<!DOCTYPE ead PUBLIC "+//ISBN 1-931666-00-8//DTD ead.dtd (Encoded Archival Description (EAD) Version 2002)//EN" "./dtds/ead.dtd">
<ead> 
  <eadheader audience="internal" countryencoding="iso3166-a" langencoding="iso639-2b" dateencoding="iso8601" repositoryencoding="iso15511"> 
    <eadid countrycode="us" mainagencycode="ndd" publicid="-//David M. Rubenstein Rare Book &amp; Manuscript Library//TEXT (US::NDD::::Bobbye S. Ortiz Papers)//EN" url="http://library.duke.edu/rubenstein/findingaids/ortiz/">ortiz</eadid> 
    <filedesc> 
      <titlestmt> 
        <titleproper>Inventory of the Bobbye S. Ortiz Papers, 
          <date normal="1919/1993">1919-1993 and undated</date> (bulk 
          <date normal="1950/1990">1950-1990</date>)</titleproper> 
        <author>Processed by: Virginia L. Daley, Paula Jeannet Mangiafico, Ann
          Langford, Lois Schultz, Pavla Vesel, and Elizabeth Arnold; machine-readable
          finding aid created by: Paula Jeannet Mangiafico and Lisa Stark</author> 
      </titlestmt> 
      <publicationstmt>  
        <p> 
          <date> 2000, 2004</date> Duke University. All Rights Reserved.</p> 
      </publicationstmt>
      <notestmt> 
        <note><p>Aleph Number: <num type="aleph">002779192</num></p><p>Aleph Number: <num type="aleph">002793933</num></p></note></notestmt> 
    </filedesc> 
    <profiledesc> 
      <creation>Machine-readable finding aid derived from automated markup
        system. <lb/>Date of source: March 2, 2000 <lb/>Processed by Virginia L. Daley,
        Paula Jeannet Mangiafico, Ann Langford, Lois Schultz, Pavla Vesel, and
        Elizabeth Arnold, March 2, 2000, and September 10, 2003; Finding aid encoded by
        Paula Jeannet Mangiafico, Lisa Stark, Pavla Vesel, and Elizabeth Arnold, Rare
        Book, Manuscript, and Special Collections Library, Duke University, 
        <date>July 7, 2000; edited September 12, 2003</date> </creation> 
      <langusage>Description is in <language>English.</language> </langusage> 
    </profiledesc> 
    <revisiondesc>
      <change> 
        <date normal="20060508">05-08-2006</date> 
        <item>PUBLIC "-//David M. Rubenstein Rare Book &amp; Manuscript Library//TEXT (US::NDD::::Bobbye S. Ortiz Papers)//EN" "ortiz.xml" converted
          from EAD 1.0 to 2002 by v1to02.xsl (sy2003-10-15).</item>
        <item>Also, the top level of the finding aid (above the dsc) changed to
          conform to current Rubenstein Library and NC EAD standards as laid out in the Inventory
          Style Guide and in the NCEAD Best Practice Guidelines. Within the dsc, dates
          for series were normalized. These changes were made by Michelle Belden.</item>
        <item>Also, container TYPE and LABEL attribute values were standardized
          according to the Rubenstein Library EAD 2002 manual and the NCEAD eadlocal.ent by Ruth E.
          Bryan.</item>
        <item>The tag list inside index was changed to indexentry by Ruth E.
          Bryan.</item> 
      </change> 
      <change> 
        <date>January 9, 2004</date> 
        <item>Addition (2003-0065) made to electronic finding aid.
          Scope/content note added, but no container list created for this accession.
          Materials received as gift, February 5, 2003. Minimally processed by Elizabeth
          Arnold on May 14, 2003. Date span changed from [1920?]-1990 and undated to
          1919-1993 and undated Bulk dates not changed. Linear feet changed from 29.2 to
          30.4. Item count changed from 11,480 to 12,430. </item>
        <item>Also, the top level of the finding aid (above the dsc) changed to
          conform to current Rubenstein Library and NC EAD standards as laid out in the Inventory
          Style Guide and in the NCEAD Best Practice Guidelines. Within the dsc, dates
          for series were normalized. These changes were made by Michelle Belden.</item>
        <item>Also, container TYPE and LABEL attribute values were standardized
          according to the Rubenstein Library EAD 2002 manual and the NCEAD eadlocal.ent by Ruth E.
          Bryan.</item>
        <item>The tag list inside index was changed to indexentry by Ruth E.
          Bryan.</item> 
      </change> 
    </revisiondesc> 
  </eadheader> 
  <frontmatter> 
    <titlepage> 
      <titleproper>Inventory of the Bobbye S. Ortiz Papers, 
        <date>1919-1993 and undated</date> (bulk 
        <date>1950-1990</date>)</titleproper> 
      <publisher> Sallie Bingham Center for Women's History and Culture
        <lb/>David M. Rubenstein Rare Book &amp; Manuscript Library <lb/>
         <lb/> Duke University <lb/> Durham,
        North Carolina 27708-0185 USA </publisher>  
      <list type="simple"> 
        <defitem> 
          <label>Processed by </label> 
          <item>Virginia L. Daley, Paula Jeannet Mangiafico, Ann Langford, Lois
            Schultz, and Pavla Vesel</item> 
        </defitem> 
        <defitem> 
          <label>Additions Minimally Processed by </label> 
          <item>Elizabeth Arnold</item> 
        </defitem> 
        <defitem> 
          <label>Date Completed </label> 
          <item> 
            <date>March 2, 2000 and September 10, 2003; Edited September 12,
              2003</date> </item> 
        </defitem> 
        <defitem> 
          <label>Last Updated</label> 
          <item> 
            <date>February 22, 2004</date> </item> 
        </defitem> 
        <defitem> 
          <label>Encoded by </label> 
          <item>Paula Jeannet Mangiafico, Lisa Stark, Pavla Vesel, and
            Elizabeth Arnold</item> 
        </defitem> 
      </list> 
      <p> 
        <date> 2000, 2004</date> Duke University. All Rights Reserved.</p> 
    </titlepage> 
  </frontmatter> 
  <archdesc level="collection"> 
    <did> 
      <head>Descriptive Summary</head> 
      <unittitle label="Title">Bobbye S. Ortiz Papers, 
        <unitdate normal="1919/1993" type="inclusive">1919-1993 and
          undated</unitdate> (bulk 
        <unitdate normal="1950/1990" type="bulk">1950-1990)</unitdate>
        </unittitle> 
      <origination label="Creator"> 
        <persname>Ortiz, Bobbye S.</persname> </origination> 
      <physdesc label="Extent"> <extent>30.4 Linear Feet</extent>
        <extent>12,430 Items</extent> </physdesc> 
      <repository label="Repository"> 
        <corpname>David M. Rubenstein Rare Book &amp; Manuscript Library, Duke
          University</corpname> </repository> 
      <physloc label="Location">For current information on the location of
        these materials, please consult the Library's online catalog.</physloc> 
      <abstract label="Abstract"/> 
        <langmaterial label="Language"> <language langcode="eng">English.</language> </langmaterial> 
    </did> 
    <descgrp type="admininfo"> 
      <head>Administrative Information</head> 
      <accessrestrict> 
        <head>Access Restrictions</head> 
        <p>Parts of the collection are closed to research.</p> 
        <p>In addition, some of the materials in this collection are not
          immediately accessible because they require further processing before use (see
          the finding aid for details).</p> 
        <p>Please contact Research Services staff before visiting the Rubenstein Library to use this collection.</p> 
      </accessrestrict> 
      <userestrict> 
        <head>Use Restrictions</head> 
        <p>The copyright interests in this collection have not been transferred
          to Duke University. For more information, consult the copyright section of the
          Regulations and Procedures of the David M. Rubenstein Rare Book &amp; Manuscript Library.</p> 
      </userestrict> 
      <prefercite> 
        <head>Preferred Citation</head> 
        <p>[Identification of item], Bobbye S. Ortiz Papers, David M. Rubenstein Rare Book &amp; Manuscript Library, Duke University.</p> 
      </prefercite> 
      <custodhist> 
        <head>Provenance</head> 
        <p>The papers of Bobbye S. Ortiz were received by the David M. Rubenstein Rare Book &amp; Manuscript Library as gifts from her daughter Victoria
          Ortiz in 1992, 1994, and 2003.</p> 
      </custodhist> 
      <processinfo> 
        <head>Processing Information</head> 
        <p>Processed by Virginia L. Daley, Paula Jeannet Mangiafico, Ann
          Langford, Lois Schultz, Pavla Vesel, and Elizabeth Arnold</p> 
        <p>Completed March 2, 2000 and September 10, 2003</p> 
        <p>Accessions 92-077 and 94-082 were merged into one collection,
          described in this finding aid. Part of the 2003-065 accession of the Victoria
          Ortiz Papers has also been added to this collection in September, 2003, but has
          not been fully processed as most of it is closed to use.</p>
        <p>This finding aid is NCEAD compliant.</p>
         
      </processinfo> 
    </descgrp><!-- End of finding aid header -->
    <bioghist> 
      <head>Biographical Note</head> 
      <chronlist> 
        <chronitem> 
          <date>1918, July 2</date> 
          <event>Born in Memphis, Tenn.</event> 
        </chronitem> 
        <chronitem> 
          <date>1928-1929</date> 
          <event>Attended Lockhart-Moore Academy, Little Rock, Ark.</event> 
        </chronitem> 
        <chronitem> 
          <date>1929-1930</date> 
          <event>Attended Fassifern School, Hendersonville, N.C.</event> 
        </chronitem> 
        <chronitem> 
          <date>1930-1932</date> 
          <event>Attended Kidd-Key College and Conservatory, Sherman,
            Tex.</event> 
        </chronitem> 
        <chronitem> 
          <date>1932-1933</date> 
          <event>Henderson State Teachers College, Arkadelphia, Ark.</event> 
        </chronitem> 
        <chronitem> 
          <date>1933-1935</date> 
          <event>Undergraduate at Barnard College at age 15</event> 
        </chronitem> 
        <chronitem> 
          <date>1935-1937</date> 
          <event>University of Chicago</event> 
        </chronitem> 
        <chronitem> 
          <date>1939-1944</date> 
          <event>Lived in Mexico</event> 
        </chronitem> 
        <chronitem> 
          <date>1939</date> 
          <event>Married to Robert G. Colodny, separated 1940</event> 
        </chronitem> 
        <chronitem> 
          <date>1940-1952</date> 
          <event>Married to Cesar Ortiz</event> 
        </chronitem> 
        <chronitem> 
          <date>1942, May 6</date> 
          <event>Daughter Victoria born</event> 
        </chronitem> 
        <chronitem> 
          <date>1951-1953</date> 
          <event>Studied at the Sorbonne, Paris and traveled extensively in
            Europe</event> 
        </chronitem> 
        <chronitem> 
          <date>1953-1956</date> 
          <event>Lived in England</event> 
        </chronitem> 
        <chronitem> 
          <date>1957</date> 
          <event>Returned to United States</event> 
        </chronitem> 
        <chronitem> 
          <date>1960</date> 
          <event>B.A. in Spanish, New York University</event> 
        </chronitem> 
        <chronitem> 
          <date>1963</date> 
          <event>M.A. in Spanish, New York University</event> 
        </chronitem> 
        <chronitem> 
          <date>1963, Fall</date> 
          <event>Teaching assistant in Spanish, NYU</event> 
        </chronitem> 
        <chronitem> 
          <date>1968-1983</date> 
          <event>Associate Editor, 
            <title render="italic">Monthly Review</title> </event> 
        </chronitem> 
        <chronitem> 
          <date>1979</date> 
          <event>Co-founder of WIRE (Women's International Resource
            Exchange)</event> 
        </chronitem> 
        <chronitem> 
          <date>1989</date> 
          <event>Awarded the Arthur J. Felberbaum Award from the New York
            Marxist School</event> 
        </chronitem> 
        <chronitem> 
          <date>1990, June 15</date> 
          <event>Died, New York City</event> 
        </chronitem> 
      </chronlist> 
    </bioghist> 
    <scopecontent> 
      <head>Collection Overview</head> 
      <p>The papers of feminist and social activist 
        <persname>Bobbye Ortiz </persname>span from the years 1919 to 1993,
        with most of the papers being dated between 1950 and 1990. The papers consist
        chiefly of personal correspondence; extensive subject files on international
        political and cultural movements; 
        <genreform>photographs </genreform>and 
        <genreform>slides; </genreform> ephemeral publication material such as
        grassroots 
        <genreform>newsletters, </genreform> 
        <genreform>pamphlets, </genreform> 
        <genreform>broadsides, </genreform>and 
        <genreform>clippings; </genreform>cultural artifacts, including buttons
        and T-shirts; and over 300 
        <genreform>sound recordings </genreform>of spoken voice and music. The
        collection documents the personal life and career of an international feminist,
        Marxist activist, and mother, who also served as editor of the magazine 
      <title render="italic">Monthly Review </title> and was the founder of the
      organization WIRE (Women's International Resource Exchange). Other personal
      documents and subject files concern the activities of Bobbye's daughter, Viki
      Ortiz, an activist in her own right. The materials in both women's files are
      especially rich in the history of the international 
      <subject>women's liberation movement </subject>and other revolutionary
      movements in 
      <geogname>Europe, </geogname> 
      <geogname>Latin America, </geogname>and other countries during the
      sixties, seventies, and eighties. Many of these materials focus on politics and
      government in 
      <geogname>Cuba, </geogname> 
      <geogname>China, </geogname>and 
      <geogname>France. </geogname>Other topics include 
      <subject>Vietnam War </subject>protests; students' movements,
      particularly 
      <geogname>Paris, </geogname>1968; indigenous women's movements in 
      <geogname>Latin America; </geogname>AIDS activism; 
      <subject>sexual health; </subject> 
      <subject>adoption </subject> rights; 
      <subject>gay and lesbian parenting; </subject>and women's issues such as 
      <subject>reproductive rights, </subject>economic status, and 
      <subject>violence against women. </subject> </p> 
      <p> The <emph render="bold">Correspondence Series</emph> is almost
        completely CLOSED to research; see the inventory below for more information.
        Most materials in other series, however, are open for research.</p> 
      <p>The <emph render="bold">Personal Files Series </emph>focuses on
        Ortiz's formal education, particularly her coursework at 
        <corpname>New York University. </corpname>Other highlights of the
        series include Ortiz's 
        <genreform>scrapbook </genreform>from her tour of 
        <geogname>China, </geogname>which is further documented by 
        <genreform>audio tapes </genreform>and 
        <genreform>photographs </genreform>in the collection. Writings folders
        include notes, short articles, and 
        <genreform>speeches </genreform>written by Ortiz as well as a
        collection of poetry by 
        <persname>Grace Goldin, </persname>a friend of Ortiz. Two folders
        contain photocopies of inscriptions from many authors found inside the volumes
        in her personal library (now in the Perkins Library stacks of Duke University).
        This series is partially CLOSED.</p> 
      <p>The <emph render="bold">Subject Files Series </emph>has been separated
        into two main subseries: one devoted to 
        <subject>international women's liberation </subject>and one for general
        topics. In the <emph render="bold">International Women's Liberation Subseries,
        </emph>Ortiz maintained extensive files on the status of women and 
        <subject>women's liberation </subject>campaigns around the world. The
        grassroots organizational publications (many of them ephemeral in nature), 
        <genreform>news clippings, </genreform>and 
        <genreform>articles </genreform>found in the 
        <subject>international women's liberation </subject> subseries address
        such issues as 
        <subject>women's economic status, </subject>their roles in the family, 
        <subject>violence against women, </subject> 
        <subject>reproductive rights </subject>and 
        <subject>sexuality, </subject>and 
        <subject>indigenous women's movements. </subject>The most extensive
        segments of the subseries deal with 
        <subject>women's liberation </subject>in the 1970s and 1980s in 
        <geogname>Chile, </geogname> 
        <geogname>Cuba, </geogname>the 
        <geogname>Dominican Republic, </geogname> 
        <geogname>El Salvador, </geogname> 
        <geogname>Eritrea, </geogname> 
        <geogname>Guatemala, </geogname> 
        <geogname>Mexico, </geogname> 
        <geogname>Nicaragua, </geogname>and the 
        <geogname>United States. </geogname>The subseries is organized
        alphabetically by country.</p> 
      <p>The <emph render="bold">General Files Subseries </emph>consists mainly
        of 
        <genreform>articles, </genreform>notes, and 
        <genreform>periodicals </genreform>from the 1960s, 1970s and 1980s.
        Especially noteworthy are notes and other papers related to Ortiz's work as
        associate editor of the 
      <title render="italic">Monthly Review, </title>though these provide only
      a limited glimpse into her decades of service there. The subseries also
      contains materials related to health, 
      <subject>cancer, </subject>and the 
      <subject>right-to-die movement; </subject> 
      <subject>feminism, </subject> 
      <subject>women's liberation, </subject>and the 
      <corpname>Women's International Resource Exchange </corpname> (WIRE); and
      the political turmoil of 
      <subject>Paris 1968. </subject>Together, Ortiz's subject files reflect
      the directions of her activism in the final decades of her life.</p> 
      <p>The <emph render="bold">Photographs and Slides Series </emph> contains
        portraits of individuals and groups, photographs taken during tours of
        countries and political events, and miscellaneous casual snapshots. There are
        very fine 
        <genreform>portraits </genreform>of native peoples taken by well-known
        activist 
        <persname>Gertrude Duby Blom. </persname> The largest segment of the
        series documents Ortiz's trips to 
        <geogname>China </geogname>in 1974 and 
        <geogname>Latin America </geogname>(ca. 1984). For related materials,
        see the <emph render="bold">Audio Tapes Series</emph> and the
        <emph render="bold">Personal Files Series</emph>. There are also 
        <genreform>audio cassettes </genreform>recorded in 
        <geogname>Latin America </geogname>and 
        <geogname>Nicaragua, </geogname>which may correspond with slides in the
        Photographs and Slides Series. This series ends with photo negatives of an 
        <subject>International Women's Day </subject>March in 1978.
        <emph render="bold"> Note: This series is restricted. Use copies must be made
        of any cassettes without use copies already made. Please consult with reference
        staff.</emph> </p> 
      <p> 
        <genreform>Posters, </genreform> 
        <genreform>buttons, </genreform>and T-shirts bearing slogans and vivid
        images were vital components of the many social movements in which both Bobbye
        and Victoria Ortiz participated. The <emph render="bold">Cultural Artifacts
        Series </emph>captures the political use of popular culture in the late 20th
        century by preserving a representative sample of these cultural artifacts. The
        selections reflect Bobbye and Viki's participation in social movements
        concerned with issues such as U.S. imperialism in 
        <geogname>Latin America, </geogname> 
        <subject>international women's liberation, </subject> 
        <subject>AIDS, </subject> and 
        <subject>lesbian and gay rights. </subject>The series also contains
        original artwork done for Bobbye and Viki, as well as 
        <genreform>art posters </genreform>from France. Several oversize 
        <genreform>posters </genreform>are artifacts from the French
        worker/student strikes of 1968.</p> 
      <p>The majority of tapes in the <emph render="bold">Audio Tapes Series
        </emph>are cassette recordings of tours taken by Bobbye Ortiz during her
        travels in 
        <geogname>China </geogname>and 
        <geogname>Latin America. </geogname> Additional tapes include
        recordings of radio programs, interviews, and readings related to Bobbye's 
        <subject>activism. </subject>Descriptive notes on many of the tapes
        listed below have been included as an appendix to this inventory.<emph render="bold"> Note: This series is restricted. Use copies must be made of any
        cassettes without use copies already made. Please consult with reference
        staff.</emph> Related material about these trips may also be found in the
        <emph render="bold">Photographs and Slides Series</emph> and
        <emph render="bold">Personal Files Series</emph>.</p> 
      <p>The complete holdings of Bobbye Ortiz's library, which were donated as
        part of this collection and reside in Perkins Library at Duke University, are
        represented by the hand-written <emph render="bold">Index Card Catalog Series.
        </emph>The hundreds of 
        <corpname>Monthly Review Press </corpname>publications in the library
        are one of the few records in the Ortiz Collection of her work for over twenty
        years as associate editor of the 
      <title render="italic">Monthly Review.</title> The range of topics
      covered by her library -- women, 
      <subject>Marxism </subject>and 
      <subject>socialism, </subject> 
      <subject>literature, </subject> 
      <geogname>Central America, </geogname> 
      <geogname>Latin America, </geogname> 
      <geogname>Asia, </geogname>social sciences, humanities -- reveals the
      breadth of her intellectual interests and their intimate connections to her
      political concerns. The catalog is organized by topic, alphabetically by author
      therein. </p> 
      <p> The <emph render="bold">Phonograph Records Series </emph>features
        sound recordings on 33 1/3, 45, and 78 LPs collected by Bobbye Ortiz during her
        travels. Hundreds of 
        <subject>folk music </subject>recordings, protest and labor song
        collections, and miscellaneous spoken word recordings date from the 1960s to
        the 1980s. Recording artists include many well-known musicians as well as
        hundreds of other musicians interested in folk, labor, and protest music; major
        languages represented include Spanish, French, and Italian. Many of these
        recordings are now out of print and difficult to find. <emph render="bold">This
        series is restricted: use copies must be made in order to access the
        recordings. For assistance, please contact the reference staff. </emph> </p> 
      <p>The addition (Acc.# 2003-0065) is minimally processed. It consists
        largely of photographs and negatives (approximately 550 prints, 120 negatives,
        and 1 slide, color and black-and-white), documenting Ortiz's travels to various
        locations including Cuba, Nicaragua, China, Mexico, the Dominican Republic, and
        Europe (1968-[1980s]). Also included are publication files related to WIRE
        (Women's International Resource Exchange), a few pieces of correspondence, and
        other miscellaneous personal items. Boxes 2 and 3, containing photographs,
        correspondence, and personal items, are CLOSED to research. Box 1 is open to
        research. No container list was created for this accession.</p> 
    </scopecontent> 
    <controlaccess> 
      <head>Subject Headings</head>
      <p>These are searchable subject entries for this collection. Performing a
        search on these subjects in the Duke University Libraries online catalog will
        bring up other related research materials.</p> 
      <list type="simple"> 
        <item> 
          <persname>Ortiz, Bobbye S.</persname> </item> 
        <item> 
          <persname>Ortiz, Victoria.</persname> </item> 
        <item> 
          <title render="italic">Monthly Review</title> (New York,
          1949-).</item> 
        <item> 
          <corpname>WIRE (Women's International Resource Exchange).</corpname>
          </item> 
        <item> 
          <subject>Feminism.</subject> </item> 
        <item> 
          <subject>Feminists--Correspondence.</subject> </item> 
        <item> 
          <subject>Women--Social conditions.</subject> </item> 
        <item> 
          <subject>Women's periodicals.</subject> </item> 
        <item> 
          <subject>Social activists--Correspondence.</subject> </item> 
        <item> 
          <subject>Radicalism--United States--History--20th century.</subject>
          </item> 
        <item> 
          <subject>Social movements--United States--History--20th
            century.</subject> </item> 
        <item> 
          <subject>Nineteen sixties.</subject> </item> 
        <item> 
          <subject>Communism.</subject> </item> 
        <item> 
          <subject>Civil rights movement--Mississippi.</subject> </item> 
        <item> 
          <subject>Adoption.</subject> </item> 
        <item> 
          <subject>Vietnamese Conflict, 1961-1975--Protest movements.</subject>
          </item> 
        <item> 
          <subject>Mothers and daughters.</subject> </item> 
        <item> 
          <geogname>Cuba--History--Revolution, 1959.</geogname> </item> 
        <item> 
          <geogname>China--Social conditions.</geogname> </item> 
        <item> 
          <geogname>Central America--Social conditions.</geogname> </item> 
        <item> 
          <geogname>Mexico--Social conditions.</geogname> </item> 
        <item> 
          <geogname>Latin America--Social conditions--1948.</geogname> </item> 
        <item> 
          <geogname>South America--Social conditions.</geogname> </item> 
        <item> 
          <geogname>Italy--Social conditions.</geogname> </item> 
        <item> 
          <subject>Student movements--France.</subject> </item> 
        <item> 
          <subject>Indigenous peoples--Portraits.</subject> </item> 
        <item> 
          <subject>Folk music.</subject> </item> 
        <item> 
          <subject>Protest songs.</subject> </item> 
        <item> 
          <genreform>Scrapbooks.</genreform> </item> 
        <item> 
          <genreform>Photographs.</genreform> </item> 
        <item> 
          <genreform>Slides.</genreform> </item> 
        <item> 
          <genreform>Posters.</genreform> </item> 
      </list> 
    </controlaccess> 
    <dsc type="analyticover"> 
      <head>List of Series in Collection</head> 
      <c01 level="series"> 
        <did> 
          <container type="box">1-8</container> 
          <unittitle>Correspondence Series, 
            <unitdate normal="1930/1990" type="inclusive"> [193-]-1990 and
              undated</unitdate> </unittitle> 
        </did> 
        <accessrestrict> 
          <p>Boxes 1-7 contain materials that are closed to research until
            2050. Box 8 consists of materials related to Bobbye's passing away in 1990 and
            is open to research.</p> 
        </accessrestrict> 
      </c01> 
      <c01 level="series"> 
        <did> 
          <container type="box">8-12</container> 
          <unittitle>Personal Files Series, 
            <unitdate normal="1920/1989" type="inclusive"> [192-]-1989 and undated
              </unitdate> </unittitle> 
        </did> 
        <accessrestrict> 
          <p>Some files contain materials that are closed to research (Box 9A).
            Consult with Research Services Staff before using.</p> 
        </accessrestrict> 
      </c01> 
      <c01 level="series"> 
        <did> 
          <container type="box">12-26</container> 
          <unittitle>Subject Files Series, 
            <unitdate normal="1938/1989" type="inclusive"> 1938-[198-] and undated
              </unitdate> </unittitle> 
        </did> 
        <c02 level="subseries"> 
          <did> 
            <container type="box">12-22</container> 
            <unittitle>International Women's Liberation Subseries, 
              <unitdate type="inclusive"> 1938-[198-] and undated (bulk 1960-1989)
                </unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02 level="subseries"> 
          <did> 
            <container type="box">22-26</container> 
            <unittitle>General Files Subseries, 
              <unitdate type="inclusive">[196-]-[198-] and undated </unitdate>
              </unittitle> 
          </did> 
        </c02> 
      </c01> 
      <c01 level="series"> 
        <did> 
          <container type="box">27</container> 
          <unittitle>Photographs and Slides Series, 
            <unitdate normal="1920/1989" type="inclusive"> [1920?]-[ca. 1989]
              and undated </unitdate> </unittitle> 
        </did> 
        <accessrestrict> 
          <p>Some files contain materials that are closed to research. Consult
            with Research Services Staff before using.</p> 
        </accessrestrict> 
      </c01> 
      <c01 level="series"> 
        <did> 
          <container type="box">28-29</container> 
          <unittitle>Cultural Artifacts Series, 
            <unitdate normal="1960/1989" type="inclusive">[196-]-[198-] and
              undated </unitdate> </unittitle> 
        </did> 
      </c01> 
      <c01 level="series"> 
        <did> 
          <container type="box">30-35</container> 
          <unittitle>Audio Tapes Series, 
            <unitdate normal="1960/1989" type="inclusive">[196-]-[198-] and
              undated </unitdate> </unittitle> 
        </did> 
        <processinfo> 
          <p>If not yet available, use copies of audiovisual materials must be
            made before use.</p> 
        </processinfo> 
      </c01> 
      <c01 level="series"> 
        <did> 
          <container type="box">14-16</container> 
          <unittitle>Index Card Catalog Series, undated</unittitle> 
        </did> 
      </c01> 
      <c01 level="series"> 
        <did> 
          <container type="box">37</container> 
          <unittitle>Oversize Materials Series, 
            <unitdate normal="1920/1989" type="inclusive">[192-?]-[198-] and
              undated</unitdate> </unittitle> 
        </did> 
      </c01> 
      <c01 level="series"> 
        <did> 
          <container type="box">38-50</container> 
          <unittitle>Phonograph Records Series, 
            <unitdate normal="1950/1989" type="inclusive">[195-]-[198-] and
              undated </unitdate> </unittitle> 
        </did> 
        <processinfo> 
          <p>If not yet available, use copies of original recordings must be
            made before use.</p> 
        </processinfo> 
      </c01> 
    </dsc> 
    <dsc type="combined"> 
      <head>Contents of Collection</head> 
      <c01 level="series"> 
        <did> 
          <unittitle>Correspondence Series, 
            <unitdate normal="1990" type="inclusive">1990</unitdate>
            </unittitle> 
        </did> 
        <scopecontent> 
          <p>Boxes 1-7 contain correspondence and address books that are CLOSED
            to research. Box 8 consists of materials related to Bobbye's passing away in
            1990 and is open to research.</p> 
        </scopecontent> 
        <c02> 
          <did> 
            <container type="box">8</container> 
            <unittitle>Condolences upon BSO's death, 
              <unitdate type="inclusive">1990</unitdate> 
              <archref> 
                <physdesc> <extent>(4 folders)</extent> </physdesc> </archref>
              (open for research)</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Guestbook for BSO wake, 
              <unitdate type="inclusive">1990 June 16-18</unitdate> (open for
              research)</unittitle> 
          </did> 
        </c02> 
      </c01> 
      <c01 level="series"> 
        <did> 
          <unittitle>Personal Files Series, 
            <unitdate normal="1920/1989" type="inclusive">[192-]-1989 and undated
              </unitdate> </unittitle> 
        </did> 
        <scopecontent> 
          <p>Chiefly documents Bobbye Ortiz's formal education. Contains
            Ortiz's scrapbook from a tour of 
            <geogname>China, </geogname>further documented through audio tapes
            and photographs in other sections of the collection. Writings include pieces by
            
            <persname>Ortiz </persname>as well as poems by her close friend 
            <persname>Grace Goldin. </persname> Book inscriptions are
            photocopied from holdings in Ortiz's library. Organized alphabetically by
            folder title. </p> 
        </scopecontent> 
        <accessrestrict> 
          <p>[This series contains materials that are CLOSED (early education
            folders in box 9A). See the container list below for details. Contact Research
            Services.]</p> 
        </accessrestrict> 
        <c02> 
          <did> 
            <container type="box">8</container> 
            <unittitle>Articles about BSO</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Awards, 
              <unitdate type="inclusive"> 1972,</unitdate> 
              <unitdate type="inclusive"> 1989</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <corpname>Barnard </corpname>Collection</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Berkshire Forum, 
              <unitdate type="inclusive"> 1984</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Brooklyn 
              <subject>Women's Studies </subject>Talk</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <geogname>China </geogname>Trip -- 
              <genreform>Scrapbook, </genreform> 
              <unitdate type="inclusive">1973</unitdate> </unittitle> 
          </did> 
          <processinfo> 
            <p>[Contains some fragile material. Technical Services staff may
              need to reformat newsprint or other brittle paper before use.]</p> 
          </processinfo> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <persname>Robert Colodny </persname>-- Book Review</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <container type="box">9A</container> 
          </did> 
          <accessrestrict> 
            <p>[CLOSED until 2025.]</p> 
          </accessrestrict> 
        </c02> 
        <c02> 
          <did> 
            <container type="box">9B</container> 
            <unittitle>Education -- 
              <corpname>Sorbonne, </corpname> 
              <unitdate type="inclusive">[ca. 1952]-1953</unitdate>
              </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Transcripts and Honors, 
              <unitdate type="inclusive">1959-1963</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (Classic Civ.), 
              <unitdate type="inclusive">1959</unitdate> 
              <archref> 
                <physdesc> <extent>(folder 1)</extent> </physdesc> </archref>
              </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <container type="box">10</container> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (Classic Civ.), 
              <unitdate type="inclusive">1959</unitdate> 
              <archref> 
                <physdesc> <extent>(folder 2)</extent> </physdesc> </archref>
              </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (Math, Phys.), 
              <unitdate type="inclusive">1959-1963</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (Span. Lit.), 
              <unitdate type="inclusive">1960-1963 </unitdate>ca.</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (Spanish?), 
              <unitdate type="inclusive">1959-1963</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (Spanish 241), 
              <unitdate type="inclusive">1959-1963</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (El Cid), 
              <unitdate type="inclusive">1959-1963</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (Spanish), 
              <unitdate type="inclusive">1959-1963</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (Spanish), 
              <unitdate type="inclusive">1959-1963</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (Spanish), 
              <unitdate type="inclusive">1959</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (French), 
              <unitdate type="inclusive">1959-1963</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (French Renaissance Poets), 
              <unitdate type="inclusive">1959-1960</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (French -- Pre-Romantics), 
              <unitdate type="inclusive">1959-1963</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (19th Century Realist Novel),
              
              <unitdate type="inclusive">1959-1960</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <container type="box">11</container> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (French), 
              <unitdate type="inclusive">1960</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (Diderot), 
              <unitdate type="inclusive">1959-1963</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (French), 
              <unitdate type="inclusive">1961</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (Spanish Papers), 
              <unitdate type="inclusive">1959-1960</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <container type="box">12</container> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (Spanish Papers), 
              <unitdate type="inclusive">ca. 1959-1963</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- 
              <corpname>NYU </corpname>Coursework (French Papers), 
              <unitdate type="inclusive">1959-1960</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Education -- Teaching Appointment at 
              <corpname>NYU</corpname>/ 
              <unitdate type="inclusive">1963</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Official Tags</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Obituaries of 
              <persname>Bobbye Ortiz, </persname>and her father, 
              <persname>Louis Suckle</persname> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Resum, 
              <unitdate type="inclusive"> 1962</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Speech, 
              <unitdate type="inclusive"> 1981</unitdate>-- 
              <persname>Laura Allende </persname>Memorial Service </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Summons -- Arrest at 
              <geogname>Central America </geogname>Demonstration, U.S., 
              <unitdate type="inclusive">1984</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Writings -- BSO, 
              <unitdate type="inclusive">1981-1986 </unitdate>and 
              <unitdate type="inclusive">undated</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Writings -- BSO, Unidentified Notes, 
              <unitdate type="inclusive">ca. 1970s</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Writings -- 
              <persname>Grace Goldin, </persname> 
              <title render="doublequote">Winter's Rise: Poems on
                Aging,</title> 
              <unitdate type="inclusive">[ca.1980], </unitdate>with letter to
              BSO, and BSO's comments on poems</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Writings -- Book Inscriptions 
              <archref> 
                <physdesc> <extent>(2 folders)</extent> </physdesc> </archref>
              </unittitle> 
          </did> 
        </c02> 
      </c01> 
      <c01 level="series"> 
        <did> 
          <unittitle>Subject Files Series, 
            <unitdate normal="1938/1989" type="inclusive">1938-[198-] and undated
              </unitdate> 
            <unitdate type="bulk">(bulk, 1960-1984)</unitdate> </unittitle> 
        </did> 
        <scopecontent> 
          <p>Consists chiefly of articles, reports, newsclippings, broadsides,
            and many ephemeral publications such as political newsletters and 
            <subject>pamphlets </subject>gathered by 
            <persname>Bobbye Ortiz </persname>throughout her life. Materials
            particularly provide a context for political movements and agendas of the
            sixties, seventies, and eighties. Divided into two subseries: International 
            <subject>Women's Liberation </subject>and General.</p> 
        </scopecontent> 
        <processinfo> 
          <p>[Note: Some of the materials in this series are not immediately
            accessible because they require further processing before use. Please contact
            Research Services staff before visiting the Rare Book, Manuscript, and Special
            Collections Library to use this collection. This series contains large numbers
            of newsprint and other fragile materials. Please handle with care. Technical
            Services staff may need to reformat newsprint, coated fax paper, or other
            brittle paper before use.]</p> 
        </processinfo> 
        <c02 level="subseries"> 
          <did> 
            <unittitle>International 
              <subject>Women's Liberation </subject>Subseries, 
              <unitdate type="inclusive">1938-[198-] and undated </unitdate> 
              <unitdate type="bulk">(bulk 1960-1989) </unitdate> </unittitle> 
          </did> 
          <scopecontent> 
            <p>Topics concentrate on all issues important to 
              <subject>women's liberation </subject>movements, especially 
              <subject>violence against women, </subject> 
              <subject>economic justice, </subject>and 
              <subject>women's health </subject>issues. Many of the
              publications are ephemeral, prime examples being the grassroots feminist 
              <genreform>newsletters </genreform>produced in Latin American
              countries, and the 
              <genreform>broadsides </genreform> and 
              <genreform>pamphlets </genreform>connected with political events
              such as rallies or protests. After English, Spanish is the most common language
              used in these materials. Organized alphabetically by country.</p> 
          </scopecontent> 
          <c03> 
            <did> 
              <container type="box">12</container> 
              <unittitle> 
                <geogname>Africa </geogname>-- General</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Albania</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Algeria</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Argentina</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Asia -- </geogname>General</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Bolivia</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Brazil</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Brazil -- </geogname> 
                <subject>Feminist Newspapers</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Canada</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Caribbean</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Caribbean -- </geogname> "Concerning 
                <subject>Women </subject>and 
                <subject>Development" </subject>(articles)</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">13</container> 
              <unittitle> 
                <geogname>Central America -- </geogname>General</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Chile </geogname> 
                <archref> 
                  <physdesc> <extent>(2 folders)</extent> </physdesc>
                  </archref> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Chile -- </geogname> 
                <corpname>AFWIC </corpname> 
                <archref> 
                  <physdesc> <extent>(2 folders)</extent> </physdesc>
                  </archref> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Chile -- </geogname>Articles (clippings)</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Chile -- </geogname>Bulletins, 
                <subject>Periodicals </subject>(complete) A-F</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Chile -- </geogname>Bulletins, 
                <subject>Periodicals </subject>(complete) G-P</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Chile -- </geogname>Bulletins, 
                <subject>Periodicals </subject>(complete) Q-Z</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Chile -- </geogname> 
                <subject>Organizational Publications </subject>-- 
                <corpname>CODEM</corpname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Chile -- </geogname> 
                <subject>Organizational Publications </subject>-- 
                <corpname>CODEPU, </corpname> 
                <corpname>COSECH, </corpname> 
                <corpname>CHILESOCID </corpname>CAMPAIGN</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Chile -- </geogname> 
                <subject>Organizational Publications </subject>-- 
                <corpname>MIR, </corpname> 
                <corpname>MEMCH</corpname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Chile -- </geogname> 
                <subject>Organizational Publications </subject>-- 
                <subject>Women </subject>for 
                <geogname>Chile</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">14</container> 
              <unittitle> 
                <geogname>Chile -- </geogname>Papers, Chapters from
                Books</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Chile -- </geogname>Platforms, Handouts, 
                <subject>Flyers, </subject> 
                <subject>Posters, </subject>Poetry</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Chile -- </geogname> 
                <subject>Women</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>China</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Colombia</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Costa Rica</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Cross-Cultural Studies: A-M</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Cross-Cultural Studies: N-Z</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Cross-Cultural Studies -- Materials on 
                <subject>Health Issues </subject>in Spanish</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Cuba</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Cuba -- </geogname>1968</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Cuba -- </geogname>Articles</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Cuba -- </geogname> 
                <subject>"Housing </subject>in Revolutionary 
                <geogname>Cuba" </geogname> (Oversize)</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Cuba </geogname>-- Miscellaneous
                Documents</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Cuba </geogname>-- Papers, Book Excerpts</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Dominican Republic </geogname>-- Articles</unittitle>
              
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Dominican Republic </geogname>-- 
                <corpname>CEDEE </corpname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Dominican Republic </geogname>-- Informational
                Documents: 
                <subject>Class-</subject>Related Issues</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Dominican Republic </geogname>-- Informational
                Documents: 
                <subject>Education-</subject>Related Issues</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Dominican Republic </geogname>-- Informational
                Documents: Health-Related Issues</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Dominican Republic </geogname>-- Informational
                Documents: 
                <subject>Women's liberation</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Dominican Republic </geogname>-- Informational
                Documents: Work-Related Issues</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Dominican Republic </geogname>-- 
                <subject>Literacy Programs</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Dominican Republic </geogname>-- Lyrics to 
                <subject>Songs</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Dominican Republic </geogname>-- 
                <subject>Newspapers</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">16</container> 
              <unittitle> 
                <geogname>Dominican Republic </geogname>-- 
                <genreform>Pamphlets </genreform>and 
                <genreform>Flyers; </genreform>Press Releases; 
                <genreform>Posters</genreform> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Dominican Republic </geogname>-- 
                <subject>Periodicals </subject> 
                <archref> 
                  <physdesc> <extent>(2 folders)</extent> </physdesc>
                  </archref> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Eastern Europe</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Ecuador</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Egypt</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>El Salvador</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>El Salvador </geogname>-- AMES Materials 
                <archref> 
                  <physdesc> <extent>(2 folders)</extent> </physdesc>
                  </archref> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>El Salvador </geogname>-- Articles</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>El Salvador </geogname>-- BPR Materials</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>El Salvador </geogname>-- 
                <genreform>Flyers, </genreform> 
                <genreform>Pamphlets, </genreform>Photos, 
                <genreform>Posters</genreform> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>El Salvador </geogname>-- 
                <genreform>Periodicals </genreform>and Bulletins
                (complete)</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>El Salvador </geogname>-- Solidarity Materials
                </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>England</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Eritrea </geogname>-- Articles</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Eritrea </geogname>-- Book Excerpts</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Eritrea </geogname>-- National Union of Eritrean 
                <subject>Women </subject>and 
                <corpname>Eritrean Relief Committee </corpname>
                Materials</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Eritrea </geogname>-- 
                <genreform>Photographs </genreform> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Ethiopia</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Greece</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Grenada</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Guatemala </geogname>-- 
                <title render="italic">Fuerzas Armadas Rebeldes</title> (FAR
                periodical)</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Guatemala </geogname>-- 
                <title render="italic">Informador Guerrillero</title>
                (periodical)</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">17</container> 
              <unittitle> 
                <geogname>Guatemala </geogname>-- Materials in
                English</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Guatemala </geogname>-- Materials in
                Spanish</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Guatemala </geogname>-- Opinion Politica</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Guatemala </geogname>-- 
                <subject>Poems </subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Guatemala </geogname>-- 
                <title render="italic">The Voice of the Women</title>
                (periodical)</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Guyana</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Haiti</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Honduras</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>India</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Indonesia</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Iran</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Ireland</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Israel</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Italy</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Jamaica</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Japan</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Kenya</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Korea</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Latin America </geogname> </unittitle> 
              <physdesc> <extent>(2 folders)</extent> </physdesc> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">18</container> 
              <unittitle> 
                <geogname>Latin America </geogname> </unittitle> 
              <physdesc> <extent>(2 folders)</extent> </physdesc> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Latin America </geogname>-- 
                <subject>Exiles</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Latin America </geogname>-- <emph render="italic">mujer/fempress</emph> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico </geogname>-- 
                <title render="italic">"Ahi va el golpe"</title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico </geogname>-- Articles from 
                <genreform>Newspapers </genreform>and Magazines</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico </geogname>-- 
                <title render="italic">Calaveras resurrectas</title>
                </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico </geogname>-- CIDHAL</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico </geogname>-- Documents: 
                <subject>Education </subject>and 
                <subject>Health </subject>Related Issues</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico </geogname>-- Documents: 
                <subject>Feminist Cooperatives </subject>and
                Organizations</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico </geogname>-- Documents: Movimiento Urbano
                Popular</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico </geogname>-- Documents: 
                <subject>Work </subject>Issues</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico </geogname>-- 
                <subject>Mexican Art </subject>and Life, 
                <unitdate type="inclusive"> 1938</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">19</container> 
              <unittitle> 
                <geogname>Mexico </geogname>-- 
                <title render="italic">Nosotras</title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico </geogname>-- 
                <subject>Periodicals</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico </geogname>-- "Popular" Bulletins
                (complete)</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico </geogname>-- 
                <genreform>Posters, </genreform> 
                <genreform>Flyers, </genreform> 
                <genreform>Pamphlets </genreform>(2 posters
                oversize)</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico </geogname>-- Scholarly Articles</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico </geogname>-- 
                <title render="italic">Teatro Mexicano de Masas, </title> 
                <unitdate type="inclusive">1955</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Middle East</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Morocco</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Nicaragua </geogname> includes 
                <genreform>cartoon </genreform>book</unittitle> 
              <physdesc> <extent>(3 folders)</extent> </physdesc> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Nicaragua </geogname>-- AMNLAE</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Nicaragua </geogname>-- Articles</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Nicaragua </geogname>-- Documents: 
                <subject>Feminist Organizations </subject>and 
                <subject>Law Reform </subject>Groups</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Nicaragua </geogname>-- Documents: Oficina de la
                mujer, 
                <unitdate type="inclusive"> 1984</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">20</container> 
              <unittitle> 
                <geogname>Nicaragua </geogname>-- 
                <subject>Liberation Theology</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Nicaragua </geogname>-- 
                <genreform>Newspapers</genreform> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Nicaragua </geogname>-- 
                <subject>Theological Studies </subject>and the Role of 
                <subject>Women</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Pacific </geogname>-- General </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Pakistan</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Palestine</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Panama</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Peru </geogname>-- Articles</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Peru </geogname>-- Documents: 
                <subject>Education </subject>Issues</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Peru </geogname>-- Information on 
                <persname>Flora Tristan </persname>and Materials from Flora
                Tristan Center</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Peru </geogname>-- 
                <genreform>Periodicals </genreform>(complete)</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Philippines</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">21</container> 
              <unittitle> 
                <geogname>Puerto Rico</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Sahara</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Saudi Arabia</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Singapore</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>South Asia</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Southern Africa</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Soviet Union</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Spain</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Spain </geogname>-- 
                <subject>Periodicals</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Sri Lanka</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Tanzania</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Thailand</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Trinidad </geogname>and 
                <geogname>Tobago</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>United States </geogname>-- Articles -- Mainstream
                Publications</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>United States </geogname>-- 
                <subject>Feminism </subject>-- 
                <subject>Academia</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>United States </geogname>-- 
                <subject>Feminism, </subject>Theories, Issues of 
                <subject>Racism, </subject> 
                <subject>Homophobia, </subject> 
                <subject>Rape</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">22</container> 
              <unittitle> 
                <geogname>United States </geogname>-- 
                <subject>Feminist Periodicals</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>United States </geogname>-- "Social and Political
                Bases of 
                <subject>Female Sterilization" </subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>United States </geogname>-- 
                <subject>Women of Color </subject>and 
                <subject>Black Women</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>United States </geogname>-- 
                <subject>Women's Movement </subject>Literature</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Uruguay</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Venezuela</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Vietnam</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Zimbabwe</geogname> </unittitle> 
            </did> 
          </c03> 
        </c02> 
        <c02 level="subseries"> 
          <did> 
            <unittitle>General Files Subseries, 
              <unitdate type="inclusive">[196-]-[198-]</unitdate> and
              undated</unittitle> 
          </did> 
          <scopecontent> 
            <p>Cover a number of topics, including feminism in Britain, 
              <geogname>France, </geogname>and 
              <geogname>Italy; </geogname> 
              <subject>racism </subject>around the world; the 
              <subject>right-to-die movement; </subject> 
              <subject>liberation theology; </subject>and 
              <subject>colonialism. </subject>Contains many periodical
              publications, mostly in single issues. A substantial group of materials,
              including ephemeral publications and memorabilia, originated from the 
              <unitdate type="inclusive"> 1968</unitdate> Paris student-worker
              uprisings. Organized alphabetically by folder titles.</p> 
          </scopecontent> 
          <processinfo> 
            <p>[Note: Some of the materials in this series are not immediately
              accessible because they require further processing before use. Please contact
              Research Services staff before visiting the David M. Rubenstein Rare Book &amp; Manuscript Library to use this collection. This series contains large numbers
              of newsprint and other fragile materials. Please handle with care. Technical
              Services staff may need to reformat newsprint, coated fax paper, or other
              brittle paper before use.]</p> 
          </processinfo> 
          <c03> 
            <did> 
              <container type="box">22</container> 
              <unittitle> 
                <title render="italic">Against Racism: Newsletter of the
                  Anti-Racism Literature Project </title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>American Student Union</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Berkshire Forum</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <persname>Jacqui Bernard </persname>Murder -- Clips</unittitle>
              
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Bias 
                <subject>Education </subject>Materials</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>British Feminist </subject>Publications</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <persname>Guion Julia de Burgos </persname>and Sin
                Venda</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Cancer </subject>Articles</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>CIIR Publications</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Citizen Soldier</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Colonialism </subject>-- 
                <title render="italic">Encyclopedia Britannica</title>
                reprints</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">Concern for Dying Newsletter</title>
                </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Cuba </geogname>Petition, 
                <unitdate type="inclusive"> 1963</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Da Internacional de la Mujer Trabajadora</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">Echoes: Justice, Peace and Creation
                  News</title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Feminism </subject>and 
                <subject>Socialism</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">23</container> 
              <unittitle> 
                <subject>Feminist Educational </subject>Materials</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Feminist Women's Health </subject>Centers</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>French Feminism </subject>-- 
                <genreform>Newspapers,</genreform> 
                <unitdate type="inclusive"> 1970s</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <persname>Gurky, John, </persname>excerpts from 
                <title render="italic">Challenges to Capitalism</title>
                </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Health </subject>and 
                <subject>Women</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <corpname>Hemlock Society</corpname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Humor</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>International Feminism</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>International Women's Day, </subject> 
                <unitdate type="inclusive">1984 </unitdate>--
                Magazine</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Italian Feminist </subject> 
                <genreform>Periodicals,</genreform> 
                <unitdate type="inclusive"> 1970s </unitdate>(one item
                oversize)</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <persname>Victor Jara</persname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Labor</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">Liberator</title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">Listen Real Loud: News of Women's
                  Liberation Worldwide (American Friends Service Committee)</title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <genreform>Magazines </genreform>-- 
                <subject>Women</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">Many Sisters: Women in Cross-Cultural
                  Perspective</title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">Marxism Today</title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Miscellaneous</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">24</container> 
              <unittitle> 
                <title render="italic">Monthly Review</title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">Monthly Review -- History as it
                  Happened</title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">Monthly Review</title> -- 
                <subject>Prisoner Book Program</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">Monthly Review</title> --
                Publications</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">Las mujeres del Cono Sur
                  escriben</title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Music</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <corpname>NACLA </corpname>-- 
                <persname>George Black </persname>Article and
                Response</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <corpname>New York Circus Publications, </corpname> 
                <corpname>Center for Social Justice and International
                  Awareness</corpname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <genreform>Newspapers </genreform>(misc.)</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Ocean Hill / Brownsville School
                Controversy</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">Off Our Backs</title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Paris </geogname>-- 
                <unitdate type="inclusive">1968</unitdate> -- Bound
                Publications</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Paris </geogname>-- 
                <unitdate type="inclusive">1968</unitdate> --
                Documents</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Paris </geogname>-- 
                <unitdate type="inclusive">1968</unitdate> --
                Miscellaneous</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">25</container> 
              <unittitle> 
                <geogname>Paris </geogname>-- 
                <unitdate type="inclusive">1968</unitdate> -- 
                <genreform>Newspapers</genreform> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Paris </geogname>-- 
                <unitdate type="inclusive">1968</unitdate> -- 
                <genreform>Periodicals </genreform> </unittitle> 
              <physdesc> <extent>(2 folders)</extent> </physdesc> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">Linus Pauling Institute
                  Newsletter</title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Poetry</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Poetry </subject>-- 
                <persname>Raul Rivero</persname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Poetry </subject>-- 
                <subject>Women </subject>-- National and
                International</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Quotes</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Ramapo College Master Lecture Series on 
                <subject>Religion </subject>and Social Change --
                Proposal</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">Ramparts</title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">Realidad Agraria</title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Research Notecards -- 
                <subject>Women</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Socialist Feminism</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">Spectator, </title> 
                <corpname>University of Indiana</corpname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Translations</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">Vanidades</title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <persname>Ana Vasquez</persname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Violence Against </subject> 
                <subject>Women </subject>-- Publications</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <title render="italic">WUS News, </title>World University
                Service Publication</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <corpname>WIRE</corpname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <corpname>WIRE </corpname>-- "La Condicin de la Mujer en 
                <geogname>Mexico"</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">26</container> 
              <unittitle> 
                <title render="italic">Wiser Links: Newsletter of the Women's
                  International Resource Centre</title> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Women </subject>and the International Division of 
                <subject>Labor</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Women </subject>and 
                <subject>Liberation Theology</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Women's Liberation </subject>Movement --
                Articles</unittitle> 
              <physdesc> <extent>(2 folders)</extent> </physdesc> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Women's Liberation </subject>Movement -- Book
                Lists</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Women's Liberation </subject>Movement -- 
                <persname>Mara Candelaria Navas</persname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Women's Liberation Movement </subject>--
                Newsletters</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Women's Liberation Movement </subject>-- 
                <subject>Newspapers</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Women's Liberation Movement </subject>-- 
                <persname>Nichols, Margaret </persname>-- 
                <subject>Lesbian </subject> 
                <subject>Sex Therapy </subject>Articles</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Women's Studies </subject>Book Lists,
                Reviews</unittitle> 
            </did> 
          </c03> 
        </c02> 
      </c01> 
      <c01 level="series"> 
        <did> 
          <unittitle> 
            <genreform>Photographs </genreform>and 
            <genreform>Slides </genreform>Series</unittitle> 
          <unitdate normal="1920/1989" type="inclusive">[192-?]-[ca. 1989] and
            undated</unitdate> 
        </did> 
        <scopecontent> 
          <p>Begins with snapshots taken in Europe and Mexico which are CLOSED
            to research. These are followed by very fine 8x10 
            <genreform>portraits of indigenous people identified as Mexican
              Lacandon</genreform>, taken by well-known activist 
            <persname>Gertrude Duby Blom.</persname> Another folder contains
            casual snapshots by 
            <persname>Gail Lerner Saharoui, </persname>mostly portraying
            unidentified people, chiefly women performing various jobs such as weaving;
            these were possibly taken in 
            <geogname>India </geogname>or the 
            <geogname>Middle East. </geogname>There are many images documenting
            Ortiz's trips to 
            <geogname>China </geogname>(1974) and 
            <geogname>Latin America </geogname>(ca. 1984) in the form of 
            <genreform>photographs </genreform>and 
            <genreform>slides.</genreform> This series ends with photo
            negatives of an 
            <subject>International Women's Day </subject>March in 1978. </p> 
        </scopecontent> 
        <accessrestrict> 
          <p>[This series is partially CLOSED until 2050. A few photographs in
            the first box are closed to research. Contact Research Services.]</p> 
        </accessrestrict> 
        <processinfo> 
          <p>[Attention: Contains pictorial materials.]</p> 
        </processinfo> 
        <c02> 
          <did> 
            <container type="box">27</container> 
            <unittitle>Photos -- 
              <unitdate type="inclusive">[192-]-[197-]</unitdate> </unittitle> 
          </did> 
          <accessrestrict> 
            <p>[CLOSED until 2025.]</p> 
          </accessrestrict> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Photos -- 
              <unitdate type="inclusive">1953-1979 and undated </unitdate>
              </unittitle> 
          </did> 
          <accessrestrict> 
            <p>[CLOSED until 2025.]</p> 
          </accessrestrict> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Photos -- 
              <unitdate type="inclusive">1943-1969 and undated
                </unitdate>(additional photo removed to Oversize Series) </unittitle> 
          </did> 
          <accessrestrict> 
            <p>[CLOSED until 2025.]</p> 
          </accessrestrict> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <genreform>Panoramic photograph </genreform>in which 
              <persname>Louis Suckle, </persname>Bobbye Ortiz' father, can be
              seen, 
              <unitdate type="inclusive">[192-?] </unitdate>[Second row:
              immediately behind 14th man from left, front row. The front row begins with
              seated man and ends with cross-legged man.] (Stored in OVSZ Cab.
              V:5)</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Photos by 
              <persname>Gertrude Duby Blom, </persname>6 black and white 8x10 
              <genreform>photographs, </genreform> 
              <unitdate type="inclusive">undated</unitdate> </unittitle> 
          </did> 
          <scopecontent> 
            <p>( 
              <geogname>Mexican </geogname> 
              <subject>Lacandon tribe </subject> 
              <genreform>photographic portraits, </genreform> 
              <unitdate type="inclusive">[. 193-]</unitdate>)</p> 
          </scopecontent> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <genreform>Photos </genreform>by 
              <persname>Gail Lerner Saharoui, </persname>8 
              <genreform>color snapshots, </genreform> unidentified country, 
              <unitdate type="inclusive">1985 and undated</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <genreform>Photos -- </genreform> 
              <geogname>Nicaragua, </geogname> 
              <unitdate type="inclusive">[ca. 1984]</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <genreform>Slides </genreform>-- 
              <geogname>Latin America</geogname> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <genreform>Slides </genreform>-- 
              <geogname>China </geogname>-- Cities, Unidentified</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <genreform>Slides </genreform>-- 
              <geogname>Nanking</geogname> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <genreform>Slides </genreform>-- Wu Shih</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <genreform>Slides </genreform>-- Sun Yat Sen Medical College /
              East is Red Kindergarten / Canton Dali Commune / Misc. Canton</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <genreform>Slides </genreform>-- 
              <geogname>Shanghai</geogname> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <genreform>Slides </genreform>-- Cadre School / Misc. 
              <geogname>Beijing</geogname> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Photos -- 6 black and white 8x10 unidentified prints,
              possibly from 
              <geogname>Latin America </geogname>: groups of people, interior
              of dairy [?], 
              <unitdate type="inclusive">undated</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Photos 
              <genreform>(negatives) </genreform>-- Viki Ortiz (VO) -- 
              <subject>International Women's Day </subject> 
              <unitdate type="inclusive">March, 1978</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Unidentified Matted Photos (stored in
              oversize)</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Photocopy of News Photo -- 
              <persname>Camilo Ortiz </persname> 
              <unitdate type="inclusive">ca. 1982 </unitdate> </unittitle> 
          </did> 
        </c02> 
      </c01> 
      <c01 level="series"> 
        <did> 
          <unittitle>Cultural Artifacts Series, </unittitle> 
          <unitdate normal="1960/1989" type="inclusive">[196-]-[198-] and
            undated</unitdate> 
        </did> 
        <scopecontent> 
          <p> 
            <genreform>Buttons, </genreform> T-shirts, and poster-size 
            <genreform>broadsides </genreform>connected to various events or
            issues in countries around the world. Some items have been removed to the
            Oversize Series.</p> 
        </scopecontent> 
        <c02> 
          <did> 
            <container type="box">28</container> 
            <unittitle>Buttons</unittitle> 
          </did> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Latin America </geogname>/ 
                <geogname>U.S. </geogname>Imperialism</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Women's Liberation</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>AIDS</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Parenting </subject>/ 
                <subject>Children</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Miscellaneous 
                <geogname>U.S. </geogname> 
                <subject>Social Movements</subject> </unittitle> 
            </did> 
          </c03> 
        </c02> 
        <c02> 
          <did> 
            <container type="box">28, 29</container> 
            <unittitle>T-Shirts (VO)</unittitle> 
            <physdesc> <extent>(16 folders)</extent> </physdesc> 
          </did> 
          <c03> 
            <did> 
              <unittitle>International 
                <subject>Women's Liberation</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Latin America </geogname>/ 
                <geogname>U.S. </geogname>Imperialism</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Lesbian and Gay Rights</subject> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>AIDS</subject> </unittitle> 
            </did> 
          </c03> 
        </c02> 
        <c02> 
          <did> 
            <container type="opaperfolder" label="Oversize Cabinet">OC:V:5</container> 
            <unittitle> 
              <genreform>Posters </genreform>(stored in oversize
              cabinet)</unittitle> 
          </did> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Africa </geogname>and 
                <geogname>Middle East </geogname> </unittitle> 
              <physdesc> <extent>(1 folder)</extent> </physdesc> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Europe </geogname> 
                <geogname>(France </geogname>and 
                <geogname>Italy) </geogname> </unittitle> 
              <physdesc> <extent>(1 folder)</extent> </physdesc> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Art Museum 
                <subject>Posters </subject> 
                <geogname>(France)</geogname> </unittitle> 
              <physdesc> <extent>(1 folder)</extent> </physdesc> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>One 
                <genreform>poster </genreform>from student/worker 
                <subject>strikes </subject>in 
                <geogname>France, </geogname> 
                <unitdate type="inclusive">[1968?]</unitdate> </unittitle> 
            </did> 
          </c03> 
        </c02> 
        <c02> 
          <did> 
            <container type="opaperfolder" label="Oversize Cabinet">OC:V:7</container> 
            <unittitle> 
              <subject>Posters </subject>(stored in oversize
              cabinet)</unittitle> 
          </did> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>U.S. </geogname>Movements (e.g., 
                <subject>Black Panthers, </subject> Socialist/Marxists, 
                <subject>Women's Liberation, </subject>Anti-War)</unittitle> 
              <physdesc> <extent>(2 folders)</extent> </physdesc> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Latin America </geogname> </unittitle> 
              <physdesc> <extent>(4 folders)</extent> </physdesc> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>International Women's Day </subject>(various
                countries) </unittitle> 
              <physdesc> <extent>(1 folder)</extent> </physdesc> 
            </did> 
          </c03> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Original art work done for Bobbye and Viki </unittitle> 
            <physdesc> <extent>(1 folder)</extent> </physdesc> 
          </did> 
        </c02> 
      </c01> 
      <c01 level="series"> 
        <did> 
          <unittitle>Audio Tapes Series, 
            <unitdate normal="1960/1989" type="inclusive">[196-]-[198-] and
              undated</unitdate></unittitle> 
        </did> 
        <scopecontent> 
          <p>Chiefly cassette recordings made by 
            <persname>Bobbye Ortiz </persname>in 
            <geogname>China, </geogname> 
            <geogname>Nicaragua, </geogname> 
            <geogname>Cuba, </geogname> 
            <geogname>Chile, </geogname>and the 
            <geogname>United States. </geogname> One large set of tapes was
            recorded during tours of facilities in 
            <geogname>China. </geogname> Other cassettes document 
            <genreform>interviews, </genreform> 
            <genreform>radio programs, </genreform>and 
            <genreform>speeches </genreform>by various activists; many of the
            interviews were conducted or recorded by Ortiz. Some commercial recordings
            contain collections of 
            <subject>folk </subject>and 
            <subject>protest songs </subject>from 
            <geogname>Latin American </geogname>countries, 
            <geogname>Italy, </geogname>and the 
            <geogname>United States.</geogname> </p> 
        </scopecontent> 
        <accessrestrict> 
          <p>[Some of the materials in this series may not be immediately
            accessible because they require further processing before use. While some use
            copies are already available of Bobbye Ortiz's trip to China, Technical
            Services needs to format for use copies of many of the other audio tapes before
            they can be used. Tapes are accessible ONLY in use copy format. Copyright
            restrictions may also apply to some of these recordings. Please contact
            Research Services staff before visiting the Rare Book, Manuscript, and Special
            Collections Library to use this collection. </p> 
        </accessrestrict> 
        <c02> 
          <did> 
            <container type="box">30</container> 
            <unittitle> 
              <geogname>China, </geogname> 
              <unitdate type="inclusive">undated</unitdate>(USE COPIES FOR
              PATRONS): </unittitle> 
          </did> 
          <c03> 
            <did> 
              <unittitle>Tape 1: Sun Yat Sen Medical College</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 2: Sun Yat Sen Medical College / East is Red
                Kindergarten</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 3: East is Red Kindergarten / 
                <geogname>Shanghai </geogname>Industrial Exhibit</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 4: Shanghai Industrial Exhibit / 
                <geogname>Shanghai </geogname>#3 Machine Tool Plant</unittitle>
              
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 5: 
                <geogname>China </geogname>Shakes the World / Pei Kuang Middle
                School</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 6: Pei Kuang Middle School / Comrade Wu /
                Children's Palace</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 7: Children's Palace / Fung Chen
                Workers</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 8: Fung Chen Workers / 
                <subject>Women</subject>'s Discussion</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 9: 
                <subject>Women</subject>'s Discussion / 
                <geogname>Shanghai </geogname>Harbor #5 / Wu Shih</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 10: Wu-Shih</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 11: Wu-Shih / Tai Lake / Hura Commune</unittitle>
              
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 12: Hura Commune / Clay Fig. Factory Wu-Shih / 
                <geogname>Nanking </geogname>Bridge</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 13: 
                <geogname>Nanking </geogname>Bridge / Barefoot Dr. Hura Commune
                / Nanking Primary School / Kids' Performance</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tapes 14 - 15: 
                <geogname>Nanking </geogname>Middle School</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 16: 
                <geogname>Nanking </geogname>Chemical Fiber Plant / City
                Planning Committee (damaged)</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tapes 17 - 18: 
                <geogname>Nanking </geogname>City Planning
                Committee</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 19: Dali Commune, Canton</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 20: Feng Shen Comm, 
                <geogname>Beijing</geogname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 21: Feng Shen Comm. / 
                <corpname>Beijing University</corpname> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 22: 
                <geogname>Beijing </geogname>University / Burchett to
                Baker</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 23: Burchett to Baker / Cadre School</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 23.5: Burchett to Baker / Cadre
                School</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 24: Cadre School</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 25: 
                <corpname>Beijing University </corpname>Cultural Revolution
                Education</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 26: 
                <corpname>Beijing University </corpname>Legal
                System</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 27: unidentified</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 28: Canton PLA Song and Dance Co.</unittitle> 
            </did> 
          </c03> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <geogname>Latin America </geogname>(USE COPIES FOR
              PATRONS):</unittitle> 
          </did> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Nicaragua: </geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>Tape 1: 
                  <persname>Luis Alberto Franco Corts</persname> </unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tapes 2 - 5: Encuentro de Mujeres, March 
                  <unitdate type="inclusive"> 1985</unitdate> </unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <container type="box">31</container> 
                <unittitle>Tape 6: 
                  <corpname>AMNLAE</corpname> </unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 7: 
                  <corpname>AMNLAE </corpname>/ Cuidad Sandido</unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 8: 
                  <persname>Jacqueline Cuevas, </persname>Centro Antonio
                  Valdivieso</unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 9: 
                  <persname>Marina Esther Torres</persname> </unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 10: 
                  <persname>Hilda Bolt, </persname>FSLN</unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 11: 
                  <persname>Aida Redondo </persname>and 
                  <persname>Daniel del Solar</persname> </unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 12: 
                  <corpname>AMES</corpname> </unittitle> 
              </did> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Cuba: </geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>Tape 1: "Angela"</unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 2: 
                  <geogname>Playa Girn</geogname> </unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 3: Isla de la Juventad / Fed. of Cuban
                  Women</unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 4: Isla de la Juventad / 
                  <title render="italic">China Shakes the World</title>
                  </unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 5: 
                  <persname>Cuidad Sandido </persname>and 
                  <persname>Pinar del Rio</persname> </unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 6: Musical Chorus / 
                  <geogname>Cuba -- </geogname>Musical Heritage</unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 7: 
                  <geogname>Cuba </geogname>Sings for 
                  <persname>Angela Davis</persname> </unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tapes 8 - 10: 
                  <persname>Fidel Castro</persname> </unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 11: The Four Fishermen / 
                  <persname>Fidel Castro</persname> </unittitle> 
              </did> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Chile: </geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>Tape 1: 
                  <subject>Latin American Music </subject>/ 
                  <corpname>AFWIC</corpname> </unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 2: WBAI Radio Show, 
                  <persname>Bobbye Ortiz, </persname>narrator</unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 3: 
                  <persname>Laura Allende</persname> </unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tapes 4-5: WBAI interview with "Amanda"</unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tapes 6-7: 
                  <corpname>AFWIC </corpname>with 
                  <persname>Maria Elena Carrera</persname> </unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 8: Relatives of 
                  <subject>Desaparecidos</subject> </unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 9: 
                  <persname>Hayde Alarcn</persname> </unittitle> 
              </did> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>Tape 10: 
                  <persname>Mark Cooper</persname> </unittitle> 
              </did> 
            </c04> 
          </c03> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <geogname>United States </geogname>and Other (USE COPIES FOR
              PATRONS):</unittitle> 
          </did> 
          <c03> 
            <did> 
              <unittitle>Tapes 1-3: 
                <persname>Bettina Aptheker, </persname>feminist</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 4: 
                <persname>Juliet Mitchell, </persname>feminist</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 5: 
                <subject>Labor </subject>on the Line</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tape 6: 
                <persname>Angela Fernandez, </persname>Dominican
                writer</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Tapes 7-11 located in Box 21</unittitle> 
            </did> 
          </c03> 
        </c02> 
        <c02> 
          <did> 
            <container type="box">32</container> 
            <unittitle> 
              <geogname>China (MASTER COPIES - <emph render="bold">RESTRICTED</emph>): </geogname>Tapes 1-28</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <geogname>Latin America</geogname> (MASTER COPIES -
              <emph render="bold">RESTRICTED</emph>):</unittitle> 
          </did> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Nicaragua: </geogname>Tapes 1-11</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">33</container> 
              <unittitle> 
                <geogname>Nicaragua: </geogname>Tape 12</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Cuba: </geogname>Tapes 1-11</unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Chile: </geogname>Tapes 1-10</unittitle> 
            </did> 
          </c03> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <geogname>U.S. </geogname>and Other (MASTER COPIES -
              <emph render="bold">RESTRICTED</emph>: Tapes 1-10 </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <geogname>U.S. </geogname>and Other (USE COPIES FOR PATRONS):
              </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Tape 7: Project Crossfire</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Tape 8: WIRE: 
              <subject>Women's Poetry </subject>in the Third World</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Tape 9: Interview with 
              <persname>Bobbye Ortiz</persname> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Tape 10: Children's Letter</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Tape 11: Interview with 
              <persname>David A. Siqueiros </persname>(Mexican graphic artist
              and political activist)</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <container type="box">34</container> 
            <unittitle>Miscellaneous Tapes (USE COPIES MUST BE
              MADE)</unittitle> 
          </did> 
          <c03> 
            <did> 
              <unittitle>Guitarra Armada 
                <geogname>Nicaragua, </geogname> 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Nicaragua: </geogname>Darkness into Light, 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <persname>Carlos Mejia Godoy; </persname> 
                <geogname>Nicaragua </geogname>Libre (two tapes), 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Musica feminista 
                <geogname>Nicaragua, </geogname> 
                <unitdate type="inclusive">1985, undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <persname>Carlos Puebla: </persname> 
                <persname>Che Guevara, </persname> 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Virulo: La Historia de 
                <geogname>Cuba ,</geogname> 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Chile: </geogname>10 Years of Cultural Resistance
                (excerpts from 1st National Congress of Artists and Cultural Workers of 
                <geogname>Chile, </geogname>Santiago, 
                <unitdate type="inclusive">1983), </unitdate> 
                <unitdate type="inclusive">1994</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Catalunya amb la luga dels drets dels pobles. Homenage
                a 
                <persname>Pablo Neruda, </persname> 
                <unitdate type="inclusive">May 1977</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <persname>Gabriela Mistral: </persname>a 25 aos de su muerte, 
                <unitdate type="inclusive">1982</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Sueo Americano, 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <subject>Brazilian Protest Music, </subject> 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <corpname>Banda Tepejani: </corpname>Music from the
                Revolutionary Struggle in 
                <geogname>El Salvador,</geogname> 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>El Salvador: </geogname>El pueblo vencer, 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>El Salvador: </geogname>Its People, Its Struggle, Its
                Songs, 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <persname>Ali Primera: </persname>Adis en dolor mayor, dedicato
                alla resistenza cilena 
                <geogname>(Italy), </geogname> 
                <unitdate type="inclusive"> 1975</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Bread and Roses: Songs for Working 
                <subject>Women </subject>Sung by 
                <persname>Bobbie McGee, </persname> 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Harp: 
                <persname>Holly Near, </persname> 
                <persname>Arlo Guthrie, </persname> 
                <persname>Ronnie Gilbert, </persname> 
                <persname>Pete Seeger, </persname> 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Lucha Means "Struggle," 
                <unitdate type="inclusive"> 1977</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Song and Struggle: Women in the Americas, 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <corpname>San Francisco Mime Troupe: </corpname>Steeltown, 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <persname>Anna Casalino: </persname>Sebben che siamo donne 
                <geogname>(Italy),</geogname> 
                <unitdate type="inclusive"> 1982</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Canzoniere delle lame: Scarpe nuove eppur bisogna
                andare, 
                <unitdate type="inclusive"> 1980</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Amore e potere: Il canzoniere femminista 
                <geogname>(Italy), </geogname> 
                <unitdate type="inclusive">1977</unitdate> 
                <geogname>Guatemala: </geogname>Menshu, 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <persname>Susana Rinaldi, </persname>Dale Nomas, [Brazilian
                protest music?], 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Third World Women's Voices, 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Gruppe Chuzp, 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Seder Melodies, 
                <unitdate type="inclusive">undated</unitdate> </unittitle> 
            </did> 
          </c03> 
        </c02> 
      </c01> 
      <c01 level="series"> 
        <did> 
          <unittitle>Index Card Catalog Series, undated</unittitle> 
        </did> 
        <scopecontent> 
          <p>Two shoebox-size containers hold hundreds of index cards
            representing 
            <persname>Bobbye Ortiz's</persname> personal library. Organized by
            subject, in original order. Box 36 also contains three unidentified reels of
            sound recordings. These are closed to research: use copies must be made.</p> 
        </scopecontent> 
        <c02> 
          <did> 
            <container type="box">35-36</container> 
            <unittitle>Monthly Review Publications</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <subject>Women</subject> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <subject>Marxism/</subject> 
              <subject>Socialism</subject> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <subject>Literature</subject> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <geogname>Central America</geogname> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <geogname>Latin America</geogname> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <geogname>Asia</geogname> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <subject>Social Sciences </subject>and 
              <subject>Humanities</subject> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <subject>Sociology</subject> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <subject>Anthropology</subject> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <subject>Philosophy</subject> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <subject>Psychology</subject> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <subject>Science</subject> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <subject>History</subject> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <subject>Political Science</subject> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <subject>Art</subject> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <subject>Religion</subject> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Miscellaneous Topics</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Reference</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Current Events</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <subject>Spanish Civil War</subject> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <subject>Cancer</subject> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <container type="box">36</container> 
            <unittitle>Other Tapes (USE COPIES MUST BE MADE):</unittitle> 
          </did> 
          <c03> 
            <did> 
              <unittitle>3 unidentified tapes (reels)</unittitle> 
            </did> 
          </c03> 
        </c02> 
      </c01> 
      <c01 level="series"> 
        <did> 
          <unittitle>Oversize Materials, 
            <unitdate normal="1929/1989" type="inclusive">[192-?]-[1980s]</unitdate> </unittitle> 
        </did> 
        <scopecontent> 
          <p>Consist primarily of oversize pieces from the <emph render="bold">
            Cultural Artifacts</emph> and <emph render="bold"> Photographs Series. </emph> 
            <genreform>Posters </genreform>in this series provide excellent
            examples of the use of 
            <subject>visual arts </subject>by late 20th century 
            <subject>social movements. </subject>All oversize materials have
            been cross-listed in the main series and subseries to which they belong. Materials formerly housed in Oversize Folders 6-11 have been boxed into Box 38. </p> 
        </scopecontent> 
        <accessrestrict> 
          <p>[This series is partially closed. Contact Research Services.]</p> 
        </accessrestrict> 
        <c02> 
          <did> 
            <container type="box">37</container> 
            <unittitle> 
              <genreform>Cartoon </genreform>Drawing, Viki and Camilo (Personal
              Files Series) <emph render="bold">[CLOSED until 2025]</emph> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Diplomas (BA, MA), Founder's Day Award (Education)
              <emph render="bold">[CLOSED until 2025]</emph> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle> 
              <persname>Robert Colodny </persname> Photograph (Photographs)
              <emph render="bold">[CLOSED until 2025]</emph> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>Unidentified Matted 
              <genreform>Photographs </genreform>(Photographs)</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> 
            <unittitle>"Housing in Revolutionary Cuba" (Geographic)</unittitle>
            
          </did> 
        </c02> 
        <c02> 
          <did> 
            <container type="opaperfolder">3</container> 
            <unittitle> 
              <genreform>Panoramic photograph </genreform>in which 
              <persname>Louis Suckle </persname>(BSO's father) can be seen, 
              <unitdate type="inclusive">[192-?]
                </unitdate>(Photographs.)</unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did><container type="box">38</container>  
            <unittitle> 
              <genreform>Posters </genreform>(Cultural Artifacts)</unittitle><physdesc><extent>(Oversize Folders 6-11)</extent></physdesc> 
          </did> 
	
        </c02> 
        <c02> 
          <did><container type="opaperfolder">1</container>  
            <unittitle>Posters: 
              <geogname>Africa </geogname>and 
              <geogname>Middle East </geogname> </unittitle>  
          </did> 
        </c02> 
        <c02> 
          <did><container type="opaperfolder">2</container>  
            <unittitle>Posters: 
              <geogname>Europe </geogname> 
              <geogname>(France </geogname>and 
              <geogname>Italy) </geogname> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did><container type="opaperfolder">5</container>  
            <unittitle>Art Museum 
              <subject>Posters </subject> 
              <geogname>(France) </geogname> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did><container type="opaperfolder">4</container>  
            <unittitle>One poster from Student/Worker 
              <subject>Strikes, </subject> 
              <geogname>France, </geogname> 
              <unitdate type="inclusive">June [1968?]</unitdate> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did><container type="opaperfolder">12</container>  
            <unittitle>Posters: 
              <geogname>U.S. </geogname>Movements: 
              <subject>(Black Panthers, </subject> 
              <subject>Socialists </subject>and 
              <subject>Marxists, </subject> 
              <subject>Women's Liberation, </subject> 
              <subject>Anti-War movement) </subject> </unittitle> 
            
          </did> 
        </c02> 
        <c02> 
          <did><container type="opaperfolder">14, 16</container>  
            <unittitle>Posters:  
              <geogname>Latin America </geogname> </unittitle> 
            <physdesc> <extent>(2 folders)</extent> </physdesc> 
          </did> 
        </c02> 
	<c02> 
          <did><container type="opaperfolder">15</container>  
            <unittitle>Posters:  
              <geogname>Asia (Vietnam and China) </geogname> </unittitle> 
          </did> 
        </c02> 
        <c02> 
          <did> <container type="opaperfolder">13</container> 
            <unittitle>Posters: 
              <subject>International Women's Day </subject>(various countries):
              Original artwork done for Bobbye and Viki</unittitle> 
          </did> 
        </c02> 
      </c01> 
      <c01 level="series"> 
        <did> 
          <unittitle> Phonograph Records Series, 
            <unitdate normal="1950/1980" type="inclusive">[195-]-[198-] and
              undated</unitdate> </unittitle> 
        </did> 
        <scopecontent> 
          <p> 
            <genreform>Recordings </genreform>collected by 
            <persname>Bobbye Ortiz </persname>mainly from the 1950s through the
            1980s. The categories of General 
            <geogname>(Europe, </geogname> 
            <geogname>Latin America, </geogname> 
            <geogname>South America), </geogname> 
            <subject>Pop, </subject> 
            <subject>Folk, </subject> 
            <subject>Labor </subject>movement, 
            <subject>Protest, </subject> and Miscellaneous have collections of
            varied content. Many of the popular 
            <genreform>recordings </genreform>(not only in the 
            <subject>Pop </subject>category, but also in the countries
            divisions) contain 
            <subject>protest songs, </subject>for example. 
            <subject>Anti-Vietnam War movement</subject>songs may be found in
            various countries as well as in the categories of 
            <subject>Pop, </subject> 
            <subject>Folk, </subject> 
            <subject>Labor, </subject>and 
            <subject>Protest. </subject> </p> 
        </scopecontent> 
        <processinfo> 
          <p>Some of the materials in this series are not immediately
            accessible because they require further processing before use. Technical
            Services needs to create use copies of phonograph recordings before use. Please
            contact Research Services staff before visiting the Rare Book, Manuscript, and
            Special Collections Library to use this collection. </p> 
        </processinfo> 
        <scopecontent> 
          <p>Subseries are based on type of 
            <genreform>recording </genreform>(12 inch, 10 inch, and 45 rpm) and
            are divided into sections representing countries or subject categories. Within
            each country or category, the recordings are arranged by performer, then
            further by title if there is more than one recording by that artist. </p> 
        </scopecontent> 
        <c02 level="subseries"> 
          <did> 
            <unittitle>Twelve Inch 
              <genreform>Recordings</genreform> </unittitle> 
          </did> 
          <c03> 
            <did> 
              <container type="box">38</container> 
              <unittitle> 
                <geogname>Angola</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#1 Title: 
                  <title render="italic">Contra a ideia da violncia a violncia
                    da ideia</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Luis Cilia</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Ptria lugar de Exilio, Gabriel, Cantiga de Amigo,
                    Fecundou-te, Canto de Esperana, Contra a ideia da violncia a violncia da ideia,
                    Voz Suspensa, Caminho Longe, O Poema Original, Sei Que Me Esperas</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, LDX 74538</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#2 Title: 
                  <title render="italic">Les uns par les autres</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Luis Cilia</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Antico de um mundo novo, Serventes, Fala do homen nascido,
                    Dez reis de esperanca, Adeus trigo, Portugal resiste, Poema a boca fechada,
                    Venham eis, Ecloga em tempo de guerra, Ternura, Heranca</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Gravure Universelle, MN - 10012</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#3 
                  <title render="italic">Title: Meu pas</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Luis Cilia</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Meu pas, A bola, Basta, Resiste, Duas melodias, Exilio,
                    Canta, Aqu ficas, Canto do desertor, Bairro de lata, Sou barco, O que menos
                    importa, Guitarras como tristeza, O menino negro nao entrou na roda, Regresso,
                    Canao final, canao de sempre</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, LDX 74308</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#4 Title: 
                  <title render="italic">Toques y cantos yorubas</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>CNC</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Cantos para Elegua, Cantos para Oggun, Cantos para Yemaya,
                    Cantos para Shango, Cantos para Oshun, Cantos para Obatala, Cantos para Oya,
                    Cantos para Oshosi, Cantos para Babalu-Aye, Cantos para Elegua</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: EGREM, LD-CNC-2</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#5 
                  <title render="italic">Title: Angola: A vitoria certa!
                    Movimiento Popular de libertao de Angola</title> (Victory is Certain! Songs of
                  the Liberation Army of the MPLA)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Liberation Support Movement</corpname>
                    </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Revolution, Revolution! Shouts, Drums and Singing
                    Victory or Death, MPLA, Defender of All the People, MPLA, Angolan Revolution,
                    Spoken Introduction, Allelujah, Papa ni Mama, Untitled fragments, The
                    Comandante is with the Revolution; Comandante, Come in a Hurry; Brothers Listen
                    My Heart Breathes; Separation is Easy; The Portuguese in 
                    <geogname>Angola; </geogname>Portuguese, Leave 
                    <geogname>Angola, </geogname>Anthem of the MPLA</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: MPLA Invulsi, Monetu ua Kassule, Deba, Dr. Neto,
                    Dituminu, Ufolo, Kaputu, Etu Tuan' 
                    <geogname>Angola, </geogname>Mon'a Ngamb' Eh!</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Paredon, P1002</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Argentina</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#6 Title: 
                  <title render="italic">Le chant du coq - Cantate
                    </title>(Cantate del gallo cantor)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Cuarteto Cedrn</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Polydor, 23934 063</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#7 Title: 
                  <title render="italic">Suertes </title>(Chances)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Cuarteto Cedrn</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Sobre la poesia y el combate, Sobre un cierto tipo
                    de muerte, Sobre un cierto tipo de vida, Sobre la llama que nada el agua fria,
                    Medulas que han, Suertes gloriosamente Ardido </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Diagonales, A Luis Luchi, La plantita, Temas de la
                    ciudad, sonico</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Polydor, 2473 082</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#8 Title: 
                  <title render="italic">En vivo </title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Nacha Guevara, </persname> 
                    <persname>Alberto Favero</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Presentacin, Yo soy la Nacha, Las damas de
                    beneficencia, Soy snob, La mucamita, Mi hombre, El vals del minuto</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Te quiero, Versos sencillos, Un Padrenuestro
                    Latinoamericano, Yo te nombro</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Discos NCL, NCL-LP-004</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#9 Title: 
                  <title render="italic">Habla el Che Guevera </title>(Difusion
                  Musical)</unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Homenaje de 
                  <persname>Carlos Altamirano, </persname> 
                  <persname>Habla Ernesto Guevara, </persname>Carta de Haydee
                  Santamaria, Habla 
                  <persname>Ernesto Guevara, </persname>Himno
                  Latinoamericano</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: Homenaje de 
                  <persname>Enrique Lihn Carrasco, </persname>Habla 
                  <persname>Ernesto Guevara, </persname>Homenaje de Juvencio
                  Valle, 
                  <persname>Fidel Castro </persname>lee la carta de despedida,
                  Habla 
                  <persname>Ernesto Guevara, </persname>Himno de los
                  guerrilleros</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Astral, 
                  <geogname>America </geogname>Hoy, VBP-295</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#10 Title: 
                  <title render="italic">Cesar Vallejo: Voz viva de America
                    Latina poemas</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Claudio Obregon</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Espergesia, A mi hermano Miguel, Los pasos
                    lejanos, Dios, El poeta a su amada, Los dados eternos, Todos los das amanezco a
                    ciegas, Oh las cuatro paredes de la celda, Un hombre pasa con un pan al hombro;
                    Considerando en fro, imparcialmente; La clera que quiebra al hombre en nios</p>
                  
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Los mendigos pelean por Espaa, Hombre de
                    Extremadura; Espaa, aparta de m este Cliz; La rueda del Hambriento, Intensidad
                    y altura, Los heraldos negros, Piedra negra sobre una piedra blanca, Masa</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Universidad Nacional Autonoma de 
                    <geogname>Mexico</geogname> </p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#11 Title: 
                  <title render="italic">Circling Free</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Marsie Silvestro</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Circling Free, Oh Tell Me, See How I Rise, Peace
                    Flowing Like a River, Who Will Go, Spirit of Loving</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: My Friend You Are a Miracle, Renew the Earth,
                    Spinning, Gettin' Tired Blues, For Everyone You Take, Blessing Song, Stand
                    Together</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Moonsong Productions, MS 333</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#12 Title: 
                  <title render="italic">Mercedes Sosa </title>(Coleccon
                  Recital, Los Grandes Artistas)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Mercedes Sosa</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Al jardin de la republica, Duerme negrito, Chayita
                    del vidalero, Tristeza, Alfonsina y el mar, Zamba del Chaguanco, Cancin con
                    todos</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Si se calla el cantor, Cancin para un nio en la
                    calle, La oncena, Cancin del derrumbe indio, Zamba para no morir, Gracias a la
                    vida</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Philips, 6347091</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#13 Title: 
                  <title render="italic">Hasta la victoria </title>(Coleccon
                  Recital, Los Grandes Artistas)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Mercedes Sosa, </persname>Vol. 2</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Balderrama, Hombre en el tiempo, La arenosa, Si se
                    calla el cantor, Hasta la victoria</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Los hermanos, Plegaria a un labrador, Violin de
                    becho, La pobrecita, Cruzando por la ciudad, Canto vital</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Philips, 15064</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#14 Title: 
                  <title render="italic">Textos politicos, 10 aos de
                    compromiso, 1960-1980</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Alfredo Zitarrosa</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Mire amigo, Nilonga caera, No se puede, Chamarrita
                    de los milicos, Milonga de contrapunto</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Diez decimas de autocrtica, La cancin quiere,
                    Decimas de saludo al publico argentino, Adagio en mi pas, Desde el exilio</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Foton, LPS 030</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Brazil</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#15 Title: 
                  <title render="italic">Brsil</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Serto </persname>&amp; 
                    <persname>Favelas</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Carcara, Funeral do lavrador, Cancao da terra,
                    Sina de caboclo, Cheganca, Pau de Arara</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Opiniao, Nega dina, Pedro Pedreiro; Feio, nao e
                    bonito; Zelao, Cicatriz</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, Gravure Universelle, LDX
                    7 4346</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#16 Title: 
                  <title render="italic">Cartola: Documento Inedito</title>
                  </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Que sejam benvindos, Autonomia, Acontece, Senes</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: O inverno do meu tempo, Que sejas bem feliz; D-me
                  graas, senhora; Quem me v sorrindo</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Estudio Eldorado, 59.82.0396</p> 
              </scopecontent> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Chile</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#17 Title: 
                  <title render="italic">Chant pour les enfants du
                    Chili</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>George Brassens, </persname> 
                    <persname>Julien Clerc, </persname> 
                    <persname>Jean Ferrat, Juliette Greco, </persname> 
                    <persname>Maxime le Forestier, </persname> 
                    <persname>Colette Magny, </persname> 
                    <persname>Yves Montand, </persname> 
                    <persname>Mouloudji, </persname> 
                    <persname>Georges Moustaki, </persname> 
                    <persname>Serge Reggiani, </persname> 
                    <persname>Francesca Solleville, </persname> 
                    <persname>Anne Sylvestre</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Le petit cheval, 
                    <geogname>Paris </geogname>couleur novembre, Juste comme un
                    enfant, Requiem pour n'importe qui, Abel Cain mon fils, Dejeuner de soleil</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Les feuilles mortes, L'colier soldat, Mourir
                    d'enfance, Faut vivre, Camarade Chili, Mon chant est un ruisseau</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Secours Populaire Francais, P 
                    <unitdate type="inclusive"> 1977s</unitdate>PF</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#18 Title: 
                  <title render="italic">Los chilenos</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Juan Capra</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: La Huella, Somos pajaros libres, Los pueblos
                    americanos, La flor que anda de mano en mano, El angel est llorando, Romance de
                    
                    <persname>Juan Hilario Alvarez</persname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: La cancin del minero, La paloma, Tengo un pena,
                    Contrapunto el aguila americana y el condor chileno, Resfaloza dek 
                    <geogname>Vietnam, </geogname>Las pariciones</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Barclay Panache, 820 180</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#19 Title: 
                  <title render="italic">Chili canto a lo humano</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Juan Capra</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Supe en el norte que habia, Con el silencio e la
                    noche, Errante golondrina, Cuando llegaron los indios</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: De las alturas del cielo, En el cenaculo estaba,
                    Cuando te vai a casar, Arriba de un chirimolli</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: LDX 74407</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#20 Title: 
                  <title render="italic">Chile canta e lotta, Canti popolari
                    cileni di ieri e di oggi, </title> ( 
                  <geogname>Chile </geogname>Sings and Struggles, Chilean
                  Folksongs of Yesterday and Today)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Juan Capra</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Dicen que no caben, Blanca flor y filumena, Dicen
                    que los manos, Versos por padecimiento, El hundimiento del transporte
                    "angamos", San Pedro se puso guapo, Dsen las manos</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Bajando de los 
                    <geogname>Andes, </geogname>Viva balmaceda!, Tengo una
                    pena, Sirilla, Contrapunto entre el aguila 
                    <geogname>america</geogname>na y el condor chileno, Yo me
                    vuelvo para 
                    <geogname>Chile</geogname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Albatros</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#21 Title: 
                  <title render="italic">La primavera muerta en el tejado,
                    Chile 11 de septiembre </title> 
                  <unitdate type="inclusive"> 1973</unitdate> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Patricio Castillo</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Cuando aparecio, Las manadas, Pichona sin pechon,
                    El soldado ciego, Cuando se fue</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Te recuerdo amanda, El arado, San Juanito y cueca
                    de murieta, El aparecido, Madrugada</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Canto Libre, DCP 107-DF 68</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#22 Title: 
                  <title render="italic">Chile Vencer: An Anthology of Chilean
                    New Song, 1962-1973</title> </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Gracias A La Vida, Que Dira Santo Padre, Quena En
                  Verano, Run Run Se Fue P'al Norte, Amor</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: 
                  <corpname>Inti Illimani, </corpname>La Pericona, Vamos Mujer,
                  Preguntas Por Puerto Montt, Ni Chicha Ni Limona, Las Casitas Del Barrio Alto,
                  Al Centro De Injusticia</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 3: La Democracia, Il Bosco, Tolin Tolin Tolin, La Burra
                  De Beltran, Yo Quiero Verte, Las Doradas Colinas De Bihn Xuan</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 4: Hermano Lloraras, No Nos Moveran, La Batea,
                  September 11, 
                  <unitdate type="inclusive"> 1973, </unitdate>El Pueblo Unido
                  Jamas Sera Vencido</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Rounder Records, 4009/4010</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#23 Title: 
                  <title render="italic">Poesias de Miguel Hernndez</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Nuria Espert, </persname> 
                    <persname>Augustin Gonzalez, </persname> 
                    <persname>Jose-Miguel Velloso</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: El sudor, Carta, No quiso ser, Que quiere el
                    viento de enero?, Una fotografia, Bocas de ira, Menos tu vientre, El pez mas
                    viejo del rio, Beso soy, sombra con sombra, No pudimos ser, El ultimo y el
                    primero, Nanas de la cebolla</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Un carnivoro cuchillo, Me tiraste un limon y tan
                    amargo, Fuera menos penado si no fuera, Umbrio pop la pena casi bruno, Yo se
                    que ver y oir a un triste enfada, Te me mueres de casta y de sencilla por un
                    senda van los hortelanos, Como el toro he nacido para el luto, Soneto final,
                    Elegia, Me llamo barro aunque Miguel me llame, Egloga, Sino sangriento</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: La Palabra Discos Aguilar, GPE 12 102</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <container type="box">39</container> 
                <unittitle>#24 Title: 
                  <title render="italic">Chile herido (Volumen 2)</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Inti-Illimani</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Tocata y fuga, Corazon maldito, Run run se fue
                    pa'l norte, El aparecido, Asi como hoy matan negros, 
                    <geogname>Chile </geogname>herido</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Calambito temucano, Exilada del sur, La partida,
                    Lo que mas quiero, Ya parte el galgo terrible, El pueblo unido jamas sera
                    vencido</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Discos Pueblos, DP-1011</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#25 Title: 
                  <title render="italic">Hacia la libertad</title> </unittitle>
                
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Inti-Illimani</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Hacia la libertad, 
                    <geogname>Chile, </geogname>Vientos del pueblo, Cai cai
                    vilu, Canto a los caidos</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Arriba quemando el sol, La patria prisonera, El
                    arado, Cancin a Victor, Ciudad 
                    <persname>Ho Chi Minh</persname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Monitor Music of the World, MFS 781</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#26 Title: 
                  <title render="italic">Viva Chile!</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Inti-Illimani </corpname>(2 Copies)</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Fiesta del San Benito, Longuita, Cancion del poder
                    popular, Alturas, La segunda independencia, Cueca de la C.U.T.</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Tatati, Venceremos, Ramis, "Rin" del angelito,
                    Subida, Simon Bolivar</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Monitor Music of the World, MS 769</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#27 Title: 
                  <title render="italic">Chile Combatiente</title> </unittitle>
                
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Vctor Jara, </persname> 
                    <persname>Isabel Parra, </persname> 
                    <persname>Angel Parra, </persname> 
                    <persname>P. Castillo, </persname> 
                    <persname>Hctor Pavez, </persname> 
                    <corpname>Quilapayn, </corpname> 
                    <corpname>Aparcoa, </corpname> 
                    <corpname>Inti-Illimani</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: 
                    <geogname>Chile </geogname>herido, Las ultimas palabras,
                    Manifesto, Vientos del pueblo, Cancin al partido, Levntese compaero</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: La segunda independencia, Ya no es tiempo de
                    esperar, Aqu me quedo, El rojo gota a gota ir creciendo, Cuando amanece el dia,
                    Alerta pueblos del mundo, El pueblo unido jams ser vencido</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Discos Foton, Le Chant du Monde, MC-0602</p>
                  
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#28 Title: 
                  <title render="italic">El derecho de vivir en
                    paz</title>(Vol. 2)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Vctor Jara, </persname>Chile's Great
                    Singer-Poet</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: A Cochabamba me voy, A Luis Emilio recabarren, El
                    derecho de vivir en paz, Camilo Torres, Ni chicha ni limona, Preguntas por
                    puerto Montt</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: A 
                    <geogname>Cuba, </geogname>Abre tu ventana, La partida, El
                    nio yuntero, Vamos por ancho, El Martillo</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Monitor Music of the World, MFS 788</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#29 Title: 
                  <title render="italic">Pongo en tus manos abiertas</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Victor Jara, </persname> 
                    <corpname>Quilapayun</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: A 
                    <persname>Luis Emilio Recabarren, </persname>A Desalambrar,
                    Duerme, duerme negrito, Juan sin tierra, Preguntas por Pto. Montt, "Movil" Oil
                    Special</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: 
                    <persname>Camilo Torres, </persname>El Martillo, Te
                    recuerdo Amanda, Zamba del Ch, Ya parte el galgo terrible, A Cochabamba me
                    voy</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Jota Jota, JJL-03</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#30 Title: 
                  <title render="italic">Karaxu!</title> </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Su nombre ardi como un pajar, La resistencia se
                  organisa, Viviremos, Carnivalito salteo, 'Ta llegando gente al baile</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: Quebrada verde, Por America indomita, Per i morti di
                  reggio emilia, Cueca de malloco, Candombe para Jose</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Eleven, EL:01113</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#31 Title: 
                  <title render="italic">Cancin sin lmites</title> </unittitle>
                
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Patrio Manns</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Cuando me acuerdo de mi pais, Escrito en el trigo,
                    Carta abierta al interior de 
                    <geogname>Chile, </geogname>Su nombre ardio como un
                    pajar</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Valdivia en la niebla, Raices del llanto, Morimos
                    solos, 
                    <unitdate type="inclusive"> 1917</unitdate> Cancion</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Movie Play Serie GONG, 17.1271/0</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#32 Title: 
                  <title render="italic">Chile: Songs for the
                    Resistance</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Patricio Manns, </persname> 
                    <corpname>Karaxu, </corpname> 
                    <persname>Angel Parra</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: La cancin de Luciano, La ventana, La resistencia
                    se organiza, Bolivariana, Solo digo compaeros</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Miguel Enriquez, Los libertadores, La dignidad se
                    hace costumbre, Ya no somos nosotros, Carta a mi compaero, Trabajadores al
                    poder</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Paredon, P-1030</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#33 Title: 
                  <title render="italic">Pablo Neruda, Poemas</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Pablo Neruda</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: La casa de las odas, Oda al aceite, Pido silencio,
                    Fbula de la sirena y los borrachos, El gran mantel, Sobre mi mala educacin,
                    Dnde estar la Guillermina?</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Testamento de Otono, Eternidad, Sonetos (VI, XXIV,
                    XXXVIII, XXX, XXIX)</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Universidad Nacional Autnoma de 
                    <geogname>Mxico </geogname>Direccin General de Difusin
                    Cultural, VVAL-4</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#34 Title: 
                  <title render="italic">Pablo Neruda</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Angel Parra </persname>(2 copies)</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: El Vuelo, El Tordo, El Pica Flor</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: El Piden, La Golondrina, El Cndor, El Poeta se
                    despide de los pjaros</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Musica de esta America, Casa de las
                    Americas, LD-CA-6</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#35 Title: 
                  <title render="italic">Yo tuve una patria</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Angel Parra</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: La libertad, Yo tuve una patria, Tango en Colmbes,
                    Autorretrato, Que sera de mis hermanos, Porque maana se abriran las
                    alamedas</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: El poeta frente al mar, El dia que vuelva a
                    encontrar, Compaero presidente, America del sur, Levantese compaero</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Movie Play Serie GONG, 17.0882/8</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#36 Title: 
                  <title render="italic">La pea de los parra </title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Isabel </persname>y 
                    <persname>Angel Parra, </persname> 
                    <corpname>Grupo Chagual </corpname>(2 copies)</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Coplas folkloricas, 
                    <geogname>Mexico </geogname>'68, Coplas del vino, El rin,
                    EL cantar tiene sentido, Los pueblos americanos</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Zumba que zumba, Guitarra en duelo mayor, La
                    lavandera, Canto de llegada a la tirana, A desalambrar, Pajaro madrugador</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Pena de los Parra, VBP-284</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#37 Title: 
                  <title render="italic">La pena de los parra </title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Isabel Parra, </persname> 
                    <persname>Angel Parra, </persname> 
                    <persname>Patricio Manns, </persname> 
                    <persname>Rolando Alarcon</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Rio Manzanares, En lota la noche es brava, Decimas
                    del folklore venezolano, Yo defiendo a mi tierra, Parabien de la paloma, Hasta
                    cuando compaero</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: La tropillita, Ya no canto tu nombre, La
                    jardinera, Canto a mi America, Refalosa del morro, Los parecidos, El sacristan
                    vivaracho</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Demon, LPD-015</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#38 Title: 
                  <title render="italic">Las ultimas composiciones de Violeta
                    Parra</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Violeta Parra</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Gracias a la vida, El "Albertio", Cantores que
                    reflexionan, Pupila de aguila, Run Run se fue pa'l norte, La cueca de los
                    poetas</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Mazurquica modernica, Volver a los 17, Rin del
                    angelito, Una copla me ha cantado, El guillatun, Pastelero a tus pasteles</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: RCA Victor, MIL/S-4136</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#39 Title: 
                  <title render="italic">Un rio de sangre </title> </unittitle>
                
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Violeta Parra, </persname> 
                    <persname>Isabel Parra, </persname> 
                    <persname>Angel Parra, </persname> 
                    <corpname>Los Calchakis</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Segun el favor del viento, Un rio de sangre, 
                    <geogname>Santiago </geogname>penando estas, Hasta cuando
                    estas, En los jardines humanos, Arauco tiene una pena</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Teneme en tu corazon, Cantos a lo divino, Para un
                    presidente, 
                    <geogname>Chile, </geogname>Masa, La muralla</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Arion, HARS 741-14</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#40 Title: 
                  <title render="italic">Quilapayun </title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Quilapayun</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: La paloma, El forastero, El canto del cuculi, El
                    pueblo, La boliviana, La cueca triste</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: La cancin del minero, Dos palomitas, Por una
                    pequena, Chispa, La perdida, El borrachito, Somos pajaros libres</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Odeon, LDC-36614</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#41 Title: 
                  <title render="italic">The Siege of Santa Maria de Iquique, A
                    People's Cantata of the Chilean nitrate miners</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Quilapayun</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Paredon, P-1019</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#42 Title: 
                  <title render="italic">Testimonios de la tortura en Chile
                    </title> </unittitle> 
              </did> 
              <scopecontent> 
                <p>Record Label: Americanto 1005</p> 
              </scopecontent> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">40</container> 
              <unittitle>Cuba</unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#43 Title: 
                  <title render="italic">Cuban Subversive </title>(handwritten
                  label on cover)</unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Ya tenemos hospital, El survey, Plan de machete, El
                  son de Fengue Corra, Y eso si que no, Y en eso lleg Fidel</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: Todo por la Reforma Agraria, Canto a Camilo, Procura
                  venir en paz, Ay cubano, Ya lo dice el refrn, Yanqui, go home</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Olin Discos Populares, 0-1</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#44 Title: 
                  <title render="italic">La Mujer en la Revolucin</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Federacion de Mujeres Cubanas</corpname>
                    </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Ella salio desnuda, Campesina, Mujer del mundo
                    tercero, La mujer posible, Zamba para una flor militante</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Mujer bayamesa, Para una imaginaria Maria del
                    Carmen, La mujer esta con la revolucin, Mi compaera, Madre, La mujer hoy</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Areito, EGREM, LD-3501</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#45 Title: 
                  <title render="italic">Grupo Moncado </title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Grupo Moncado</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: O poder popular, De pueblo en pueblo, Pude ser,
                    Decimas a 
                    <persname>Jose Antonio Echeverria, </persname>Elegia</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Una mujer, Si digo, Folkclor negro, Son final,
                    Huaynos, Chamame a 
                    <geogname>Cuba</geogname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Americanto 1006</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#46 Title: 
                  <title render="italic">Nicolas Guillen dice sus poemas
                    </title>(2 copies)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Nicolas Guillen</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Arte Poetica, Un largo lagarto verde, Cancin
                    puertorriquea, 
                    <geogname>Little Rock, </geogname>Doa Maria, Muerte,
                    Deportes, Acana, Son no. 6, El abuelo, Caminando</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Cancin de cuna para despertar un negrito, Puedes?,
                    Soldado aprende a tirar, No se por que piensas tu, Guitarra, Elegia, Palma
                    sola, Agua del recuerdo, Un son para nios antillanos, El negro mar, El
                    apellido</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: EGREM Areito, LDA-3340</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#47 Title: 
                  <title render="italic">Poemas de Nicolas Guillen
                    </title>(Grabacin realizada en Chile - Julio 
                  <unitdate type="inclusive"> 1967</unitdate>)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Nicolas Guillen</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Aviso, El caribe, Guitarras, Escarabajos, La
                    pajarita del papel, La osa mayor, El aconcagua, Los usereros, Los ros, Seora,
                    Al pblico, La sed, El hambre, Intittriz, Las nubes, Los vientos, El tigre,
                    Cicln, Ave Fnix</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Clinch, El cangrejo, Gangster, KKK, Las aguilas,
                    Monos, Luna, Tenor, Polica, El chulo, Reloj, Aviso, Oradores, El sueo, Gorila,
                    Tontn Macoute, Bomba atmica, La estrella polar, Salida</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Astral VBP. 216</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#48 Title: 
                  <title render="italic">Himnos y marchas de Cuba</title>
                  </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Himno invasor, Desde yara hasta la sierra, Hasta
                  siempre 
                  <geogname>Cuba, </geogname>Marcha de la revolucin, Adelante, 
                  <geogname>Cuba </geogname>socialista</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: Marcha del 26 de julio, Venceremos, Muerte al
                  invasor, Al pueblo, Patria liberada, Viva el socialismo</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: EGREM Areito, LD-4002</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#49 Title: 
                  <title render="italic">Musaico cubano</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Orquesta del Festival</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Mosaico cubano, Perlas</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Quiereme mucho, Tu, Flor de yumuri, Para ti, El
                    mambi</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: EGREM Areito, LDS 3319</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#50 Title: 
                  <title render="italic">Rabo de Nube Vol. 1</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Silvio Rodriguez</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Vamos a andar, Rabo de nube, El dia feliz que esta
                    llegando, Te amare y despues, Fabula de los tres hermanos</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Que ya vivi que te vas, Con diex aos de menos,
                    Imaginate, Testamento</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: EGREM, LD 3844</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#51 Title: 
                  <title render="italic">Cuba que linda es Cuba</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Orfeon Santiago, </persname> 
                    <corpname>Orquesta EGREM, </corpname> 
                    <corpname>Conjunto Palmas y Caas, </corpname> 
                    <persname>Armando Pico, </persname> 
                    <persname>Coro I.C.R., </persname> 
                    <corpname>Banda Nacional de Conciertas</corpname>
                    </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: 
                    <geogname>Cuba, </geogname>que linda es 
                    <geogname>Cuba, </geogname>La comparsa, Son de la loma</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Siboney, Ay! Mama Ines, Lamento esclavo</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: EGREM Areito LDA-3313</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#52 Title: 
                  <title render="italic">Trio voces modernas</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Trio Voces Modernas</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Cancin de cuna despertar un negrito,
                    Imprescindible, Te doy una cancin, Luna tucumana, Despertar, El son del
                    Palmar</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: No ha ido la Habana, Encuentrame, Caminito del
                    indio, Ojala, Embrujo, Cuidadito compay gallo</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: EGREM Areito, LD-3555</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Dominican Republic</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#53 Title: 
                  <title render="italic">La hora est llegando! The Time Is
                    Coming!</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Expresin Joven </corpname>(Voice of Youth), 
                    <corpname>Los Macetongos</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Abra las rejas, seor Gobierno; Casas de carton,
                    Amor en la guerra, A desalambrar, Esta llegando la hora</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: No amigo, no vayas aun al sol; Pobre del cantor,
                    Compadre del cantor, Compadre 'mon, Cancin antes del odio; Fransisco Alberto,
                    Caramba!</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Paredon Records, P-1025</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#54 Title: 
                  <title render="italic">De la loma al llano</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Xiomara Fortuna</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Quiero abrir una ventana, Mujer campesina, Tiempo
                    oportuno, Gaga Lola, Ay si tuviera tierra!</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Quisiera con mil amores, Muchacho hargan, Trabajo
                    y mas trabajo, Tenemos que organizamos, Estoy unida</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Mujeres en Desarrollo 
                    <geogname>Dominicana </geogname>(MUDE)</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>El Salvador</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#55 Title: 
                  <title render="italic">El Salvador libre </title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Roque Dalton</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Taberno y otros lugares - Taberna, A muerte fiel,
                    a muerte convivada, Los jvenes, La lucha de los contrarios, pero. . . ,
                    Decires, 50 Aniversario, Tu compaa</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Historia de un amor - I Los orgenes, II Escrito en
                    una servilleta, Cuando salgas luna llena, Tragedia no precisamente optimista,
                    El ser social determina la conciencia social, La cabeza contra el muro,
                    Revisionismo, Despus de la bomba atmica, Sobre dolores de cabeza, Al
                    Salvador</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: B.C.R.D., L.D.-001</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#56 Title: 
                  <title render="italic">El Salvador: su canto, su lucha, su
                    victoria, amaneciendo! El Salvador: Its Song, Struggle, Victory, Awakening!
                    </title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Yolocamba Ita </persname>- La rebelda de la
                    Siembra (The Planting of the Rebellion)</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Poema de Amor, La Barricada, 
                    <geogname>El Salvador </geogname>T Venciendo, Regalo a un
                    Nio, Marcha del EPL</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: A los Cados en 
                    <unitdate type="inclusive"> 1932, </unitdate>El Miliciano,
                    Con Farabundo y Romero, San Romero de 
                    <geogname>Amrica</geogname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Peon Records, 001</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>France</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#57 Title: 
                  <title render="italic">Un soir a l'cluse</title> </unittitle>
                
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Agns Capri, </persname> 
                    <persname>Caroline Cler, </persname> 
                    <persname>Giani Esposito, Jacques Fabbri, </persname> 
                    <persname>Jacques Grello, </persname> 
                    <persname>Marc et Andr, </persname> 
                    <persname>Lo Nol, Brigitte Sabouraud, </persname> 
                    <persname>Cora Vaucaire</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: La Petite Servante, La voix du sang, Les pchs
                    capitaux, La marchande de fleurs, La complainte de la jeune nonne contra son
                    c&#339;ur, La chanson du pharmacien, Le souper chez 
                    <famname>Borgia</famname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: La complainte de Mackie, Plan de 
                    <geogname>Paris, </geogname>Dans la sciure, Un vieux
                    boxeur, Les clowns, L'Amnsique, La chose aurait pu</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Vega, V 30 S 800</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#58 Title: 
                  <title render="italic">Les journes de Mai 68 par las
                    journalistes de R.T.L.</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Jean-Pierre Farkas</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: 
                    <famname>De Gaulle </famname>s'exprime, Cohn-Bendit et la
                    dmocratie directe, Cohn-Bendit vu par 
                    <persname>Georges Sguy, </persname>Fermeture de la Facult
                    des Lettres de 
                    <geogname>Nanterre </geogname>par le doyen Grappin,
                    Fermeture de la 
                    <corpname>Sorbonne </corpname>par le Recteur Roche, Les
                    premires bagarres Boulevard Saint-Michel, Premires impressions d'Alain
                    Peyrfitte, La Premire meute du Quartier Latin, Les tudiants l'Arc de Triomphe,
                    Le Palais Bourbon l'Elyse: Commentaires des tudiants, Alain Peyrefitte promet
                    d'ouvrir la 
                    <corpname>Sorbonne, </corpname>Les lycns entrent en action,
                    La nuit des barricadas de la rue Guy Lussac: Dialogue Chalin-Geismar: Les
                    premires barricadas: Les combates de la rue, Retour de Georges Pompidou, Grve
                    gnrale et occupation de la 
                    <corpname>Sorbonne, </corpname> 
                    <persname>Jean-Paul Sartre </persname>et la violence</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Occupation de Sud Aviation Bouguenas, Occupation
                    de l'Odon, Occupation de l'Usine de Cleon, Porquoi ce mouvement spontan?: Par
                    Eugene Descamps, Les tudiants chez Renault Billancourt, La "Chienlit",
                    Occupation du Plazza Athenee, Pierre Mendes- 
                    <geogname>France </geogname>prend position, L'autogestion
                    vue par la C.F.D.T., Monsieur Waldeck-Rochet l'Assemble Nationale, Monsieur
                    Pisani votera la censure, Cohn-Bendit en 
                    <geogname>Allemagne, </geogname>La foule coute l'aanonce du
                    rfrendum par le Gnral 
                    <famname>de Gaulle, </famname>La "prise" de la bourse,
                    Nouvelle soire d'meutes au Quartier Latin, 
                    <persname>Franois Mitterand </persname>propose un
                    gouvernement de transition, Flash de l'lyse: 
                    <famname>De Gaulle </famname>part pour Colombey les glises,
                    
                    <persname>Pierre Mendes </persname>et le gouvernement de
                    transition, Allocution intgrale du Gnral 
                    <famname>de Gaulle, </famname> 
                    <persname>Michel Debr </persname>dans la foule des
                    Champs-Elyses</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Philips 77.757 L</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#59 Title: 
                  <title render="italic">Jean Ferrat</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Jean Ferrat</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Maria, Heureux celui qui meurt d'aimer, En groupe,
                    en ligue, en procession, Si je mourais la-bas, La libert est en voyage</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Un enfant quitte 
                    <geogname>Paris, </geogname>Un jour, un jour, Alleluia,
                    Chanson pour toi, Pauvre Boris</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Vendettes, XBLY 80 338</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#60 Title: 
                  <title render="italic">Jean Ferrat</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Jean Ferrat</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: 
                    <geogname>Cuba </geogname>si, Mourir au soleil,
                    Excusez-moi, 
                    <corpname>Prisunic, </corpname>A 
                    <geogname>Santiago</geogname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Ce qu'on est bien mon amour, Les guerilleros, Au
                    point du jour, Pauvres petits c., Indien</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Vedettes, XBLY 80 360</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <container type="box">41</container> 
                <unittitle>#61 Title: 
                  <title render="italic">La Bobina</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Juliette Greco</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: In memoriam, La fte est finie, Paralllbipdes,
                    Vieille, Madame Bovary, La propritaire</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: L'auberge, La Venus du ve Zouave, Lers quatre
                    saisons "Je peux vous raconter", La Fiance du pirate de "L'Opra de quat'sous",
                    Sur L'arbre mort, Olga</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Philips, 77.814</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#62 Title: 
                  <title render="italic">Juliette</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Juliette Greco</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: L'a Fte est l, Bonjour tristesse, Complainte du
                    tlphone, Musique mchanique, La Valse des si, Qu'on est bien</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Java partout, La marche nuptiale, La complainte,
                    Chandernagor, Que j'aime, Les lunettes</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Columbia, WL 138</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#63 Title: 
                  <title render="italic">L'Olympia</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Juliette Greco</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Introduction, J'ai le c&#339;ur aussi grand, Plus
                    jamais, Un petit poisson, un petit oiseau, Vieille, Reveuse et fragile, A
                    contrec&#339;ur, Je suis bien</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Chambre 33, C'etait peut-etre, Nos cheres maisons,
                    La fiance du pirate, Miracle a 
                    <geogname>Seville, </geogname>Jolie mome, Cimetieres
                    militaires</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Philips, 70.342</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#64 Title: 
                  <title render="italic">St. Germain des Prs</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Juliette Greco</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: La belle vie, la belle toile, Les enfants qui
                    s'aiment, Les feuilles mortes, Amours perdues, Je has les dimanches</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Barbara-song, Pirate Jenny, Embrasse-moi, Sous le
                    ciel de 
                    <geogname>Paris, </geogname>Je suis comme je suis, Je
                    mens</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Columbia, CL 569</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#65 Title: 
                  <title render="italic">Juliette Greco</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Juliette Greco</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Tu me dirais, Les cloches, Dieu est negre,
                    Complainte de Sir Jack l'Eventreur, Si tu t'magines, Chanson pour L'Auvergnat,
                    Les Croix</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Ca va "Le Diable", Coin de rue, Les dames de la
                    poste, L'Ombre</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Columbia, ML 5088</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#66 Title: 
                  <title render="italic">L'Honneur des potes: Pomes publis sous
                    l'Occupation Allemande par les Editions de Minuit</title> </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Prlude la Diane franaise, Ce c&#339;ur qui hassait la
                  guerre, 
                  <geogname>Paris-</geogname>Pentecte, Refuge, Romance des
                  40.000, La patience, Les dents serres, Prire pour les Russes, Ballade de celui
                  qui chanta dans les supplices</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: Courage, Le chle rouge-gorge, Police, Sonnet,
                  Corruption, Lui, Les tra"tres se trahissent, Prface en prose, Les charniers, Le
                  vent, Avis, Les armes de la douleur</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Le Chant du Monde, LDX-S-6027</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#67 Title: 
                  <title render="italic">Lo paios que vol viure</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Marti</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Lo pais que vol viure, Montsegur, Un Pais, un
                    poble, Lo soldat desconegut, Tornaras, Lo tamborinaire</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Cridaraio, Perque m'an pas dit?, Ciutat de
                    carcassona, Lengadoc roge, La longa marcha, Los corbasses</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, XVI 74502</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#68 Title: 
                  <title render="italic">Serge Reggiani </title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Serge Reggiani</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Les loups sont entres dans 
                    <geogname>Paris, </geogname>La vie c'est comme une dent,
                    Prlude de Sarah, Sarah, Maxim's, Ma solitude, Fleurs de meninges</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Le petit garon, Prlude extrait de "Pater Noster",
                    Quand j'aurai du vent dans mon crane, Ma liberte, Prlude extrait du "Pont
                    Mirabeau", 
                    <geogname>Paris </geogname>ma rose, L'hotel des rendez-moi
                    a, Prlude dormeur du Val, Le deserteur</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Disques Jacques Canetti, LPL 1434 </p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#69 Title: 
                  <title render="italic">Serge Reggiani</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Serge Reggiani</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Rupture, L'absence, La putain, Comme elle est
                    longue mourir ma jeunesse, Va-t'en savoir pourquoi</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Ma fille, Dans ses yeux, 
                    <geogname>L'italien, </geogname>Edith, La conquantaine</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Polydor, 2393 026</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#70 Title: 
                  <title render="italic">Chansons possibles, ou
                    impossibles</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Boris Vian</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Les joyeux bouchers, Cinmatographe, Fais-moi mal
                    Johnny, La java des bombes atomiques, Je bois, Juste le temps de vivre</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Le dserteur, Le petit commerce, Je suis snob, La
                    java martienne, Complainte du progres, On n'est pas la pour se faire eng, Bour
                    de complexes</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Philips, P 77.922</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#71 Title: 
                  <title render="italic">20 ans dja</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Claude Vinci</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Le chant des partisans, Nuit et brouillard,
                    L'affiche rouge, Liberte</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: a fera vingt ans, Vous reviendrez, Dans varsovie,
                    Le chant des marais, Un accordon pour 
                    <geogname>Paris, </geogname>Au nom du front parfait
                    profond, Rendez-vous avec la libert, Ballade du bonheur difficile</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Philips Airs de 
                    <geogname>France, </geogname>77.228</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>General</unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#72 Title: 
                  <title render="italic">Typical Latin American
                    melodies</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Los Andrinis</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Disc 1, side 1: Tango Verde / 
                    <persname>Ricardo Romero, </persname> 
                    <geogname>Andalucia </geogname>/ 
                    <persname>Ernesto Lecuona</persname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Disc 1, side 2: Tico tico no fuba / Zequinha Abreu, 
                    <persname>Alma Llanera </persname>/ 
                    <persname>Pedro Elias Gutierrez</persname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Disc 2, side 1: 
                    <geogname>Granada </geogname>/ 
                    <persname>Augustin Lara, </persname>Recuerdos / 
                    <persname>Jose Moreno</persname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Disc 2, side 2: 18th de Septiembre / 
                    <persname>Tomas Moscoso, </persname>Sol y Sombra / 
                    <persname>Ricardo Romero</persname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Alpha Records 12207--12208 (3057--3058)</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#73 Title: 
                  <title render="italic">Algo se quema alla afuera
                    </title>(Something is burning out there)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Estrella Artau</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Mi nombre es 
                    <persname>Estrella Artau, </persname>Mi machete de madera,
                    La muralla, Cantaliso en un bar, Caminando, Como el viento en movimiento, Algo
                    se quema alla afuera</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Poema; Guerillo, guerillera; A ti, Tingo; Si
                    alguien quiere saber cual es mi patria; Hay un pas en el mundo; La preguntita
                    sobre dios, Cancin Puertoriquea, Fragmentos de los versos de 
                    <persname>Martin Fierro</persname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Paredon, P.-1032</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#74 Title: 
                  <title render="italic">Chants d'Espagna et d'Amerique
                    Latine</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Carmela, </persname> 
                    <persname>Paco Ibaez</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: La gran perdida de alhama, Brisas del zulia, A la
                    mar, Camino el indio, Mi nia se fue a la mar, Yo no canto por cantar</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Paloma ausente, Los pastores, La jardinera,
                    Sombras, Mama Juanita, Proverbios y cantares, Palida voz</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Mosh-Na, MN-10 006</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#75 Title: 
                  <title render="italic">Blazing Frontiers</title> </unittitle>
                
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Compaeros</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Valparaiso, Freedom for 
                    <geogname>Nicaragua, </geogname>Cubita, Trojan Horse, We
                    Sing For You</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Beautiful Day, Cancin por 
                    <geogname>Nicaragua, </geogname>First Message, The
                    Immigrants, Compaero</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Rebelion Records, ICS-8802</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#76 Title: 
                  <title render="italic">Las voces de Amrica Vol. 2</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Los Folkloristas</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Puales, Vidalita, Las Bogotanas, El condor pasa,
                    El siquisiri, De punta y Taco</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Dalia Chinita, Golpe tocuyano, Reza, Los arrieros,
                    La carreta, Juan sin tierra, La caserita</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Gamma, GX 01-306</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#77 Title: 
                  <title render="italic">Canti al Che</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Meri Franco-Lao</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: El aparecido, Anch'io ti ricordero', Cancin del
                    guerrillero heroico, Aleluia, Si el poeta eres tu, Lorsque s'allument les
                    brasiers, Changuito guerrillero, Como el Che</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Addio Che, Soy loco por ti 
                    <geogname>America, </geogname>Zamba al Che, 
                    <famname>Guevara </famname> morto</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: I Dischi dello Zodiaco, VPA 8127</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#78 Title: 
                  <title render="italic">Chants rvolutionnaires du
                    monde</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Groupe "17"</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1 and 2: L'internationale, Les partisans, La
                    varsovienne, Le chant des survivants, Le drapeau rouge, Fleur cueillie...,
                    Hardi, camarades!, Les quatre gnraux, L'appel de komintern, Le chant des
                    marais, La jeune garde, Le chant des martyrs, Le front des travailleurs,
                    Bandiera Rossa, Solidarit</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, LDX 74335</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#79 Title: 
                  <title render="italic">Songs and Poetry of the Latin American
                    Struggle</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>El Grupo</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Pedro Pueblo; 
                    <geogname>Chile, </geogname>paloma herida; Te digo hermano,
                    Sigue la vida su curso, Despierta boricua, Superpig</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Cancin por la flor y el fusil, Marta Cristina,
                    Cancin con todos, Act of Love, Comunidad</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Canto Libre, CL100</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#80 Title: 
                  <title render="italic">Himnos de lucha, Fighting Hymns,
                    Hymnes de Lutte</title> </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Himno de los campamentos de al fat'h, Himno nacional
                  de 
                  <geogname>Guatemala, </geogname>Himno de 
                  <geogname>Republica de Guinea</geogname> </p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: Himno de los constitucionalistas Dominicanos, Himno
                  del Partido 
                  <geogname>Africano </geogname>de la Independencia de 
                  <geogname>Guinea </geogname>y 
                  <geogname>Cabo Verde, </geogname>Himno de la Republica
                  Popular Democratica de 
                  <geogname>Corea</geogname> </p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Tricontinental, Himnos Revolucionarios, LD T
                  1</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <container type="box">42</container> 
                <unittitle>#81 Title: 
                  <title render="italic">De rebeldes a revolucionarios</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Noel Hernandez</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Ya se van, Cinco hermanos preso, Al amigo sincero,
                    Contrariedad, Estudiantes y obreros</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Guerrillero, guerrillero; Tristes sucesos,
                    Discurso sobre A.L., Se acabo se acabo </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Disco Libre, LD-003</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#82 Title: 
                  <title render="italic">Inti-illimani</title> </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Juanito Laguna remonta un barrilete, El canelazo,
                  Vasija de barro, Sicuriadas, Zamba de los humildes, Cuecas - Largume la manga,
                  El musico errante</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: La fiesta de San Benito, Simon Bolivar, Jenecheru,
                  La naranja, 
                  <corpname>Inti-illimani, </corpname>Carta al Che, La
                  lagrima</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Jota Jota, JJL-05</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#83 Title: 
                  <title render="italic">Canti della libert</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Milva</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Inno a Oberdan, Addio Lugano bella, Fischia il
                    vento, Los cuatro generales, Horstwessel Lied</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: La marseillaise, La Carmagnole, Lungo la strada, 
                    <persname>John Brown, </persname>La Cucaracha</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Cetra, LPB 35027</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#84 Title: 
                  <title render="italic">Canti della resistenza Europea,
                    </title> 
                  <unitdate type="inclusive">1933-1963</unitdate> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Sergio Liberovici, </persname> 
                    <persname>Michele L. Straniero</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Vol. 1, Side 1: 
                    <geogname>Ebrei, </geogname> 
                    <geogname>Albania, </geogname> 
                    <geogname>Austria, </geogname> 
                    <geogname>Belgio, </geogname> 
                    <geogname>Bulgaria</geogname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: 
                    <geogname>Cecoslovacchia, </geogname> 
                    <geogname>Francia, </geogname> 
                    <geogname>Germania</geogname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Vol. 2, Side 1: 
                    <geogname>Grecia, </geogname> 
                    <geogname>Jugoslavia</geogname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: 
                    <geogname>Italia, </geogname> 
                    <geogname>Polonia, </geogname> 
                    <geogname>Portogallo</geogname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Vol. 3, Side 1: 
                    <geogname>Romania, </geogname> 
                    <geogname>Spagna</geogname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: 
                    <geogname>Ungheria, </geogname> 
                    <geogname>U.R.S.S.</geogname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Discoteca de L'Espresso, GLP 81003--GLP
                    81005</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#85 Title: 
                  <title render="italic">Ogni giorno, tutti i giorni </title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Sergio Liberovici</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Terra e aqua, La morte di Anita, Declaracin, Il
                    padrone del mondo, Le pietre e il mare, Ma cosa ti credi, D'un tratto grid</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Ballata del Now, Ante la vita, I will despair,
                    Dove vola l'avvoltoio, Il ginocchio, Hunger is Hunger</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: I Dischi del Sole, DS 134/36/CL-B</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#86 Title: 
                  <title render="italic">Colette Magny</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Colette Magny </persname>(2 Copies)</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: 
                    <geogname>Vietnam </geogname>67, Aurons-nous point la
                    paix?, Choisis ton opium, Dsembourbez l'avenir, Viva 
                    <geogname>Cuba, </geogname>Je chanterai, Les gens de la
                    moyenne, La blanche Aminte</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: La dame du Guerveur, Trois motifs, Bura Bura, A
                    l'origine, Baise m'encor, A Saint-Nazaire</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, LDX 74319</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#87 Title: 
                  <title render="italic">Misa Panamericana: Grabada en la
                    Catedral de Cuernavaca, Morelos</title> </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Entrada Angelus; Seor, ten piedad; Gloria; Aleluya,
                  Credo</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: Santo, Santo, Santo; Cordero de Dios, Comunion,
                  Salida Aleluya</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Discos Aleluya, A-015</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#88 Title: 
                  <title render="italic">Le Chant Profond de l'Amerique
                    Latine</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Alfredo </persname>&amp; 
                    <persname>Yolando de Robertis </persname>&amp; 
                    <persname>Pedro Serrano</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Changuito guerrillero, Erke, Danzante de la
                    ausencia, Danza de sicuris, Kaphuri, Setoconao, Disparada</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Condor pasa, Duerme negrito, Danza aztequa,
                    Sieteleguas, Taquili, El buen borincano</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, LDX 7 4395</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#89 Title: 
                  <title render="italic">Formando un puente, Building
                    Bridges</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Saba</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: La andina, Mis razones, La vieja, Uno ms uno,
                    Madre campesina, Tempestad libertaria</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Mujer 
                    <subject>Sandinista, </subject>Basta corazn, No a la
                    intervencin, Cuanto trabajo, Eterna sombra</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Redwood Records, RR2900</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#90 Title: 
                  <title render="italic">Maderos Latinoamericanos</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Julio Solrzano</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: No me pregunten, Semana santa en 
                    <geogname>Guatemala, </geogname> 
                    <persname>Ho Chi Min, </persname>Cancin de los ausentes en
                    Tlatelolco, Maderas</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Es hora de decir basta, Cancin del esposo soldado,
                    Cancin a nora paz, La tierra humeda, Barricadas</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Discos NCL, NCL-LP-001</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#91 Title: 
                  <title render="italic">Freedom First</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Spartacus </persname>R</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Freedom First, Black and White Moderate Show,
                    Caterpillar, Oh Mama, Look around you People, Bury my Heart at Wounded Knee</p>
                  
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Run with the Living, Live and Let me Live, Too
                    Much, He was my Friend, Friendly Feeling</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Zara Music Records, ZMR LP 4</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#92 Title: 
                  <title render="italic">Brotando del Silencio
                    </title>(Breaking Out of the Silence)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Suni Paz</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Abrele paso a mi fusil, Prisioneros somos, Quiero
                    decirte, Queca del auto; Albizu campos, sembrador; Las condiciones; Tania,
                    guerillera</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: A mi guerrero, Corrido de Aztlan, Canto a culebra,
                    Indio y negro, La bamba chicana, Canto y amenecer, Hasta la victoria
                    siempre</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Paredon, P-1016</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#93 Title: 
                  <title render="italic">From the Sky of My Childhood (Del
                    cielo de mi ninez): Folk Songs from Latin America</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Suni Paz</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Cancin de la ternura, La llorona, Pollerita
                    colorada, Al ajo, Manos vacas, Vamos chamar o vento</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Corazn contesta, Por signos, Casi-casi, Cancin por
                    un nio en la calle, Soe que el fuego se helaba, Coplas de la Quebrada de
                    humahuaca</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Folkway Records, FW 8875</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#94 Title: 
                  <title render="italic">Tropicos: Songs of Cuba and
                    Brazil</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Daniel Viglietti </persname>with 
                    <corpname>El Grupo de Experimentacion Sonora del
                      Cuba</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Dios le pague, Yo vivo en un tiempo de guerra,
                    Acalanto, Upa negrito, Construccin</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Comienzo el dia, Existen, Cancin del Elegido,
                    Pobre del cantor, Un hombre se levanta</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Monitor Music of the World, MFS 791</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">43</container> 
              <unittitle> 
                <geogname>Greece</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#95 Title: 
                  <title render="italic">Chansons de Mikis Theodorakis</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Soula Birbili</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Marina, To Gelasto Pedi, Agapi Mou, Dakysmena
                    Matia, Apo To Parathyro Sou, O Kipos Ebene Sti Thalassa</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Kimissou Angeloudi Mou, Tadate Ta Mathate?, To
                    Psomi Ine Stopi Trapezi, Tou Mikrou Voria, Hathika, Prodomeni Mou Agapi</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, LDX-S-4327</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#96 Title: 
                  <title render="italic">Chansons de lutte </title>(Songs of
                  Strife)</unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Aujourd'hui la 
                  <geogname>Grece </geogname>( 
                  <geogname>Greece </geogname>Today), A nikiforos Mandilaras,
                  Les premiers morts, Lorsque tu frapperas a ma porte, Lamentation, N'oublie pas
                  oropos, Pour non obeissance aux instructions, Le Gaillard</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: Rue Bouboulinas une lettre, La cour, Celui qui me
                  pourchasse, Ferme donc la fenetre, Les volcans, A samos, Les v&#339;ux</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: 2445 004</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#97 Title: 
                  <title render="italic">Mauthauzen and Six Songs </title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Maria Farantouri</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Asma Asmaton, O Andonis, O Drapetis, Otan Teliossi
                    O Polemos</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Kourastika Na Se Krato, O Iskios Epesse Varis,
                    Pira Tous Dromous T'Ouranou, Stou Kosmu Tin Aniforia, To Ekkremes, T'oneiro
                    Kapnos</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Broadside Records, BRS 309</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#98 Title: 
                  <title render="italic">The Ballad of a Free People: The Story
                    of the Greeks</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Mikis Theodorakis, </persname> 
                    <persname>Yannis Ritsos</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Afta ta dentra, Oli Dipsane, Otan sfingoun to
                    cheri, Tossa chronia, Bikan sta sidera</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Dendro to dendro, Pios na to pi, Tha simanoun I
                    cambanes, Travixane Psila</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Broadside Records, BR 307</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#99 Title: 
                  <title render="italic">Etat de Siege, Pome "Marina"</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Mikis Theodorakis, </persname> 
                    <persname>Maria Farantouri, </persname> 
                    <persname>Antonis Kaloyannis</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Polydor, 184 357</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Italy</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#100 
                  <title render="italic">Title: Canti di donne in lotta:
                    movimento femminista romano, n. 2</title> </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Felicita', Una donna nella tua vita, Il mestiere
                  piu' antico, Abortire, 8 Marzo, Ma verra' un giorno</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: Amore, Umanita', Storia di una cosa, Tango della
                  femminista, Frigida, Mi guardo in uno specchio</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: I Dischi Dello Zodiaco, VPA 8307</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#101 Title: 
                  <title render="italic">Canto della resistenza</title>
                  </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Inno di mameli, Bella ciao, La' su quei monti, Il
                  bersagliere ha cento penne, Pieta' l'e' morta, Lungo la strada</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: La stella del partigiano, Cosa rimiri mio bel
                  partigiano, Valsesia, Ma mi, Il canto dei deportati, Non voglio piu'</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Las Vegas, LV 3004</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#102 Title: 
                  <title render="italic">Chants des migrants italiens</title>
                  </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: 
                  <geogname>Italia </geogname>bella, mostrati gentile, Quando
                  saremo en merica, E tutti va in 
                  <geogname>Francia, </geogname>Vuoi tu venir giuletta?, Sei
                  bella negli occhi, Io parto per l' 
                  <geogname>America, </geogname>Santa Lucia Luntana, Quando
                  l'albero comincia a fiorire</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: Il tragico affondamento del bastimento "Sirio",
                  Mamma mia, dammi centro lire, Trenta giorni di nave a vapore, Il tuo ritorno,
                  Fox-trot della nostalgia, La tragedia del Mattmark</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Le Chant du Monde, LDX 74477</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#103 Title: 
                  <title render="italic">Ivan Della Mea</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Ivan Della Mea, </persname> 
                    <corpname>Giorgio Gaslini Big Band</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Il fiume furore</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Canto per i martiri negri</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: I Dischi del Sole, DS 167/69/CL</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#104 Title: 
                  <title render="italic">Io so che un giorno</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Ivan Della Mea</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Io so che un giorno, Mi so no el perch, Quand riva
                    'l cald', A quel omm'</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Sent' un po', Gioan, te se ricordet; Te se
                    ricordet, Gioan, de me fradel; El diluvi; Che cosa voglion dire gli occhi
                    tristi; Mangia el carbon e tira l'ultim fi</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: I Dischi del Sole, DS 122/24</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#105 Title: 
                  <title render="italic">Il rosso diventato giallo </title>(Red
                  Has Become Yellow)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Ivan Della Mea</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Venne maggio: Prologo di un anno, Forza giuan
                    l'idea non morta, Nostro amor la crescer, Domani amore andremo</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: un buon padre un bravo italiano ma..., A questo
                    punto il prezzo qual', Perch mai parlarci di pace, Il rosso diventato
                    giallo</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: I Dischi Dello Zodiaco, VPA 8104</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#106 Title: 
                  <title render="italic">Canti di donne in lotta: Il canzoniere
                    femminista</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Gruppo Musicale del Comitato per il Salario al
                      Lavoro Domestico</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Prologo, Siamo stufe, E la mi mamma, Canzone di
                    strada, Devento mata, Avete mai guardato, Il parto, Noi donne</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Bambini pianificati, Il divorzio, La malcontenta,
                    Aborto di stato, Stornello per i compagni; Stato, padroni...</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: I Dischi Dello Zodiaco, VPA 8259</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#107 Title: 
                  <title render="italic">I Gufi cantano due secoli di
                    resistenza</title> </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Partire, partir, partir bisogna; Inno a Oberdan,
                  Addio a Lugano, Ninna nanna della guerra, O Gorizia tu sei maledetta, Il
                  bersagliere ha cento penne</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: Bella ciao, Fischia il vento, Cosa rimiri mio bel
                  partigiano, Piet l' morta, Se non ci ammazza i crucchi</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Columbia, QPX 8093</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#108 Title: 
                  <title render="italic">La vivazione: La partita
                    truccata</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Giovanna Marini</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1/2: Canta e suona: Poema epico</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: CEDI, GLP 81023</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#109 Title: 
                  <title render="italic">Non consumiamo Marx</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Luigi Nono</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Un Volto, Del mare</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Non consumiamo 
                    <famname>Marx</famname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: I Dischi del Sole, DS 182/84/CL</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#110 Title: 
                  <title render="italic">Palmiro Togliatti: La sua voce, il suo
                    pensiero, le sue testimonianze di protagonista </title> </unittitle> 
              </did> 
              <scopecontent> 
                <p>Sides 1/2: La svolta di 
                  <geogname>Salerno </geogname> </p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Della S.P.A.M., GLP 81006</p> 
              </scopecontent> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Jamaica</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#111 Title: 
                  <title render="italic">Woman Talk: Caribbean Dub
                    Poetry</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Elaine Thomas, </persname> 
                    <corpname>Breeze, </corpname> 
                    <persname>Anita Stewart, </persname> 
                    <corpname>Afua, </corpname> 
                    <persname>Louise Bennett</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Get Back, Respect, Politician, Beggin' is a Ting,
                    Color Bar</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Reality, Desperation Poem, Mother Francis 
                    <geogname>, South Afrika, </geogname>Dutty Tuff, Dutty
                    Dub</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Heartbeat Records, HB-25</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Jewish</unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#112 Title: 
                  <title render="italic">Chants du Ghetto</title> </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Oy a Nacht a sheyne, Yisrolik, Ver der ershter vet
                  lachn, Shtil di Nacht iz oysgeshternt, Tsipele, Farvos iz der Himl geven nechtn
                  loyter?, Sheyn bin ich sheyn, Oyfdem Zamd fun Negev</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: A Mame's Nign, Findjan, Oy dortn dortn ibern Vaserl,
                  Frunze verde, Noch a Giezele Tey, Yididsh, Motele</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Folkways Records, Le Chant du Monde,
                  FWX-M-53558</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#113 Title: 
                  <title render="italic">Romanzas y Cantigas Sefardies</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Joaquin Diaz</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: A la una yo nazi, Caminando por la plaza, La rosa
                    enflorece, Desde hoy la mi madre, Una hija tiene el rey, Mam yo no tengo visto,
                    Hija ma mi querida, Dize la nuestra novia, Esta montaa</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Una pastora, Mi padre era de 
                    <geogname>Francia, </geogname>Arvoles yoran, A la nana,
                    Avre este abajour, Levanteisme madre, Avre tu puerta cerrada, Durme durme,
                    Buena semana</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Movieplay, S-26117</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#114 Title: 
                  <title render="italic">Jewish Folk Songs</title> </unittitle>
                
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Martha Schlamme</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Chanuke, O Chanuke!, Geh ich mir Spatzieren, Mai
                    Komashmo Lon, Shein bin ich shein, Tum-balalayka, Die Mesinke, Sug mir du shein
                    Meidele, Dire-gelt</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: A pintele, Oy Dortn Dortn Ibern Vaserl, Freilach,
                    Partizaner Lid, Zog Nit Keynmol, Zhankoye, Tif in Veldele, Die Machetunem</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Vanguard, VRS-9011</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">44</container> 
              <unittitle> 
                <geogname>Mexico</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#115 Title: 
                  <title render="italic">4 Copas</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Lola Beltran</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Cuatro copas, Llegando a t, Que bonito que bonito,
                    La espiga, Cuando nadie te quiera, Vmonos</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Nube pasajera, La noche y t, Lo nuestro se acab,
                    Adorado tormento, Siempre hace fro, Paloma negra</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Peerless, LPL 183</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#116 Title: 
                  <title render="italic">Soledad Bravo</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Soledad Bravo, </persname> 
                    <persname>Rafael Alberti</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: A Cadiz base extranjera, Rota oriental 
                    <geogname>Spain, </geogname>Ven mi amor, Al pueblo de 
                    <geogname>Brasil, </geogname>Balada del posible regreso,
                    Balada del parana, Yo mataba a los murcielagos</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Coplas de Juan Panadero, Juan Panadero en 
                    <geogname>Amrica, </geogname>Que trata de 
                    <geogname>Espaa, </geogname>A la soledad me vine, A 
                    <persname>Pablo Neruda </persname>en el corazn, Tarde de
                    otoo</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Gamma, GX 01-1145</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#117 Title: 
                  <title render="italic">Soledad Bravo Vol. 4</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Soledad Bravo</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Palabras de amor, Coplas de 
                    <persname>Martin Ferro, </persname> 
                    <geogname>Gottingen, </geogname>Los mineros de Asturias,
                    Nana Meridea</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Apelo, El corralero, Gre de 
                    <geogname>Lyon, </geogname>A jangada voltou so, Yo me vi
                    rodeando el mundo</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Gamma, GX 01-746</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#118 Title: 
                  <title render="italic">Soledad Bravo</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Soledad Bravo</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: La vida no vale nada, Yo pisare las calles
                    nuevamente, A 
                    <persname>Salvador Allende </persname>en su combate por la
                    vida, Sueo con serpientes</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Campo de amor, El tiempo el implacable, El
                    colibri, Esta cancin, Mariposas</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Gamma, GX 01-1179</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#119 Title: 
                  <title render="italic">Un grito, una cancin, una esperanza,
                    testimonios rebeldes</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Jose de Molina Jose</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: 
                    <geogname>Amrica latina </geogname>canta, Las elecciones,
                    los gorilas, Halcn colea colea, El gallito trovador (Sobre un tema popular
                    oaxaqueo</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: De la mano del viento, La serpiente verde, Al
                    general, Cura y guerillero, Canto por genero Vsquez R., Despedida</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Nueva Voz (Latinoamericana), JS-05</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#120 Title: 
                  <title render="italic">Musica de la Costa Chica de Guerrero y
                    Oasaca</title> </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Ya te he dicho, Vibrorita del mar, La paloma y el
                  jarabe Oaxacado, Tragedia de 
                  <persname>Prisco Sanchez</persname> </p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: Con cuidadito, La Yerbabuena, 
                  <persname>Maria Palitos, </persname>Chilena de pinotepa
                  nacional, Mariquita mia</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Instituto Nacional de Antropologa e Historia,
                  MC 0828</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#121 Title: 
                  <title render="italic">Al cancionero popular</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Amparo Ochoa, </persname> 
                    <corpname>Los Folkloristas</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: El barzon, Tierra humeda, A que les tiras cuando
                    sueas Mexicano, El negro Manuel Antonio, Bola Suriana de la muerte de 
                    <persname>Emiliano Zapata, </persname>La madicin de
                    malinche</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Jugar a la vida, La prietta clara, Como tu, Cancin
                    para despertar a un negro, Mi abuelo, Quiero</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Discos Pueblo, DP1006</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#122 Title: 
                  <title render="italic">Canta con los nios </title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Amparo Ochoa</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Pas con rey, Los tres gorrioncitos, El papalote
                    azul, El gurisito, Mi arbolito, Protesta infantil</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Sapin sapen, El mundo al reves, El vaquerito,
                    Cancin para mi nio, El sembrador, Himno pionero</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Discos Pueblos, DP-1048</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#123 Title: 
                  <title render="italic">Cronica mexicana</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Judith Reyes</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: La Salinidad, Corrido de Arturo Gamiz, Corrido de 
                    <geogname>Santo Domingo, </geogname>Los nios
                    trabajadores</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Gorilita gorilon, La ocupacin militar de la
                    universidad, Cancin del politecnico, La tragedia de la Plaza de las Tres
                    Culturas, Marcha de los Caidos</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Le Noveau Chansonnier International, Le
                    Chant du Monde, LDX-74421</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#124 Title: 
                  <title render="italic">Canciones mexicanas en la voz
                    inolvidable </title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Lucha Reyes</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: El herradero, Cancin mexicana, La Panchita, Mujer
                    ladina, As somos en Jalisco, Tlaquepaque</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Caminito de contreras, Ay Jalisco no te rajes, Por
                    un amor, El Juan, Maanita, Ay mamita</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: RCA Victor, MKL-1120</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#125 Title: 
                  <title render="italic">De Tlatelolco a Tlatelolco</title>
                  </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Volveremos (Testimonios de carteles, consignas,
                  canciones de 
                  <geogname>Mxico </geogname>68.), Un lugar de 
                  <persname>Javier Snchez Arreglo: </persname>"Los Nakos", 2 de
                  octubre de 
                  <persname>Vctor Sanen</persname> </p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: Matanza Templo Mayor (Ao 1521, Texto indgena),
                  Ultimos das de Tlatelolco (Ao 1521, texto indgena), 6.10 P.M. Tlatelolco 
                  <unitdate type="inclusive"> 1968. </unitdate>Un minuto de
                  silencio. De Mascarones., Homenaje a los estudiantes mexicanos de Angel Parra (
                  
                  <geogname>Chile</geogname>)</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Mascarones, L.P.M. 03</p> 
              </scopecontent> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Nicaragua</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#126 Title: 
                  <title render="italic">Yo soy de un pueblo sencillo</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Luis E. Mejia Godoy</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Primero de enero, El inventario, Pobrecito mi
                    Chipote, Para recordar, Tininiska</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Dos canciones de amor para el otoo, Venencia, Mi
                    venganza personal, Opino, Yo soy de un pueblo sencillo</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: ENIGRAC, MC-021</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Palestine</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#127 Title: 
                  <title render="italic">Palestine Lives: Songs from the
                    Struggle of the people of Palestine </title>(Songs interspersed by
                  interviews)</unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Beladi (Motherland), The Revolutionairies' Debt, The
                  Rising Tide, The Testament of a Martyr, The Road of Dignity, Fedayee (Freedom
                  Fighter), 
                  <geogname>Palestinian </geogname>Arab</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: Take Me With You, The March of Our People, The
                  Revolutionaries' Pledge, The Wedding of Victory, Blood United Us, Al-Assifa
                  (The Storm), Over the Hill, If I Should Fall, I Am Enduring</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Paredon, P-1022</p> 
              </scopecontent> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Puerto Rico</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#128 Title: 
                  <title render="italic">Basta Ya Revolucin: Letra y Musica de
                    Roy Brown</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Roy Brown</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Antonio muri de un balazo, Pal viejo y que
                    adivine, El negrito bonito, Lamento neoyorquino</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Falsos constructores, Al hombre nuevo (A la
                    brigada de la zona minera), Soy puertoriqueo, Vengan mis amigos, Descargo Num.
                    51</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Disco Libre, L.P. 002</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#129 Title: 
                  <title render="italic">Puerto Rico 2010</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Frank Ferrer</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Tema, Camilo Torres, Yo tu, Hemos dicho basta, Ya
                    se van</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: A desalambrar y a rescatar, Paloma, Pa los
                    obreros, La borinquera, Tema</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: TLD-001</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#130 Title: 
                  <title render="italic">Tengo Puerto Rico en mi corazon
                    </title>(I Have Puerto Rico in My Heart)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Pepe </persname>y 
                    <persname>Flora</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Que Bonita Bandera, Culebras y vieques, 
                    <geogname>Puerto Rico </geogname>tiene minas, Yo Quiero,
                    Preciosa, En un pueblito</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Controversia, Orgullosa, Senor inversionista,
                    Volveremos, Borinquen, Cuchifritos</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Paredon, P1005</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#131 Title: 
                  <title render="italic">Aqu se hable espaol!</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Pedro Pietri</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Aqu se hable espaol, Puerto Rican obituary, Himno
                    de Papa Dios, Sex and the Virgin Mary</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Suicide Note of a Cockroach, The Rise and Fall of
                    the Avon Lady, The Broken English Dream, The Blue Uniform</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Discos Coqui LP 1203</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Spain</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#132 Title: 
                  <title render="italic">Cantos de la resistencia</title>
                  </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Cancion de Bourg-Madame, Ya se fue el verano, Sin
                  pan, Desde que Franco y la Falange, Muerte en la catedral</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: En Espaa, las flored, Y son tiempos de bonanza, La
                  herba de los caminos, Cancion de paz, Una cancion</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#133 Title: 
                  <title render="italic">Songs of the Spanish civil war, v.
                    2</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Woody Guthrie, </persname> 
                    <persname>Ernst Busch, </persname> 
                    <persname>Bart van der Schelling, </persname> 
                    <corpname>Exiles Chorus</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Jarama, On the Jarama front, Ballad of the XI
                    brigade, Hans Beimler, Comerade, The Thaelmann-Column</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Santa Espina, Sevillanos, The road to Aviles, La
                    guardia rossa, Wie hinterm Draht, La joven guardia, Au devant de la vie</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Folkways, FH 5437</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Insert with lyrics.</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Venezuela</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#134 Title: 
                  <title render="italic">Venezuela, guerriglia</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Douglas Bravo</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Messaggi di guerriglieri della montagna ai
                    combattenti della citt, Todos los trabajadores, Corrido de Argimiro Gabaldon,
                    Corrido de Fabricio Ojeda</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Altri messaggi e saluto del Comandante Raul, Viva
                    las faln, Campesino obrero estudiante, Las clases dominantes</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Archivi Sonori, SdL AS/6</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">45</container> 
              <unittitle> 
                <subject>Pop, </subject> 
                <subject>Folk, </subject> 
                <subject>Labor </subject>movement, 
                <subject>Protest</subject> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#135 Title: 
                  <title render="italic">Farewell, Angelina</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Joan Baez</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Farewell Angelina, Daddy You've Been On My Mind,
                    It's All Over Now Baby Blue, The Wild Mountain Thyme, Ranger's Command,
                    Colours</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Satisfied Mind, The River in the Pines, Pauvre
                    Rutebouef, Sagt Mir wo die Blumen sind, A Hard Rain's a-Gonna Fall</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Vanguard-9200</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#136 Title: 
                  <title render="italic">Joan Baez, Volume 2</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Joan Baez</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Wagoner's Lad, The Trees They Do Grow High, The
                    Lily of the West, Silkie, Engine, Once I Knew a Pretty Girl, Lonesome Road</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Banks of the 
                    <geogname>Ohio, </geogname>Pal of Mine, 
                    <persname>Barbara Allen, </persname>The Cherry Tree Carol,
                    Old Blue, Railroad Boy, Plaisir d'Amour</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Vanguard, VRS-9004</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#137 Title: 
                  <title render="italic">Elaine Brown</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Elaine Brown</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: No Time, Jonathan, Can't Go Back, All the Young
                    and Fine Men, Until We're Free</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: I Know Who You Are, Child in the World, A Little
                    Baby, And We Shall Meet Again</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Black Forum, BF 458L</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#138 Title: 
                  <title render="italic">The Best of the Chad Mitchell
                    Trio</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Chad Mitchell Trio</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: 
                    <persname>Lizzie Borden, </persname>Hang on the Bell
                    Nellie, The Great Historical Bum (The Bragging Song), Super Skier, 
                    <corpname>The John Birch Society</corpname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: The Ides of 
                    <geogname>Texas </geogname>- Don't Fence Me In, James James
                    Morrison Morrison, Green Grow The Lilacs, Hello Susan Brown, The Unfortunate
                    Man, You Can Tell The World</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Kapp, KL-1334</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#139 Title: 
                  <title render="italic">To Be a Man</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Len Chandler</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: To Be a Man, Feet First Baby, Nancy Rose,
                    Bellevue, Missionary Stew #2, Keep on Keepin' On</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Shadow Dream Chaser of Rainbows, Hide Your Heart
                    Little Hippie, Roll Turn Spin, Time of the Tiger, Takin' Me Away From You
                    Train, Quittin' Time</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Columbia, CL 2459</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#140 Title: 
                  <title render="italic">Golden Apples of the Sun</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Judy Collins</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Golden Apples of the Sun, Bonnie Ship the Diamond,
                    Little Brown Dog, Twelve Gates to the City, Christ Child Lullaby, Great Selchie
                    of Shule Skerry</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Tell Me Who I'll Marry, Fannerio, Crow on the
                    Cradle, Lark in the Morning, Sing Hallelujah, Shule Aroon</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Elektra, EKL-222</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#141 Title: 
                  <title render="italic">The Judy Collins Concert</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Judy Collins</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Winter Sky, The Last Thing on My Mind, Tear Down
                    the Walls, Bonnie Boy Is Young, Me and My Uncle, Wild Rippling Water, The
                    Lonesome Death of 
                    <geogname>Hattie Carroll</geogname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: My Ramblin' Boy, Red-Winged Blackbird, Coal
                    Tattoo, Cruel Mother, Bottle of Wine, 
                    <persname>Medgar Evers </persname>Lullaby, Hey Nelly
                    Nelly</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Elektra, EKL-280</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#142 Title: 
                  <title render="italic">Mean Mothers Independent Women's
                    Blues, Volume 1</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Ida Cox, </persname> 
                    <persname>Lil Green, </persname> 
                    <persname>Mary Dixon, </persname> 
                    <persname>Bessie Brown, </persname> 
                    <persname>Bertha Idaho, </persname> 
                    <persname>Maggie Jones, </persname> 
                    <persname>Billie Holiday, </persname> 
                    <persname>Lil Armstrong, </persname> 
                    <persname>Susie Edwards, </persname> 
                    <persname>Gladys Bentley, </persname> 
                    <persname>Harlem Hannah, </persname> 
                    <persname>Blue Lou Barker, </persname> 
                    <persname>Rosa Henderson, </persname> 
                    <persname>Rosetta Howard, </persname> 
                    <persname>Bernice Edwards, </persname> 
                    <persname>Martha Copeland</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Good Time Mama, Ain't Much Good in the Best of Men
                    Nowadays, You Ain't Gonna Feed in My Pasture Now, Oh Yeah, Long Tall Mama, How
                    Much Can I Stand?, You Can't Sleep in My Bed, Move It on Out of Here</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Can't Be Bothered with No Sheik, Keep Your Nose
                    Out of Mama's Business, Or Leave me Alone, I Don't Dig You Jack, Come Easy Go
                    Easy, One Hour Mama, Why Don't You Do Right, Baby Get Lost</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Rosetta Records, RR 1300</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#143 Title: 
                  <title render="italic">FTA! Songs of the GI
                    Resistance</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Barbara Dane, </persname> 
                    <persname>Bill Frederick, </persname> 
                    <corpname>Janus, </corpname> 
                    <persname>Fred Gardner, </persname> 
                    <persname>Pete Seeger, </persname>active-duty
                    GIs</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Join the GI Movement, Hallelujah I'm a Bum, Ballad
                    of 
                    <persname>Richard Campos, </persname>Go Tell it on the
                    Mountain, Just Another Day, We Shall Not be Moved</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Resistance hymn, Insubordination, Last Drink with
                    Don, Bring 'em Home</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Paredon P1003</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Insert with information about the resistance movement.
                    Recorded at 
                    <geogname>Fort Hood, </geogname> 
                    <geogname>Texas, </geogname> 
                    <geogname>Fort Benning, Georgia.</geogname>, and 
                    <geogname>Fort Bragg, </geogname> 
                    <geogname>North Carolina.</geogname> </p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#144 Title: 
                  <title render="italic">Julie Felix</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Julie Felix</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Masters of War, The Old Maid's Song, Hey Nelly
                    Nelly (Hey Willie Willie), Cu-Cu-Ru-Cu, Tarry Town, Aunt Rhode, Pastures of
                    Plenty</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Tell Old Bill, Ship in the Sky, Buttermilk Hill,
                    Sally Don't You Grieve, Don't Think Twice It's All Right, The Riddle Song,
                    Plane Crash at 
                    <geogname>Los Gatos</geogname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: DECCA, LK4626</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#145 Title: 
                  <title render="italic">The Freedom Singers Sing of Freedom
                    Now!</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Freedom Singers, </corpname> 
                    <persname>John Lewis </persname>(speech)</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: We are soldiers in the army, Speech by 
                    <persname>John Lewis, </persname>They laid 
                    <persname>Medgar Evers </persname>in his grave, Soon-a will
                    be done, Come by here</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: I'm a Demonstratin' G.I. From 
                    <geogname>Fort Bragg, </geogname>Oginga odinga, We'll Never
                    Turn Back (Theme song of the 
                    <geogname>Mississippi </geogname>Summer Project), 
                    <corpname>The Student Non-Violent Coordinating Committee,
                      </corpname>Oh Freedom, This Light of Mine</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Mercury, MG 20924</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#146 Title: 
                  <title render="italic">Joe Glazer Sings Labor Songs</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Joe Glazer</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: We Shall Not be Moved, Miner's Strawberries, Hard
                    Times in the Mill, We are Building a Strong Union, The Mill was Made of Marble,
                    Union Maid, Roll the Union on, That's All</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Solidarity Forever, It Could be a Wonderful World,
                    Union train, 
                    <persname>Joe Hill, </persname> 
                    <persname>John Henry, </persname>Automation, Too Old to
                    Work, We've Got a Lot of Work to do</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Collector Records, 
                    <unitdate type="inclusive"> 1918</unitdate> </p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#147 Title: 
                  <title render="italic">Working People Gonna Rise</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Beverly Grant, </persname> 
                    <corpname>Human Condition</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Things ain't what they used to be, Janie's Janie,
                    Charlie's song, Chain reaction, Feel good</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Father, Mama, I remember, Uncle Sam, Clifford
                    Glover, Working people gonna rise</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Paredon, P-1024</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Insert with biographical information about the performers
                    and Paredon Records.</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#148 Title: 
                  <title render="italic">Hazel and Alice</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Hazel and Alice</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Mining Camp Blues, Hello Stranger, The Green
                    Rolling Hills of 
                    <geogname>West Virginia, </geogname>A Few More Years Shall
                    Roll, Two Soldiers, The Sweetest Gift a Mother's Smile, Tomorrow I'll be
                    Gone</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: My Better Years, Custom-Made Woman Blues, Don't
                    Put Her Down You Helped Put Her There, You Gave Me a Song, Pretty Bird, Gallop
                    to Kansas</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Rounder Records, 0027</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#149 Title: 
                  <title render="italic">The Original Read-in for Peace in
                    Vietnam</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Stanley Kauffmann, </persname>chairman, edited by
                    
                    <persname>Rosaline Wells </persname>&amp; 
                    <persname>Louis Menashe</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Dr. 
                    <persname>Oscar Sachs, </persname> 
                    <persname>Stanley Kauffmann, </persname> 
                    <persname>Ossie Davis, </persname> 
                    <persname>Ruby Dee, </persname> 
                    <persname>Alan Dugan, </persname> 
                    <persname>Alfred Kazin, </persname> 
                    <persname>Susan Sontag, </persname> 
                    <persname>Galway </persname> 
                    <persname>Kinnell, Viveca Lindfors, </persname> 
                    <persname>Denise Levertov, </persname> 
                    <persname>William Gibson, </persname> 
                    <persname>Jules Feiffer, </persname> 
                    <persname>Louis Untermeyer, </persname> 
                    <persname>William Styron, </persname> 
                    <persname>Maureen Stapleton</persname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: 
                    <persname>Tony Randall, </persname> 
                    <persname>Hortense Calisher, </persname> 
                    <persname>Robert Lowell, </persname> 
                    <persname>Lenore Marshall, </persname> 
                    <persname>Arthur Miller, </persname> 
                    <persname>Joel Oppenheimer, </persname> 
                    <persname>William Melvin Kelley, </persname> 
                    <persname>Walter Lowenfels, </persname> 
                    <persname>Norman Mailer, </persname> 
                    <persname>Fritz Weaver, </persname> 
                    <persname>Muriel Rukeyser, </persname> 
                    <persname>Bernard Malamud, </persname> 
                    <persname>Stanley Kunitz, </persname> 
                    <persname>Lillian Hellman, </persname> 
                    <persname>Harvey Swados</persname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Broadside Records, BR 452</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Insert with notes and the text of the speechs.</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#150 Title: 
                  <title render="italic">The Last Poets</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>The Last Poets</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Run Nigger, On the Subway, Niggers Are Scared of
                    Revolution, Black Thighs, Gashman, Wake Up Niggers</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: 
                    <geogname>New York </geogname> 
                    <geogname>New York, </geogname>Joners Comin' Down, Just
                    Because, Black Wish, When the Revolution Comes, Two Little Boys, Surprises</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Douglas 3</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#151 Title: 
                  <title render="italic">Boston Ride</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Lilith</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Funky Tale, (Everytime I turn Around) Back in Love
                    Again, Pick Up the Pieces, 
                    <geogname> Boston </geogname>Ride</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Nomad, Gold and Silver, Long Train Runnin', Too
                    Late</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Galaxia</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#152 Title: 
                  <title render="italic">Bad Lads and Hard Cases, British
                    Ballads of Crime and Criminals</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Ewan MacColl, </persname> 
                    <persname>Peggy Seeger</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Turpin Hero, Spence Broughton, Ivor, The Bonnie
                    Banks of Airdrie, Superintendent Barratt, Barratty-Parratty, Go Down You
                    Murderer, Van Damien's Land</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Whiskey in the Jar, Bill Brown, The Banks of the
                    Royal Canal, The Black Velvet Band, Hard Case, The Ballad of Bentley and Craig,
                    Treadmill Song, Gilderoy</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Riverside, RLP 12-632</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#153 Title: 
                  <title render="italic">Helene Martin</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Helene Martin</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Auberge toi et moi, Il y avait tant de muguet, Le
                    velo, Rue de chateau, Baptiste des Merveilles, Chant des Vauriens</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Ainsi 
                    <geogname>Prague, </geogname>Le Plaisir dieu, J'attends
                    j'attendrai, L'homme en bleu, Bel-abbes, S'il est un beau jour</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Disques Ads, 33 VS 591</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#154 Title: 
                  <title render="italic">Canciones de Espaa</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Germaine Montero</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Los Cuatros Muleros, Los Contrabandistas de Ronda,
                    Nana, Paso Rio, No hay quien pueda, Eres Alta y Delgada, El baile de Avila</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Ya se van los pastores, Jotas, Asturiana, Folia de
                    San Vicente de la Barquera, Corrocloclo, Fandango, Gallegada, Con las
                    Abejas</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Vanguard, VRS-9050</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#155 Title: 
                  <title render="italic">Chante les grandes chansons de Pierre
                    Mac Orlan, Volume 2</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <geogname>Germaine Montero</geogname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Fanny de Lanninon, Le dpart des joyeaux, La
                    chanson de bagatelle, Nelly, Le Pont du Nord, La Rue Saint-Jacques</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: La chanson de Margaret, La belle de mai, crit sur
                    les murs, a n'a pas d'importance, Tortuga</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: EMI, ATX 145</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#156 Title: 
                  <title render="italic">Jacques Prvert dit par Germaine
                    Montero</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Germaine Montero</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Fleurs et couronnes, La pche a la baleine, Pour
                    toi mon amour, La visite au muse, Chanson de l'oiseleur, Barbara, Les feuilles
                    mortes, La couleur locale</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Rue de seine, Le cauchemar du chauffeur de taxi,
                    Cet amour, Le dsepoir est assis sur un bang, Nuages, Chanson pour vous, Le
                    gardien du phare aime beaucoup trop les oiseaux, Promenade de 
                    <famname>Picasso</famname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Vega, V 30 M 961</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#157 Title: 
                  <title render="italic">Lament on the Death of a Bullfighter
                    and other poems and songs of Frederico Garca Lorca</title> </unittitle> 
              </did> 
              <scopecontent> 
                <p>Side 1: Llanto por 
                  <persname>Ignacio Snchez Mejas </persname>(La Cogida y la
                  muerte, La sangre derramada, Cuerpo Performer: 
                  <persname>Germaine Montero </persname>presente, Alma
                  ausente), Cancin de Belisa, La guitarra, Las tres hojas, Poema del cante jondo
                  (El grito, El silencio)</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Side 2: Las Morillas de Jan, Prendimiento de Antoito el
                  Camborio en al camino de Sevilla, Muerte de Antoito el Camborio, Despierte la
                  novia, La casada infiel, La seora zapatera, Romance de la Guardia Civil
                  espaola</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Vanguard, VRS-9055</p> 
              </scopecontent> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#158 Title: 
                  <title render="italic">Monmartre la nuit</title> </unittitle>
                
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Germaine Montero</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Jazz Band, Je voulais des soleils, C'est a 
                    <geogname>Hambourg, </geogname>Les beaux enfants,
                    Complainte de Jack L'eventreur, La chanson de Marianne, Chanson des Saintes
                    Maries de la Mer</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: 
                    <geogname>Paris </geogname>Canaille, La bar de la femme
                    sans tette, Le chat de la voisine, Ne fais pas comme moi, Je pense a toi,
                    Pauvre Ruteboeuf, La complainte du bon pasteur</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Vanguard, VRS-9082</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#159 Title: 
                  <title render="italic">Songs from Mother Courage and Songs of
                    Parisian Nights</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Germaine Montero</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Chanson de Mere Courage, Marche de la victoire,
                    Chanson de la fraternisation, Chanson de Saloman, Marche de la victoire,
                    Berceuse, Cahnson de la grande capitulation</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: La fille de Londres, La chanson de Margaret,
                    Belleville - Menilmontant, Les enfants qui s'aiment, En sortant de l'ecole,
                    Chanson pour les enfants l'hiver, Et la fte continue, Et puis aprs,
                    Tha-ma-ra-boum-dee-he</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Vanguard, VRS-9022</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#160 Title: 
                  <title render="italic">Fire in the Rain</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Holly Near</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Fire in the Rain, Once or Twice, I Got Trouble, No
                    Loss of Pride, Sit With Me</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Working Woman, Foolish Notion, Ain't No Where You
                    Can Run, Wrap the Sun Around You, Voices, Golden Thread</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Redwood Records, RR402</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#161 Title: 
                  <title render="italic">Hang in There</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Holly Near</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Hang in There, No More Genocide, Oh My Beautiful
                    Friends, Wedding Song, Birthday Children</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: GI Movement, Strong, Better Days, More Important
                    To Me, Oh America, T'ng Dan Ta-Lu, Hang in There</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Redwood Records, RRS-3800</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#162 Title: 
                  <title render="italic">Imagine My Surprise!</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Holly Near</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Imagine My Surprise, Put Away, Nina, Lady at the
                    Piano, Fight Back, Riverboat</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Mountain Song/ Kentucky Woman, You Bet, Rock Me in
                    Your Arms, Hay una Mujer Desaparecida, Something About the Women</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Redwood Records, RR401</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#163 Title: 
                  <title render="italic">Lifeline</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Holly Near </persname>and 
                    <persname>Ronnie Gilbert</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: 
                    <persname>Harriet Tubman, </persname>Si Me Quieres
                    Escribir, Beloved Comrade, Two Good Arms, Biko, Gracias a la Vida, Pastures of
                    Plenty, Stormy Weather</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Goodnight Irene, No More Genocide, Isabel, Perfect
                    Night, The Activity Room, Hay Una Mujer, Singing for Our Lives</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Redwood Records, RR404</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#164 Title: 
                  <title render="italic">A Live Album</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Holly Near</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Started Out Fine, Old Time Woman, Laid Off, Water
                    Come Down, It Could Have Been Me</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Faces, Get Off Me Baby, Free to Grow, Feeling
                    Better, Haven't Grown Tired (of Living With You), 
                    <geogname>Santa Monica </geogname>Pier</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Redwood Records, 3900</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <container type="box">46</container> 
                <unittitle>#165 Title: 
                  <title render="italic">And Ain't I a Woman?</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>New Harmony Sisterhood</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: 
                    <persname>Sojourner Truth, </persname>Cotton Mill Girls,
                    Ballad, Working Class, 
                    <persname>Ella Ellison, </persname>Draglines</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Union Maids, 
                    <persname>Joann Little, </persname>2 O'clock Lounge, 
                    <persname>Amelia Earhart, </persname>Unfinished Business,
                    All Our Lives</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Paredon Records P-1038</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#166 Title: 
                  <title render="italic">All the News That's Fit to
                    Sing</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Phil Ochs, </persname> 
                    <persname>Danny Kalb </persname>on second
                    guitar</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: One More Parade, The Thresher, Talking 
                    <geogname>Vietnam, </geogname> 
                    <geogname>Lou Marsh, </geogname>Power and the Glory, Celia,
                    The Bells</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Automation Song, Ballad of William Worthy, Knock
                    on the Door, Talking Cuban Crisis, Bound for Glory, Too Many Martyrs, What's
                    That I Hear?</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Elektra Records, EKL-269</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#167 Title: 
                  <title render="italic">I Ain't Marching Any More</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Phil Ochs</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: I Ain't Marching Anymore, In the Heat of the
                    Summer, Draft Dodger Rag, That's What I Want to Hear, That Was the President,
                    Iron Lady, The Highwayman</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Links on the Chain, Hills of 
                    <geogname>West Virginia, </geogname>The Men Behind the
                    Guns, Talking Birmingham Jail, Ballad of the Carpenter, Days of Decision,
                    Here's to the State of 
                    <geogname>Mississippi</geogname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Elektra, EKL-287</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#168 Title: 
                  <title render="italic">Rehearsals For Retirement </title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Phil Ochs</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Pretty Smart on My Part, The Doll House, I Kill
                    Therefore I Am, William Butler Yeats Visits Lincoln Park and Escapes Unscathed,
                    My Life</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: The Scorpion Departs But Never Returns, The World
                    Begain in Eden But Ended in Los Angeles, Doesn't Lenny Live Here Anymore,
                    Another Age, Rehearsals for Retirement</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: A&amp;M Records, SP-4181</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#169 Title: 
                  <title render="italic">Odetta Sings Dylan</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <geogname>Odetta</geogname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Baby I'm in the Mood for You, Long Ago Far Away,
                    Don't Think Twice It's All Right, Tomorrow is a Long Time, Masters of War</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Walkin' Down the Line, The Times They Are
                    A-Changin', With God on Our Side, Long Time Gone, Mr. Tambourine Man</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: RCA Victor, LPM-3324</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#170 Title: 
                  <title render="italic">Ain't That News</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Tom Paxton</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Ain't That News, The Willing Conscript, 
                    <persname>Lyndon Johnson </persname>Told the Nation, Hold
                    on to Me Babe, The Name of the Game is Stud, Bottle of Wine, The Natural Girl
                    for Me</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Goodman, Schwerner and Chaney, We Didn't Know, Buy
                    a Gun for Your Son, Every Time, Georgie on the Freeways, Sully's Pail, I'm the
                    Man that Built the Bridges</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Elektra, EKL-298</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#171 Title: 
                  <title render="italic">Morning Again</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Tom Paxton</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Jennifer's Rabbit, Mr. Blue, Victoria Dines Alone,
                    The Hooker, So Much for Winning</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Talking 
                    <geogname>Vietnam </geogname>Pot Luck Blues, Clarissa
                    Jones, Morning Again, A Thousand Years, Now That I've Taken My Life</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: EKS-74019</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#172 Title: 
                  <title render="italic">Ramblin' Boy</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Tom Paxton</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: A Job of Work, A Rumblin' in the Land, When
                    Morning Breaks, Daily News, What Did You Learn in School Today, The Last Thing
                    on My Mind, Harper, Fare Thee Well Cisco</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: I Can't Help But Wonder Where I'm Bound, High
                    Sheriff of Hazard, My Lady's a Wild Flying Dove, Standing on the Edge of Town,
                    I'm Bound for the Mountains and the Sea, Goin' to the Zoo, Ramblin' Boy</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Elektra, EKL-277</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#173 Title: 
                  <title render="italic">Live at the Panacea Hilton</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Red Shadow, </corpname> 
                    <corpname>The Economics Rock and Roll Band </corpname>(2
                    copies)</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: In the Lobby, Stagflation, Commodity Fetishism,
                    Hunger, Free Market Election Day, Anything Good, Movement Lovers</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Understanding Marx, Gone Gone Gone, Ass with the
                    Class, Rise, Hurricane</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Physical Records, 21-005</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#174 Title: 
                  <title render="italic">The Force of Life</title> </unittitle>
                
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Red Star Singers </corpname> 
                    <persname>(Bonnie Lockhart, </persname> 
                    <persname>Gary Lapow, </persname> 
                    <persname>Mike Margulis, </persname> 
                    <persname>Ron Rosenbaum</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Still ain't satisfied, Sunshine silver mine, I
                    won't go, Can't be free till everybody else is, 
                    <geogname>Vietnam </geogname>will win!</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: The belly of the monster, A women's health song,
                    Pig 
                    <persname>Nixon, </persname>The force of life</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Paredon, P-1023</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#175 Title: 
                  <title render="italic">Songs by Malvina Reynolds</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Malvina Reynolds</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: The World's Gone Beautiful, Daddy's in the Jail,
                    It Isn't Nice, Boraxo, There'll Come a Time</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: From Way Up Here, The Desert, D.D.T., Let It Be,
                    Morningtown Ride, No Hole in My Head</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Cassandra Records, CFS 5100</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#176 Title: 
                  <title render="italic">Chants des maquis du Vietnam</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Madeleine Riffaud
                      </persname>(compiler)</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Avance dans la jungle, Marche de la libration, Le
                    pal en bambou, L'Arme au chignon, Fille du 
                    <geogname>Viet-Nam, </geogname>Confidences d'un jeune
                    soldat, Gongs des Hauts-Plateaux, Le printemps est revenus sur le Front</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Air de xylophone des Hauts-Plateaux-- Arme
                    l'exercice, Le printemps dans les zones de guerilla, L'arc de Y-On, Le
                    mouchoir, Les oiseaux--Bombardements amricains, Indicatif et annonce de
                    Radio-Libration, Musique traditionnelle, Les convoyeurs de riz de l'Armee, Nous
                    cousons des vtements chauds pour vous, Louons la victoire de Ap Bac, Hymne du
                    Front National de Libration du Sud-Vietnam</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, LDX-S-4316</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#177 Title: 
                  <title render="italic">Favorite Songs</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Paul Robeson</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Hammer Song, Water Me from the Lime Rock,
                    Scandalize my Name, Jacob's Ladder, Witness, Stand Still Jordan, Takin' Names,
                    Swing Low Sweet Chariot</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Hassidic Chant (Kaddish), Wanderer, Songs My
                    Mother Taught Me, Vi Azoi Lebt Der Keyser, The Minstrel Boy, The Orphan, Zog
                    Nit Keynmol, 
                    <persname>Joe Hill</persname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Monitor, MP 580</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#178 Title: 
                  <title render="italic">Cry of Vietnam, Three Vietnamese
                    Voices That Cannot be Silenced</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Robert Ryan, </persname> 
                    <persname>Cao Ngoc Phuong, </persname> 
                    <persname>Thich Nhat Hanh, </persname> 
                    <persname>Trinh Cong Son</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: The old man and the child, Lullaby, Madrigal of a
                    girl who lost her mind, The Cio Linh mother, Nomads, A long day of sorrow</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: I'll go to see, A mother's fate, 
                    <geogname>Vietnam</geogname> instrumental music, The
                    witness remains, Message, Vietnamese instrumental music, Condemnation, Peace,
                    Going to see the country</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Compassionate Arts of the Fellowship of
                    Reconciliation</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#179 Title: 
                  <title render="italic">Le Bonheur</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Catherine Sauvage</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Tam di delam, La chanson de Margaret, Petition
                    d'un voleur a un roi son, Le chant des vauriens, Mister Georgina, La manic, Le
                    bonheur</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Avec, C'est un air, L'echarpe, La Manikoutai, Les
                    gares les ports</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Philips, 844 743</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#180 Title: 
                  <title render="italic">Catherine Sauvage chante Leo
                    Ferre</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Catherine Sauvage</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Vingt ans, On s'aimera, Ta parole, La chanson des
                    amants, Les bonnes manires, La mlancolie</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Comme Ostende, La grve, Mister Georgina, La
                    complainte de la tl, L'ge d'or, C'est la vie</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Philips, P 77.939 L</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#181 Title: 
                  <title render="italic">Penelope Isn't Waiting Any
                    More</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Peggy Seeger</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Sweet Willie, I Built My Lady a Fine Brick House,
                    Hanging Out the Linen Clothes, Poor Old Maids, Too Young, Housewive's Alphabet,
                    Virginny O, You Didn't Do No Wrong, Jenny Bell, Darling Annie</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Nine Month Blues, Good Girl, No More Will I Work
                    in the Factory, Katie Morey, The Maid and the Horse, Song of Myself, Do Do Pity
                    My Case, Talking Want Ad, The Housewife's Lament</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Rounder Records, 4011</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#182 Title: 
                  <title render="italic">The Bitter and the Sweet</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Pete Seeger</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: We Shall Overcome, Living in the Country, Mister
                    Tom Hughes's Country Town, Where Have All the Flowers Gone, Barbara Allen,
                    Turn! Turn! Turn!</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Around and Around Old Joe Clark, Windy old
                    Weather, Ram of Darby, Juanita, Andorra, The False Knight Upon the Road</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Columbia, CS-8716</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#183 Title: 
                  <title render="italic">Dangerous Songs</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Pete Seeger</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Medley (Robin the Bobbin, Mary Mary Quite
                    Contrary, Little Jack Horner), Die Gedanken sind Frei (Thoughts are Free),
                    Jackaro, Never Wed an Old Man, Going Across the Mountains, Harry Simms, King
                    Henry, Medley (Ode to Joy, Goliath Goliath)</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Queen Anne Front, Joe Hill's 
                  <title render="doublequote">Casey Jones</title>, One Grain of
                  Sand, The Pill, The Draft Dodger Rag, 
                  <persname>Mao Tse Tung, </persname>Walking Down Death Row,
                  Two From Shakespeare (Full Fathom Five, Perchance to Win), Beans in My Ears</p>
                  
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Columbia, CL-2503</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#184 Title: 
                  <title render="italic">I Can See a New Day</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Pete Seeger</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: This Land is Your Land, Oh What a Beautiful City,
                    Healing River, Follow the Drinkin' Gourd, Viva la Quince Brigada, Oh 
                    <geogname>Louisiana, </geogname>The Bells of Rhymney</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Go Down Old Hannah, How Can I Keep From Singing,
                    Mrs. McGrath, Mrs. Clara Sullivan's Letter, (The Ring on My Finger Is) Johnny
                    Give Me, I Come and Stand at Every Door, I Can See a New Day</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Columbia, CL-2257</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#185 Title: 
                  <title render="italic">Out of the Darkness, Songs For
                    Survival</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Pete Seeger, </persname> 
                    <persname>Kate Wolf, </persname> 
                    <persname>Holly Near, </persname> 
                    <persname>Don Lange, </persname> 
                    <persname>Chris Williamson, </persname> 
                    <persname>Charlie King, </persname> 
                    <persname>Jesse Colin </persname> 
                    <persname>Young, Dick Gaughan, </persname> 
                    <corpname>Sweet Honey in the Rock</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Old Man Atom, The Sun is Burning, No More
                    Genocide, Take the Children and Run, Power</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Acceptable Risks, Chain Reaction, As I Wwalked on
                    the Road, Study War no More</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Fire on the Mountain, 4001. Distributed by
                    Kaleidescope Records.</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#186 Title: 
                  <title render="italic">Waist Deep in The Big Muddy and Other
                    Love Songs</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Pete Seeger</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Oh Yes I'd Climb (The Highest Mountain Just for
                    You), Seek and You Shall Find, The Sinking of the Reuben James, Waist Deep in
                    The Big Muddy, Last Night I Had the Strangest Dream, Down By the Riverside</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Nameless Lick, Over the Hills, East 
                    <geogname>Virginia, </geogname>My Name is Liza Kalvelage,
                    My Father's Mansion's Many Rooms, Melodie D'Amour, Those Three Are on My
                    Mind</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Columbia, CS-9505</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#187 Title: 
                  <title render="italic">We Shall Overcome (Recorded Live at
                    Historic Carnegie Hall Concert June 8, 1963)</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Pete Seeger</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: If You Miss Me at the Back of the Bus, Keep Your
                    Eyes on the Prize, I Ain't Scared of Your Jail, Oh Freedom!, What Did You Learn
                    in School Today?, Little Boxes, Who Killed 
                    <persname>Norma Jean?, </persname>Who Killed Davey
                    Moore?</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: A Hard Rain's A-Gonna Fall, Mail Myself to You,
                    Guantanamera, Tshotsholosa, We Shall Overcome</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Columbia, CL-2101</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#188 Title: 
                  <title render="italic">Young vs. Old</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Pete Seeger</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Who Knows, Bring Them Home, When I Was Most
                    Beautiful, This Old Car, Ballad of the 
                    <geogname>Fort Hood </geogname>Three, Cumberland Mountain
                    Bera Chase, Since You've Been Apart, Lolly Todum</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: My Rainbow Man, Poisoning the Students' Minds, All
                    My Children of the Sun, The Good Boy, Be Kind to Your Parents, Get Up and Go,
                    Declaration of Independence, Both Sides Now, Mayrowana</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Columbia, CS 9873</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#189 Title: 
                  <title render="italic">No More War</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Jacqueline Sharpe, </persname> 
                    <persname>Walter Raim</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Love song, Honor our commitment, Lullaby, When I
                    was a young thing, Drum majorette, No more war</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Chant for the murdered, Mind your manners, boys,
                    Cardboard apples, To the right--March!, Folksy rocksy sick and easy blues, I'll
                    take my chances.</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Cutty Wren, CWR 101</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#190 Title: 
                  <title render="italic">Sweet Honey in the Rock</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Sweet Honey in the Rock</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: 
                    <corpname>Sweet Honey in the Rock, </corpname>The Sun Will
                    Never Go Down, Dream Variations, Let Us All Come Together, Joann Little, Jesus
                    is My Only Friend, Are There Any Rights I'm To</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Going to See My Baby, You Make My Day Pretty, Hey
                    Man, Doing Things Together, Travelling Shoes</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Flying Fish 022</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#191 Title: 
                  <title render="italic">Viva la causa! Songs and sounds from
                    the Delano strike. </title>Por los huelguistas de Delano y el teatro
                  campesino</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Luis Valdez, </corpname> 
                    <corpname>Felipe Cantu</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Ninos campesinos, Huelga en general, Ay pero si,
                    pero no, Corrido de 
                    <persname>Cesar Chavez, </persname>La peregrinacion,
                    Adelita, Yo no lo tengo miedo, De colores, Llegando a los files, Ser como el
                    aire libre</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Sounds of the strikers, El plan de Delano</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Thunderbird, TR-00001</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Insert with transcription of the words (photocopy)</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#192 Title: 
                  <title render="italic">Together Again</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>The Weavers</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Darling Corey, In a Jocular Vein, Get Up and Go,
                    Tomorrow Lies in the Cradle, Wasn't That a Time, Dark as a Dungeon, Hay una
                    Mujer, Venga Jaleo</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Kisses Sweeter than Wine, When I'm Down for the
                    Count, All Night Long, Something About the Women, We Wish You A Merry
                    Christmas, Wimoweh, Goodnight Irene</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Loom Records, 10681</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Women</unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#193 Title: 
                  <title render="italic">Songs From the Hearts of Women: Save
                    the Children</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Joan Baez, </persname> 
                    <persname>Judy Collins, </persname> 
                    <persname>Barbara Dane, </persname> 
                    <persname>Mimi Faria, </persname> 
                    <persname>Janis Ian, </persname> 
                    <persname>Viveca Lindfors, </persname> 
                    <persname>Odetta, </persname> 
                    <persname>The Pennywhistlers, </persname> 
                    <persname>Malvina Reynolds, Buffy Sainte-Marie, </persname>
                    
                    <persname>Hedy West</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: What Month Was Jesus Born In?, Money Crop, Legend
                    of a Girl Child Linda, Universal Soldier, La Colombe</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: To My Countrymen, Vido Vido, Masters of War,
                    Janey's Blues, Pans of Biscuits; Oh, Had I a Golden Thread</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Women Strike for Peace Records, W-001</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#194 Title: 
                  <title render="italic">Songs of the Suffragettes</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Elizabeth Knight, </persname> 
                    <persname>Sol Julty</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Columbia's Daughters, Uncle Sam's Wedding, Keep
                    Women in Her Sphere, Let Us All Speak Our Minds, The Taxation Tyranny, The
                    Promised Land, The Suffrage Flag, Winning the Vote</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Give the Ballot to the Mothers, Song of 
                    <geogname>Wyoming, </geogname>Going to the Polls, Where are
                    the Boys Today!, The Yellow Ribbon, Hallelujah; Oh, Dear, What Can the Matter
                    Be!, The New America</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Folkways Records and Service Corporation, FH
                    5281</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
        </c02> 
        <c02 level="subseries"> 
          <did> 
            <unittitle>Ten Inch Recordings</unittitle> 
          </did> 
          <c03> 
            <did> 
              <container type="box">47</container> 
              <unittitle> 
                <geogname>Argentina</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#195 Title: 
                  <title render="italic">Antigua Melodia: Mlodie Ancienne,
                    Folklore de l'Argentine</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Atahualpa Yupanqui</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Le chant du monde no. 547, 9361</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>France</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#196 Title: 
                  <title render="italic">Germaine Montero chante les chansons
                    d'Aristide Bruant</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Germaine Montero</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>A la Villette, A Pantruche, Rdeuse de Berges, A la
                    Bastoche, A la Roquette, A Grenelle, A la Glacire, A la Chapelle, A Montmarte,
                    Dans la rue, A Saint-Lazare, Nini Peau d'chien</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Pathe, AT 1033</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#197 Title: 
                  <title render="italic">Paris et sa Banlieue</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <geogname>Germaine Montero</geogname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Au Pont de Charenton, Suresnes, La chanson de Bagatelle,
                    Le Pont du Nord, 
                    <geogname>Paris </geogname>canaille, Neige sur la ville,
                    Mon pot' le Gitan, Mouvement de valse</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Pathe, AT 1039</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>General</unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#198 Title: 
                  <title render="italic">Cancion del Pampino, La pobrecita -
                    Zamba</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Atahualpa Yupanqui</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, No. 548 Parte
                    9359/9363</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#199 Title: 
                  <title render="italic">Danza de la paloma enamorada, Basta ya
                    (Ca suffit)</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Atahualpa Yupanqui </persname>(2
                    Copies)</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, No. 546 Parte
                    9358/9362</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#200 Title: 
                  <title render="italic">Ya sabes mi Paradero, El pendon
                    Morado</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Atahualpa Yupanqui</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, No. 1002 Parte
                    6149/6150</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#201 Title: 
                  <title render="italic">Atahualpa Yupanqui</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Los Calchaquis</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>La tolderia, Vidala de la copa, Indiecito dormido,
                    Chacarera del chaco, Camino del Indio, El Arriero, Atenita del camino, La
                    viajerita, No se porque piensas tu</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, LD-S 4240</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#202 Title: 
                  <title render="italic">Ciel de Paris, la panse</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>R. Carosone </persname>e il Suo Quartetto, 
                    <persname>C. Bernardini, </persname> 
                    <persname>Geg Di Giacomo</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Path, MG 218</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#203 Title: 
                  <title render="italic">Songs of Free Men</title> </unittitle>
                
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Paul Robeson</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Album 1: Oh How Proud Our Quiet Don, From Border to
                    Border</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Album 2: 
                    <persname>Joe Hill, </persname>The Purest Kind of Guy</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Album 3: The Peat-Bog Soldiers, The Four Insurgent
                    Generals</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Album 4: Native Land, Song of the Plains</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Columbia Records, Set MM 534</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#204 Title: 
                  <title render="italic">Istambul, Ufemia</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Bruno Rosettani </persname>e 
                    <corpname>Quartetto Langosz</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Durium, 10377</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Italy</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#205 Title: 
                  <title render="italic">I canti della Resistenza Italiana,
                    Ventennale della Resistenza 1945-1965</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Coro Flymon, </persname> 
                    <persname>Luigi Molfino</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Lettura Motivazione medaglia d'oro con Inno di Mameli,
                    Fischia il vento di Ignoto, Il partigiano di Ignoto, Brigata partigiana di
                    Ignoto, Piet l' morta di Ignoto, Col freddo e con la fame di Ignoto, Egiustizia
                    sar di Ignoto, Siamo i ribelli di Ignoto</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Questo Disco</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#206 Title: 
                  <title render="italic">Desafio, cu-cu-rru-cu-cu
                    paloma</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Tony Aguilar</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Musart, M 1132</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#207 Title: Himno nacional de Mexico: Mexicanos al
                  grito de guerra, General Alvaro Obregn</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Banda de la marina americana</corpname>
                    </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Columbia, 5221-X (WP 23)</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#208 Title: 
                  <title render="italic">Aires del Mayab</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Los Caminantes</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: Nunca, Ella, Quisiera, Peregrina</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Flor, Granito de sal, Ojos tristes, Elrosal
                    enfermo</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Musart, M68</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#209 Title: 
                  <title render="italic">Mexican Folk Songs</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Cynthia, </persname> 
                    <persname>Heraclio Cordero</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Side 1: La bamba, La llorona, Lucrecia, El palo verde, La
                    voltereta, El arreo</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Side 2: Rosita Alvirez, Roman Castillo, El tecolote,
                    General Felipe Angeles, Que linda est la maana</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Vogue, CDM. 10.003</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#210 Title: Maanita, Flor, Golorinda Viajera, Rayito
                  de sol, Tu fuiste, El caminante del Mayab, Que lejos estoy, Menudita, Vol.
                  1</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Guty Grdenas</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Columbia, DCL 23</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#211 Title: 
                  <title render="italic">Cancion Mixteca, La valentina</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Los Gavilanes</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: SMC Pro Arte, 2504</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#212 Title: Pobre corazon, Mi preferida</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Pedro Infante, </persname> 
                    <persname>Mariachi Guitrn</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Peerless, 3193</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#213 Title: 
                  <title render="italic">Ojos tristes, peregrina</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Quintero Mendo de Pepe Dominguez</corpname>
                    </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Peerless, 2535</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#214 Title: 
                  <title render="italic">El soldado de levita, La raspa
                    mexicaine</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>l'Orchestre Garrido, Trio Tariacuri</corpname>
                    </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Typic, Editions J. Garzon, Disques Peerless-
                    
                    <geogname>Mexique, </geogname>1041</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#215 Title: 
                  <title render="italic">A los cuatro vientos, El Mosco
                    cacheton, Mama Lupita, Tambien te puedo olvidar</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Rosita Quintana, </persname> 
                    <corpname>Mariachi Mexico de Pepe Villa</corpname>
                    </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Musart, M158</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#216 Title: 
                  <title render="italic">La malaguea</title> (del film 
                  <title render="doublequote">Enamorada), </title> 
                  <title render="italic">Cielito Lindo</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Trio Calaveras</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: RCA Victor, 70-7474</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#217 Title: 
                  <title render="italic">La malaguea, Los arbolitas, La feria
                    de las flores, Cartas marcadas, El crucifijo de piedra, Cielito lindo, Flor
                    silvestre, Nunca</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Trio Calveras</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: RCA Victor, MKL 3058</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#218 Title: 
                  <title render="italic">Los dos hermanos, La llorona</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Trio Tariacuri</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: RCA Victor, 70-7535</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#219 Title: 
                  <title render="italic">Sufro tu ausencia: cancin ranchera,
                    Yo: cancin ranchera</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Pedro Vargas, </persname> 
                    <persname>Silvestre Vargas</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: RCA Victor</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>Miscellaneous</unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#220 Title: 
                  <title render="italic">Corazn de acero, Fiesta
                    jerezana</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Carmen Amaya</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Decca, 23228, Album no. 269, sides 3/4</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#221 Title: 
                  <title render="italic">Cuatro milpas, La borrachita</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Los Gavilanes</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: SMC Pro Arte, 2503</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#222 Title: 
                  <title render="italic">Cielito lindo, La chaparrita</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Los Gavilanes</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: SMC Pro Arte, 2501</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#223 Title: 
                  <title render="italic">La Punitiva: The Punitive
                    Expedition</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Luis Hernndez, </persname> 
                    <persname>Leonardo Sifuentes</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: RCA Victor, 46437</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#224 Title: 
                  <title render="italic">Caa: Popular Air, Zorongo gitano:
                    Lorca tradicional</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Manolo Manazanilla, </persname> 
                    <persname>Rosario and Antonio</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Columbia, D.B. 3050</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#225 Title: 
                  <title render="italic">T, solo t: Canion ranchera; La
                    chiquitita</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Tro Calveras</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: RCA Victor, AA 488</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#226 Title: 
                  <title render="italic">S, s, s, no, no, no; Cielito lindo
                    huasteco</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Trio Los Panchos: </corpname> 
                    <persname>Alfredo Gil, </persname> 
                    <persname>Chucho Navarro, </persname> 
                    <persname>Hernando Aviles</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Coda, El Disco Supremo, 5013</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#227 Title: 
                  <title render="italic">El cascabel, Angelito negros</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Trio Veracruz: </corpname> 
                    <persname>Gonzalo, </persname> 
                    <persname>Prieto, </persname> 
                    <persname>De Vice</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Pacific, 2756 M</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#228 Title: 
                  <title render="italic">La paloma torcaza, Dos
                    arbolitos</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Irma Vila y su Mariachi</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: RCA Victor, GY 816</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#229 Title: Traigo mi, Cielito lindo: Cancin
                  huapango</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Irma Vila y su Mariachi</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: RCA Victor</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#230 Title: 
                  <title render="italic">Songs of Freedom</title> </unittitle> 
              </did> 
              <scopecontent> 
                <p>Album 1: Ya sabes mi paradero, El tragala</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Album 2: Marineros, Coplas del fuerte de 
                  <geogname>San Cristobal</geogname> </p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Keynote Recordings, K-128-1/2 and 3/4</p> 
              </scopecontent> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <container type="box">48</container> 
              <unittitle> 
                <geogname>Peru</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#231 Title: 
                  <title render="italic">La tana: Fiesta in the Scared
                    Mountain, Tondero: Popular Peruvian Song in Flamenco</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Carmen Amaya</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Decca, 23227, Album no. 269, sides 1/2</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#232 Title: 
                  <title render="italic">Music of Peru: Ethnic Folkways
                    Library</title> </unittitle> 
              </did> 
              <scopecontent> 
                <p>Album 1: Pajarillo cautivo (Mestizo yaravi), Arza
                  huamanguina (Mestizo marinera)</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Album 2: Achachau (Mestizo huayano), La Palizada (Mestizo
                  vals criollo), Munahuanqui (Quechua huayano)</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Album 3: Los Jilacatas (Aymara dance), Sonccuiman (Quechua
                  yaravi)</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Album 4: Chunguinada (Mestizo dance), Torovelakuy (Mestizo
                  toril), Wakrapukara (Quechua dance), Collaguas (Aymara dance)</p> 
              </scopecontent> 
              <scopecontent> 
                <p>Record Label: Folkways Records, 01452, 01453, 01454,
                  01455</p> 
              </scopecontent> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Russia</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#233 Title: 
                  <title render="italic">Moscow Strikes Back</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Gabt USSR</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Album 1: Strolling Home, By the Village </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Album 2: Do Not Touch Us, Life is Better </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Album 3: March of the Tanks, Songs of My Native Land</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Stinson Trading Co., 6366/9316/9320</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Spain</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#234 Title: 
                  <title render="italic">Quelli quelli quer, Sevillanos (Cruz
                    de Maya)</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: (released through the Veterans of the 
                    <persname>Abraham Lincoln </persname>Bridge)</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Disc 
                    <geogname>New York, </geogname>6047</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#235 Title: 
                  <title render="italic">Road to Aviles, Santa Espina</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: (released through the Veterans of the 
                    <persname>Abraham Lincoln </persname>Bridge)</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Disc 
                    <geogname>New York, </geogname>6046</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#236 Title: 
                  <title render="italic">El tragala (siglo XIX), El paso del
                    Ebro (Canciones populares de la guerra de independencia de Espaa)</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Gustavo Pittaluga, </persname> 
                    <persname>Rodolfo Halffter</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: La Voz de Espaa, 1001</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#237 Title: 
                  <title render="italic">Canciones populares de la guerra de
                    independencia de Espaa</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Euzko-Gudari, </persname> 
                    <persname>Rodolfo Halffter, </persname> 
                    <persname>Gustavo Pittaluga, </persname> 
                    <corpname>El vino duce, </corpname> 
                    <corpname>Marineros</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: La Voz de Espaa, 1005</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle>United States</unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#238 Title: 
                  <title render="italic">This Train, Bring Back Those Happy
                    Days</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Sister Rosetta Tharpe</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Decca, 2558</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
        </c02> 
        <c02 level="subseries"> 
          <did> 
            <unittitle>45 RPM Recordings</unittitle> 
          </did> 
          <c03> 
            <did> 
              <container type="box">49</container> 
              <unittitle> 
                <geogname>Argentina</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#239 Title: 
                  <title render="italic">Rcital du guitariste</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Atahualpa Yupanqui: </persname>sur des thmes du
                    folklore Indien 
                    <geogname>d'Argentine</geogname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Vidala, Pastorale Indienne, Baguala, Malambo, Duerme,
                    duerme, negrito</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: BAM, LD301</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Brazil</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#240 Title: 
                  <title render="italic">Cano do metalrgico</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Manoel Costa</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Cano do metalrgico, Trem do horror, P de meia,
                    Sugestes</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Auan Promoes Fonograficas, CGC:
                    49.917.909/0001-06</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Cuba</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#241 Title: 
                  <title render="italic">Como Tin Tin, Sin misterio, Se fundio
                    el bombillo, Macabi</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Hermanos Bravo</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: EGREM, Dujo: Curva RIAA, EPD-4028</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#242 Title: 
                  <title render="italic">Carta del Che leda por Fidel</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Fidel Castro</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Discurso 3 de Octubre de 
                    <unitdate type="inclusive"> 1965, </unitdate>Himno del
                    guerrillero</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Egrem-MC, DP-SD-3</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#243 Title: 
                  <title render="italic">Carta del Che leda por Fidel</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Fidel Castro</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Himno del guerrillero, Marcha de 
                    <geogname>America Latina, </geogname>Carta del Che leda por
                    
                    <persname>Fidel</persname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Egrem, E-33</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#244 Title: 
                  <title render="italic">Versos sencillos: cantados por Oscar
                    Chavez</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Benjamin "Chamin" Correa,
                      </persname>conductor</unittitle> 
                </did> 
                <scopecontent> 
                  <p>La nia de 
                    <geogname>Guatemala, </geogname>Mi honda es la de David, La
                    bailarina Espaola, Yo tengo un amigo muerto</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Egrem (Casa de las 
                    <geogname>Amricas</geogname>), EP-CA-6</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#245 Title: 
                  <title render="italic">Canciones del grupo de
                    experimentacin</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Pablo Milans</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Pobre del cantor, Campesina</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Areito, EPA-6405</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#246 Title: 
                  <title render="italic">Canciones revolucionarias</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Carlos Puebla </persname>y Sus
                    Tradicionales</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Y eso lleg fidel, Cinco puntos de la dignidad, Ya ganamos
                    la pelea, La cuarentena</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Areito, EPA-1008</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#247 Title: 
                  <title render="italic">Hasta siempre Comandante</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Carlos Puebla</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Hasta siempre, Que pare el son, Lo eterno, Un nombre</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Areito, EP.6107</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#248 Title: 
                  <title render="italic">26 de Julio: Los nuevos heroes</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Silvio Rodrguez, </persname> 
                    <persname>Pablo Milans, </persname> 
                    <persname>Noel Nicola </persname>(2 copies)</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Cancin del Eligido, 26, Moncada, Qu hay, Todo el mundo
                    tiene su Moncada</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Egrem (Casa de las 
                    <geogname>Amricas</geogname>)</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#249 Title: 
                  <title render="italic">Cancin protesta</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Silvio Rodrguez, </persname> 
                    <persname>Pablo Milans</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>La era est pariendo un corazon, Por qu, Su nombre puede
                    ponerse en verso, Por la vida, Fusil contra fusil</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Egrem (Casa de las 
                    <geogname>Amricas</geogname>), C.P. 2</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>France</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#250 Title: 
                  <title render="italic">A prsent, tu peux t'en aller (I Only
                    Want to be With You); Rien que toi (You'll Never Walk Alone); coute dans le
                    vent (Blowin' in the Wind), Elle a dit non (Loddy Lo)</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Richard Anthony</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Columbia, ESRF 1498</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#251 Title: 
                  <title render="italic">Mourir a Madrid: musique de Maurice
                    Jarre</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: Bande originale du film de 
                    <persname>Frederic Rossif</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Mourir a Madrid, Coplas de la defensa de 
                    <geogname>Madrid, </geogname>El paso del ebro</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Philips, 432 881 BE</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#252 Title: 
                  <title render="italic">Monthus</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Christian Borel</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>La vierge rouge, Gloire au 17, Le chant des jeunes
                    gardes</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: BAM EX 616</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#253 Title: 
                  <title render="italic">Le grand testament</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Bertha Bovy, </persname> 
                    <persname>Jean Deschamps</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Ballade pour prier Notre-Dame, Je plains le temps de ma
                    jeunesse, Ballade des Dames du temps jadis, Mort, j'appelle de ta rigeur,
                    Epitaphe, Ballade des pendus</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: L'Encyclopedie Sonore, 190 E 859</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#254 Title: 
                  <title render="italic">Chants de lutte</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Les Camarades</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>La chanson de craonne, L'Appel du komintern, Les
                    survivants, Clairvaux</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: tudes et Documentation Internationales
                    Cercle du Disque 
                    <subject>Socialiste, </subject>C.D.S. 1</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#255 Title: 
                  <title render="italic">Chants de lutte</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Les Camarades</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>L'Internationale, Ceux d'oviedo, Zimmerwald</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: tudes et Documentation Internationales
                    Cercle du Disque 
                    <subject>Socialiste, </subject>C.D.S. 2</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#256 Title: 
                  <title render="italic">Chants de la libert franais</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Chorale Populaire de Paris</corpname>
                    </unittitle> 
                </did> 
                <scopecontent> 
                  <p>La Marseillaise, Les canuts, Ronde des Saint-Simoniens,
                    Chant des combattants de la libert, Jeunesse</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, LDY - 4171</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#257 Title: 
                  <title render="italic">Chansons Bibliques - 2</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>A.M. Cocagnac </persname>O.P.</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Petit David prit trois cailloux, Zache, Chanaan, Les faces
                    de Carme</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Lumen, L D-I-117</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#258 Title: 
                  <title render="italic">La force de l'amour</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Paul luard</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Le dit de la force de l'amour, Le 5 pome visible: 
                  <title render="doublequote">Je vis dans les images
                    innombrables</title>, Je t'ai imagin, D'un et de deux, de tous, Avis</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, LD Y-6001</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#259 Title: 
                  <title render="italic">Potes d'aujourd'hui</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Paul luard</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Couvre-feu, Je ne suis pas seul, Poesie ininterrompue,
                    Notre vie, Printemps, Bonne justice, "La posie doit avoir pour but la vrit
                    pratique"</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Vega, P 37 A 4014</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#260 Title: 
                  <title render="italic">Mon accordon, Bombardiers, Dans le
                    dsert glac, Revenir</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Fania Fenelon</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Eterna, 5 10 073</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#261 Title: 
                  <title render="italic">La Pegre</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Dominique Grange</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Nous sommes tous, Grve illimite, Chacun de vous est
                    concern, A bas l'etat policir</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: S 17 789</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#262 Title: 
                  <title render="italic">Jolie Mome, On n'oublie rien, C'etait
                    bien, La famille dupanard</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Juliette Greco</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Philips, 432.552 BE</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#263 Title: 
                  <title render="italic">Sur le verbe aimer, La fte aux
                    copains, Les canotiers, Le torrent et l'amour</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Juliette Greco</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Philips 432.753 BE</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#264 Title: 
                  <title render="italic">Le condamn a mort</title> </unittitle>
                
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Hlne Martin</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Fille de 
                    <geogname>Jrusalem, </geogname>Saint Ouen's blues, Trve</p>
                  
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: BAM, EX 614</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#265 Title: 
                  <title render="italic">Chansons d'hier et
                    d'aujord'hui</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Mouloudji</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Comme un p'tit coquelicot, La complainte des infideles, Si
                    tu t'imagines, Le mal de 
                    <geogname>Paris</geogname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Philips 432.114 BE</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#266 Title: 
                  <title render="italic">scrivains d'hier et
                    d'aujourd'hui</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Author: 
                    <persname>Pierre de Ronsard</persname> </unittitle> 
                </did> 
              </c05> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Andr Reybaz</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Mignonne, allons voir...; La fontaine bellerie, Pren ceste
                    rose aimable comme toi..., Marie levez-vous, ma jeune paresseuse...; Comme on
                    voit sur la branche, Le premier jour de may, Hlne, je vous jure..., Je plante
                    en ta faveur..., Quand vous serez bien vieille, Plus estroit que la vigne a
                    l'ormeau se Marie, Il faut laisser maisons et vergers..., A son ame</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Disques Vega, P 37 A 6002</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#267 Title: 
                  <title render="italic">Chanson de Petroulias</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Mikis Theodorakis</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Extraits de 
                  <title render="doublequote">l'Otage</title> - 1. Celui qui
                  souriait 2. Il n'est pas de lieu sur la terre</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, EP_45 3240</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#268 Title: 
                  <title render="italic">scrivains d'hier et
                    d'aujourd'hui</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Author: 
                    <persname>Franois Villon</persname> </unittitle> 
                </did> 
              </c05> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Serge Reggiani</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Le lais, Ballade des dames du temps jadis, Ballade des
                    pendus, Ballade des femmes de 
                    <geogname>Paris, </geogname>Mort, j'appelle de ta rigueur,
                    Le Testament</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Vega, P 37 A 6001</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Germany</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#269 Title: 
                  <title render="italic">Chants revolutionaires
                    allemands</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Chorale de l'Union des Syndicats de Berlin,
                      </corpname> 
                    <persname>Gerhard Raeker, </persname>conductor</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Lied der Werktatigen, Die Moorsoldaten, Brueder, zur
                    Sonne, zur Freiheit, Das Einheitsfrontlied, Die Thaelmannkolonne, Das Lied vom
                    Kleinen Trompeter</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, LDY-4096</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Greece</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#270 Title: 
                  <title render="italic">Atene in piazza, 1940-1965: canzoni
                    della resistenza greca</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Maria Faranduri, </persname> 
                    <persname>Olimpia Papadukas, </persname> 
                    <persname>P. Castagnino, </persname> 
                    <corpname>Gruppo Celso di Genova, </corpname> 
                    <persname>A. Celso, </persname> 
                    <persname>Retty Zalokostas, N. Teodosiadis</persname>
                    </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Kato stu valtu, Vasi a duce ti stoli tu, Ston polemo vjeni
                    o italos, Saranda pende petini, Canzone Sotiri Petrula, Manifestazioni popolari
                    dell'agosto 
                    <unitdate type="inclusive">1965 </unitdate>in piazza
                    Sintagma ad Atene</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-51</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Italy</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#271 Title: 
                  <title render="italic">Canti comunisti italiani</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Fausto Amodei, </persname> 
                    <persname>Adriano Amedei, </persname> 
                    <persname>Michele L. Straniero, </persname> 
                    <persname>Sandra Mantovani</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>La guardia rossa, Comune di Parigi, Noi siam la canaglia
                    pezzente, O fucile, vecchio mio compagno, Siamo l'Emilia rossa, O cancellier
                    che tieni la penna in mano</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-5</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#272 Title: 
                  <title render="italic">Uccidi e capirai (Serie
                    Sperimentale)</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Rudy Assuntino</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Rossa provvidenza (Le basi americane), Canzone del mondo,
                    Nostro Messico, L'uomo che sa, Autunno '65</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-52</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#273 Title: 
                  <title render="italic">'Sta bruta guera che no xe
                    fina</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Gualtiero Bertelli</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Ma 'sti signori, Ae case minime, Balada del carovita, I do
                    piovani, Alle 14,30</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-42</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle> #274 Title: 
                  <title render="italic">Vedrai com' bello</title> </unittitle>
                
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Gualtiero Bertelli</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Vedrai com' bello, Gli ingranaggi</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-206</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#275 Title: 
                  <title render="italic">Bella ciao</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Xesc Boix</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Koll doo d, Ei! Ei!, Meu Manuel, Vull ser lliure</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Ais 4 Vents, A4V-7</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#276 Title: 
                  <title render="italic">Canzoni dal carcere 2</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Caterina Bueno, </persname> 
                    <persname>Giovanna Marini Salviucci, </persname> 
                    <persname>Giuseppe Ganduscio</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Il mastio di Vorterra, La canzone di Portolongone, A
                    ttcchi, a ttcchi la campana sona, E 'nta la Vicaria</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-47</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#277 Title: 
                  <title render="italic">I canti del lavoro 2 </title>(Serie
                  canti politici e sociali)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Giovanna Daffini Carpi, </persname> 
                    <persname>Giuseppe Ganduscio, </persname> 
                    <persname>Sandra Mantovani, </persname>P.F., 
                    <corpname>Gruppo di cavatori di marmo di Carrara</corpname>
                    </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Amore mio non piangere, Mamma mia dammi centro lire, canto
                    ritmico dei cavatori di marmo, Caltanisetta fa quattru quarteri, E vaiu e vegnu
                    di lu Mazzarinu, Povre filandere, La filanda de Ghisalba</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-10</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <container type="box">50</container> 
                <unittitle>#278 Title: 
                  <title render="italic">I canti del lavoro 3 </title>(Serie
                  Canti politici e sociali)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer 
                    <persname>: Giovanna Daffini Carpi, </persname> 
                    <persname>Caterina Bueno, </persname> 
                    <persname>Giuseppe Ganduscio, </persname> 
                    <corpname>Grupo Padano di Pidena, </corpname> 
                    <persname>Adelaide Bona, </persname> 
                    <persname>Giovanna Marini Salviucci</persname> </unittitle>
                  
                </did> 
                <scopecontent> 
                  <p>Sciur Padrun da li bli braghi bianchi; C sutta di stu
                    'nfernu; La Santa Caterina dei pastai; Tutti mi dicon Maremma, Maremma; A la
                    matin' bonora; Addio, addio</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-29</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#279 Title: 
                  <title render="italic">Ballo tondo del Vietnam</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Galletto di Gallura</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Noi lo chiamiamo 
                    <geogname>Vietnam</geogname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-204</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#280 Title: 
                  <title render="italic">Canti di protesta del popolo Italiano
                    - 2</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Margherita Galante Garrone, </persname> 
                    <persname>Fausto Amodei, </persname> 
                    <persname>Anna Bertolina, </persname> 
                    <persname>Trino Vercellese, </persname> 
                    <persname>Michele L. Straniero</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Il prigioniero, Inno della rivolta, Grizia, Il canto delle
                    tessitrici, Inno individualista, Le otto ore</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Italia Canta, SP33/R/0013</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#281 Title: 
                  <title render="italic">Canti di protesta del popolo italiano
                    - 3</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Margherita Galante Garrone, </persname> 
                    <persname>Giuliano Ferreio, </persname> 
                    <persname>Fausto Amodei, </persname> 
                    <persname>Tina Perrone</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Stornelli d'esilio, Ma la vita, Amore ribelle, Inno dell'
                    albero, O cara mamma</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Italia Canta, SP33/R/0017</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#282 Title: 
                  <title render="italic">La legge del padrone </title>(Serie
                  Sperimentale)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Gruppo Padano di Pidena</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Santa Caterina dei pastai, La campagnola, Il padrone
                    socialista, Sciopero!</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-33</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#283 Title: 
                  <title render="italic">Canti aztechi</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Alberto Lupo</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Canto di tristezza, Soltanto per poco, Solitario come
                    nebbia, Canto di tetlepanquetzanitzin, Come erba di primavera, Canto
                    dell'amicizia, Origine dei canti, Lamento del poeta, Canto d'esortazione per il
                    guerriero, Un breve istante, Il dubbio, Almeno i fiori</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Cetra - Collana Letteraria Documento, CL
                    0514 Mec. 4431</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#284 Title: 
                  <title render="italic">Canti e inni socialisti</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Sandra Mantovani, </persname> 
                    <geogname>Salsomaggiore Terme</geogname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>La boje!, Il canto dei lavoratori, Son cieco,
                    L'Internazionale, E per la strada, Bandiera rossa, Povero Matteotti</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-3</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#285 Title: 
                  <title render="italic">La linea rossa, Ci che voi non
                    dite</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Giovanna Marini, </persname> 
                    <persname>Ivan Della Mea</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Linea Rossa, LR 45/3-B</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#286 Title: 
                  <title render="italic">Io ti chiedo di fare l'amore, O cara
                    moglie</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Ivan Della Mea</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS 205/A</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#287 Title: 
                  <title render="italic">Canti comunisti italiani 2</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Ivan Della Mea, </persname> 
                    <persname>Leonello Rambelli </persname>di Alfonsine
                    (Ravenna), 
                    <persname>Rudy Assuntino, </persname> 
                    <persname>Rina Varotto </persname>di Bagnoli di sopra
                    (Padova), 
                    <persname>Maria Monti, </persname> 
                    <persname>Fausto Amodei</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Quattro signori, La leggenda della Neva, Canzone 
                    <geogname>d'Albania, </geogname>Le tre bandiere, Vi
                    ricordate quel 18 Aprile, Per i morti di 
                    <geogname>Reggio Emilia</geogname> </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-12</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#288 Title: 
                  <title render="italic">Ho letto sul giornale </title>(Serie
                  Sperimentale)</unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Ivan Della Mea</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>La cansun del desperaa, Con la lettera del prete, Se il
                    cielo fosse bianco di carta, 
                    <geogname>Congo </geogname>(Ballata di Stanleyville)</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-36</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#289 Title: 
                  <title render="italic">La mia vita ormai, Nove maggio, Ho
                    saputo dagli occhi, A quel omm, Questa una storia</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Ivan Della Mea, </persname> 
                    <persname>Sandra Mantovani</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-43</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#290 Title: 
                  <title render="italic">Milly 1 (Cabaret all'italiana)</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Milly</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>L'uomo e' fumator, T'ha detto niente la tua mammina, Come
                    pioveva, Sono tre parole</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, Disc 1: DS-48</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#291 Title: 
                  <title render="italic">Milly 2 (Cabaret all'italiana)</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Milly</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Jenny dei pirati, Ricordo di 
                    <persname>Cesare Pavese, </persname>Salomon song, Chanson
                    dans le sang</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-27</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#292 Title: 
                  <title render="italic">Amore dammi quel fazzolettino, Bella
                    ciao</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Yves Montand</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Philips, 373 252 BF</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#293 Title: 
                  <title render="italic">Le canzoni del no</title> </unittitle>
                
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Maria Monti</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Inno abissino, La ninna-nanna della guerra, Stronzio 90,
                    La marcia della pace</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-24</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#294 Title: 
                  <title render="italic">Le canzoni del no</title> </unittitle>
                
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Gianni Morandi</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p> Title: C'era un ragazzo che come me amava i Beatles e i
                    Rolling Stones, Se perdo anche te</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: RCA Italiana, PM45 3375</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#295 Title: 
                  <title render="italic">Canti per noi</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Margot e Silverio Pisu</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Canzone dei fiori e del silenzio, Polesine, Il venditore
                    di ventagli, Le deserteur, Il convento delle nazarene, Valzer della credulit
                    </p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Di-enne-gi Edizioni Discografiche, gep
                    80009</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#296 Title: 
                  <title render="italic">La poesia civile della
                    Resistenza</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Salvatore Quasimodo</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Alle fronde dei salici, Ai fratelli cervi, alla loro 
                    <geogname>Italia, </geogname>Il mio paese l' 
                    <geogname>Italia, </geogname>Laude, Ai quindici di piazzale
                    Loreto, 
                    <geogname>Auschwitz, </geogname>Epigrafe per i caduti di
                    Marzabotto, Epigrafe per i partigiani di Valenza, Ancora dell'inferno</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Edizioni Discografiche, GEP 80005</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#297 Title: 
                  <title render="italic">La revolution, Preghiera del
                    marine</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Michele Straniero</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Linea Rossa, LR 45/6</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#298 Title: 
                  <title render="italic">Proposte per Milly</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Nanni Svampa Giampeiro, </persname> 
                    <persname>Borella Nuccio Ambrosino, </persname> 
                    <persname>Ivan Della Mea</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Si pu morire, Valige di cartone, Quand gh'avevi sedes ann,
                    L'era alegra tutt i d</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Dischi del Sole, DS-30</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#299 Title: 
                  <title render="italic">Dans la clandestinit</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Mikis Theodorakis</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Dans la clandestinit, chante la lutte du peuple grec,
                    Contre le fascisme</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Clart en collaboration avec La Jeunesse
                    Lambrakis, SF 9-7-117</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#300 Title: 
                  <title render="italic">(Mille) Chitarre contro la
                    guerra</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Carmen Villiani</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Chitarre contro la guerra, Ti prego resta accanto a me</p>
                  
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Bluebell Record, BB 03161</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Mexico</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#301 Title: 
                  <title render="italic">Chants mexicains</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Los Guarachos</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Malaguea, Las canastas, Rosita Alvirez, La cama de
                    piedra</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Riviera, 231 055 M</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#302 Title: 
                  <title render="italic">El corrido de Deleno, Carta de un
                    soldado</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Lalo Guerrero con el Conjunto Arellano</corpname>
                    </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Colonial Discos Latinos, 537 CR-979/980</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#303 Title: 
                  <title render="italic">Camino Real de Colima, El hidalguense,
                    El maracumb, Las copetonas </title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>El Mariachi Vargas de Tecalitlan</corpname>
                    </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: RCA Victor, MKE 135</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#304 Title: 
                  <title render="italic">Cantares, Las moscas, Llanto y coplas,
                    La saeta</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Joan Manuel Serrat</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Capitol, EPEM 10366</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#305 Title: 
                  <title render="italic">La malaguea, Flor silvestre, Cielito
                    lindo, Dos arbolitos</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Trio Calaveras: </corpname> 
                    <persname>Miguel Bermejo, </persname> 
                    <persname>Ral Prado, </persname> 
                    <persname>Jos Saldivar</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: RCA Victor, MKE 18 A</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#306 Title: 
                  <title render="italic">Me voy p'al pueblo, Flor de azalea, Ya
                    es muy tarde, Canta morena</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>Trio Los Panchos: </corpname> Gil, Navarro,
                    Aviles, Vol. 4</unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Columbia, EPC 48</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Nicaragua</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#307 Title: 
                  <title render="italic">Nicaragua vencer</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Oscar Chavez</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Ya cay Somoza!, Caballo Crillo</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Polygram Polydor 2467 2219075</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Peru</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#308 Title: 
                  <title render="italic">Canto coral a Tupac Amaru,
                    Tupaqamaruman ukhuti takina taki</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Alejandro Romualdo</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Smith, 002 No. 4394</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>Spain</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#309 Title: 
                  <title render="italic">Cinco caballos moros, A la divina
                    clemencia, Ay, seorona!, Cllate la boca!</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Nia de Antequera</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Columbia, ECGE 71365 </p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#310 Title: 
                  <title render="italic">Canti popolari di Spagna</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Julian Grimau </persname>hermanos, 
                    <corpname>Coplas, </corpname> 
                    <corpname>Los dos gallos, </corpname> 
                    <persname>Paloma de la Paz</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: 
                    <geogname>Italia </geogname>Canta, SP 33/CRA/0034</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#311 Title: 
                  <title render="italic">Ritmos y cantos de Espaa</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Luis Maravilla, </persname> 
                    <persname>Pepe Valencia</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Farruca, Bulerias, Souvenirs de l'Alhambra, Jota,
                    Seguriyas, Aires gallegos</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Ducretet-Thomson, LPP 8602</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#312 Title: 
                  <title render="italic">Paseando por Espaa: Chansons
                    populaires d'Espagne</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Germaine Montero</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Gallegada, Folia de San Vicente de la Barquera, Asturiana,
                    Paso Rio, Eres alta y delgada, No hay quien pueda, Jotas, El baile de Avila,
                    Corrocloclo, Ya se van los pastores, Con las abejas, Los cuatro muleros, Los
                    contrabandistas de ronda</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Le Chant du Monde, LDY-M-4006</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#313 Title: 
                  <title render="italic">El 13 de mar, Can dels creients;
                    Indesinenter; Sobre la pau, Sobre la por</title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Raimon</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Discophon INICI, 27.545</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#314 Title: 
                  <title render="italic">Canto a Manolete, Que bonita que es mi
                    nia, Mi barca no tiene vela, Que buena soy </title> </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <persname>Gracia de Triana</persname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Record Label: Philips, 421 225 PE</p> 
                </scopecontent> 
              </c05> 
            </c04> 
          </c03> 
          <c03> 
            <did> 
              <unittitle> 
                <geogname>United States</geogname> </unittitle> 
            </did> 
            <c04> 
              <did> 
                <unittitle>#315 Title: 
                  <title render="italic">In the 80's (Watchu Gonna Do)</title>
                  </unittitle> 
              </did> 
              <c05> 
                <did> 
                  <unittitle>Performer: 
                    <corpname>The May Day Singers</corpname> </unittitle> 
                </did> 
                <scopecontent> 
                  <p>Five Alive</p> 
                </scopecontent> 
                <scopecontent> 
                  <p>Record Label: Blackbeard Records, CWP 
                    <unitdate type="inclusive"> 1980</unitdate>B</p> 
                </scopecontent> 
              </c05> 
            </c04> 
            <c04> 
              <did> 
                <unittitle>#316 Title: 
                  <title render="italic">X-Mas Bells, Shook-Up Santy</title>
                  </unittitle> 
              </did> 
              <scopecontent> 
                <p>Record Label: Reeves Soundcraft Corp.</p> 
              </scopecontent> 
            </c04> 
          </c03> 
        </c02> 
      </c01> 
    </dsc> 
  </archdesc>
</ead>
