Happy Pride Month! In addition to these books, check out our Overdrive, New and Noteworthy, and Current Literature collections. If you’re looking for something good to watch or listen to, explore Lilly’s Devil DVDs and the Music Library’s CD collection.
Paul Takes the Form of a Mortal Girl: A Novel by Andrea Lawlor (they/them).
It’s 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco – a journey through the deep queer archives of struggle and pleasure.
Andrea Lawlor’s debut novel offers a speculative history of early ’90s identity politics during the heyday of ACT UP and Queer Nation. Paul Takes the Form of a Mortal Girl is a riotous, razor-sharp bildungsroman whose hero/ine wends his way through a world gutted by loss, pulsing with music, and opening into an array of intimacy and connections.
Andrea Lawlor recently appeared on the podcast Against Everyone with Connor Habib, in an episode titled Andrea Lawlor or Queer Non-Binary Sex Revolution Now!
Born Both: An Intersex Life by Hida Viloria (s/he, he/r).
From one of the world’s foremost intersex activists, a candid, provocative, and eye-opening memoir of gender identity, self-acceptance, and love.
My name is Hida Viloria. I was raised as a girl but discovered at a young age that my body looked different. Having endured an often turbulent home life as a kid, there were many times when I felt scared and alone, especially given my attraction to girls. But unlike most people in the first world who are born intersex – meaning they have genitals, reproductive organs, hormones, and/or chromosomal patterns that do not fit standard definitions of male or female – I grew up in the body I was born with because my parents did not have my sex characteristics surgically altered at birth.
It wasn’t until I was twenty-six and encountered the term intersex in a San Francisco newspaper that I finally had a name for my difference. That’s when I began to explore what it means to live in the space between genders – to be both and neither. I tried living as a feminine woman, an androgynous person, and even for a brief period of time as a man. Good friends would not recognize me, and gay men would hit on me. My gender fluidity was exciting, and in many ways freeing – but it could also be isolating.
I had to know if there were other intersex people like me, but when I finally found an intersex community to connect with I was shocked, and then deeply upset, to learn that most of the people I met had been scarred, both physically and psychologically, by infant surgeries and hormone treatments meant to “correct” their bodies. Realizing that the invisibility of intersex people in society facilitated these practices, I made it my mission to bring an end to it – and became one of the first people to voluntarily come out as intersex at a national and then international level.
Born Both is the story of my lifelong journey toward finding love and embracing my authentic identity in a world that insists on categorizing people into either/or, and of my decades-long fight for human rights and equality for intersex people everywhere.
Hida Viloria is a writer, author, and vanguard intersex and non-binary activist. S/he has spoken about intersex human rights at the United Nations and as a frequent television and radio guest (Oprah, Aljazeera, 20/20, NPR, BBC…), consultant (Lambda Legal, UN, Williams Institute…) and op-ed contributor (NewNowNext, The Daily Beast, The Huffington Post, The Advocate, Ms., CNN.com…).
¡Cuéntamelo! : Oral Histories by LGBT Latino immigrants by Juliana Delgado Lopera (she/her), illustrated by Laura Cerón Melo, edited by Shadia Savo and Santiago Acosta.
¡Cuéntamelo! began as a cover story for SF Weekly. It is “[a] stunning collection of bilingual oral histories and illustrations by LGBT Latinx immigrants who arrived in the U.S. during the 80s and 90s. Stories of repression in underground Havana in the 60s; coming out trans in Catholic Puerto Rico in the 80s; Scarface, female impersonators, Miami and the ‘boat people’; San Francisco’s underground Latinx scene during the 90s and more.”
Juliana Delgado Lopera is an award-winning Colombian writer, historian, speaker and storyteller based in San Francisco. She’s the creative director of RADAR Productions, a queer literary non-profit in San Francisco. Her debut novel Fiebre Tropical, which won the 2014 Jackson Literary Award, will be out Spring 2020 from The Feminist Press.
Lives of Great Men: Living and Loving as an African Gay Man: A Memoir by Chiké Frankie Edozien (he/him).
From Victoria Island, Lagos to Brooklyn, U.S.A. to Accra, Ghana to Paris, France; from across the Diaspora to the heart of the African continent, in this memoir Nigerian journalist Chiké Frankie Edozien offers a highly personal series of contemporary snapshots of same gender loving Africans, unsung Great Men living their lives, triumphing and finding joy in the face of great adversity. On his travels and sojourns Edozien explores the worsening legal climate for gay men and women on the continent; the impact homophobic evangelical American pastors are having in many countries, and its toxic intersection with political populism; and experiences the pressures placed on those living under harshly oppressive laws that are themselves the legacy of colonial rule – pressures that sometimes lead to seeking asylum in the West. Yet he remains hopeful, and this memoir, which is pacy, romantic, and funny by turns, is also a love-letter to Africa, above all to Nigeria and the megalopolis that is Lagos.
Chiké Frankie Edozien is an award-winning reporter whose work has appeared in the New York Times, The Times (UK), Quartz, Vibe magazine, Time Magazine, and more.
He was a New York Post political reporter for over a decade. His work has been featured on numerous new broadcasts. He co-founded The AFRican magazine in 2001 to tell often overlooked, African stories.
Trans Figured: My Journey from Boy to Girl to Woman to Man by Brian Belovitch (he/him).
Imagine experiencing life not as the gender dictated by birth but as one of your own design. In Trans Figured, Brian Belovitch shares his true story of life as a gender outlier and his dramatic journey through the jungle of gender identity.
Brian has the rare distinction of coming out three times: first as a queer teenager; second as a glamorous transgender woman named Tish, and later, Natalia Gervais; and finally as an HIV-positive gay man surviving the AIDS crisis in the 1980s. From growing up in a barely-working-class first-generation immigrant family in Fall River, Massachusetts, to spinning across the disco dance floor of Studio 54 in New York City; from falling into military lock-step as the Army wife of a domineering GI in Germany to having a brush with fame as Natalia, high-flying downtown darling of the boozy and druggy pre-Giuliani New York nightclub scene, Brian escaped many near-death experiences.
Trans Figured chronicles a life lived on the edge with an unforgettable cast of characters during a dangerous and chaotic era. Rich with drama and excitement, this no-holds-barred memoir tells it all. Most importantly, Brian’s candid and poignant story of recovery shines a light on the perseverance of the human spirit.
In 2016, Brian created Queer Stages an LGBTQ playreading group whose mission is to preserve and present LGBTQ themed plays and playwrights for current and future generations. Recently he was Alice, First Lady of Earth in Charles Ludlam’s Conquest of the Universe or When Queens Collide at LaMama to commemorate the 50th Anniversary of the Ridiculous Theatre. In film and television, Brian has appeared in The Irishman, Nor’easter, Silent Prey, Q&A, The Deuce, Homeland, and The Americans.
“Working with the Library” is an occasional series of stories highlighting collaborations between librarians and the people around campus whose teaching and research we support.
Joanna Murdoch is a Ph.D. Candidate in the English Department. She taught a Thompson Writing Program first-year writing seminar called “The Art of Writing Letters” in the spring of 2018. Arianne Hartsell-Gundy, Head of the Humanities Section and Librarian for Literature and Theater Studies, served as the course librarian for this class. She had the pleasure of asking Joanna a couple of questions about how the library has supported her teaching and research.
What were your primary goals for your students in working with letter writing in this course?
Teaching for the Thompson Writing Program’s first-year writing seminar, I wanted to foreground the tangible longevity of academic writing. The claims we make and the words we use in essays, exhibits, or online forums can last a long time. Against the odds, a lot of written material survives! The assignments in my course ask students to think about their writing and research as taking part in conversations with long histories and long futures, too.
Letter writing, it turns out, is a good tool for cultivating the blend of voice, personhood, and responsibility that is crucial for compelling academic work but isn’t always explicitly handled in writing instruction. In almost any century, letters open with an address to a named person and close with the writer’s signoff. Between those extremities, letters and their composers do everything they can to try to reach their readers. For their part, the letter’s recipients face literal response-ability: they have to decide whether and how they are able to respond. Writing and reading in this view are intimate, implicating activities: words can’t convey ideas unless two human beings have already agreed to connect.
It’s easy to forget this interpersonal grounding when composing a college essay. But even the strictest cautions surrounding intellectual property and the respect and defense of human rights require us to acknowledge the voices of others. That’s why my students have been practicing discerning and responding to the historically situated human voice in other people’s writing over three major assignments—a close-reading analysis of a single letter, a research project on a letter exchange held at the Rubenstein or in Perkins’ collections or databases, and a letter to a public figure, exhibited on the Campus Club Wall for three weeks in April of 2018.
How has the library supported your teaching?
In so many ways! Duke’s subscription to databases like North American Immigrant Letters, Diaries, and Oral Histories provided rich exploratory ground for my students in all stages of their writing projects. The library’s collections of World War I letters available in book form in the stacks gave students who stumbled across them the foundation they needed for their research on soldiers’ letters in the Rubenstein’s holdings. Then, in April, the Campus Club Wall in Perkins became a live part of our writing and learning space when students received permission to exhibit some visually enhanced selections from their letters to public figures.
But it was the library’s gifted specialists who really brought Perkins and Rubenstein to life for my class. Our designated Perkins librarian Arianne Hartsell-Gundy very graciously showed us how to use the library guide she had designed especially for our course, and she supported students with exercises for crafting a focused research question and building an annotated bibliography with reputable sources. I’ll always remember Perkins 118 as the place where Arianne showed us the lines from Alexander Hamilton’s letter-esque The Farmer Refuted (1775) that live on in Lin-Manuel Miranda’s Hamilton (2015).
A major highlight of the semester was when Rubenstein’s Elizabeth Dunn and Mandy Cooper introduced us to the historical letters and letter-writing guides they had hand-picked to match the students’ research interests. The hours these librarians spent selecting, transcribing, arranging, and expertly talking us through the materials were a huge gift to the class. Thank you, Perkins and Rubenstein!
How about your research?
For my research on medieval religious lyric poems, I lean heavily on Duke Libraries and their Borrow Direct and Interlibrary Loan relationships. My carrel is overflowing with Perkins, Divinity, and Lilly titles, plus others shipped in from Yale, the University of Chicago, or even our basketball competitor down the road. Thanks to the bases covered by Duke and these other library collections, this spring I was free to buy only the works I knew I would return to, rather than every single title on my comprehensive exams’ reading lists. The best part was when Perkins bought a collection of essays on Chaucer’s poetics at my request! I’d better go check it out, now that it’s on the shelves . . .
Another enormously helpful tool has been the library’s subscription to Oxford Bibliographies Online. Since I’m still in an early stage of dissertation research, I need all the overviews I can get of major contours in scholarly publishing. OBO is a great place to start.
What are three things you think that undergraduates should know about using information and the library?
I) You’re responsible for sniffing out the stories and scholarly drama behind the materials you see. If you do a lot of reading around for a project, you’ll start to see the same names and references to the same group of 10–30 major academic works. Then it’s like you’re pulling a necklace up out of the sand, revealing the links of a single, if complicated, structure. It’s one of the best feelings early on in graduate school, being not-at-the-mercy of the infinite-seeming database search results.
II) I said above that written material lasts longer than we think it will. But that doesn’t mean you’ll be able to actually use it once you’ve consigned it to your files. You may have terabytes of notes and essays on your computer or in the cloud, but you’ll never find any of it again unless you’ve tagged it all thoroughly or you like to spend your free time randomly clicking through old files. Some people love reference management software like RefWorks or Zotero. I can’t stand the way those services look, so I build massive searchable folders in an awesome writing program called Scrivener. Whatever you decide, leave yourself a lot of breadcrumbs. Don’t be like me and spend years searching for a half-remembered, haunting line that turned out to be from Leonard Cohen’s song “Anthem“: “There is a crack in everything / That’s how the light gets in”—I spent so long searching for the note I had made about it back before I learned to cite cite cite even passing references in journal-type notes. The best breadcrumb of all is a full bibliographic citation, including the date you found and read/listened to the material, plus a quick personal note on what you thought about it. The “find” function on your computer will do the rest.
III) If you need part-time work during a heavy course-load year, reshelving books for the library is a fantastic way to find a meditative groove while filling your muscle memory with clues about the way information is structured and accessed in a major university library—which boils down to the shape of academic discourse itself. That’s how it went for me, at least, in the basement stacks of the Yale music library. Maybe Duke will even let you listen to Hamilton or Leonard Cohen while you set some Perkins shelves to rights!
The post The Art of Writing Letters: A Q&A with Joanna Murdoch appeared first on Duke University Libraries Blogs.
Today is the 200th anniversary of Walt Whitman’s birthday! We recently celebrated Whitman’s birthday with our Whitman Sampler event at the end of April, which featured President Emeritus Richard Brodhead reading from Whitman’s poetry and discussing his impact.
If you want to explore the life and work of Whitman, we have one of the best collections in the country in our Rubenstein Rare Books & Manuscript Library. You can see original editions, the many drafts of his works that he created, correspondence, clippings, portraits, and scrapbooks in this collection. We even have a lock of his hair!
If you want to read some of his work, of course we have many of his books that you can check out and read at home. You might also enjoy reading a selection from the Academy of American Poets. The New York Public Library has a great page outlining some good places to start reading.
Finally I wrote a series of blog posts to highlight the “I Sing the Body Electric: Walt Whitman and the Body” exhibit that I had the great privilege of curating in 2017. You can find blog posts about Whitman and Popular Culture, Whitman and the Body, Whitman and the Civil War, and Reading Walt Whitman.
For the summer meeting of the Low Maintenance Book Club, we’ll be discussing the 2019 Duke Summer Reads selection There There. It tells a powerful story of urban Native Americans confronting alcoholism, depression and unemployment amidst the historical backdrop of U.S. subjugation.
We’ll have light snacks (savory and sweet), and you’re welcome to bring your lunch. Please RSVP if you plan to attend.
**Please note a change in meeting location: Bostock 121, the Murthy Digital Studio
Date: Thursday June 27th, 2019
Time: noon-1:00 pm
Location: Bostock 121 (Murthy Digital Studio)
If you have any questions, you can contact Arianne Hartsell-Gundy at firstname.lastname@example.org.
Enchantée by Gita Trelease.
A compellingly beautiful tale of magic, intrigue and deception, set against the backdrop of eighteenth-century Paris on the cusp of revolution.
Paris is a labyrinth of twisted streets filled with beggars and thieves, revolutionaries and magicians. Camille Durbonne is one of them. She wishes she weren’t…
When smallpox kills her parents, Camille must find a way to provide for her younger sister while managing her volatile brother. Relying on magic, Camille painstakingly transforms scraps of metal into money to buy food and medicine they need. But when the coins won’t hold their shape and her brother disappears with the family’s savings, Camille pursues a richer, more dangerous mark: the glittering court of Louis XVI and Marie Antoinette.
Using dark magic forbidden by her mother, Camille transforms herself into a baroness and is swept up into life at the Palace of Versailles, where aristocrats both fear and hunger for magic. As she struggles to reconcile her resentment of the rich with the allure of glamour and excess, Camille meets a handsome young inventor, and begins to believe that love and liberty may both be possible.
But magic has its costs, and soon Camille loses control of her secrets. And when revolution erupts, Camille must choose – love or loyalty, democracy or aristocracy, reality or magic – before Paris burns.
For similar books, check out Blood Rose Rebellion by Rosalyn Eves, Caraval by Stephanie Garber, Rebel of the Sands by Alwyn Hamilton, An Enchantment of Ravens by Margaret Rogerson, and Ash Princess by Laura Sebastian.
City of Crows by Chris Womersley.
Set in seventeenth-century France – a country in the thrall of dark magic, its social fabric weakened by years of plague – Chris Womersley’s City of Crows is a richly imagined and engrossing tour de force. Inspired by real-life events, it tells the story of Charlotte Picot, a young woman from the country forced to venture to the fearsome city of Paris in search of her only remaining son, Nicolas. Fate (or coincidence) places the quick-witted charlatan Adam Lesage in her path. Lesage is newly released from the prison galleys and on the hunt for treasure, but, believing him to be a spirit she has summoned from the underworld, Charlotte enlists his help in finding her child.
Charlotte and Lesage – comically ill-matched but nevertheless essential to one another – journey to Paris, then known as the City of Crows: Charlotte in search of Nicolas, and Lesage seeking a fresh start.
Dazzlingly told, with humor and flair, City of Crows is a novel for readers who like their fiction atmospheric, adventurous, spine-tingling, and beautifully written. Pre-revolutionary France, with all its ribaldry, superstition, and intrigue is mesmerizing, and Charlotte Picot’s story – the story of a mother in search of her lost son – holds universal appeal.
Chris Womersley has also written The Low Road, Bereft, and Cairo. A collection of his short stories, A Lovely and Terrible Thing will be released in Australia this month.
Half-Witch by John Schoffstall.
In the world in which Lizbet Lenz lives, the sun still goes around the earth, God speaks directly to his worshippers, goblins haunt every cellar, and witches lurk in the forests. Disaster strikes when Lizbet’s father Gerhard, a charming scoundrel, is thrown into a dungeon by the tyrant Hengest Wolftrow. To free him, Lizbet must cross the Montagnes du Monde, globe-girdling mountains that reach to the sky, a journey no one has ever survived, and retrieve a mysterious book.Lizbet is desperate, and the only one who can help her is the unpleasant and sarcastic witch girl Strix. As the two girls journey through the mountains and into the lands of wonder beyond, on the run from goblins, powerful witches, and human criminals, Lizbet discovers, to her horror, that Strix’s magic is turning Lizbet into a witch, too. Meanwhile, a revolution in Heaven is brewing.
Foundryside by Robert Jackson Bennett.
In a city that runs on industrialized magic, a secret war will be fought to overwrite reality itself – the first in a dazzling new series from City of Stairs author Robert Jackson Bennett.
Sancia Grado is a thief, and a damn good one. And her latest target, a heavily guarded warehouse on Tevanne’s docks, is nothing her unique abilities can’t handle.
But unbeknownst to her, Sancia’s been sent to steal an artifact of unimaginable power, an object that could revolutionize the magical technology known as scriving. The Merchant Houses who control this magic – the art of using coded commands to imbue everyday objects with sentience – have already used it to transform Tevanne into a vast, remorseless capitalist machine. But if they can unlock the artifact’s secrets, they will rewrite the world itself to suit their aims.
Now someone in those Houses wants Sancia dead, and the artifact for themselves. And in the city of Tevanne, there’s nobody with the power to stop them.
To have a chance at surviving–and at stopping the deadly transformation that’s under way–Sancia will have to marshal unlikely allies, learn to harness the artifact’s power for herself, and undergo her own transformation, one that will turn her into something she could never have imagined.
One of my favorite authors, Tamora Pierce, remarks that Foundryside has “Complex characters, magic that is tech and vice versa, a world bound by warring trade dynasties: Bennett will leave you in awe once you remember to breathe!”
The Red Threads of Fortune by JY Yang.
Fallen prophet, master of the elements, and daughter of the supreme Protector, Sanao Mokoya has abandoned the life that once bound her. Once her visions shaped the lives of citizens across the land, but no matter what tragedy Mokoya foresaw, she could never reshape the future. Broken by the loss of her young daughter, she now hunts deadly, sky-obscuring naga in the harsh outer reaches of the kingdom with packs of dinosaurs at her side, far from everything she used to love.
On the trail of a massive naga that threatens the rebellious mining city of Bataanar, Mokoya meets the mysterious and alluring Rider. But all is not as it seems: the beast they both hunt harbors a secret that could ignite war throughout the Protectorate. As she is drawn into a conspiracy of magic and betrayal, Mokoya must come to terms with her extraordinary and dangerous gifts, or risk losing the little she has left to hold dear.
The Red Threads of Fortune is one of a pair of standalone introductions to JY Yang’s Tensorate Series, which Kate Elliott calls “effortlessly fascinating.” We have its twin novella, The Black Tides of Heaven.
Project Vox, a collaboration between Duke University Libraries and the Department of Philosophy, recently announced the publication of the first English translation of Émilie Du Châtelet’s Essai sur l’Optique, or “essay on optics.” Duke doctoral student Bryce Gessell played a pivotal role in making this translation—and the transcription that preceded it—publicly available and accessible to scholars, instructors, and students worldwide. You can read more about Bryce’s work on the translation on the Duke Graduate School’s website.Excerpts of Emilie du Châtelet’s handwritten “Essai sur l’Optique” that were used to construct the translation. (Images courtesy of Project Vox)
Scholars have known about Du Châtelet’s Essai sur l’Optique for many years, but until recently the text has been unavailable because all copies were thought to be lost. In 1947 Ira O. Wade published the first known edition of the Essai’s fourth chapter, which was held among Voltaire’s papers in Russia. Sixty years later, Fritz Nagel, Director of the Basel Research Center of the Bernoulli Edition, discovered the first complete copy of the Essai in the Bernoulli archives in Basel. Two other complete copies, which had previously gone unnoticed, were then discovered among Du Châtelet’s surviving manuscript material.
Working with Nagel and with Duke Philosophy professor Andrew Janiak, Gessell helped produce and publish a transcription of du Châtelet’s Essai on Project Vox in 2017. The translation, more accessible to undergraduate philosophy students, helps the next generation of scholars recognize and follow the development of Châtelet’s ideas about natural philosophy.
Project Vox seeks to transform the discipline of philosophy by making the lives, works, and ideas of early modern women philosophers available for research and classroom use. Since its inception in 2014, this open educational resource has been produced by a cross-professional, cross-disciplinary, and cross-institutional team made up mostly of students, with review and advisement from philosophers worldwide. Learn more about how Duke University Libraries increase access to scholarship at ScholarWorks.duke.edu.
The post Project Vox publishes du Châtelet’s “Essay on Optics” appeared first on Duke University Libraries Blogs.
April is Arab American Heritage Month and National Poetry Month, so this month’s books are all Arab-American fiction, bilingual poetry, or poetry influenced by the Middle East. For more exciting reads, check out our Overdrive, New and Noteworthy, and Current Literature collections.
Dinarzad’s Children: An Anthology of Contemporary Arab American Fiction edited by Pauline Kaldas and Khaled Mattawa. The first edition of Dinarzad’s Children was a groundbreaking and popular anthology that brought to light the growing body of short fiction being written by Arab Americans. This expanded edition includes sixteen new stories – thirty in all – and new voices and is now organized into sections that invite readers to enter the stories from a variety of directions. Here are stories that reveal the initial adjustments of immigrants, the challenges of forming relationships, the political nuances of being Arab American, the vision directed towards homeland, and the ongoing search for balance and identity.
The contributors are D. H. Melhem, Mohja Khaf, Rabih Alameddine, Rawi Hage, Laila Halaby, Patricia Sarrafian Ward, Alia Yunis, Diana Abu Jaber, Susan Muaddi Darraj, Samia Serageldin, Alia Yunis, Joseph Geha, May Monsoor Munn, Frances Khirallah Nobel, Nabeel Abraham, Yussef El Guindi, Hedy Habra, Randa Jarrar, Zahie El Kouri, Amal Masri, Sahar Mustafah, Evelyn Shakir, David Williams, Pauline Kaldas, and Khaled Mattawa.
The Situe Stories by Frances Khirallah Noble. The situe, or Arabic grandmother, moves in and out of this collection of stories as they seek to capture the integration of Christian Arab women into American culture. The tales contain elements of magic and stoicism, presenting characters rich in independence and creativity.
Frances Khirallah Noble also wrote The New Belly Dancer of the Galaxy: A Novel about a middle-aged Syrian American optician who experiences a series of misadventures involving myth, magical realism, and the realities of Arab American life in a post-9/11 world.
Talking Through the Door: An Anthology of Contemporary Middle Eastern American Writing edited by Susan Atefat-Peckham with a foreword by Lisa Suhair Majaj. The writers included here are descendants of multiple cultural heritages and reflect the perspectives of various ethnic and cultural backgrounds: Egyptian, Iranian, Iraqi, Jordanian, Lebanese, Libyan, Palestinian, Syrian. They are from diverse socioeconomic classes and spiritual sensibilities: Jewish, Muslim, Christian, and atheist, among others. Yet they coexist in this volume as simply American voices.
Atefat-Peckham gathered poetry and prose from sixteen accomplished writers whose works concern a variety of themes: from the familial cross-cultural misunderstandings and conflicts in the works of Iranian American writers Nahid Rachlin and Roger Sedarat to the mysticism of Khaled Mattawa’s poems; from the superstitions that govern characters in Diana Abu-Jaber’s prose to the devastating homesickness in Pauline Kaldas’ characters. Filled with emotion and keen observations, this collection showcases these writers’ vital contributions to contemporary American literature.
The World is One Place: Native American Poets Visit the Middle East edited by Diane Glancy and Linda Rodriguez. This anthology explores how the Middle East has captured the imaginations of a significant group of Native American poets, most of whom have traveled to the Middle East (broadly defined to include the Arab world, Israel, Turkey, Afghanistan). What qualities of the region drew them there? What did they see? How did their cultural perspectives as Native Americans inform their reactions and insights? Three thematic sections – Place, People, Spirit – feature poems and notes inspired by the poets’ experiences of Middle Eastern cultures.
Contributors include Jim Barnes, Kimberly Blaeser, Trevino L. Brings Plenty, Natalie Diaz, Diane Glancy, Joy Harjo, Allison Hedge Coke, Travis Hedge Coke, Linda Hogan, LeAnne Howe, Bojan Louis, Craig Santos Perez, Linda Rodriguez, Kim Shuck, and James Thomas Stevens.
Armenian-American Poets: A Bilingual Anthology compiled and translated by Garig Basmadjian. A beautiful anthology of poetry written in English by Armenian-American poets, along with their translations into Armenian by author Garig Basmadjian.
This book was published by the Armenian General Benevolent Union, which was founded in 1906 and is dedicated to upholding Armenian heritage worldwide.
Beautiful Words: Kasuundze’ Kenaege’ by John Elvis Smelcer. A literary landmark, this bilingual collection of poems represents the only literature of the Ahtna culture in existence. Ahtna is one of twenty indigenous languages of Alaska and had no written form until the last thirty years. Here John Smelcer renders these poems in his native tongue with English translations.
To learn more about the Ahtna culture, visit the Ahtna Heritage Foundation’s website.
Arabic Poems: A Bilingual Edition edited by Marlé Hammond. Arabic poetry is as vast as it is deep, encompassing all manner of poetic expression from Morocco to Iraq and spanning more than fifteen centuries. In its early stages it formed part of an oral tradition, and there were systematic and collective efforts to transmit it to later generations. Poetry not only entertained and delighted, it also served to memorialize individuals, communities, and events. Even today, it has pride of place in the public domain, engaging the elites and the masses in equal measure, albeit in different registers. This anthology attempts to capture the breadth and depth of the Arabic poetic legacy through its inclusion of pieces composed from pre-Islamic times through to the twenty-first century.
Check out our catalog for other translated collections of Arabic poetry.
WHEN: Thursday, April 25, 4:00 – 6:00 p.m.
(Reception at 4:00, with program starting at 4:30 p.m.)
WHERE: Korman Assembly Room (Perkins Library Room 217), Perkins Library 2nd Floor, Duke West Campus (Click for map)
Walt Whitman, who was born 200 years ago this spring, once wrote:
Shut not your doors to me, proud libraries,
For that which was lacking among you all, yet needed most, I bring.
He was probably not talking about chocolate. But that won’t stop this proud library from bringing some to his birthday party!
Join us on April 25 as we celebrate Whitman’s bicentennial, with readings and remarks by Richard H. Brodhead, Duke’s ninth president, on why he loves the “Good Gray Poet” and you should, too. If you’ve ever wanted to know more about America’s most famous poet, now is your chance to take a short course (with no grades or quizzes!) from one of the foremost experts on the subject.
Guests will also be invited to view original Whitman manuscripts and materials from the David M. Rubenstein Rare Book & Manuscript Library, which holds one of the largest and most important Whitman collections in the world, right here at Duke.
Free and open to the public. And yes, there will be chocolate.About Richard H. Brodhead
Richard H. Brodhead served as President of Duke University from 2004 to 2017. As President, he advanced an integrative, engaged model of undergraduate education and strengthened Duke’s commitment to access and opportunity, raising nearly $1 billion for financial aid endowment. Under his leadership, Duke established many of its best-known international programs, including the Duke Global Health Institute, DukeEngage, and Duke Kunshan University. Closer to home, Duke completed major renovations to its historic campus and played a crucial role in the revitalization of downtown Durham.
Brodhead received his B.A. and Ph.D. from Yale University, where he had a 32-year career as a faculty member before coming to Duke, including eleven years as Dean of Yale College. A scholar of American literature and culture, he has written and edited more than a dozen books, including on Hawthorne, Melville, and Whitman. He was elected to the American Academy of Arts and Sciences in 2004, and he was named the Co-Chair of its Commission on the Humanities and Social Sciences and co-authored its 2013 report, “The Heart of the Matter.” He has been a trustee of the Andrew W. Mellon Foundation since 2013.
Brodhead’s writings about higher education have been collected in two books, The Good of this Place (2004) and Speaking of Duke (2017). For his national role in higher education, Brodhead was given the Academic Leadership Award by the Carnegie Corporation of New York. He is currently the William Preston Few Professor of English at Duke.
The post Richard Brodhead Returns to Duke with a “Whitman Sampler” appeared first on Duke University Libraries Blogs.
This month’s Collection Spotlight shines a light on graphic novels and comics. You will find a variety of graphic novels and comics from across our libraries on display. Here are some examples:
Ms. Marvel, writer, G. Willow Wilson ; color artist, Ian Herring ; letterer, VC’s Joe Caramagna
I Kill Giants, [written by] Joe Kelly ; [art & design by] JM Ken Niimura
The Annotated Sandman, by Neil Gaiman ; edited, with an introduction and notes by Leslie S. Klinger ; featuring characters created by Neil Gaiman, Sam Kieth and Mike Dringenberg
Aya of Yop City, Marguerite Abouet & Clément Oubrerie
Wandering Son, [Shimura Takako ; translation, Matt Thorn]
French Milk, Lucy Knisley
If you are interested in finding out more details about finding graphic novels and comics in our collections, read on!Comics and Graphic Novels in the Stacks
You can check out comics and graphic novels from our circulating collections. We have comics and graphic novels scattered throughout our libraries, with most of them housed at Lilly Library on East campus. You’ll find everything from The Walking Dead to Persepolis.
There are several ways to identify titles. If you want to browse, relevant call number sections include PN6700-6790 and NC1300-1766. You can do a title search in our library catalog for specific titles. You can also use the subject headings Comic books, strips, etc. and graphic novels to discover more titles.Manga
We have manga in the East Asian collection on the second floor of Bostock. We hold about 600 titles in Japanese and 150 titles translated into English just in PN6790.J3 – PN6790.J34. You can also find Korean manhwa in PN6790 K6 – PN6790.K64. Popular titles held at Duke include One Piece, Dragon ball, Naruto, Astro Boy, as well as the complete works of Tezuka Osamu.The Underground and Independent Comics Database
The Underground and Independent Comics database is the first-ever scholarly online collection for researchers and students of adult comic books and graphic novels. It features the comics themselves along with interviews, commentary, and criticism. Includes artists such as Jessica Abel, Jaime Hernandez, Jason, Harvey Pekar, Dave Sim, and many more. There are comics from around the world, including Canada, France, Italy, Spain, England, Sweden, Norway, Australia, Korea, Japan.Overdrive
We have just recently begun purchasing some comics for Overdrive! More titles to come!Rare and Original Issues at the Rubenstein Library
The Rubenstein’s comic collection spans many decades, publishers, and styles: from Golden Age Batman to modern graphic novels, and everything in between.Edwin and Terry Murray Comic Book Collection
With more than 67,000 comic books from the 1930s to the 2000s, this is our largest collection. All of the comic book titles are in the process of being added to the library catalog, so you will be able to search the catalog for your favorite superhero! The titles currently available can also be found in the catalog by searching for “Edwin and Terry Murray Collection (David M. Rubenstein Rare Book & Manuscript Library).” You can try searching by genres, such as “Detective and mystery comics” and “Underground comics,” as well.Comic Book and Graphic Novel Collection
Contains thousands of additional comics and graphic novels with rich materials in international comics, especially Argentina and France, and comics created by women. Find them in the Guide to the Comic Book and Graphic Novel Collection, 1938-2012.
In the meantime, check out the Collection Spotlight rack near our Perkins Library Service Desk on the first floor of Perkins to find your next read!
The post April 2019 Collection Spotlight: Graphic Novels and Comics appeared first on Duke University Libraries Blogs.
If you want to read poetry, we have a lot of titles in our collection to choose from. You can explore here. You might also enjoy exploring Columbia Granger’s World of Poetry . You can find some full text of poems and citations to collections of poetry to help track down a particular poem. It’s especially helpful when you know the first or last line of a poem.
Another way to observe National Poetry Month is to help us celebrate the 200th anniversary of Walt Whitman. We’ll be celebrating tomorrow (April 5th) with a pop up outside of Vondy from 11:00-1. Join us to make a button and do a mad lib!
We’ll also have an event on April 25th at 4:00 pm in the Korman Assembly Room (Perkins 217) called “A Whitman Sampler: A Bicentennial Celebration.” Here are the details:
with Richard H. Brodhead
President Emeritus of Duke University and
William Preston Few Professor Emeritus of English
Join us as we celebrate Walt Whitman’s 200th birthday with readings and remarks by Duke’s ninth president on why he loves the “Good Gray Poet” and you should, too. Also featuring original Whitman manuscripts and materials from one of the most significant Whitman collections in the world, right here in Duke’s Rubenstein Library.
The post Celebrate National Poetry Month (and Walt Whitman) appeared first on Duke University Libraries Blogs.
This month’s selections are books by and about some amazing women in honor of Women’s History Month. For more exciting reads, check out our Overdrive, New and Noteworthy, and Current Literature collections.
Bonus recommendation: Everything Happens for a Reason: And Other Lies I’ve Loved by Kate Bowler, also available as an audiobook on Overdrive.
The Wind In My Hair: My Fight for Freedom in Modern Iran by Masih Alinejad with Kambiz Foroohar.
An extraordinary memoir from an Iranian journalist in exile about leaving her country, challenging tradition, and sparking an online movement against compulsory hijab.
A photo on Masih’s Facebook page: a woman standing proudly, face bare, hair blowing in the wind. Her crime: removing her veil, or hijab, which is compulsory for women in Iran. This is the self-portrait that sparked ‘My Stealthy Freedom,’ a social media campaign that went viral.
But Masih is so much more than the arresting face that sparked a campaign inspiring women to find their voices. She’s also a world-class journalist whose personal story, told in her unforgettably bold and spirited voice, is emotional and inspiring. She grew up in a traditional village where her mother, a tailor and respected figure in the community, was the exception to the rule in a culture where women reside in their husbands’ shadows. As a teenager, Masih was arrested for political activism and was surprised to discover she was pregnant while in police custody. When she was released, she married quickly and followed her young husband to Tehran where she was later served divorce papers to the shame and embarrassment of her religiously conservative family. Masih spent nine years struggling to regain custody of her beloved only son and was forced into exile, leaving her homeland and her heritage. Following Donald Trump’s notorious immigration ban, Masih found herself separated from her child, who lives abroad, once again.
A testament to a spirit that remains unbroken, and an enlightening, intimate invitation into a world we don’t know nearly enough about, The Wind In My Hair is the extraordinary memoir of a woman who overcame enormous adversity to fight for what she believes in, and to encourage others to do the same.
Jefferson’s Daughters: Three Sisters, White and Black, in a Young America by Catherine Kerrison.
The remarkable untold story of Thomas Jefferson’s three daughters – two white and free, one black and enslaved – and the divergent paths they forged in a newly independent America.
Thomas Jefferson had three daughters: Martha and Maria by his wife, Martha Wayles Jefferson, and Harriet by his slave Sally Hemings. In Jefferson’s Daughters, Catherine Kerrison, a scholar of early American and women’s history, recounts the remarkable journey of these three women – and how their struggle to define themselves reflects both the possibilities and the limitations that resulted from the American Revolution.
Although the three women shared a father, the similarities end there. Martha and Maria received a fine convent school education while they lived with their father during his diplomatic posting in Paris – a hothouse of intellectual ferment whose celebrated salonnières are vividly brought to life in Kerrison’s narrative. Once they returned home, however, the sisters found their options limited by the laws and customs of early America.
Harriet Hemings followed a different path. She escaped slavery – apparently with the assistance of Jefferson himself. Leaving Monticello behind, she boarded a coach and set off for a decidedly uncertain future.
For this groundbreaking triple biography, Kerrison has uncovered never-before-published documents written by the Jefferson sisters when they were in their teens, as well as letters written by members of the Jefferson and Hemings families. She has interviewed Hemings family descendants (and, with their cooperation, initiated DNA testing) and searched for descendants of Harriet Hemings.
The eventful lives of Thomas Jefferson’s daughters provide a unique vantage point from which to examine the complicated patrimony of the American Revolution itself. The richly interwoven story of these three strong women and their fight to shape their own destinies sheds new light on the ongoing movement toward human rights in America – and on the personal and political legacy of one of our most controversial Founding Fathers.
Catherine Kerrison discussed Jefferson’s Daughters in a Conversations at the Washington Library podcast. also wrote Claiming the Pen: Women and Intellectual Life in the Early American South.
Song In a Weary Throat: Memoir of an American Pilgrimage by Pauli Murray, with a new introduction by Patricia Bell-Scott.
First published posthumously in 1987, Pauli Murray’s Song in a Weary Throat was critically lauded, winning the Robert F. Kennedy Book Award and the Lillian Smith Book Award among other distinctions. Yet Murray’s name and extraordinary influence receded from view in the intervening years; now they are once again entering the public discourse. At last, with the republication of this “beautifully crafted” memoir, Song in a Weary Throat takes its rightful place among the great civil rights autobiographies of the twentieth century.
In a voice that is energetic, wry, and direct, Murray tells of a childhood dramatically altered by the sudden loss of her spirited, hard-working parents. Orphaned at age four, she was sent from Baltimore to segregated Durham, North Carolina, to live with her unflappable Aunt Pauline, who, while strict, was liberal-minded in accepting the tomboy Pauli as “my little boy-girl.” In fact, throughout her life, Murray would struggle with feelings of sexual “in-betweenness” – she tried unsuccessfully to get her doctors to give her testosterone – that today we would recognize as a transgendered identity.
We then follow Murray north at the age of seventeen to New York City’s Hunter College, to her embrace of Gandhi’s Satyagraha – nonviolent resistance – and south again, where she experienced Jim Crow firsthand. An early Freedom Rider, she was arrested in 1940, fifteen years before Rosa Parks’ disobedience, for sitting in the whites-only section of a Virginia bus. Murray’s activism led to relationships with Thurgood Marshall and Eleanor Roosevelt – who respectfully referred to Murray as a “firebrand” – and propelled her to a Howard University law degree and a lifelong fight against “Jane Crow” sexism. We also read Betty Friedan’s enthusiastic response to Murray’s call for an NAACP for Women – the origins of NOW. Murray sets these thrilling high-water marks against the backdrop of uncertain finances, chronic fatigue, and tragic losses both private and public, as Patricia Bell-Scott’s engaging introduction brings to life.
Now, more than thirty years after her death in 1985, Murray – poet, memoirist, lawyer, activist, and Episcopal priest – gains long-deserved recognition through a rediscovered memoir that serves as a “powerful witness” (Brittney Cooper) to a pivotal era in the American twentieth century.
Gertrude Weil: Jewish Progressive in the New South by Leonard Rogoff.
It is so obvious that to treat people equally is the right thing to do,” wrote Gertrude Weil (1879-1971). In the first-ever biography of Weil, Leonard Rogoff tells the story of a modest southern Jewish woman who, while famously private, fought publicly and passionately for the progressive causes of her age. Born to a prominent family in Goldsboro, North Carolina, Weil never married and there remained ensconced – in many ways a proper southern lady – for nearly a century. From her hometown, she fought for women’s suffrage, founded her state’s League of Women Voters, pushed for labor reform and social welfare, and advocated for world peace.
Weil made national headlines during an election in 1922 when, casting her vote, she spotted and ripped up a stack of illegally marked ballots. She campaigned against lynching, convened a biracial council in her home, and in her eighties desegregated a swimming pool by diving in headfirst. Rogoff also highlights Weil’s place in the broader Jewish American experience. Whether attempting to promote the causes of southern Jewry, save her European family members from the Holocaust, or support the creation of a Jewish state, Weil fought for systemic change, all the while insisting that she had not done much beyond the ordinary duty of any citizen.
A decade before Rogoff’s book, Anne Firor Scott wrote an article about Gertrude Weil. She relates a conversation about international problems where Gertrude exclaimed, “I grow more radical every year. Who knows? I may live long enough to become a communist!”
Always Another Country: A Memoir of Exile and Home by Sisonke Msimang.
Born in exile, in Zambia, to a guerrilla father and a working mother, Sisonke Msimang is constantly on the move. Her parents, talented and highly educated, travel from Zambia to Kenya and Canada and beyond with their young family. Always the outsider, and against a backdrop of racism and xenophobia, Sisonke develops her keenly perceptive view of the world. In this sparkling account of a young girl’s path to womanhood, Sisonke interweaves her personal story with her political awakening in America and Africa, her euphoria at returning to the new South Africa, and her disillusionment with the new elites. Confidential and reflective, Always Another Country is a search for belonging and identity: a warm and intimate story that will move many readers.
Come laugh with Low Maintenance Book Club! To close out the semester, we’ll be discussing three selections from David Sedaris’ newest collection of personal essays, Calypso: “Why Aren’t You Laughing?” “Now We Are Five,” and “A Number of Reasons I’ve Been Depressed Lately.” Copies of this book are available for checkout from Duke University Libraries and Durham County Library. We also have an audiobook through Overdrive.
Date: Tuesday, April 16, 2019
Time: 5:30 pm – 7:00 pm
Location: Bostock 127 (The Edge Workshop Room)
Register for this discussion. Light refreshments will be served.
If you have any questions, you can contact Arianne Hartsell-Gundy at email@example.com.
“There are few great poets alive at any one time, and W.S. Merwin is one of them. Read him.” — The Guardian
W.S. Merwin, former United States poet laureate, Academy of American Poets Chancellor, environmental activist, literary translator and two-time Pulitzer prize-winning author, died on March 15th, 2019 at the age of 91. His work was often featured in the New Yorker.
If you’ve never read any of his works, we have many of his books in our collection, including these:
He was also known for his translations:
Let me leave you with one of his poems:
Your absence has gone through me
Like thread through a needle.
Everything I do is stitched with its color.
from The Second Four Books of Poems (Port Townsend, Washington: Copper Canyon Press, 1993).
February is Black History Month, so before I get to the books, here are some exhibits, resources, and events:
Duke People’s State of the University is a campus activist group that has successfully pressured Duke to “ban the box” – not require job applicants to disclose criminal history – and rename the Carr building. The Chronicle named PSOTU one of its Chron15 Pioneers.
Duke is home to the personal and professional papers of John Hope Franklin, historian, activist, and public scholar. The John Hope Franklin Research Center for African and African American History and Culture, housed at the Rubenstein Rare Book & Manuscript Library collects and preserves primary sources. The John Hope Franklin Center of International and Interdisciplinary Studies produces a weekly webcast called Left of Black, hosted by Duke Professor Mark Anthony Neal. The Franklin Humanities Institute hosts the lab From Slavery to Freedom: Representations of Race and Freedom in the African Diaspora.
February 13 marked the 50th anniversary of the Allen Building Takeover at Duke. The Takeover is commemorated by an online exhibit and a physical exhibit on display through July 14 in the Jerry and Bruce Chappell Family Gallery in Perkins. Duke Digital Collections include Silent Vigil (1968) and Allen Building Takeover (1969) Audio Recordings. In addition to the Allen Building Takeover recordings, Duke has digitized the oral history collection Behind the Veil: Documenting African-American Life in the Jim Crow South. Members of the Duke community now also have access to a database of oral history interviews of African Americans: The HistoryMakers Digital Archive.
NC Central University has two remaining events in their Black History Month Activities: a lecture from The Universal Ethiopian Students’ Association, 1927-1948: Mobilizing Diaspora by Dr. Takeia Anthony and the musical drama A Need Fulfilled, profiling the lives of black nurses in World War II.
Unseen: Unpublished Black History From The New York Times Photo Archives by Darcy Eveleigh, Dana Canedy, Damien Cave, and Rachel L. Swarns.
Hundreds of stunning images from black history have long been buried in the New York Times archives. Unseen dives deep into the Times photo archives – known as the Morgue – to showcase this extraordinary collection of photographs and the stories behind them.
It all started with Times photo editor Darcy Eveleigh discovering dozens of these photographs. She and three colleagues – Dana Canedy, Damien Cave and Rachel L. Swarns – began exploring the history behind them, subsequently chronicling them in a series entitled “Unpublished Black History” that ran in print and online editions of the Times in February 2016. It garnered 1.7 million views on the Times website and thousands of comments from readers. This book includes those photographs and many more, among them: a 27-year-old Jesse Jackson leading an anti-discrimination rally in Chicago, Rosa Parks arriving at a Montgomery Courthouse in Alabama, a candid behind-the-scenes shot of Aretha Franklin backstage at the Apollo Theater, Ralph Ellison on the streets of his Manhattan neighborhood, the firebombed home of Malcolm X, Myrlie Evans and her children at the funeral of her slain husband , Medgar, and a wheelchair-bound Roy Campanella at the razing of Ebbets Field.
Were the photos – or the people in them – not deemed newsworthy enough? Did the images not arrive in time for publication? Were they pushed aside by words at an institution long known as the Gray Lady? Eveleigh, Canedy, Cave, and Swarns explore all these questions and more in this one-of-a-kind book.
My favorite photograph from this book is at the beginning of the section “Arthur Mitchell, Dancing Through Barriers” on page 96. Unfortunately, this image does not appear in the online photograph series.
Talking Back: Voices of Color edited and with an introduction by Nellie Wong.
Talking Back: Voices of Color is a dynamic anthology featuring voices of youth, political prisoners, immigrants, and history-makers. Essays by a multi-racial, intergenerational mix of 25 Black, Latinx, Native American, and LGBTQ community organizers. Topics include quality education and environmental justice, indigenous land rights and international solidarity, film and book reviews, hidden histories of women of color, and tales of endurance and survival.
The introduction by Nellie Wong, a celebrated and widely published poet, explores the meaning of talking back as a step in gaining self-esteem and as a collective act. She writes: “To whom do we talk back? To those who will silence us. Those who incarcerate us in prison or in the home. Those who deny us our rights to cross borders to seek refuge from violence and safety for our children. Those who brutalize us because of our race, gender or sexuality… These voices of color matter. They need to be heard. Everywhere.”
This vibrant anthology astonished me at every turn. Many of the events referenced are history that I was never taught, stories that never penetrated the mainstream media, and news that never struck me as important on a visceral level amid the flood of a 24/7 news cycle and the filter effect of social media. Talking Back: Voices of Color opened my eyes to lived realities. I highly recommend this book, but reading it requires open-mindedness and a willingness to listen rather than reflexively judge based on the organizers’ politics.
Showtime at the Apollo: The Epic Tale of Harlem’s Legendary Theater by Ted Fox, illustrated by James Otis Smith.
Writer Ted Fox and artist James Otis Smith bring to life Harlem’s legendary theater in this graphic novel adaptation of Fox’s definitive, critically acclaimed history of the Apollo.
Since its inception as an African-American theater in 1934, the Apollo, and the thousands of entertainers who performed there, have led the way in the presentation of swing, bebop, rhythm and blues, jazz, gospel, soul, funk and hip-hop – along with the latest in dance and comedy. The Apollo has nurtured and featured thousands of artists, many of whom have become legends. The beauty they have given the world – their art – transcends the hatred, ignorance, and intolerance that often made their lives difficult. Today, the Apollo enjoys an almost mythical status. With its breathtaking art, this graphic novel adaptation of Showtime at the Apollo brings to life the theater’s legendary significance in music history, African American history, and the culture of New York City.
Multiversity Comics interviewed Ted Fox and James Otis Smith at New York Comic Con 2018. In addition to the new graphic novel, we have the 1983 book it was adapted from.
Afro-Descendants, Identity, and the Struggle for Development in the Americas edited by Bernd Reiter and Kimberly Eison Simmons.
Indigenous people and African descendants in Latin America and the Caribbean have long been affected by a social hierarchy established by elites, through which some groups were racialized and others were normalized. Far from being “racial paradises” populated by an amalgamated “cosmic race” of mulattos and mestizos, Latin America and the Caribbean have long been sites of shifting exploitative strategies and ideologies, ranging from scientific racism and eugenics to the more sophisticated official denial of racism and ethnic difference. This book, among the first to focus on African descendants in the region, brings together diverse reflections from scholars, activists, and funding agency representatives working to end racism and promote human rights in the Americas. By focusing on the ways racism inhibits agency among African descendants and the ways African-descendant groups position themselves in order to overcome obstacles, this interdisciplinary book provides a multi-faceted analysis of one of the gravest contemporary problems in the Americas.
Bernd Reiter has also written The Dialectics of Citizenship: Exploring Privilege, Exclusion, and Racialization and The Crisis of Liberal Democracy and the Path Ahead. Kimberly Eison Simmons contributed to Black Feminist Anthropology: Theory, Politics, Praxis, and Poetics and wrote Reconstructing Racial Identity and the African Past in the Dominican Republic.
Hello Universe by Erin Entrada Kelly.
Newbery Medalist Erin Entrada Kelly’s Hello, Universe is a funny and poignant neighborhood story about unexpected friendships.
In one day, four lives weave together in unexpected ways. Virgil Salinas is shy and kindhearted and feels out of place in his crazy-about-sports family. Valencia Somerset, who is deaf, is smart, brave, and secretly lonely, and she loves everything about nature. Kaori Tanaka is a self-proclaimed psychic, whose little sister, Gen, is always following her around. And Chet Bullens wishes the weird kids would just stop being so different so he can concentrate on basketball.
They aren’t friends, at least not until Chet pulls a prank that traps Virgil and his pet guinea pig at the bottom of a well. This disaster leads Kaori, Gen, and Valencia on an epic quest to find missing Virgil. Through luck, smarts, bravery, and a little help from the universe, a rescue is performed, a bully is put in his place, and friendship blooms.
The acclaimed and award-winning author of Blackbird Fly and The Land of Forgotten Girls writes with an authentic, humorous, and irresistible tween voice that will appeal to fans of Thanhha Lai and Rita Williams-Garcia.
I saw this book while browsing the New and Noteworthy collection. It looked adorable and positive, and did not disappoint. Hello Universe is so cute and wholesome that I was tearing up at the end because everything turns out well and friendship is amazing.
Guest post by Heather Martin, Librarian for African and African American Studies
Looking for oral history interviews of African Americans? Try The HistoryMakers Digital Archive, a new subscription database available through Duke University Libraries.
HistoryMakers contains over 10,000 hours of video interviews with African-Americans distinguished in the categories of education, media, science, politics, law, the arts, business, medicine, the military, sports, religion, entertainment, and other areas of public life. Interviewees discuss memories from the 1890s to the present. The project currently includes original interviews of more than 2,000 individuals, with a goal of collecting 5,000 interviews.
By creating story segments from each interview, HistoryMakers allows users to find relevant discussions on specific topics. Interview transcripts are searchable, but you can also choose from a list of story topics (e.g., leadership, desegregation/integration, public health issues, philanthropy, role models, gender identity, faith, humorous story quality, and arguing a position). You can also create shareable playlists by selecting stories from your search results.A search for “Duke University” reveals hundreds of interviews with noteworthy individuals, including Paula McClain, current dean of Duke’s Graduate School.
A search for Duke University retrieves 321 stories, including interviews with noted historian John Hope Franklin; Samuel DuBois Cook, the first African American professor at Duke; Vera Ricketts, the first black female pharmacist at Duke University Hospital; and Paula D. McClain, current dean of the Graduate School at Duke.
HistoryMakers complements Behind the Veil: Documenting African American Life in the Jim Crow South and other oral history materials in the Duke Libraries’ collections. It is a substantial addition to our primary source collections.
To learn more about the creation of The HistoryMakers Digital Archive, visit the organization’s website.
The post Celebrate Black History All Year Round with “The HistoryMakers” appeared first on Duke University Libraries Blogs.
“All the Real Indians Died Off”: and 20 Other Myths About Native Americans by Roxanne Dunbar-Ortiz and Dina Gilio-Whitaker. Unpacks the twenty-one most common myths and misconceptions about Native Americans In this enlightening book, scholars and activists Roxanne Dunbar-Ortiz and Dina Gilio-Whitaker tackle a wide range of myths about Native American culture and history that have misinformed generations. Tracing how these ideas evolved, and drawing from history, the authors disrupt long-held and enduring myths such as-“Columbus Discovered America””Thanksgiving Proves the Indians Welcomed Pilgrims””Indians Were Savage and Warlike””Europeans Brought Civilization to Backward Indians””The United States Did Not Have a Policy of Genocide””Sports Mascots Honor Native Americans””Most Indians Are on Government Welfare””Indian Casinos Make Them All Rich””Indians Are Naturally Predisposed to Alcohol”Each chapter deftly shows how these myths are rooted in the fears and prejudice of European settlers and in the larger political agendas of a settler state aimed at acquiring Indigenous land and tied to narratives of erasure and disappearance. Accessibly written and revelatory, “All the Real Indians Died Off” challenges readers to rethink what they have been taught about Native Americans and history.
Roxanne Dunbar-Ortiz also wrote An Indigenous Peoples’ History of the United States. Dina Gilio-Whitaker is a policy director and senior researcher at the Center for World Indigenous Studies.
A Safe Girl to Love by Casey Plett. Eleven unique short stories that stretch from a rural Canadian Mennonite town to a hipster gay bar in Brooklyn, featuring young trans women stumbling through loss, sex, harassment, and love. These stories, shiny with whiskey and prairie sunsets, rattling subways and neglected cats, show growing up as a trans girl can be charming, funny, frustrating, or sad, but never will it be predictable.
In addition to Perkins, you can find A Safe Girl to Love as a free PDF on the author’s website Progress Never Stops For Nostalgic Transsexuals.
The Kukotsky Enigma: A Novel by Ludmila Ulitskaya, translated from the Russian by Diane Nemec Ignashev. The central character in Ludmila Ulitskaya’s celebrated novel The Kukotsky Enigma is a gynecologist contending with Stalin’s prohibition of abortions in 1936. But, in the tradition of Russia’s great family novels, the story encompasses the history of two families and unfolds in Moscow, St. Petersburg, and the ruins of ancient civilizations on the Black Sea. Their lives raise profound questions about family heritage and genetics, nurture and nature, and life and death. In his struggle to maintain his professional integrity and to keep his work from dividing his family, Kukotsky confronts the moral complexity of reproductive science. Winner of the 2001 Russian Booker Prize and the basis for a blockbuster television miniseries, The Kukotsky Enigma is an engrossing, searching novel by one of contemporary literature’s most brilliant writers.
If you’re interested, we also have the original Russian novel.
You Have the Right to Remain Fat by Virgie Tovar. Growing up as a fat girl, Virgie Tovar believed that her body was something to befixed. But after two decades of dieting and constant guilt, she was over it–and gave herself the freedom to trust her own body again. Ever since, she’s been helping others to do the same.Tovar is hungry for a world where bodies are valued equally, food is free from moral judgment, and you can jiggle through life with respect. In concise and candid language, she delves into unlearning fatphobia, dismantling sexist notions of fashion, and how to reject diet culture’s greatest lie: that fat people need to wait before beginning their best lives.
Odd Girl Out: My Extraordinary Autistic Life by Laura James. From childhood, Laura James knew she was different. She struggled to cope in a world that often made no sense to her, as though her brain had its own operating system. It wasn’t until she reached her forties that she found out why: Suddenly and surprisingly, she was diagnosed with autism.
With a touching and searing honesty, Laura challenges everything we think we know about what it means to be autistic. Married with four children and a successful journalist, Laura examines the ways in which autism has shaped her career, her approach to motherhood, and her closest relationships. Laura’s upbeat, witty writing offers new insight into the day-to-day struggles of living with autism, as her extreme attention to sensory detail–a common aspect of her autism–is fascinating to observe through her eyes.
As Laura grapples with defining her own identity, she also looks at the unique benefits neurodiversity can bring. Lyrical and lush, Odd Girl Out shows how being different doesn’t mean being less, and proves that it is never too late for any of us to find our rightful place in the world.
Amelia Hill of the Guardian interviewed Laura James about being a mother with autism.
This month our Collection Spotlight is celebrating the Kenan Institute for Ethics Book Clubs for Staff program by featuring some of the books that have been read by the various book clubs across campus. More than 50 books have been read across 15 departments. Some of the titles that have been read by these book clubs include:
Eating Animals by Jonathan Safran Foer
The Fault in Our Stars by John Green
Proud Shoes: The story of an American Family by Pauli Murray
Let the Great World Spin by Colum McCann
The Reluctant Fundamentalist by Mohsin Hamid
The Adventure Gap: Changing the Face of the Outdoors by James Edward Mills
State of Wonder by Ann Patchett
Redefining Realness by Janet Mock
Behind the Beautiful Forevers by Katherine Boo
Silent Spring by Rachel Carson
Check out the Collection Spotlight rack near our Perkins Library Service Desk on the first floor of Perkins to find some more thought provoking titles to read. If you are a staff member interested in starting your own Ethics Book Club in your department or office, you can find details here about how to get seed money to set it up.
The post January 2019 Collection Spotlight: KIE Staff Book Clubs appeared first on Duke University Libraries Blogs.
December 16th was Jane Austen’s birthday! As always I like to celebrate with a blog post highlighting interesting things to read and new books that have been published about her. I really liked this recent article from JSTOR Daily about Austen’s subtle but masterful use of language. The OUPblog also had an interesting article about Jane Austen fans. Finally I found this recent list from Mental Floss amusing!
Here are some new books that we own:
Jane Austen: The Chawton Letters edited with an introduction by Kathryn Sutherland
Jane Austen and Masculinity edited by Michael Kramp
Jane Austen’s Geographies edited by Robert Clark
Jane Austen and Sciences of the Mind edited by Beth Lau
The annotated Mansfield Park annotated and edited, with an introduction, by David M. Shapard
Finally if you are looking for something fun to watch, may I suggest Austenland from 2013?
The Duke University Human Rights Center@the Franklin Humanities Institute and the Human Rights Archive at the David M. Rubenstein Rare Book and Manuscript Library have named María McFarland Sánchez-Moreno’s book, There Are No Dead Here: A Story of Murder and Denial in Colombia (Nation Books, 2018) as the winner of the 2018 Juan E. Méndez Book Award for Human Rights in Latin America. McFarland will visit Duke University during spring semester 2019 to accept the award.
There Are No Dead Here is a deep dive into key human rights cases that exposed the murderous nexus between right-wing paramilitaries, drug lords, and Colombia’s military and political establishment. Through dogged reporting, in part as a Human Rights Watch researcher, McFarland unravels the links that led to the murders of Colombian rights investigators by powerful interests that reached as high as military leadership and even the Colombian presidency.
When notified of the award, McFarland stated, “It was a joy and privilege for me to tell the stories of some of the many Colombians who stand up for truth and justice every day. So it’s tremendously satisfying that those stories are now getting the recognition they so deserve, thanks to the Mendez Award, which itself is named after a brave fighter for human rights.”
First awarded in 2008, the Méndez Human Rights Book Award honors the best current, fiction or non-fiction book published in English on human rights, democracy, and social justice in contemporary Latin America. The books are evaluated by a panel of expert judges drawn from academia, journalism, and public policy circles.
“Colombia is often portrayed as a place where violence is endemic and unstoppable,” said Robin Kirk, the Committee Chair and co-director of the Duke Human Rights Center@the Franklin Humanities Institute, “McFarland’s riveting story shows that the truth is much more complex. Again and again, Colombians step up to fight for justice even though they face daunting odds. Their story is well told in her astonishing book.”
Other judges include Holly Ackerman, Librarian for Latin American, Iberian and Latino/a Studies at Duke University Libraries, who commented, “McFarland’s’ book highlights a fundamental tool in the struggle for justice — people who will not look away. The determination and sacrifice of three individuals moved Colombia toward historical truth and a still-fragile peace. There Are No Dead Here demonstrates a clear linkage between individual courage and the collective awareness that creates the possibility for justice to triumph over impunity.”
James Chappel, Hunt Assistant Professor of History at Duke University, also offered praise: “McFarland does a wonderful job contextualizing the stories of these human rights defenders. As we focus so incessantly on the structure of unequal neoliberal globalization, human rights progress depends on incredibly brave men and women on the front lines.”
Other judges include Kia Caldwell, Associate Professor of African, African-American, and Diaspora Studies at UNC-Chapel Hill; and Kirsten Weld, John L. Loeb Associate Professor of the Social Sciences in the Department of History at Harvard University.About the Author
Maria McFarland Sánchez-Moreno is an activist, writer, and lawyer. As the executive director of the Drug Policy Alliance, Maria is at the helm of the leading organization in the U.S. fighting to end the war on drugs in the United States and beyond.
Previously, Maria held several positions at Human Rights Watch, including as co-director of its U.S. Program, guiding the organization’s work on U.S. criminal justice, immigration, and national security policy; and as deputy Washington director, working on a broad range of U.S. foreign policy issues. She started her career there as the organization’s senior Americas researcher, covering Colombia’s internal armed conflict and working on the extradition and trial of former Peruvian President Alberto Fujimori.
Maria grew up in Lima, Peru, and now lives in Brooklyn.Previous Méndez Award Recipients
- 2017 – Matt Eisenbrandt, Assassination of a Saint, The Plot to Murder Óscar Romero and the Quest to B