Inventory of the Kate Millett Papers, 1912-2002 and undated, bulk 1951-2001
Collection Overview
The papers of Kate Millett span the years 1912-2002, with the bulk of the papers dating between 1951 and 2001. The collection is arranged into the following series: Correspondence (CLOSED); Writings and Speeches; Subject Files; Art Files ; Farm Papers; Course Materials ; Personal Files; Documentary Film: Three Lives (1970); Clippings; Audiovisual Materials; Photographic Materials; Ephemera; and Printed Materials. The collection provides rich documentation of Millett's activities as a feminist activist, artist, and author of numerous works, including Sexual Politics, whose publication established her as one of the founding 20th century feminists. Other works for which supporting materials exist are The Loony-bin Trip, Flying, and The Basement.
The collection reflects the intensely personal nature of much of Millett's work and the frequent fusion of her personal, political, and professional interests. There are many files of personal and literary correspondence, including significant exchanges with Ti-Grace Atkinson, Rita Mae Brown, Phyllis Chesler, Andrea Dworkin, Cynthia McAdams, Yoko Ono, Alix Kates Shulman, and Gloria Steinem, and many other activists, writers, artists, friends, lovers, and family. Additional series include writings by other authors; extensive topical files; materials documenting Millett's work as an artist; files relating to her New York farm and artists' colony; course materials from Millett's student and teaching careers; and scripts and other papers relating to Millett's little-known documentary film, Three Lives. Other materials document her relationship with her mother during the last years of her mother's life, also the topic of her book, Mother Millett. Subject files contain materials relating to Millett's involvement with the gay and lesbian communities, her research on prisons and torture, and her diagnosis with bipolar disorder and subsequent involvement in anti-psychiatry activism. Audiovisual materials include audio and video recordings of Millett's lectures, speeches, and many conversations with activists, friends, and family; many photographs round out the visual components of the collection. There are also extensive printed materials such as clippings, posters, newsletters, and serial publications.
Seen in a broader context, Millett's papers also provide important documentation of the history of the feminist movement and feminist theory in the United States, including the history of the National Organization for Women. Materials in the collection also cover feminism and the social conditions for women around the globe, especially in France, Italy, and the Middle East -- most notably Iran, where Millett traveled in the seventies.
The collection includes some correspondence, book drafts, and other writings in electronic form. Documents in electronic formats are included in the container list under the appropriate series. The electronic files are located on the electronic records server. Consult a reference archivist for access to them.
The Correspondence Series is CLOSED to research until the year 2020.
Drafts and other materials relating to Millett's published works are housed in eponymous subseries in the Writings and Speeches Series. Other subseries include Interviews, Speeches, Engagements, and Writings by Others. The extensive correspondence in this series relating to Millett's public appearances suggests the importance of this aspect of her professional life, while the many folders of correspondence from fans document the impact that Millett's writings had on many of her readers' lives.
The Subject Files Series is arranged into the following subseries: Prisons, Psychiatric Survivors Movement, Torture, Travel, Women's Archives Project, Women's Rights Movement,and General Subject Files. It primarily consists of materials collected and arranged by Millett that document her political activities as a feminist, mental health reformer, and social activist; information that Millett gathered for her writings and other projects; and personal papers related to travel, funding for her farm, and other issues. There are detailed records dating from the late 1960s to the mid-1970s of Millett's involvement in the National Organization for Women and other feminist groups, first in New York and later in California. Local and national self-advocacy organizations for those diagnosed with mental illness are also well-represented for the period from the mid-1980s to the mid-1990s.
Millett's career as a sculptor and artist is documented in the Art Files Series, which houses correspondence, art show announcements, financial records, and other materials. There is substantial documentation of Millett's involvement in the cooperative Noho Gallery and her sales of posters and silk screens through advertising in feminist publications. There is a small amount of material related to Millett's involvement in the Fluxus art movement, which emerged in New York during the 1960s and spread to Europe and then Japan (Yoko Ono was one of its proponents).
The Farm Papers Series includes correspondence and administrative records from Millett's farm in Poughkeepsie, New York. The farm is run as a women's cooperative and artists' colony, with writers and artists applying for residency and working on the farm. The Correspondence Subseries provides a portrait of Millett's relationships with former farm residents, and includes application materials for prospective residents. The Administrative Files Subseries include some materials on the farm's financial difficulties, as well as a variety of records related to the day-to-day operation of the farm and its Christmas tree operation.
Class notes, papers, and records from Millett's work as a student and as a professor are found in the Course Materials Series. The bulk of the series consists of reading notes, lecture notes, and student papers by Millett and her students. Records of Millett's student work are primarily from the University of Minnesota and Oxford University. Her most well-documented teaching positions were at Barnard College and the California State University at Sacramento. In addition to class records, the series contains some correspondence and university-related records documenting Millett's life as a student and her activities as a professor. The course materials from Millett's graduate work and teaching positions in the 1960s and 1970s provide evidence of her increasing feminist involvement and insight into the evolution of her work, Sexual Politics.
The Personal Files Series is arranged into a number of subseries. The most substantial of these is the Loft Papers, which houses records related to Millett's artist's loft in the Cooper Square area of New York City. These records document her involvement in neighborhood groups and artists' organizations working to protect the area from development, and provide an excellent view of New York City neighborhood activism on development issues. There are smaller groups of records related to Millett's financial, legal, and medical affairs, and some personal papers of Millett's mother Helen Millett.
The Documentary Film: Three Lives Series contains records of a documentary film produced by Millett and featuring Millett's sister Mallory Millett-Jones, Lillian Shreve, and Robin Mide. The film led to a lawsuit over the distribution of profits among the various women involved. The series consists of production materials, distribution and financial records, and some legal correspondence. A viewing copy of the film is not currently available in this collection.
The Clippings Series chiefly consists of articles covering Millett's 1979 visit to and expulsion from Iran, and provides insights into Iranian feminism and the Iranian political situation during that period. Sources include the American, French, and (to a lesser extent) Persian-language media. A second focus of the series is media coverage of Millett's activities and projects, especially during the 1970s. Other clippings are related to Millett's wide-ranging personal and professional interests, especially prison reform and the status of women around the world. The series also includes a number of grassroots publications and newsletters.
The bulk of the Audiovisual Materials Series consists of audio recordings of Millett's public appearances and of private conversations and social events involving Millett. The years 1979 and 1980 are particularly well represented. Millett made recordings almost daily during and after her 1979 visit to Iran and during the late summer of 1980. There are also audio recordings of Millett's mother and other family members, oral interviews for Millett's research on torture, and dictated drafts of A.D. and The Loony-bin Trip. Other materials in this series include videotapes of interviews and television shows, and of several New York City functions for which Millett was a reader or speaker. Some materials in this series may not be immediately available, as use copies may need to be made of original recordings.
The Photographic Materials Series consist primarily of photographs taken by others and sent to Millett. The professional photographers among Millett's acquaintance, including Cynthia MacAdams and Jill Krementz, took a number of portraits of Millett. Photographs most likely taken by Millett include a large number of slides dating from 1980, documenting the same time period as many of the audiotapes in the Audiovisual Materials Series. There are a limited number of photographs from Millett's childhood and early adulthood.
Finally, the Printed Materials Series consists of magazines and journals, newspapers, and a small number of books collected by Millett. Many periodicals contain articles by or about Millett. The series includes scattered issues of various local and ephemeral periodicals from the feminist movement, the lesbian community, and the psychiatric survivors movement. Printed materials can also be found scattered throughout the collection, particularly in the Subject Files and Clippings Series. In order to provide better housing, an extensive group of printed materials, chiefly books by feminists, has been separated from the Kate Millett Papers and housed with the Rare Books, Manuscript and Special Collections Library's rare materials. Please consult with the reference librarians to see the title list.
The papers of Kate Millett arrived together with a collection of over 270 pieces of Millett's artwork. Most of the pieces consist of ink drawings, calligraphy, and prints. There are also sculptures and other three-dimensional works, some of which formed part of an installation representing events that surrounded the murder of Sylvia Likens, also the subject of Millett's book, The Basement. A full inventory of the artwork is located in the Research Room of the library; please contact the Research Services staff. Some artwork is included in this finding aid in the Oversize Materials series.
Descriptive Summary
- Title
- Kate Millett papers, 1912-2002 and undated, bulk 1951-2001
- Creator
- Millett, Kate
- Extent
- 90 Linear Feet, 44,900 Items
- Repository
- David M. Rubenstein Rare Book & Manuscript Library, Duke University
- Location
- For current information on the location of these materials, please consult the Library's online catalog.
- Language
- English.
Series Quick Links
- Correspondence Series (CLOSED), 1958-1999 and undated
- Writings and Speeches Series, 1928-2001 and undated, bulk 1968-1998
- Subject Files Series, 1957-2002 and undated
- Art Files Series, 1959-2000 and undated
- Farm Papers Series, 1974-1999 and undated
- Course Materials Series, 1951-1999 and undated
- Personal Files Series, 1949-2002 and undated
- Documentary Film: Three Lives (1970) Series, 1970-1991 and undated
- Clippings Series, 1970s-1980 and undated
- Audiovisual Materials Series, 1971-2000 and undated
- Photographic Materials Series, 1912-1998 and undated
- Ephemera Series, 1995 and undated
- Printed Materials Series, 1963-1998 and undated
- Oversize Materials
- Artwork, 1975-1982 and undated
Administrative Information
Collections are on the move for the renovation of the David M. Rubenstein Rare Book & Manuscript Library. Contact Rubenstein Library staff before visiting. Read More »
Access Restrictions
Collection is restricted. Some materials are closed to research. Also, series may contain materials to which the Legal Responsibilities and Privacy Rights form applies. Patrons must sign an Acknowledgment of Legal Responsibilities and Privacy Rights form before using the collection.
All or portions of this collection may be housed off-site in Duke University's Library Service Center. Consequently, there may be a 24-hour delay in obtaining these materials.
Also, some of the audiovisual materials in this collection are not immediately accessible because they require formatting for use copies before use.
Please contact Research Services staff before visiting the Rubenstein Library to use this collection.
Use Restrictions
The copyright interests in this collection have not been transferred to Duke University. For more information, consult the copyright section of the Regulations and Procedures of the David M. Rubenstein Rare Book & Manuscript Library.
Contents of the Collection
[CLOSED to use until 2020.]
Contains drafts, notes, correspondence, and other materials related to Millett's books, speeches, interviews, and minor writings. Manuscripts of fiction, non-fiction, and poetry by other authors can be found in the Writings by Others Subseries at the end of the series, arranged by author name.
Materials on Sexual Politics, Flying, Sita, The Basement, The Loony-bin Trip, The Politics of Cruelty, and Mother Millett are located in individual subseries. Less extensive material on Millett's other published books can be found at the beginning of the Other Writings Subseries. For each published book, undated drafts and notes are placed first, followed by book reviews, fan mail, contracts, and material collected by Millett as background for the book. Book drafts are sometimes labeled by letter, as in "draft A" or "draft B." This does not imply that one was written before the other, but only gives an order to their presentation.
The Other Writings Subseries also includes material on Millett's articles and unpublished manuscripts. The Interviews Subseries contains correspondence, clippings, and a small number of transcripts of interviews with Millett. The Speeches Subseries includes Millett's speech notes and drafts, along with related records, while the Engagements Subseries primarily consists of correspondence about speaking engagements and material from conferences in which Millett participated. These subseries are in chronological order.
The series includes some documents in electronic format. In general, electronic documents are grouped with folders containing related paper documents. If there is no corresponding folder, the documents are marked "electronic format only." Electronic versions of book drafts are in chronological order together with other dated material. For each electronic document, the container list provides the file name, the date the file was last modified, and the number assigned to the original computer disk on which the file was received. Consult a reference archivist for access to electronic documents.
Millett's own folder labels have been retained when possible. Additional correspondence from readers, correspondence with publishers and Millett's agent, and correspondence regarding articles and speeches by Millett can be found in the Correspondence Series. Research material for Going to Iran and additional book reviews, especially for Sexual Politics, are located in the Clippings Series. The Printed Material Series includes additional reviews, interviews, and articles by Millett. Audio recordings for drafts of The Loony-bin Trip and A.D. are located in the Audiovisual Material Series. The Audiovisual Series also includes recordings of Millett's speeches, readings, and interviews.
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Small collection of drafts and manuscripts sent to Millett. Includes poetry, fiction, and non-fiction works. Author represented by individual manuscripts include Ti-Grace Atkinson, Reza Baraheni (an exiled Iranian author), Phyllis Chesler, Rachel DuPlessis and Ann Snitow, Clara Fraser (socialist feminist), Kay Hagan (NC senator), Shere Hite, Claudia Koontz, The electronic files of writings created by Jennifer Floryan, a close intimate of Millett's, are closed to use for the author's lifetime.
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Subject Files Series, 1957-2002 and undated
The Subject Files primarily include records from Millett's political involvements as a feminist, a mental health reformer, and a social activist; information that Millett collected for her writings and other projects; and personal papers related to travel, funding for the farm, and other issues. The early women's rights movement, from the late 1960s to the mid-1970s, is strongly represented. Various self-advocacy organizations within the psychiatric survivors movement, primarily from the mid 1980s to the mid 1990s, are also well-represented. The series includes the following subseries: Prisons, Psychiatric Survivors Movement, Torture, Travel, Women's Archives Project, and Women's Rights Movement. Within each subseries, files are organized in alphabetical order. General subject files are placed at the end of the series in alphabetical order. Millett's own folder titles have been retained where possible.
The series includes some documents in electronic format. Electronic documents are grouped with folders containing related paper documents. If there is no corresponding folder, the documents are marked "electronic format only." For each document, the container list provides the file name, the date the file was last modified, and the number assigned to the original computer disk on which the file was received. Consult a reference archivist for access to electronic documents.
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Art Files Series, 1959-2000 and undated
The Art Files Series contains correspondence, art show announcements, financial records, and other materials related to Millett's work as a sculptor and artist. Included also are some materials on other artists' work. Millett's activities as a member of the cooperative Noho Gallery are documented, and there are some materials from her involvement in the Fluxus movement. There are detailed records of Millett's direct sales of posters and silk screens, including fan letters from individuals who saw Millett's posters advertised in Ms. magazine and other women's media outlets. Files in this series have not been arranged.
The series includes some documents in electronic format. Electronic documents are grouped with folders containing related paper documents. If there is no corresponding folder, the documents are marked "electronic format only." For each document, the container list provides the file name, the date the file was last modified, and the number assigned to the original computer disk on which the file was received. Consult a reference archivist for access to electronic documents.
See the Subject Files for additional material on other artists' shows and on Millett's poster sales.
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The Farm is a women's art colony and farm collective in Poughkeepsie, New York, founded and operated by Kate Millett. The series is divided into correspondence and administrative files. The correspondence consists chiefly of letters from friends and former students of Millett, and applications for residency. It is arranged chronologically, with application materials, including writing samples and artwork from prospective residents, placed at the end of the Correspondence Subseries. Administrative files are arranged chronologically at the end of the series. The administrative files consist of business records, plus a wide variety of other material related to the operation of the farm. This includes correspondence with past residents who volunteered to help with farmwork, publicity material on the farm and its Christmas tree sales, and Millett's personal account of the difficulties of running the farm in the early 1990s. Additional material on efforts to raise funds in the early 1990s can be found in the Women's Archives Project Subseries of the Subject Files.
The series includes some documents in electronic format. Electronic documents are grouped with folders containing related paper documents. If there is no corresponding folder, the documents are marked "electronic format only." For each document, the container list provides the file name, the date the file was last modified, and the number assigned to the original computer disk on which the file was received. Consult a reference archivist for access to electronic documents.
[Items removed to Oversize Materials.]
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The bulk of this series consists of reading notes and lecture notes from Millett's work as a student and as a professor. The series also contains Millett's student papers, papers written by her own students, and correspondence and other material related to her university activities. Millett's undergraduate work at the University of Minnesota and Oxford University is well represented, and some material is available from Millett's graduate work at Columbia University. Teaching materials are primarily from Millett's work at Barnard College and California State University at Sacramento.
The series is divided into two subseries for Millett's student work and teaching materials, and is in chronological order within each subseries. However, it is sometimes unclear whether notes from the 1960s represent student or teaching work, since Millett both taught and completed her graduate work during this period.
The series includes some documents in electronic format. Electronic documents are grouped with folders containing related paper documents. If there is no corresponding folder, the documents are marked "electronic format only." For each document, the container list provides the file name, the date the file was last modified, and the number assigned to the original computer disk on which the file was received. Consult a reference archivist for access to electronic documents.
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Arranged in the following subseries: Financial Papers, Medical Papers, Legal Papers, Helen Millett, Loft Papers, and Other Personal Files. The last contains address books, job search records, and other personal records. The bulk of the series consists of financial records, records of Helen Millett's final years, and documentation of Millett's involvement in the Cooper Square Committee and her ongoing fight to preserve artists' lofts in that area. Records are arranged chronologically within each subseries.
The series includes some documents in electronic format. Electronic documents are grouped with folders containing related paper documents. If there is no corresponding folder, the documents are marked "electronic format only." For each document, the container list provides the file name, the date the file was last modified, and the number assigned to the original computer disk on which the file was received. Consult a reference archivist for access to electronic documents.
Additional personal records can be found throughout the collection. See also the Correspondence, Subject, Writings and Speeches, and Farm Series.
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Three Lives was a documentary film produced by Millett and featuring Millett's sister Mallory Millett-Jones, Lillian Shreve, and Robin Mide. The film led to a lawsuit over the distribution of profits among the various women involved. The series consists of production material, distribution and financial records, and some legal correspondence. Undated production material are placed first, followed by other records in chronological order. A 16mm audio recording from the film production is located in the Audiovisual Materials Series. A viewing copy of the film is not currently available.
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Clippings Series, 1970s-1980 and undated
Newspaper and magazine clippings covering Millett's 1979 visit to and expulsion from Iran, Iranian feminism, and the Iranian political situation during that period. A wide spectrum of American, French, and (to a lesser extent) Persian-language media is included. A second focus of the series is media coverage of Millett's activities and projects, especially for the 1970s. Other clippings are related to Millett's wide-ranging personal and professional interests, particularly prison reform and the status of women's rights around the world. A small amount of correspondence and other material is intermixed with the clippings. There are also a number of full issues of activist publications and newsletters.
In most cases, files in this series are arranged in original order, and have been left undated unless Millett's original folder title included a date range. There are few clippings from the 1980s. The series is in alphabetical order. Iran clippings are placed last, and are unorganized. Substantial numbers of clippings can be also found in the Subject Files and the Writings and Speeches Series.
[Some materials moved to Oversize Materials.]
The bulk of the series consists of audio recordings, chiefly on audiocassette, of Millett's public appearances, lectures, and interviews, and audio recordings of private conversations and social events involving Millett. The years 1979 and 1980 are particularly well represented. Millett made recordings almost daily during and after her 1979 visit to Iran and during the late summer of 1980. There are also audio recordings of Millett's mother and other family members, oral interviews for Millett's research on torture, and dictated drafts of A.D. and The Loony-Bin Trip. Early video recordings include lectures by Millett and Millett's readings of Anas Nin.
The series is divided into subseries by format: audiocassettes, mixed materials, phonograph records, audiotapes (reels), and video recordings. The Mixed Material Subseries consists of several different formats, chiefly audio cassette, accompanied by substantial amounts of written material. Audiocassette tapes are grouped by subject and organized chronologically within each subject where feasible. Other materials generally have been left in original order. Millett's titles have been retained throughout the series.
[Originals closed to use. Use copies for some materials available in the collection. Otherwise, Technical Services staff need to produce use copies before contents can be accessed. Please contact Research Services staff before coming to use the collection.]
[Originals closed to use. No use copies are currently available. Technical Services staff need to produce use copies before contents can be accessed. Please contact Research Services staff before coming to use the collection.]
[Contains possibly unpublished interviews. Permission is not granted for publication. Researchers are responsible for obtaining permission to publish material from these interviews.]
[Contains unpublished interviews. Permission is not granted for publication. Researchers are responsible for obtaining permission to publish material from these interviews.]
[Originals closed to use. Use copies for some materials available in the collection. Otherwise, Technical Services staff need to produce use copies before contents can be accessed. Please contact Research Services staff before coming to use the collection.]
[Originals closed to use. No use copies available. Technical Services staff need to produce use copies before contents can be accessed. Please contact Research Services staff before coming to use the collection.]
[Originals closed to use. No use copies currently available. Technical Services staff need to produce use copies before contents can be accessed. Please contact Research Services staff before coming to use the collection.]
Attached note:
"Mag. Track:
From SR 19. Lillian Wild Sound 1012/'Women have to be the ones who take care...'/REPRODUCED TWICE
From SR 25. Robin in the bleachers ws. 1022/'Whatever happened to the movie co...'/Down to MALLORY on work shirts."
Consists of VHS videocassettes and open reel videotapes. VHS tapes contain interviews and lectures given by Millett. There are two series of recordings on open reel videotape, both dating from the mid to late 1970s. The first series shows a 1976 reading at the Woman's Salon, a feminist literary salon in New York City. Millett and other writers speak about Anas Nin and read Nin's works. The second group of open reel recordings were made by Alida Walsh and Janey Washburn as a gift for Millett. They show the opening reception of a Millett art show, most likely at the Chuck Levitan Gallery in New York City. The recordings are unedited, with random crowd scenes mixed with informal interviews with guests. Cynthia MacAdams is mentioned as the model for the artwork, and makes frequent appearances in the recordings.
Detailed notes about the open reel videos are available in the information folder in reading room; please consult with Research Services staff.
[Originals closed to use. Use copies for some materials available in the collection. Otherwise, Technical Services staff need to produce use copies before contents can be accessed. Please contact Research Services staff before coming to use the collection.]
[No master or use copy available.]
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Speakers: Erika Duncan (moderator), Daisy Aldan, Nona Balakian, Joan Goulianos, Viveca Lindfors, Valerie Harms, Karen Malpede, Kate Millett, Gloria Orenstein, Claudia Orenstein, Sharon Spencer, Frances Steloff, and Alice Walker.
[Use copy in Box AV22.]
Identifiable guests include Charlotte Bunch, Liz Petrulio, Kate Stimson, and Mallory Millett Jones, and Cynthia MacAdams. Beginning on the second reel, Walsh and Washburn briefly interview various guests, including artists and old friends of Millett's. Millett herself is rarely audible.
The original reels are mislabeled "Anas Nin" and "Anas Nin Birthday Reading in NY."
[Format: BetacamSP. Date created: 2003.]
[Format: VHS. Date created: 2003.]
Consists primarily of photographs taken by others and sent to Millett. Formats include prints, slides, and negatives. There are portraits of Millett from a variety of sources. The professional photographers among Millett's acquaintance, including Cynthia MacAdams and Jill Krementz, took a number of photographs of Millett. Photographs most likely taken by Millett include a large number of slides dating from 1980, documenting the same time period as many of the audiotapes in the Audiovisual Materials Series. There are a limited number of snapshots from Millett's childhood and early adulthood.
Some photographs have been removed from correspondence located in other series. In these cases, the original series is identified and as much information as is available is given about the matching correspondence. The series is in chronological order. Oversize photographs can be found in Oversize Materials.
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Consists of magazines and journals, newspapers, and a small number of books collected by Millett. Many periodicals contain articles by or about Millett. Other periodicals relate to Millett's involvement in feminism, the gay and lesbian communities, and the psychiatric survivors movement. A few items are linked to Millett's various writing projects.
The series is in chronological order. Most newspapers are located in Oversize Materials.
Oversize Materials
Folders 1-16 contain original artwork by Millett.
[Correspondence Series contains closed materials.]
[Some materials CLOSED to use until 2020.]
