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  <eadheader audience="internal" countryencoding="iso3166-1" dateencoding="iso8601" langencoding="iso639-2" repositoryencoding="iso15511">
    <eadid countrycode="us" mainagencycode="ndd" publicid="-//David M. Rubenstein Rare Book &amp; Manuscript Library//TEXT (US::ndd::Mel Rosenthal photographs, 1975-2004. //EN" url="http://library.duke.edu/rubenstein/findingaids/rosenthal/">rosenthal</eadid>
    <filedesc>
      <titlestmt>
        <titleproper>Inventory of the Mel Rosenthal photographs, <date normal="1975/2004" type="inclusive">1975-2008</date></titleproper>
        <author>Processed by: Joanne Fairhurst; machine-readable finding aid created by: Joanne Fairhurst, Paula Jeannet Mangiafico</author>
      </titlestmt>
      <publicationstmt>
        <publisher><lb/>David M. Rubenstein Rare Book &amp; Manuscript Library <lb/> Duke University <lb/> Durham, N.C., USA </publisher>
        <p><date normal="2013" encodinganalog="date">Copyright 2013</date> Duke University. All Rights Reserved.</p>
      </publicationstmt>
      <notestmt>
        <note>
          <p>Aleph Number: <num type="aleph">003456412</num></p>
        </note>
      </notestmt>
    </filedesc>
    <profiledesc>
      <creation>Machine-readable finding aid derived from XML authoring program.<lb/><date>Date of source: January 2013</date><lb/>Processed by Joanne Fairhurst, January 2013; finding aid encoded by Joanne Fairhurst, Paula Jeannet Mangiafico, David M. Rubenstein Rare Book &amp; Manuscript Library, Duke University, <date>January 2013</date></creation>
      <langusage>Description is in<language langcode="eng">English</language></langusage>
      <descrules>Finding aid was prepared using <title>DACS</title> and local<title>Style Guide</title></descrules>
    </profiledesc>
  </eadheader>
  <frontmatter>
    <titlepage>
      <titleproper>Inventory of the Mel Rosenthal photographs, <date normal="1975/2008" type="inclusive">1975-2008</date></titleproper>
      <publisher>David M. Rubenstein Rare Book &amp; Manuscript Library <lb/>Duke University <lb/> Durham, North Carolina 27708-0185 USA </publisher>
      <p><date normal="2009">Copyright 2009</date> Duke University. All Rights Reserved.</p>
    </titlepage>
  </frontmatter>
  <archdesc level="collection" relatedencoding="MARC">
    <did>
      <head>Descriptive Summary</head>
      <repository label="Repository">
        <corpname>David M. Rubenstein Rare Book &amp; Manuscript Library, Duke University</corpname>
      </repository>
      <origination label="Creator">
        <persname encodinganalog="100">Rosenthal, Mel, 1940- </persname>
      </origination>
	  <unitid>RL.10011</unitid>
      <unittitle label="Title" encodinganalog="245">Mel Rosenthal photographs, <unitdate normal="1975/2008" type="inclusive">1975-2008</unitdate></unittitle>
      <langmaterial label="Language of Materials" encodinganalog="546">Materials in <language langcode="eng">English</language></langmaterial>
      <physdesc label="Extent" encodinganalog="300">
        <extent encodinganalog="300">84 items (3.0 lin. ft.)</extent>
      </physdesc>
      <physloc label="Location">For current information on the location of these materials, please consult the Library's online catalog.</physloc>
      <abstract label="Abstract" encodinganalog="545">Documentary photographer based in New York City and director of photographic programs at SUNY-Empire State.</abstract>
      <abstract encodinganalog="520">Collection consists of 80 black and white photographs taken by Mel Rosenthal, stemming from two documentary projects. The first documents the destruction by arson of an entire neighborhood in New York, the South Bronx, in the 1970s, with images of burned-out buildings and inhabitants who were forced to abandon their homes. The second project depicts Arab Americans, including men, women and children of Syrian, Egyptian, Moroccan, Algerian, Jordanian and Palestinian descent, living in New York State during the last decade of the 20th century and the early 2000s. Scenes include images of children, professionals, neighborhood life, and the religious lives of Christians, Muslims, Greek Orthodox, Maronites, Jews and Coptics. The images in the Rosenthal collection formed part of two separate exhibits at Duke University, available online. The photographic prints measure 11x14 and 16x20 inches. Also included are a few publicity items for a workshop on documentary photography, and an audiocassette recording of Rosenthal speaking at an exhibit opening in 2004. Acquired as part of the Archive of Documentary Arts at Duke University.</abstract>
    </did>
    <descgrp type="admininfo">
      <head>Administrative Information</head>
      <accessrestrict encodinganalog="506">
        <head>Access Restrictions</head>
        <p>Collection is restricted; any form of duplication requires consent of donor.</p>
        <p>Also, collection may contain materials to which the Acknowledgment of Legal Responsibilities and Privacy Rights form applies. Patrons must sign this form before using this collection.</p>
        <p>All or portions of this collection may be housed off-site in Duke University's Library Service Center. Consequently, there may be a 24-hour delay in obtaining these materials.</p>
        <p>Please contact Research Services staff before visiting the David M. Rubenstein Rare Book &amp; Manuscript Library to use this collection.</p>
      </accessrestrict>
      <userestrict encodinganalog="540">
        <head>Copyright Notice</head>
        <p>The copyright interests in this collection have not been transferred to Duke University. For more information, consult the copyright section of the Regulations and Procedures of the David M. Rubenstein Rare Book &amp; Manuscript Library.</p>
      </userestrict>
      <prefercite encodinganalog="524">
        <head>Preferred Citation</head>
        <p>[Identification of item], Mel Rosenthal Photographs, David M. Rubenstein Rare Book &amp; Manuscript Library, Duke University.</p>
      </prefercite>
      <acqinfo encodinganalog="541">
        <head>Provenance</head>
        <p>Purchase, 2004 and 2008.</p>
      </acqinfo>
      <processinfo>
        <head>Processing Information</head>
        <p>Processed by Joanne Fairhurst, January 2013.</p>
        <p>Encoded by: Joanne Fairhurst and Paula Jeannet Mangiafico, January 2013.</p>
        <p>Accession(s) described in this finding aid: 2004-0150, 2004-0339, 2004-0340, 2008-0092, and 2012-0070.</p>
        <p>Descriptive sources and standards used to create this inventory: <title render="italic">DACS,</title> EAD, NCEAD guidelines, and local <title render="italic">Style Guide.</title></p>
        <p>This finding aid is NCEAD compliant.</p>
      </processinfo>
    </descgrp>
    <bioghist>
      <head>Biographical Note</head>
      <p>Mel Rosenthal was a documentary photographer based in New York City and director of photographic programs at SUNY-Empire State.</p>
    </bioghist>
    <scopecontent>
      <head>Collection Overview</head>
      <p>Collection consists of 80 black and white photographs taken by Mel Rosenthal, stemming from two documentary projects. The first documents the destruction by arson of an entire neighborhood in New York, the South Bronx, in the 1970s, with images of burned-out buildings and inhabitants who were forced to abandon their homes. The second project depicts the daily lives of Arab Americans, including men, women and children of Syrian, Egyptian, Moroccan, Algerian, Jordanian and Palestinian descent, in New York State during the last decade of the 20th century and the early 2000s. Scenes include images of children, professionals, neighborhood life, and the religious lives of Christians, Muslims, Greek Orthodox, Maronites, Jews and Coptics. The images in the Rosenthal collection formed part of two separate exhibits at Duke University showcasing Rosenthal's work, available online. The photographic prints measure 11x14" and 16x20".  The South Bronx matted prints measure either 16x20" or 20x24".</p>
      <p>Also included are a few publicity items for a workshop on documentary photography and select exhibitions, and an audiocassette recording of Rosenthal speaking at an exhibit opening in 2004. Acquired as part of the Archive of Documentary Arts at Duke University.</p>
    </scopecontent>
    <controlaccess>
      <head>Subject Headings</head>
      <p>These and related materials may be found under the following headings in online catalogs.</p>
      <list type="simple">
        <item>
          <persname source="lcsh" encodinganalog="600">Rosenthal, Mel, 1940- </persname>
        </item>
        <item>
          <subject source="lcsh" encodinganalog="650">Arab Americans--New York.</subject>
        </item>
        <item>
          <subject source="lcsh" encodinganalog="650">Arab Americans--Pictorial works.</subject>
        </item>
        <item>
          <subject source="lcsh" encodinganalog="650">Documentary photography--New York.</subject>
        </item>
        <item>
          <subject source="lcsh" encodinganalog="650">September 11 Terrorist Attacks, 2001--Influence.</subject>
        </item>
        <item>
          <geogname source="lcsh" encodinganalog="651">Bronx (New York, N.Y.)--Documentary photography.</geogname>
        </item>
        <item>
          <geogname source="lcsh" encodinganalog="651">Bronx (New York, N.Y.)--Pictorial works.</geogname>
        </item>
        <item>
          <geogname source="lcsh" encodinganalog="651">Bronx (New York, N.Y.)--Social conditions.</geogname>
        </item>
        <item>
          <geogname source="lcsh" encodinganalog="651">New York (N.Y.)--Pictorial works.</geogname>
        </item>
        <item>
          <genreform source="aat" encodinganalog="655">Black-and-white photographs.</genreform>
        </item>
        <item>
          <corpname source="lcsh" encodinganalog="710">Archive of Documentary Arts (Duke University)</corpname>
        </item>
      </list>
    </controlaccess>
    <relatedmaterial>
      <head>Related Material</head>
      <archref>
        <unittitle label="Collection">
          <extref href="http://search.library.duke.edu/search?id=DUKE003505864">Culturefront (serial)</extref>
        </unittitle>
        <repository label="Repository">Rubenstein Library, Duke University</repository>
      </archref>
    </relatedmaterial>
    <altformavail>
      <head>Alternate Form of Material</head>
      <p>Two online exhibits of selected Rosenthal images are available for viewing on the Duke University Libraries website.</p>
    </altformavail>
    <dsc type="combined">
      <head>Contents of Collection</head>
      <c01 level="series">
        <did>
          <unittitle id="s1">In the South Bronx of America Series, <unitdate type="inclusive" normal="1975/2004">1975-1983, 2004</unitdate></unittitle>
          <physdesc>
            <extent>(3 boxes)</extent>
          </physdesc>
        </did>
        <scopecontent>
          <p>Comprises 33 black-and-white photographs documenting the destruction in the South Bronx by fire, 1975-1983. Most matted prints measure 16x20" (boxes 1 and 2), but two prints measure 20x24" (box 3). Original captions have been retained as well as narrative comments by photographer; captions supplied by library staff are in brackets.</p>
        </scopecontent>
        <c02>
          <did>
            <container type="box">3</container>
            <container type="image">RL10011-P-001</container>
            <unittitle>[Gutted buildings with demolition site in foreground]</unittitle>
          </did>
          <scopecontent>
            <p>
              <title render="doublequote">I was born and grew up in what is now called the South Bronx. After twenty years away, I returned in 1975, to a neighborhood in ruins. The sturdy well-constructed buildings that had once housed tens of thousands of people were gutted and burned out.</title>
            </p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-002</container>
            <unittitle>South of the Cross Bronx Expressway</unittitle>
          </did>
          <scopecontent>
            <p><title render="doublequote">New York's Department of Housing Preservation and Development may have been competing for the Potemkin Prize last summer [1983], when it announced a plan to mount decals in the broken windows and empty frames of all the hundreds of burnt-out and sealed-up buildings that line the Cross Bronx Expressway. The decals would portray neat drapery, flowerpots, and window boxes, intimations of comfortable and happy domestic scenes. That way, commuters who passed through the Bronx en route to Westchester, Long Island, or the Connecticut executive belt wouldn't have to be upset by the sight of the misery that lines their way.</title>--Marshall Berman. <title render="doublequote">Roots, Ruins, Renewals: City Life After Urbicide,</title><title render="italic">Village Voice</title>, September 4, 1984</p>
            <p><title render="doublequote">Potemkin was a Russian statesman who had an impressive, fake village built along the river bank in preparation for a tour by Catherine the Great. The village consisted of just the facades of houses which were removed after she passed by and then reassembled further down river. Thus as Catherine traveled by, she would see many pleasant villages with happy peasants and think all was well in her kingdom.</title>--Mel Rosenthal</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-003</container>
            <unittitle>East on 173rd Street</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-004</container>
            <unittitle>Going to church on a Sunday morning</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-005</container>
            <unittitle>[Three young African American women in front of burned out buildings]</unittitle>
          </did>
          <scopecontent>
            <p>
              <title render="doublequote">One of the high school students told me she was going to be a dental assistant. The other two said they wanted to be models.</title>
            </p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-006</container>
            <unittitle>Mother and daughter, Claremont Parkway</unittitle>
          </did>
          <scopecontent>
            <p><title render="doublequote">The South Bronx is certain to be one of the areas hardest hit by the President's [Nixon] decision to impose austerity on domestic programs presumably in order to pay the brutal costs of a senseless war [Vietnam]. Combined with state budgetary restraints the outlook is bleak, for the South Bronx is dependent on public resources, not just for the quality of life, but for life itself.</title>--Mayor John Lindsay, <title render="italic">New York Times</title>, January 18, 1973</p>
            <p><title render="doublequote">We should not encourage people to stay where their job possibilities are becoming daily more remote...Our urban system is based on the theory of taking the peasant and turning him into an industrial worker. Now there are no industrial jobs. Why not keep him a peasant?</title>--Roger Starr, <title render="italic">Real Estate Weekly</title>, February 9, 1976</p>
            <p><title render="doublequote">It can only be compared to war, what happened here, and we lost that war.</title>--Father Louis Gigante, Associated Press, October 5, 1977</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-007</container>
            <unittitle>Bathgate Avenue</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-008</container>
            <unittitle>Sisters on Bathgate Avenue</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-009</container>
            <unittitle>Mother and daughter, East 173rd Street</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-010</container>
            <unittitle>[Group portrait of African American churchgoers, standing in front of the church]</unittitle>
          </did>
          <scopecontent>
            <p>
              <title render="doublequote">The African American churches, many of which had been synagogues, were a bulwark against the encroaching disintegration.</title>
            </p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-011</container>
            <unittitle>[Two young boys playing baseball in the street]</unittitle>
          </did>
          <scopecontent>
            <p>
              <title render="doublequote">The kids played baseball using the parking meter as second base. The runner was safe.</title>
            </p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-012</container>
            <unittitle>The daily domino game in front of the Social Club</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-013</container>
            <unittitle>[Man with bayonet]</unittitle>
          </did>
          <scopecontent>
            <p>
              <title render="doublequote">He said, "Want a ghetto shot? I'll give you a ghetto shot!" And he drew a bayonet from under his jacket.</title>
            </p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-014</container>
            <unittitle>[Young man crouching on roof top with dog]</unittitle>
          </did>
          <scopecontent>
            <p>
              <title render="doublequote">It was the day that the last building on Bathgate Avenue was being sealed up before demolition. The city marshals were evicting all the remaining families. Nelson's family was being sent to an apartment where no dogs were allowed. He knew that if the dog ended up in the pound, he'd be "put away." We couldn't find a home for the dog. Many of the people who were being evicted were supposed to go to a "welfare hotel."  There were no other options. People were scared and depressed.</title>
            </p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-015</container>
            <unittitle>South Bronx site of the 1980 <title render="doublequote">People's Convention</title> in opposition to the Democratic Party's nominating convention downtown</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-016</container>
            <unittitle>On Bathgate Avenue where the fire hydrant functioned as the community's well</unittitle>
          </did>
          <scopecontent>
            <p><title render="doublequote">Your business will have room to grow in the Bronx. You don't have to worry about spiraling rents, lack of space, congested streets, parking shortages, and a host of other problems that plague expanding businesses elsewhere. The Bronx has prime real estate that is affordable. No inflated prices like Westchester, New Jersey, or Long Island. The City of New York is planning to sell prime parcels of real estate for retail, light manufacturing, office and industrial development. These are properties which the city has held from sale until the market was right. Now the market is right. You can own real estate in thriving, busy commercial centers, industrial enclaves, and growing residential areas.</title>--<title render="doublequote">The Bronx: Business's Best Kept Secret,</title> Published by the Bronx Marketing Project, NYC Department of General Services, 1985</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-017</container>
            <unittitle>[Naked doll in foreground of a demolished lot, a burned out building in background]</unittitle>
          </did>
          <scopecontent>
            <p>
              <title render="doublequote">The last building left standing in the neighborhood was on the East 173rd through 174th Street block. A few days after this picture was made, the building was bulldozed and the people who lived there were sent to shelters and single room occupancy hotels.</title>
            </p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">3</container>
            <container type="image">RL10011-P-018</container>
            <unittitle>[African American woman in white dress, striking a pose in the street]</unittitle>
          </did>
          <scopecontent>
            <p>
              <title render="doublequote">When I looked for her to give her the picture, her building had burned and she had moved.</title>
            </p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-019</container>
            <unittitle>[Brick building with three billboards]</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-020</container>
            <unittitle>Paulina and her dog, Bathgate Avenue</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-021</container>
            <unittitle>[Pregnant African American woman at obstetrician's, listening to baby's heartbeat]</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-022</container>
            <unittitle>[Aerial shot of South Bronx streets]</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-023</container>
            <unittitle>[Man who left the neighborhood years ago, but came back for drinks every Friday evening]</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">1</container>
            <container type="image">RL10011-P-024</container>
            <unittitle>[Mikey at the bar, next to Rosenthal's photographs]</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">2</container>
            <container type="image">RL10011-P-025</container>
            <unittitle>[A close up of an adult African American man and two young men, seated in alley]</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">2</container>
            <container type="image">RL10011-P-026</container>
            <unittitle>[Girl running in street, in front of demolished building, covering her mouth]</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">2</container>
            <container type="image">RL10011-P-027</container>
            <unittitle>[Teenage boy walking out of a burned out building with a bicycle]</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">2</container>
            <container type="image">RL10011-P-028</container>
            <unittitle>St. Athanasia's baseball team</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">2</container>
            <container type="image">RL10011-P-029</container>
            <unittitle>[Boy in front of demolished building, hands in the pocket of jacket]</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">2</container>
            <container type="image">RL10011-P-030</container>
            <unittitle>[Boy in front of demolished building, hands in the pocket of jacket]</unittitle>
          </did>
          <scopecontent>
            <p>Duplicate of image 29, but this print is signed by Rosenthal.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">2</container>
            <container type="image">RL10011-P-031</container>
            <unittitle>[Father and daughter in living room, girl standing in front of television, dad in armchair]</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">2</container>
            <container type="image">RL10011-P-032</container>
            <unittitle>Fourth of July, hanging out on the stoop of their apartment house</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">2</container>
            <container type="image">RL10011-P-033</container>
            <unittitle>Mel Rosenthal in his old bedroom in the South Bronx</unittitle>
          </did>
        </c02>
      </c01>
      <c01 level="series">
        <did>
          <unittitle id="s2">Arab-Americans: Americans by Choice Series, <unitdate type="inclusive" normal="2000/2002">2000-2002</unitdate></unittitle>
          <physdesc>
            <extent>(2 boxes)</extent>
          </physdesc>
        </did>
        <scopecontent>
          <p>Contains 46 photographs, 25 16x20" (with one 11x14") gelatin silver prints (box 4) and 21 11x14" gelatin silver prints (box 5), that were part of the exhibit <emph render="doublequote">Arab-Americans: American By Choice.</emph> The images document the daily lives of Arabic-speaking Americans, many of whom were in New York State at the time the shots were taken. The individuals portrayed include men, women, and children of Syrian, Egyptian, Moroccan, Algerian, Jordanian and Palestinian descent. Scenes include the religious life of Christians, Muslims, Greek Orthodox, Maronites, Jews and Coptics. </p>
        </scopecontent>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-034</container>
            <unittitle>Halal food stand in lower Manhattan, NY, 2001</unittitle>
          </did>
          <scopecontent>
            <p>Ahmed was from Alexandria, Egypt. He decided to go back to Egypt in September of 2002 to get married. His friends, including the man who bought his cart, thought that he would not be able to get a visa to come back to the United States. They were correct and as one said, <title render="doublequote">Another man lost.</title></p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-035</container>
            <unittitle>B&amp;B Electronics store owner showing photographs of himself and his daughter in East Jerusalem</unittitle>
          </did>
          <scopecontent>
            <p>One of the reasons he left Jerusalem was because of the 1967 war. He told me that he believed that the war between the Israelis and the Arabs would never end. He is holding a photo of him holding his baby daughter. Bay Ridge, Brooklyn, N.Y., 1998.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-036</container>
            <unittitle>Roller blading Palestinian teenager</unittitle>
          </did>
          <scopecontent>
            <p>She is the daughter of Essa (see image 35) who is holding her (as a baby) before the family left East Jerusalem</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-037</container>
            <unittitle>Astroland Amusement Park, Coney Island, N.Y., 1999</unittitle>
          </did>
          <scopecontent>
            <p>Men observe the call to prayer, March 27, 1999. The occasion is Eid al-Fitr the three-day Festival of Fast-Breaking at the end of Ramadan.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-038</container>
            <unittitle>Eid al Fitr, Bay Ridge, Brooklyn, 2000</unittitle>
          </did>
          <scopecontent>
            <p>Men observe the call to prayer, 2001.  The occasion is Eid al-Fitr the three-day Festival of Fast-Breaking at the end of Ramadan.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-039</container>
            <unittitle>Moroccan Jews celebrating Chanukah at the Manhattan Sephardic Center, N.Y., 2001</unittitle>
          </did>
          <scopecontent>
            <p>I showed the Rabbi a letter of introduction from the Museum of the City of New York which said  that they had commissioned me to photograph for them an exhibition about Arab American life in New York. They told me that I was in the wrong place because they were not Arabs.  They insisted that they were Sephardic and should be called that.  I pointed out to them that they spoke Arabic and were from a country which spoke Arabic and therefore could be considered Arabs. They weren't convinced, but it turned out that they did not have the tenth Jewish man that makes a ritual possible in the Jewish religion and there I was, the tenth man. So I got to celebrate Chanukah and to photograph them also.  Later because so many people took umbrage to being called an Arab I changed the letter to say that I was photographing Arabic speaking people and thus avoided problems. As with the case of many of the Christian Arabic speaking people, many seem to equate "Arab" with being Muslim and they did not want to be associated with that identification. September 11th made that even more pronounced.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-040</container>
            <unittitle>Moroccan and Algerian Muslims at a community mosque in a tent at Bay Ridge, Brooklyn, N.Y., 2002</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-041</container>
            <unittitle>Woman, child and icon, Church of the Virgin Mary, Palm Sunday, Brooklyn, 2001</unittitle>
          </did>
          <scopecontent>
            <p>The Church in Park Slope is a Greek-Melkite Catholic Church and the icon is St. Theodora. The people at the Church when I spoke to them about why I was photographing there they like the told me that they were not Arabs and were annoyed that I called them that. I asked them what they called themselves and they said they were Phoenicians. Having learned from the Moroccans, I said it was fine, and that this was a project about Arabic speaking people. I looked up Phoenicia in an Encyclopedia and they had a drawing of where Phoenicia had been and it was what now is Syria and Lebanon.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-042</container>
            <unittitle>Midday prayers at the Al Noor School, Sunset Park, Brooklyn, N.Y., 2001</unittitle>
          </did>
          <scopecontent>
            <p>The school has students whose parents come from all of the countries in the world with Muslim populations. The students are segregated by gender and most of the curriculum is in Arabic since that is the language of the Koran. Boys and girls are forbidden to speak to each other. If they do the boy is chastised, but the girl may be put on probation or expelled. When I was photographing there the text being studied in the English class was <title render="italic">Exodus</title>, by Leon Uris.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-043</container>
            <unittitle>Girls playing basketball in the schoolyard of the Al Noor School, 2002</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-044</container>
            <unittitle>Young Syrian American girl who goes to the local public school in Brooklyn Heights</unittitle>
          </did>
          <scopecontent>
            <p>I was told by one of the teachers that the school has many students who come from Arabic speaking countries. Muslims, Christians, Jews and people who profess no particular religion all coexist well there.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-045</container>
            <unittitle>Young Syrian American girl who goes to the local public school in Brooklyn Heights</unittitle>
          </did>
          <scopecontent>
            <p>A 11x14" duplicate of RL10011-P-044.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-046</container>
            <unittitle>Sizing a Palestinian wedding dress, Brooklyn, N.Y., 1998</unittitle>
          </did>
          <scopecontent>
            <p>A fitting at Four Golden Needles, a dress shop in Bay Ridge Brooklyn which was created and owned by four Palestinian women. The woman trying on the dress is from Lebanon and the dressmaker is from Egypt. The material was designed on the computer and then printed out on the textile machine in the background. The dress was shipped to a woman getting married in Chicago.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-047</container>
            <unittitle>Bride, groom and the groom's mother at the wedding in Widdi's Catering Hall, Bay Ridge, Brooklyn, N.Y., 1999</unittitle>
          </did>
          <scopecontent>
            <p>Celebrating the wedding of Sandra Hajjaj and  Komenby Kharoufeh. The groom's mother is trying to keep the playing children from colliding with the cake.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-048</container>
            <unittitle>Palestinian American Women at a wedding in Widdi's Catering Hall, Bay Ridge, Brooklyn, N.Y., 1999</unittitle>
          </did>
          <scopecontent>
            <p>Widdi's is known throughout the Arab American community as the place to have your party after Ramadan, your wedding, your confirmation party, your fund raising party, or your political meeting of the community. Gold coins are traditional wedding presents which are pinned to the bride's dress at the marriage ceremony. It is common for the women to wear strings of gold coins minted in the Mid-East around their heads and their waists on special occasions such as this wedding. One man when I asked about it said that <title render="doublequote">we don't trust banks.</title></p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-049</container>
            <unittitle>A relative of the groom dancing at the wedding in Widdi's Catering Hall, Bay Ridge, Brooklyn, NY, 1999</unittitle>
          </did>
          <scopecontent>
            <p>He is the spitting image of one my cousins when we were younger.  As I looked around the room filled with Palestinians it struck me that many of the people there looked like my own relatives and I thought how come they can't see it. They are from the same family. When will they see it. When will the killings stop!</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-050</container>
            <unittitle>Astroland Amusement Park, Coney Island, NY, 1999</unittitle>
          </did>
          <scopecontent>
            <p>I liked this  photograph, but it was not in the exhibition of my work, because the museum directors thought it inflammatory. I thought they were being overly cautious, but it was soon after the attack on the towers and many people were upset and so I lost the argument.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-051</container>
            <unittitle>Ecumenical Peace March of Christians, Moslems and Jews, Bay Ridge, Brooklyn Sept. 26, 2001</unittitle>
          </did>
          <scopecontent>
            <p>Over a thousand Christians, Muslims, and Jewish Arab Americans made clear their desire for peace and their hatred for violence. Unfortunately, though the Churches, Mosques and Synagogues sent out many press releases, none of the press came to report about this event.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-052</container>
            <unittitle>Peace vigil on the Esplanade, Brooklyn Heights, N.Y., Sept 16, 2001</unittitle>
          </did>
          <scopecontent>
            <p>Debbie Almontaser, an educator and activist, carried a photograph of her son wherever she went. He was in the National Guard patrolling the area around Ground Zero and couldn't go to the Peace Vigil, September 16, 2001. After September 11th a number of people in Brooklyn Heights called her names and tried to get her to take off her hijab. She started to carry the photograph of her son who had been called up to the National Guard on September 11th. She told the people that were harassing her that he was in the National Guard patrolling the area around Ground Zero and that she was as patriotic as they were. She told me that the harassment was so bad that teachers at the public school where she worked had to escort her to school and back. Shortly after, she resigned from teaching there.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-053</container>
            <unittitle>Muhaideen Batah and Yosef Thalen in Brooklyn, N.Y., 1999</unittitle>
          </did>
          <scopecontent>
            <p>Muhaideen (with camera) was one of my students who became one of my friends. He received his Bachelors Degree from the State University of New York/Empire State College. He was a photography major who was a carpenter years ago in Nazareth, and is now is a successful photographer and lecturer on Palestinian and Islamic issues and lives in Vermont. Yosef, lived in Jerusalem and Jordan most of the time and made a living by coming to Brooklyn and selling tiny Korans on the streets and in the mosques. When he was in Brooklyn he slept in one of the Mosques. He died in 2004.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-054</container>
            <unittitle>Palestinian woman (older) with candle at peace vigil </unittitle>
          </did>
          <scopecontent>
            <p>There was a march of more than a thousand people of all denominations against violence in Brooklyn Heights. The press did not carry it to any extent.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-055</container>
            <unittitle>Josef  Thalen</unittitle>
          </did>
          <scopecontent>
            <p>He said he was saluting the King of Jordan.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-056</container>
            <unittitle>Her brother was still missing, Peace March, September 26, 2001</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-057</container>
            <unittitle>Patriarch looking at a photograph of a woman who is searching for her brother who has probably been killed by the attack on the twin towers</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">4</container>
            <container type="image">RL10011-P-058</container>
            <unittitle>Iraqi Woman student at an English as a Second Language Class, Utica, N.Y.</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-059</container>
            <unittitle>[Dr. Alrawi, an Iraqi OB/GYN doctor, has a <title render="doublequote">wellness</title> practice for women in Bay Ridge, Brooklyn]</unittitle>
          </did>
          <scopecontent>
            <p>Her pregnant patient is from Aden, 2004.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-060</container>
            <unittitle>Carrying a Greek orthodox cross at the march against violence and terrorism on Bay Ridge Blvd.</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-061</container>
            <unittitle>Doha working in the pastry bakery <title render="doublequote">The International Gourmet Delight</title> that she and her husband own</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-062</container>
            <unittitle>Essa with his children in their store where I met him by accident when I needed to buy lithium batteries </unittitle>
          </did>
          <scopecontent>
            <p>Mr. Widdi told me he was mayor of the Palestinians.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-063</container>
            <unittitle>Charles Sahadi at one of his delicatessen and grocery stores</unittitle>
          </did>
          <scopecontent>
            <p>It is known for its Mid-Eastern fine foods.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-064</container>
            <unittitle>Wafta Shama teaching embroidery at the Museum of the City of New York, December, 2001</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-065</container>
            <unittitle>[The wedding of Sandra Hajjaj and  Komenby Kharoufeh at Widdi's Catering Hall, Brooklyn, August 22, 1999]</unittitle>
          </did>
          <scopecontent>
            <p>The gold coins are traditional wedding presents which are pinned to the wife's gown. The groom's mother is keeping playing children from colliding with the cake.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-066</container>
            <unittitle>[Family at the wedding of Sandra Hajjaj and  Komenby Kharoufeh at Widdi's Catering hall, Brooklyn, August 22, 1999]</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-067</container>
            <unittitle>At the end of the wedding reception</unittitle>
          </did>
          <scopecontent>
            <p>The gold coins are traditional wedding presents which are pinned to the wife's gown. The groom's mother is keeping playing children from colliding with the cake.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-068</container>
            <unittitle>Young girl lighting candle, Palm Sunday, 2001, in St. Mary's Orthodox church, Bay Ridge, Brooklyn</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-069</container>
            <unittitle>Holy Communion, St Mary's Orthodox Church, Palm Sunday, 2001</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-070</container>
            <unittitle>Teaching the Koran in a small mosque in Albany, N.Y.</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-071</container>
            <unittitle>Mar Nasrallah Boutros Sfeir, Patriarch of Antioch and All the East, Our Lady of Lebanon Antiochian Syriac Maronite Church, Brooklyn, March 11, 2001</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-072</container>
            <unittitle>Mar Nasrallah Boutros Sfeir, Patriarch of Antioch and All the East, Our Lady of Lebanon Antiochian Syriac Maronite Church, Brooklyn, March 11, 2001</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-073</container>
            <unittitle>Coptic Church of St. George</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-074</container>
            <unittitle>[Coptic church]</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-075</container>
            <unittitle>Holy Communion at the Coptic Church of St. George, 2006, Sunset Park, Brooklyn</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-076</container>
            <unittitle>Coptic Church of St George, women in front of icon of St Michael</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-077</container>
            <unittitle>[Policeman]</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-078</container>
            <unittitle>[<title render="doublequote">Iraqi moms love their kids too</title>]</unittitle>
          </did>
          <scopecontent>
            <p>Two Iraqi women sit on steps at a protest.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-079</container>
            <unittitle>[<title render="doublequote">Violence begets violence</title>]</unittitle>
          </did>
          <scopecontent>
            <p>Young girl holds up sign at protest.</p>
          </scopecontent>
        </c02>
        <c02>
          <did>
            <container type="box">5</container>
            <container type="image">RL10011-P-080</container>
            <unittitle>[Young man playing stringed instrument]</unittitle>
          </did>
        </c02>
      </c01>
      
      
      <c01 level="series">
        <did>
          <unittitle id="s3">Papers Series, <unitdate type="inclusive" normal="2000/2008">2000-2008</unitdate></unittitle>
          <physdesc>
            <extent>(1 box)</extent>
          </physdesc>
        </did>
        <scopecontent>
          <p>Papers in the collection include an audiocassette of Rosenthal's talk at Duke University on October 7, 2004, at the opening of the exhibit <emph render="doublequote">Mel Rosenthal: Photographs from "In the South Bronx of America,"</emph> as well as a brochure for the exhibit and an advertisement for a New York workshop <emph render="doublequote">Empire State College: Documentary Photography in New York City.</emph>  Exhibit pamphlets from <title render="doublequote">Refuge: The Newest New Yorkers</title> and <title render="doublequote">Arab Americans: Americans by Choice</title> are also included.</p>
        </scopecontent>
        <accessrestrict>
          <p>[Original audiovisual materials are closed to use. Use of these materials may require production of listening or viewing copies. Please contact a reference archivist before coming to use this collection.]</p>
        </accessrestrict>
        <c02>
          <did>
            <container type="box">6</container>
            <unittitle><title render="doublequote">Refuge: The Newest New Yorkers,</title> exhibit pamphlet at Empire State College, 2000</unittitle>
            <physdesc>
              <extent>2 pamphlets</extent>
            </physdesc>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">6</container>
            <unittitle>Audiocassette of exhibit talk, 2004 Oct. 7</unittitle>
          </did>
          <accessrestrict>
            <p>[Original audiovisual materials are closed to use. Use of these materials require production of listening or viewing copies. Please contact a reference archivist before coming to use this collection.]</p>
          </accessrestrict>
        </c02>
        <c02>
          <did>
            <container type="box">6</container>
            <unittitle>Publicity for Empire State documentary photography workshop, 2004</unittitle>
            <physdesc>
              <extent>2 pamphlets</extent>
            </physdesc>
          </did>
        </c02>
        <c02>
          <did>
            <container type="box">6</container>
            <unittitle><title render="doublequote">Arab Americans: Americans by Choice,</title> exhibit pamphlet, 2008</unittitle>
          </did>
        </c02>
      </c01>
    </dsc>
  </archdesc>
</ead>
