle>Dal Lake. (hand tinted)</unittitle></did></c02>
<c02><did><unitid label="Print">unnumbered</unitid><unittitle>Nanga Parbat 26, 660. The east aspect across the Astor River.</unittitle></did></c02>
<c02><did><unitid label="Print">unnumbered</unitid><unittitle>Glacier Valley and campsite, Sonemarg, Kashmir. (hand tinted)</unittitle></did></c02>

<c02><did><container type="box">3</container>

<unitid label="Print">260</unitid><unittitle>Parachinar Bazar.</unittitle></did></c02>
<c02><did><unitid label="Print">268</unitid><unittitle>Deserted tribal fort near Guja Chinar in the Spin Tangi.</unittitle></did></c02>
<c02><did><unitid label="Print">269</unitid><unittitle>Kurram Militia Post.</unittitle></did></c02>
<c02><did><unitid label="Print">279</unitid><unittitle>A defile in the Kohat Pass. (hand tinted)</unittitle></did></c02>

<c02><did><unitid label="Print">300</unitid><unittitle>Looking down on Kala Bagh and Mari Indus.</unittitle></did></c02>
<c02><did><unitid label="Print">301</unitid><unittitle>Looking towards Khirgi from Manzai.</unittitle></did></c02>
<c02><did><unitid label="Print">303</unitid><unittitle>Village tower by Jandola. (2 copies)</unittitle></did></c02>
<c02><did><unitid label="Print">304</unitid><unittitle>Jandola Fort. (2 copies) </unittitle></did></c02>
<c02><did><unitid label="Print">305</unitid><unittitle>Jandola Camp.</unittitle></did></c02>
<c02><did><unitid label="Print">306</unitid><unittitle>In the Shahur Tangi.</unittitle></did></c02>
<c02><did><unitid label="Print">307</unitid><unittitle>Exit of the Shahur Tangi (distant).</unittitle></did></c02>
<c02><did><unitid label="Print">308</unitid><unittitle>Exit of the Shahur Tangi (near).</unittitle></did></c02>
<c02><did><unitid label="Print">333</unitid><unittitle>Character Study; Wana Waziris.</unittitle></did></c02>
<c02><did><unitid label="Print">385</unitid><unittitle>Kaur Bridge Fort.</unittitle></did></c02>
<c02><did><unitid label="Print">386</unitid><unittitle>Manzai.</unittitle></did></c02>
<c02><did><unitid label="Print">392</unitid><unittitle>Sararogha Camp.</unittitle></did></c02>
<c02><did><unitid label="Print">431</unitid><unittitle>Typical Mahsud and Waziri tribesmen.</unittitle></did></c02>
<c02><did><unitid label="Print">432</unitid><unittitle>Character study "The Mahsud." (hand tinted)</unittitle></did></c02>

<c02><did><unitid label="Print">902</unitid><unittitle>Bathing Ghats on the Ganges river-Benares (hand tinted)</unittitle></did></c02>
<c02><did><unitid label="Print">1420</unitid><unittitle>The Khan of Dir welcomes the Viceroy with great pomp-the Panjkora river borders the valley with Hindu Kusk in the distance. (hand tinted)</unittitle></did></c02>
<c02><did><unitid label="Print">unnumbered</unitid><unittitle>Return of Mohforce, Oct. 1935. New Road, Nahakki Pass. (hand tinted)</unittitle></did></c02>
<c02><did><unitid label="Print">unnumbered</unitid><unittitle>In the Sikkim Himalaya, view towards Darjeeling. The pony track winds over the ridges.</unittitle></did></c02>
<c02><did><unitid label="Print">unnumbered</unitid><unittitle>The Indus. Baltistan. The pony track runs along the river bank. (hand tinted)</unittitle></did></c02>
<c02><did><unitid label="Print">unnumbered</unitid><unittitle>Untitled. Mountain and river scene.</unittitle></did></c02>
<c02><did><unitid label="Print">unnumbered</unitid><unittitle>Open Road, Afghanistan, 1910.</unittitle></did></c02>
</c01>


</dsc>
</archdesc>
</ead>
